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ORCHESTRE
Orchestre d'harmonie
Partitions à imprimer
106 partitions trouvées
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"The Young Oak" Concert March for Concert Band
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Orchestre d'harmonie
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Kazys DaugÄ—la
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"The Young Oak" Conc
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Kazys Daugela
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SheetMusicPlus
Concert Band - SKU: A0.935514 Composed by Kazys DaugÄ—la. 20th Century,Contemporary,Patriotic,World. Score and parts. 21 pages. Kazys Daugela #670924...
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Concert Band - SKU: A0.935514 Composed by Kazys DaugÄ—la. 20th Century,Contemporary,Patriotic,World. Score and parts. 21 pages. Kazys Daugela #6709249. Published by Kazys Daugela (A0.935514). The Young Oak March was composed by Lithuanian composer Kazys DaugÄ—la (b. 1960) in 1989 for the first international festival Trimitas held in the city of Vilnius. The spirit of the march reflects the hopeful mood of the long-depressed people of Lithuania. The melody near the midpoint is taken from the Lithuanian folk song The Young Oak Grew in the Forest, which is with 3/4 and 2/2 meters, but as for marching everything goes symmetrically. In this context the young oak refers to a young man whose mother wanted him to be a ploughman, not a soldier. But as the text continues, if you haven't been a soldier, you can't be a good ploughman.The Young Oak - a popular patriotic march in Lithuania composed during the Lithuanian revival. It is often performed by military bands during Lithuanian statehood celebrations and festivals. This march was involved in the world march encyclopedia March Music Notes and Program Notes for Band by Norman E. Smith (GIA Publications, Inc. Chicago)
$14.99
"The Young Oak" Concert March for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Kazys DaugÄ—la
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"The Young Oak" Conc
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Kazys Daugela
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.935512 Composed by Kazys DaugÄ—la. 20th Century,Contemporary,Patriotic,World. Score and parts. 123 pages. Kazys Daug...
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Concert Band - Level 3 - SKU: A0.935512 Composed by Kazys DaugÄ—la. 20th Century,Contemporary,Patriotic,World. Score and parts. 123 pages. Kazys Daugela #6709227. Published by Kazys Daugela (A0.935512). The Young Oak March was composed by Lithuanian composer Kazys DaugÄ—la (b. 1960) in 1989 for the first international festival Trimitas held in the city of Vilnius. The spirit of the march reflects the hopeful mood of the long-depressed people of Lithuania. The melody near the midpoint is taken from the Lithuanian folk song The Young Oak Grew in the Forest, which is with 3/4 and 2/2 meters, but as for marching everything goes symmetrically. In this context the young oak refers to a young man whose mother wanted him to be a ploughman, not a soldier. But as the text continues, if you haven't been a soldier, you can't be a good ploughman. The Young Oak - a popular patriotic march in Lithuania composed during the Lithuanian revival. It is often performed by military bands during Lithuanian statehood celebrations and festivals. This march was involved in the world march encyclopedia March Music Notes and Program Notes for Band by Norman E. Smith (GIA Publications, Inc. Chicago)
$49.99
Nearer My God To Thee (Titanic) for Young Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Musique Sacrée
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Keith Terrett
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett....
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Concert Band - Level 3 - SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Multicultural,Praise & Worship,Sacred,Traditional,World. 20 pages. Keith Terrett #615015. Published by Keith Terrett (A0.1009356). Nearer, My God, to Thee arranged for Young Concert Band, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
Youngstown
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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James Urech
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Youngstown
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Outlaw Run Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1514095 Composed by James Urech. 20th Century,Chamber. 16 pages. Outlaw Run Publishing #1088558. Published by Outlaw Ru...
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Concert Band - Level 4 - SKU: A0.1514095 Composed by James Urech. 20th Century,Chamber. 16 pages. Outlaw Run Publishing #1088558. Published by Outlaw Run Publishing (A0.1514095). Youngstown is a city in Ohio near the state’s border with Pennsylvania which fueled America's burgeoning industrial revolution with its steel manufacturing. After World War II, however, Youngstown began a slow economic decline as its economy failed to diversify. This culminated on “Black Monday,” September 19, 1977, when several steel plants shut down, destroying over 5,000 jobs overnight, and tens of thousands more in the coming months.This piece attempts to capture the history and spirit of Youngstown through the multifaceted textures of the wind band. With light flowing textures representing the city's beginnings as an iron mining town to harsher, industrial sounds for its height of influence, both give way to the devastation of Black Monday. Despite this, a melodic throughline permeates the darkness, representing the survival of the soul of Youngstown.Youngstown is a challenging, soulful, and emotional piece that should be playable by varsity-level high school bands and college wind ensembles. Score is formatted for 11x17 paper. For parts, reach out to me directly at jamesurech@yahoo.com, and I will provide well-formatted PDFs of the parts for no charge.
$20.00
Do You Hear How Many You Are?
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Orchestre d'harmonie
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FACILE
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spin...
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Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
I Love You Always Forever
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Orchestre d'harmonie
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FACILE
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Donna Lewis
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John Ivor Holland
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I Love You Always Forever
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1295367 By Donna Lewis. By Donna Lewis. Arranged by John Ivor Holland. 20th Century,21st Century,Pop,Singer/Songwriter....
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Concert Band - Level 2 - SKU: A0.1295367 By Donna Lewis. By Donna Lewis. Arranged by John Ivor Holland. 20th Century,21st Century,Pop,Singer/Songwriter. Score and Parts. 47 pages. John Ivor Holland #885646. Published by John Ivor Holland (A0.1295367). I Love You Always Forever is the debut single by Welsh singer Donna Lewis from her debut album, 'Now in a Minute' (1996). Written by Lewis, it was released as the album's lead single in the United States in April 1996 and in the United Kingdom in August that year. Inspired by the novel 'Love for Lydia' by English author H. E. Bates, the lyrics of the song declare endless love for her significant other. The song was originally titled Lydia, but was later changed because there was no mention of anyone with that name in the song. The chorus, I love you always forever, near and far closer together, is a quote taken directly from the book. The success of I Love You Always Forever earned Lewis a nomination for Best British Female Artist at the 1997 Brit Awards and in 2016, a cover version of the song by Australian pop singer Betty Who peaked at number six on the ARIA Singles Chart and topped the US Billboard Dance Club Songs chart. The song has seen a resurgence recently in its use as background for various internet memes. Turn back the clock with this timeless love song, for a Valentine's concert or at any time, really.
$49.99
Lawson's Fork March - for young concert band
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Orchestre d'harmonie
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DÉBUTANT
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John McAllister
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Lawson's Fork March - for youn
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John McAllister
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.778205 Composed by John McAllister. 20th Century,Contemporary,Standards. Score and parts. 25 pages. John McAllister #64...
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Concert Band - Level 1 - SKU: A0.778205 Composed by John McAllister. 20th Century,Contemporary,Standards. Score and parts. 25 pages. John McAllister #6430477. Published by John McAllister (A0.778205). Lawson's Fork March is a straight-forward march for young (1st to 2nd year typically) bands. It would be a great first piece to start learning march style. It has simple, accessible melodies, accompanied by the idiomatic low brass (all in unison) and percussion engine. It starts in the key of Eb and modulates to Ab, however it only uses accidentals and doesn't actually change the key signature. I titled the march after Lawson's Fork Creek which I often stroll alongside. This creek and the trails nearby were a tremendous refuge for me during Covid.
$30.00
Final Impact: (wp) 1st Horn in E-flat
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Orchestre d'harmonie
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Methodes
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Roland Barrett
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Final Impact:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001663_WPEH1 (wp) 1st Horn in E-flat. Composed by Roland Barrett. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0001663_WPEH1 (wp) 1st Horn in E-flat. Composed by Roland Barrett. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001663_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001663_WPEH1). UPC: 038081341477.Imagine a huge meteor striking the earth! That event occurred nearly 50 years ago near Winslow, Arizona, and was the inspiration for this work. You'll experience the anticipation before the strike with bold sweeping sounds. A bold addition to the beginning band repertoire sure to make a sizable impact!
$3.00
Final Impact: (wp) B-flat Tuba T.C.
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Orchestre d'harmonie
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Methodes
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Roland Barrett
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Final Impact:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001663_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Roland Barrett. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0001663_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Roland Barrett. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001663_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001663_WPTBBTC). UPC: 038081341477.Imagine a huge meteor striking the earth! That event occurred nearly 50 years ago near Winslow, Arizona, and was the inspiration for this work. You'll experience the anticipation before the strike with bold sweeping sounds. A bold addition to the beginning band repertoire sure to make a sizable impact!
$3.00
Final Impact: (wp) E-flat Tuba T.C.
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Orchestre d'harmonie
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Methodes
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Roland Barrett
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Final Impact:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001663_WPTBETC (wp) E-flat Tuba T.C.. Composed by Roland Barrett. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0001663_WPTBETC (wp) E-flat Tuba T.C.. Composed by Roland Barrett. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001663_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001663_WPTBETC). UPC: 038081341477.Imagine a huge meteor striking the earth! That event occurred nearly 50 years ago near Winslow, Arizona, and was the inspiration for this work. You'll experience the anticipation before the strike with bold sweeping sounds. A bold addition to the beginning band repertoire sure to make a sizable impact!
$3.00
Final Impact: (wp) 1st B-flat Trombone B.C.
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Orchestre d'harmonie
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Methodes
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Roland Barrett
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Final Impact:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001663_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Roland Barrett. Instructional. World Part. 1 pages. Alfre...
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Concert Band - SKU: AX.00-PC-0001663_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Roland Barrett. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001663_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001663_WPTN1BC). UPC: 038081341477.Imagine a huge meteor striking the earth! That event occurred nearly 50 years ago near Winslow, Arizona, and was the inspiration for this work. You'll experience the anticipation before the strike with bold sweeping sounds. A bold addition to the beginning band repertoire sure to make a sizable impact!
$3.00
Final Impact: (wp) E-flat Tuba B.C.
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Orchestre d'harmonie
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Methodes
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Roland Barrett
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Final Impact:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001663_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Roland Barrett. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0001663_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Roland Barrett. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001663_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001663_WPTBEBC). UPC: 038081341477.Imagine a huge meteor striking the earth! That event occurred nearly 50 years ago near Winslow, Arizona, and was the inspiration for this work. You'll experience the anticipation before the strike with bold sweeping sounds. A bold addition to the beginning band repertoire sure to make a sizable impact!
$3.00
Final Impact: (wp) B-flat Tuba B.C.
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Orchestre d'harmonie
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Methodes
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Roland Barrett
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Final Impact:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001663_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Roland Barrett. Instructional. World Part. 1 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0001663_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Roland Barrett. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001663_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001663_WPTBBBC). UPC: 038081341477.Imagine a huge meteor striking the earth! That event occurred nearly 50 years ago near Winslow, Arizona, and was the inspiration for this work. You'll experience the anticipation before the strike with bold sweeping sounds. A bold addition to the beginning band repertoire sure to make a sizable impact!
$3.00
Iowa River Scenes
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Orchestre d'harmonie
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FACILE
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Cory J
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Iowa River Scenes
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Cory J. McBride
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.849023 Composed by Cory J. McBride. Standards. Score and parts. 62 pages. Cory J. McBride #3594289. Published by Cory J...
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Concert Band - Level 2 - SKU: A0.849023 Composed by Cory J. McBride. Standards. Score and parts. 62 pages. Cory J. McBride #3594289. Published by Cory J. McBride (A0.849023). Grade 2Iowa River Scenes was commissioned and premiered in scenic Northeast Iowa, USA. Located near two rivers, mainly the Upper Iowa and Mississippi Rivers, these two have etched some of the most beautiful and majestic landscape in the Midwest region of the United States. Cory McBride has done a tremendous job creating an accessible and exciting multi-movement work that is specifically tailored to young musicians. Your audience will love this ode to natural landscape beauty!Connect with Cory J. McBride:Webpage: www.coryjmcbride.comFacebook: Composer Cory J. McBrideTwitter: @CoryJMcBrideYouTube: Composer Cory J. McBride
$62.00
Rhapsody for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock ...
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Concert Band - Level 4 - SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Orchestre d'harmonie
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FACILE
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
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Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
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Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Outete
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Orchestre d'harmonie
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FACILE
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Keen'V
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Kirk Kiernander
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Outete
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Kirk Kiernander
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1492841 By Keen'V. By Curtis Inseque, Jordan Houyez, Julio Masidi, and Kevin Bonnet. Arranged by Kirk Kiernander. Conte...
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Concert Band - Level 2 - SKU: A0.1492841 By Keen'V. By Curtis Inseque, Jordan Houyez, Julio Masidi, and Kevin Bonnet. Arranged by Kirk Kiernander. Contemporary,Multicultural,Pop,World. 34 pages. Kirk Kiernander #1069527. Published by Kirk Kiernander (A0.1492841). Outété, performed by Keen'V, was the runner-up song for the 2023 Manie Musicale song competition. This high energy piece has been arranged for concert band where each Part 1 is levelled near grade 1.5, Part 2 near grade .75. When Part 2 has a more complicated part, support is given with Part 1. For levelled percussion, the Drums part has been extracted to Snare Drum and Bass Drum parts.Ensembles can play Part 1 by itself, or just Part 2, but there are impressive rhythmic complications when both parts are played together. This piece can be played as a side-by-side for 2 different levelled bands (e.x., Junior/Senior Bands) or in class to allow students to work within their own abilities. Lastly, this piece can be played as the backing track for a vocalist to sing along with.It is encouraged to play Outété alongside the song to help with student engagement, rhythmic accuracy, and tuning as it is in the same key of Bb Concert.Audio for Outété found here: https://www.youtube.com/watch?v=U8CTuHNh3zUMeasure 36 in the Drums part, the cymbal should be rolled into the repeat and measure 37.
$55.00
Monody
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Vid...
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Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
Ohne Sorgen (Without Cares), Polka schnell (Quick Polka) op. 271
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Josef Strauss
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Albert Schwarzmann
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Ohne Sorgen
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Edition Schwalbe
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1489659 Composed by Josef Strauss. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 70 pages. Edition Schw...
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Concert Band - Level 4 - SKU: A0.1489659 Composed by Josef Strauss. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 70 pages. Edition Schwalbe #1066531. Published by Edition Schwalbe (A0.1489659). Ohne Sorgen (Without Cares), a Polka schnell (Quick Polka) by Josef Strauss, younger brother of the famous king of waltz Johann jr., was composed in 1869,while passing the summer with the Strauss orchestra in Pavlovsk near St. Petersburg, Russia. It was premiered there on 10 September 1869. As a special feature of this piece, laughing by the musicians is demanded at certain points in the Trio. This is more difficult to execute with a wind band, as wind players can't laugh and play simultaneously like string players. The arrangement is kept in the original key of the composition for symphony orchestra. Is was first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2015 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria, repeated on 6 January 2023 by Salzburg Wind Philharmonic and broadcasted both times live by Austrian television. Live recordings of both concerts are available at https://www.salzburg-windphilharmonic.at/de/wien-trifft-london/ and https://www.salzburg-windphilharmonic.at/de/freunde-das-leben-ist-lebenswert/ or https://www.jpc.de/jpcng/classic/detail/-/art/freunde-das-leben-ist-lebenswert/hnum/11521748 and https://www.jpc.de/jpcng/classic/detail/-/art/wien-trifft-london/hnum/10428729?iampartner=303&subid=umr3&ref=partner.jpc.de.
$80.00
Coventry Carol for Concert Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Noël
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Anon
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Robert Luke Thompson
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Coventry Carol for Concert Ban
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Monkspath Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.979775 Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Scor...
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Concert Band - Level 3 - SKU: A0.979775 Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Score and Parts. 38 pages. Monkspath Music #6098173. Published by Monkspath Music (A0.979775). The Coventry Carol originates from a medieval mystery play entitled The Pageant of the Shearmen and Tailors. The play depicts the Christmas story, from the Annunciation (where the Angel Gabriel appears to Mary), to the Massacre of the Innocents (where King Herod of Judea orders the death of all male infants near Bethlehem under the age of two). It is this tale that the Coventry Carol depicts, taking the form of a lullaby sung by the mothers of the murdered children. As is appropriate, the music is in a minor key – this arrangement uses G minor and D minor as a homage to well-known harmonisations by Thomas Sharp and Henry Walford Davies. It is unknown when the words were first set to music, but a proposed date is 1591, or earlier! Other interesting musical features include the use of a ‘Picardy third’, and ‘false relations’, contributing to the haunting quality of this enduring piece, both in the heart of the English Midlands, and further afield. This arrangement is suitable for all bands of beginner-intermediate ability or higher. There is plenty of interest for both experienced players, and for newcomers. The instrumentation is designed to facilitate both a full sound, but also for flexibility, which is often desired by school, youth, and amateur wind bands / concert bands / wind orchestras.
$39.99
A River Runs Clear
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Orchestre d'harmonie
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FACILE
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Angelina Panozzo
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Owl Press
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A River Runs Clear
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Angelina Panozzo
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.898902 Composed by Angelina Panozzo. Arranged by Owl Press. Country,Folk,Holiday,Patriotic. Score and parts. 56 pages. ...
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Concert Band - Level 2 - SKU: A0.898902 Composed by Angelina Panozzo. Arranged by Owl Press. Country,Folk,Holiday,Patriotic. Score and parts. 56 pages. Angelina Panozzo #24441. Published by Angelina Panozzo (A0.898902). This piece for wind ensemble features elements of original composition along with an arrangement of the traditional folk favorite, Shenandoah. This piece is accessible for early intermediate ensembles with a flexible orchestration. This piece is an excellent choice for late spring and summer concerts, near Memorial day and the 4th of July for a dose of patriotic Americana. If you have any questions or comments, you can reach me on AngelinaPanozzo.com. Happy music making!
$5.00
Meditation
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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John Ireland
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John Ivor Holland
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Meditation
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1385649 Composed by John Ireland. Arranged by John Ivor Holland. 20th Century,Christian,Classical,Religious. 82 pages. ...
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Concert Band - Level 4 - SKU: A0.1385649 Composed by John Ireland. Arranged by John Ivor Holland. 20th Century,Christian,Classical,Religious. 82 pages. John Ivor Holland #969580. Published by John Ivor Holland (A0.1385649). John Ireland studied piano with Frederick Cliffe and composition with Charles Villers Stanford at the Royal College of Music in London, where he himself taught between 1923 and 1939, his pupils including Benjamin Britten. He worked as organist and choirmaster at St Luke's Chelsea between 1904 and 1926, while developing his career as a composer. Ireland retired in 1953, settling in the hamlet of Rock in Sussex, where he lived in a converted windmill for the rest of his life. It was there he met the young pianist Alan Rowlands who would be Ireland's choice to record his complete piano music.He died of heart failure aged 82 at Rock Mill in Washington, Sussex, and is buried at St. Mary the Virgin in Shipley, near his home. His epitaph reads Many waters cannot quench love and One of God's noblest works lies here. His organ music belongs largely to the early years of his composing career (1902-1911), however, the 'Meditation' on John Keble's Rogationtide Hymn was written in 1958, and was his very last composition. Arranged for concert band, including parts for string bass and contrabass woodwind, as well as attractive moments for Cor Anglais.
$59.99
Krebs Trio
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Classique
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Stephen R Dalrymple
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Krebs Trio
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818295 By Stephen R Dalrymple. By Johann Ludwig Krebs. Arranged by Stephen R Dalrymple (Dalrymple Designs). Baroque. Sc...
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Concert Band - Level 3 - SKU: A0.818295 By Stephen R Dalrymple. By Johann Ludwig Krebs. Arranged by Stephen R Dalrymple (Dalrymple Designs). Baroque. Score and parts. 14 pages. Stephen R Dalrymple #5030197. Published by Stephen R Dalrymple (A0.818295). Krebs Trio ♫ for Concert Band with Flexible Instrumentation ♫ by Johann Ludwig Krebs (1713-1780) ♫ arranged by Stephen R Dalrymple ♫ Johann Krebs was the son of a well-known organist. Krebs studied organ and composition with JS Bach and was highly commended by him. He was one of the most technically gifted young organists of his day, yet was never employed by a major church. Krebs held modest positions all of his life and he and his family of seven children struggled with poverty. ♫ Although underpaid according to his ability and training, Krebs produced a large body of work – 193 known scores. His compositions are judged to be of prime quality, superior enough for scholars to argue whether a piece was composed by him or Bach. His Toccata and Fugue in E for organ is counted one of the masterpieces in Baroque literature. His 2 concertos for lute show that he must have been an accomplished lute player. Krebs was born, studied, lived, & composed in or near Upper Saxony (much like Bach). ♫ Teaching band in a small school, I often needed flexible instrumentation to assure satisfaction for students when a full complement of instruments was not available. This Baroque work from pipe organ literature has been scored for 3 independent polyphonic voices plus an optional percussion part. This piece can be played with almost any combination of instruments or as a trio or quartet. I added an optional hand drum part so percussionists can also participate. Krebs Trio has been performed by my mid level band and a quintet of music educators at a school music benefit concert, and the fanfa at North Haiti Music Camp. ♫ Purchase price includes permission is granted to make photocopies of parts additional scores for a medium size school band.
$18.00
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