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Vous avez sélectionné:
Borodin
ORCHESTRE
Ensemble de cuivres
Partitions à imprimer
6 partitions trouvées
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String Trio in G Minor for Brass Trio - Alexander Borodin
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Ensemble de cuivres
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Classique
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Alexander Borodin
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Justin Chiang
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String Trio in G Minor for Bra
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Justin Chiang
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SheetMusicPlus
Brass Ensemble - SKU: A0.924424 Composed by Alexander Borodin. Arranged by Justin Chiang. Romantic Period. Score and parts. 22 pages. Justin Chiang #476...
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Brass Ensemble - SKU: A0.924424 Composed by Alexander Borodin. Arranged by Justin Chiang. Romantic Period. Score and parts. 22 pages. Justin Chiang #4764443. Published by Justin Chiang (A0.924424). This is an arrangement of Borodin's String Trio in G Minor for Trumpet, Horn, and Trombone. There are trumpet parts in C and Bb for your convenience. This is based on a Russian Folk Song and shows off a lot of virtuosity for the brass trio. .
$15.00
Nocturne from String Quartet no. 2 - A Borodin
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Ensemble de cuivres
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FACILE
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Classique
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Alexander Borodin
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Peet du Toit
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Nocturne from String Quartet n
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Peet du Toit
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.802403 Composed by Alexander Borodin. Arranged by Peet du Toit. Romantic Period. Score and parts. 9 pages. Peet du To...
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Brass Ensemble - Level 2 - SKU: A0.802403 Composed by Alexander Borodin. Arranged by Peet du Toit. Romantic Period. Score and parts. 9 pages. Peet du Toit #5375717. Published by Peet du Toit (A0.802403). Time for Romantic Tuba and Trombone solos within a brass quintet setting!
$14.00
Gliding Dance of the Maidens from Polovtsian Dances ("Stranger In Paradise")
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Ensemble de cuivres
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INTERMÉDIAIRE
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Alexander Borodin
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F
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Gliding Dance of the Maidens f
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,R...
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Brass Ensemble - Level 3 - SKU: A0.808675 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 19 pages. Sweetwater Brass Press #3130463. Published by Sweetwater Brass Press (A0.808675).     The defeat of Igor Svyatoslavich, a Rus’ prince, in his 1185 campaign against invading Cuman (Polovtsy) tribes was immortalized in the Russian epic, The Lay of Igor’s Campaign. Seven centuries later, Alexander Borodin started work on an opera based on that old tale. Borodin died before finishing, but Nikolai Rimsky-Korsakov and Alexander Glazunov completed Prince Igor, and it was performed for the first time in 1890. Sixty-three years later the Broadway production Kismet opened featuring songs adapted by Robert Wright and George Forrest from the music of Borodin. Arguably, the most popular of the show’s songs was Stranger in Paradise, which was based on the Gliding Dance of the Maidens from the Polovtsian Dances of Prince Igor.     This beautiful brass quintet arrangement of Gliding Dance of the Maidens was adapted from the orchestra score. The key is A major, time signature is 4/4 and tempo marking is Andantino at the opening, slowing to a suggested quarter note = 63 at measure 15. Trumpets, Horn in F and Trombone all play a few grace notes. Highest notes for Trumpets are their G-sharp just above the staff; for Trombone, E above the staff. While not particularly challenging technically, the key to playing this piece is interpretation and feeling.    This arrangement was completed in 2017, and performance time runs about 2 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
Scherzo from Quartet No. 2 ("Baubles, Bangles and Beads")
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Alexander Borodin
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F
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Scherzo from Quartet No. 2
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.808681 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Film/TV,Holiday,Musical/Show,Ro...
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Brass Ensemble - Level 4 - SKU: A0.808681 Composed by Alexander Borodin (1833–1887). Arranged by F. Leslie Smith. Film/TV,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 66 pages. Sweetwater Brass Press #3389235. Published by Sweetwater Brass Press (A0.808681). Borodin wrote his String Quartet No. 2 in 1881. Seventy-seven years later, Robert Wright and George Forrest took the subordinate theme of the Quartet’s second movement and used it as the basis for Baubles, Bangles and Beads, in the 1953 Broadway musical Kismet. The song became a hit in its own right and enjoyed success on recordings, radio and television.
$7.00
Ewald: Quintet No. 2 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 2 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition #5730965. Published by KVAMusic Edition (A0.768515). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
Ewald: Quintet No. 3 for Brass Instruments
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Ensemble de cuivres
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Classique
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 3 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition...
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Brass Ensemble - SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition #5730969. Published by KVAMusic Edition (A0.768517). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
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