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ORCHESTRE
Ensemble de cuivres
Partitions à imprimer
124 partitions trouvées
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One Voice
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Barry Manilow
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Lisa Ochoco
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One Voice
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Lisa L Ochoco
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SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.559795 By Barry Manilow. By Barry Manilow. Arranged by Lisa Ochoco. Contemporary. Sc...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.559795 By Barry Manilow. By Barry Manilow. Arranged by Lisa Ochoco. Contemporary. Score and Parts. 17 pages. Lisa L Ochoco #4790747. Published by Lisa L Ochoco (A0.559795). One Voice is one of the most beautiful songs I have ever heard. Starting with just a single melody line, it grows into a full choir piece with expanded chords.
$14.00
"The Trumpet Shall Sound" for Brass Quintet and Bass Voice
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Ensemble de cuivres
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AVANCÉ
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Classique
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George Frideric Handel
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"The Trumpet Shall Sound" for
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Gia H
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SheetMusicPlus
Composed by George Frideric Handel (1685-1759). Arranged by Jiahung Zou. Baroque, Sacred, World. Score and parts. 22 pages. Gia H #3879069. Published ...
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Composed by George Frideric Handel (1685-1759). Arranged by Jiahung Zou. Baroque, Sacred, World. Score and parts. 22 pages. Gia H #3879069. Published by Gia H
An arrangment of "The Trumpet Shall Sound", aria from the well-known "Messiah" by G. F. Handel.
Duration: ca. 4'30"
Adopted for advanced-level brass quintet and voice, this arrangment is written in the original key, and requires piccolo trumpet in A as a solist; the second trumpet part is in C. It is a shorter version of this famous Recitative and Air, which contains the Recitative part, and mm. 1-156 of the Air.
$14.99
Voices Of The Sky
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Ensemble de cuivres
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Contemporain
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Samuel R
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Robert W
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Voices Of The Sky
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Robert Campbell
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SheetMusicPlus
Brass Ensemble - SKU: A0.489958 Composed by Samuel R. Hazo. Arranged by Robert W. Campbell. 20th Century,Contemporary. Score and parts. 49 pages. Robert...
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Brass Ensemble - SKU: A0.489958 Composed by Samuel R. Hazo. Arranged by Robert W. Campbell. 20th Century,Contemporary. Score and parts. 49 pages. Robert Campbell #106063. Published by Robert Campbell (A0.489958). A new arrangement for a traditional British-style brass band. All parts are in treble clef with the exception of the bass trombone, which is also typical of brass band music. This piece is just over five minutes in length. It is my goal to expand the available repertoire of traditional brass band music by creating arrangements of traditional, classical, and modern symphonic and wind orchestra works. Find my other arrangements by searching for my name. Please send comments to disaster_one@verizon.net.
$39.99
O Sons and Daughters - unison voices, organ, handbells, brass, timpani
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Ensemble de cuivres
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INTERMÉDIAIRE
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Musique Sacrée
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Jean Tisserand
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Todd Marchand
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O Sons and Daughters - unison
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.726075 Composed by Jean Tisserand (?-1494). Arranged by Todd Marchand. Easter,Sacred. Score and parts. 37 pages. Con ...
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Brass Ensemble - Level 3 - SKU: A0.726075 Composed by Jean Tisserand (?-1494). Arranged by Todd Marchand. Easter,Sacred. Score and parts. 37 pages. Con Spirito Music #3455833. Published by Con Spirito Music (A0.726075). The Easter hymn, O Sons and Daughters (O Filii et Filiae) is attributed to a Franciscan monk, Jean Tisserand (?-1494). It was discovered in a booklet printed in Paris between 1518 and 1536, was translated from Latin to English by the Anglican priest and hymnodist John Mason Neale (1818-1866), and was published in his Medieval Hymns, 1851. The tune is thought to be from the same era as the text, perhaps also written by Tisserand.
$30.00
Monteverdi - The Sixth Book of Madrigals (Complete)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons...
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Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).
$115.00
Hope Prevails
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Ensemble de cuivres
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His Own Hand - 4:26 in length:
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Lim...
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Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00
And So It Goes
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Ensemble de cuivres
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FACILE
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Rock
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Billy Joel
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BlechMax
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And So It Goes
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Markus Dag
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.955704 By Billy Joel. By Billy Joel. Arranged by BlechMax. Pop,Rock. Score and parts. 28 pages. Markus Dag #6136411. ...
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Brass Ensemble - Level 2 - SKU: A0.955704 By Billy Joel. By Billy Joel. Arranged by BlechMax. Pop,Rock. Score and parts. 28 pages. Markus Dag #6136411. Published by Markus Dag (A0.955704). This is a flexible arrangement. That means you have a score with 5 voices and different transpositions for different instrument combinations.You can play it with a Brass Quintet, a Woodwind Quintet, a Saxophone Ensemble, a String Quintet or a combination of these.Here is a complete list: Score is in C Voice I:Trumpet I in Bb Flute in COboe in C Violin IAlto Saxophone I in Eb Voice II:Trumpet II in B Clarinet I in BViolin IIAlto Saxophone II in Eb Voice III:French Horn for Brass Ensemble in F Clarinet II in BViolaTenor Saxophon I in B Voice IV: Trombone in C French Horn for Woodwind Ensemble in F VioloncelloTenorsaxophone II in B Voice V:Tuba in CBassoonDouble BassBaritone Saxophone in Eb
$14.99
Urlicht from Mahler's 2nd Symphony in C minor for Flugel or Mezzo Sop solo
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Ensemble de cuivres
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Classique
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Gustav Mahler
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Phil Lawrence
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Urlicht from Mahler's 2nd Symp
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Phillip Lawrence
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SheetMusicPlus
Brass Ensemble - SKU: A0.883780 Composed by Gustav Mahler. Arranged by Phil Lawrence. Concert,Contemporary,Easter,Romantic Period. Score and parts. 35 p...
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Brass Ensemble - SKU: A0.883780 Composed by Gustav Mahler. Arranged by Phil Lawrence. Concert,Contemporary,Easter,Romantic Period. Score and parts. 35 pages. Phillip Lawrence #4283561. Published by Phillip Lawrence (A0.883780). There’s no doubt that this is one of the saddest and yet beautiful works ever, The Urlicht from Mahler’s 2nd Symphony in C minor for alto voice and alternatively here for Flugel solo. I arranged this 14 years ago for a dear friend trumpeter of mine who passed before his time and a favourite of his.I discovered Mahler 2 at the age of 16 and like Kaplin, it has been a journey of understanding and study for me sifting through Mahler’s own handwritten score at times and through his letters at the time of composing which on and off was near 20 years! The recording you will here attached is by The Fairey Band (from my album with them It's Not Unusual worldofbrass) conducted by Frank Renton and sung by one of the most beautiful alto voices in this land, Margaret McDonald. I’ve no doubt in my mind this arrangement works 100% hence me including the recording itself. Alternatives within the score are Picc A tpt in lieu of Sop, the solo line flg instead of mezzo voice, vibraphone instead of harp.
$29.99
Don't Stop Believin'
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Ensemble de cuivres
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INTERMÉDIAIRE
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Film/TV
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Journey
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Tim Olt
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Don't Stop Believin'
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Olt Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.759443 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Tim Olt. Film/TV. Score and parts. 20 p...
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Brass Ensemble - Level 3 - SKU: A0.759443 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Tim Olt. Film/TV. Score and parts. 20 pages. Olt Music #6662955. Published by Olt Music (A0.759443). So just imagine that Journey decided to party with Weird Al, Hayseed Dixie and Voiceplay... I wonder what that would sound like? Guaranteed fun for the group and audience!
$15.00
Wachet auf, ruft uns die Stimme - BWV 645 (for Brass Quartet)
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Ensemble de cuivres
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Classique
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Johann Sebastian Bach
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Flávio Régis Cunha
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Wachet auf, ruft uns die Stimm
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Flavio Regis Cunha
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SheetMusicPlus
Brass Ensemble - SKU: A0.597240 Composed by Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Christian,Concert,Sacred,Standards. Sco...
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Brass Ensemble - SKU: A0.597240 Composed by Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Christian,Concert,Sacred,Standards. Score and parts. 12 pages. Flavio Regis Cunha #4604215. Published by Flavio Regis Cunha (A0.597240). Wachet auf, ruft uns die Stimme (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with Wie schön leuchtet der Morgenstern. It appears in German hymnals and in several English hymnals in translations such as Wake, Awake, for Night Is Flying (Catherine Winkworth, Wake, O wake! with tidings thrilling (Francis Crawford Burkitt, 1906), and Up! Awake! From Highest Steeple (George Ratcliffe Woodward, 1908). Johann Sebastian Bach based a chorale cantata on the hymn, Wachet auf, ruft uns die Stimme, BWV 140, one of its many settings for organ and for voices. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$7.99
Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons Music Services #3218699. Published by Lyons Music Services (A0.767279). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song, No 10 starts with the line Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices. As with all things madrigalian, the lyrics are rife with double entendres.
$4.99
Monteverdi - The Sixth Book of Madrigals - 01. Lasciatemi morire
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767270 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 13 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767270 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 13 pages. Lyons Music Services #3218673. Published by Lyons Music Services (A0.767270). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first of these is Lasciatemi morire which translates as Let me die or, perhaps, Leave me to die. There is almost a conversation between two groups of voices, with the tenor leading one group and the Cantus leading the other. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218689. Published by Lyons Music Services (A0.767275). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Here, the song is describing One woman amongst the others, honest and beautiful. Now, there's flattery for you! There is a subtitle to this song Concertato nel clavicembalo - Conducted from the harpsichord. Obviously, this is not possible in this transcription. The continuo part has been incorporated into the rests of all of the parts, without swamping the leading voices. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Believe
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Josh Groban
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Roger Wallace
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Believe
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Roger Wallace
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1504780 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Roger Wallace. Christmas,Contemporary,Film/TV...
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Brass Ensemble - Level 4 - SKU: A0.1504780 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Roger Wallace. Christmas,Contemporary,Film/TV,Holiday,Pop. 58 pages. Roger Wallace #1080201. Published by Roger Wallace (A0.1504780). From Warner Bros. Pictures' THE POLAR EXPRESS British Brass Band (or Brass Choir). Features middle and low voices in the verse and high voices in the chorus.In addition to traditional Brass Brand notation (Treble Clef), Low Brass parts in Bass Clef are included to facilitate use by a Brass Choir as well as players unfamiliar with Brass Brand notation.NOTE: Audio sample clip begins at Measure 13.A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists.Look for more arrangements by Roger Wallace.
$12.99
Liberte
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Ensemble de cuivres
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DÉBUTANT
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Contemporain
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Max Roach
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Manuel Villar Lifac
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Liberte
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Villar Lifac
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SheetMusicPlus
Brass Ensemble - Level 1 - SKU: A0.914760 By Max Roach. By Maxwell Roach. Arranged by Manuel Villar Lifac. Contemporary. Score and parts. 2 pages. Villa...
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Brass Ensemble - Level 1 - SKU: A0.914760 By Max Roach. By Maxwell Roach. Arranged by Manuel Villar Lifac. Contemporary. Score and parts. 2 pages. Villar Lifac #4593507. Published by Villar Lifac (A0.914760). This is a simple piano reduction of all the voices comprising the original works of Max Roach titled Liberté, in his album Parisian Sketches.This voices can be easily used for any kind of wind ensemble.
$4.99
Fantasia "Conflictus"
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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D
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Fantasia "Conflictus"
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D A Jaquish
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.984212 Composed by D. A. Jaquish. Concert,Contemporary,Standards,World. Score and parts. 18 pages. D A Jaquish #48888...
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Brass Ensemble - Level 4 - SKU: A0.984212 Composed by D. A. Jaquish. Concert,Contemporary,Standards,World. Score and parts. 18 pages. D A Jaquish #4888899. Published by D A Jaquish (A0.984212). Conflictus: Latin for conflict or struggle. To live is to embrace struggle. Even in a musical work can be heard both protagonist and antagonist voices in conflict, motifs rivaling for preeminence as they interweave, confront and overarch. Such is the case with the fantasia, Conflictus. It begins with a simple theme on a single note; it ends in similar manner: a placid unison as once-strident voices are drawn, still passively resisting, to a concordance. But in between, this interlocked trio will challenge, fight, cajole, ally, mock, mourn and rail with defiance. All within the brief musical foray of Conflictus.
$11.99
Arban: Carnival of Venice (for two Bb trumpets + tuba)
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Ensemble de cuivres
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AVANCÉ
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J
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Betsy Bright
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Arban: Carnival of Venice
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Bright Music Company
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.964582 Composed by J.B. Arban. Arranged by Betsy Bright. Concert,Folk. Score and parts. 27 pages. Bright Music Compan...
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Brass Ensemble - Level 5 - SKU: A0.964582 Composed by J.B. Arban. Arranged by Betsy Bright. Concert,Folk. Score and parts. 27 pages. Bright Music Company #6247279. Published by Bright Music Company (A0.964582). This fun and extremely impressive sounding trio arrangement of Arban’s Carnival of Venice features all three musicians as soloists. The flashy solo we all know and love is traded off lightning fast among all three voices. Tuba players love a chance to play this flashy solo, and the trade-offs from high voices to extremely low is highly entertaining for audiences!Duration: 8 minutes
$20.00
BACH: Trio Sonata No. 5 BWV 529 for Brass Trio
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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BACH: Trio Sonata No. 5 BWV 52
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jmsgu3
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.552680 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and ...
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Brass Ensemble - Level 4 - SKU: A0.552680 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 65 pages. Jmsgu3 #6508475. Published by jmsgu3 (A0.552680). Brass Trio: 2 Trumpets in C, 1 Bass Trombone. Duration: ca. 12:20, Score: 37 pagesJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape.  The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.
$32.95
Monteverdi - The Sixth Book of Madrigals - Lamento d'Arianna
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767283 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 80 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767283 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 80 pages. Lyons Music Services #3218731. Published by Lyons Music Services (A0.767283). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first song is Lasciatemi morire - Let me die. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$13.00
Monteverdi - The Sixth Book of Madrigals - 07. A Dio Florida bella
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767276 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767276 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218691. Published by Lyons Music Services (A0.767276). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song immediately precedes Sestina and is another wooing song to a girl named Florida. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 05. Zefiro torna e bel tempo rimena
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons Music Services #3218685. Published by Lyons Music Services (A0.767274). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Song number 5 sits between Lamento della Ninfa and Sestina as a stand-alone song. Zephyrs turn and bring good weather A zephyr is a kind of fickle wind that can bring clouds or sunshine. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 04. Ahi ch' ei non pur risponde
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767273 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767273 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3218683. Published by Lyons Music Services (A0.767273). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. The final song from Lamento d'Arianna tanslates as Ah! Who does not even answer! Ah! Who is deaf to my laments (pleas) Another song of a young man being turned down by his lover. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 12. Batto qui pianse
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767280 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 40 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767280 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 40 pages. Lyons Music Services #3218709. Published by Lyons Music Services (A0.767280). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna and there is a second named group Sestina. This song, No 12, translates as Betty, who cried, was imprisoned by Chloris the shepherd while he hunted a deer. Needless to say, it was for romantic reasons! As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
Monteverdi - The Sixth Book of Madrigals - 03. Dove, dove è la fede
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Ensemble de cuivres
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INTERMÉDIAIRE
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Renaissance
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Classique
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Lyons Music Services
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767272 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #321868...
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Brass Ensemble - Level 3 - SKU: A0.767272 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3218681. Published by Lyons Music Services (A0.767272). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This third song of Arianna's Lament is about a loss of belief or trust in one's lover. (TBH, I wouldn't trust him either!) As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
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