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Song of India
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Partitions à imprimer
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Song of India
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.941194 Composed by Nikolay Andrey…
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Concert Band - Level 3 - Digital Download SKU: A0.941194 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by David Sampson. Romantic Period. Score and parts. 28 pages. David M. Sampson #5314731. Published by David M. Sampson (A0.941194). This is an arrangement for concert band of Song of India by Rimsky-Korsakov, from his opera Sadko.Runtime: 4 minutes.
$1.99
1.82 €
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Orchestre d'harmonie
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Nikolay Andreyevich Rimsky-Korsakov
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David Sampson
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Song of India
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David M. Sampson
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SheetMusicPlus
Song of the guest, from opera Sadko
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.931758 Composed by Nicolas Rimsky…
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Concert Band - Level 2 - Digital Download SKU: A0.931758 Composed by Nicolas Rimsky-Korsakov. Arranged by Yves Bouillot. Romantic Period. Score and parts. 35 pages. Yves Bouillot #6550929. Published by Yves Bouillot (A0.931758). At the origine, this piece is written for Tenor voice and orchestra. It is in the Rimsky-Korsakov opera Sadko. As known also like indian song. I have made an arrangement for solo euphonium and band. Grade 2-2,5.
$12.00
10.97 €
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Orchestre d'harmonie
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Nicolas Rimsky-Korsakov
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Yves Bouillot
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Song of the guest, from opera Sadko
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Yves Bouillot
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SheetMusicPlus
The First State - Set of Parts
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.755027 Composed by Sy Brandon. 20…
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Concert Band - Level 4 - Digital Download SKU: A0.755027 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 117 pages. Sy Brandon #3244215. Published by Sy Brandon (A0.755027). This is the set of parts that print on letter size paper. The score that prints on legal size paper is available separately. This three movement composition is a musical portrait of Delaware up until its being the first state to ratify the constitution. It was composed for the University of Delaware Wind Ensemble, Dr. Robert J. Steckfuss, conductor as a result of a commission from the Xi Mu Chapter of Phi Mu Alpha Sinfonia. The work is in three movements: I. Stewards of the Land - This movement is a tribute to the Lenni Lenape Indians. It uses a melody from a Lenape Indian song that is first stated in the English Horn. This melody is then developed through adding counterpoint, harmony, orchestration, motivic variation, rhythmic and tempo changes, and the addition of original material. II. Settlement and Conflict - This movement reflects the European settlement of Delaware and the conflict with the indians. It begins with slow section representing serenity. A faster section using a melody from a Dutch dans represents the first European settlement in Delaware. A minor version of the dans combined with fragments of the Lenape Indian song from the first movement represents the conflict. This is followed by a return to the serenity section. A final fast section introduces a setting of the Swedish melody from Amerikabrev, representing the first permanent settlement in Delaware by Sweden. The movement ends with a section of Rule Britannia representing the colony falling under British rule. III. Forging A Nation - This movement portrays events leading towards being the first state to ratify the constitution. The movement begins with a section reflecting the anxious times of declaring independence, fighting for freedom, and forging a new government. The second section builds in confidence. After a slower section of reflection, the movement ends triumphantly in celebration of a new country.
$35.99
32.9 €
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Orchestre d'harmonie
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Sy Brandon
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The First State - Set of Parts
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Sy Brandon
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SheetMusicPlus
Song of India
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.496237 By The JSVB Legacy Collection. By …
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Brass Ensemble - Digital Download SKU: A0.496237 By The JSVB Legacy Collection. By Nikolay Andreyevich Rimsky-Korsakov. Arranged by George Thompson / A Catherall. Classical. Score and parts. 24 pages. IBB Media Ltd #110472. Published by IBB Media Ltd (A0.496237).
$34.99
31.99 €
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Ensemble de cuivres
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The JSVB Legacy Collection
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George Thompson / A Catherall
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Song of India
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IBB Media Ltd
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SheetMusicPlus
New England Time Capsules - 1560 Amerindian Harvest Dance
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.755148 Composed by Sy Brandon…
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String Orchestra - Level 4 - Digital Download SKU: A0.755148 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 31 pages. Sy Brandon #3407993. Published by Sy Brandon (A0.755148). This composition won first prize in the New England String Ensemble Composition Contest. There are five movements based upon New England history. The first movement is 1560 - Amerindian Harvest Dance and is a reworking of the composers Celebration Dance. The second movement 1620-The Pilgrims uses Praise God From Whom All Blessings Flow for a set of variations. The third movement 1770 - Birth of a Nation uses adaptations of Chester and Yankee Doodle. The fourth movement, 1850’s - Irish and Scottish Immigration uses reels and jigs. The last movement 1990’s - Convergence uses pieces of the earlier movements with Brazilian, Asian, and West Indies folk songs.
$9.95
9.1 €
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Orchestre à Cordes
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Sy Brandon
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New England Time Capsules - 1560 Amerindian Harvest Dance
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Sy Brandon
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SheetMusicPlus
Bird Song
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1181603 By The Grateful Dead. B…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1181603 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Contemporary,Contest,Festival,Folk. Score and parts. 67 pages. Lee Johnson Music #781391. Published by Lee Johnson Music (A0.1181603). BIRD SONG - for symphony orchestra - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$49.99
45.7 €
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Orchestre
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The Grateful Dead
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Lee Johnson
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Bird Song
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Lee Johnson Music
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SheetMusicPlus
New England time Capsules - 1770’s Birth of a Nation
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.755150 Composed by Sy Brandon…
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String Orchestra - Level 3 - Digital Download SKU: A0.755150 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 12 pages. Sy Brandon #3407997. Published by Sy Brandon (A0.755150). This composition won first prize in the New England String Ensemble Composition Contest. There are five movements based upon New England history. The first movement is 1560 - Amerindian Harvest Dance and is a reworking of the composers Celebration Dance. The second movement 1620-The Pilgrims uses Praise God From Whom All Blessings Flow for a set of variations. The third movement 1770 - Birth of a Nation uses adaptations of Chester and Yankee Doodle. The fourth movement, 1850’s - Irish and Scottish Immigration uses reels and jigs. The last movement 1990’s - Convergence uses pieces of the earlier movements with Brazilian, Asian, and West Indies folk songs.
$9.99
9.13 €
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Orchestre à Cordes
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Sy Brandon
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New England time Capsules - 1770’s Birth of a Nation
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Sy Brandon
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SheetMusicPlus
Mountains Of The Moon
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. Score and Parts. 40 pages. Lee Johnson Music #781381. Published by Lee Johnson Music (A0.1181592). MOUNTAINS of the MOON - for string orchestra and harp - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$49.99
45.7 €
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Orchestre de chambre
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The Grateful Dead
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Lee Johnson
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Mountains Of The Moon
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Lee Johnson Music
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SheetMusicPlus
Sally's Song
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1503431 Composed by Danny Elfma…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1503431 Composed by Danny Elfman. Arranged by Victor Pesavento. Broadway,Christmas,Film/TV,Halloween,Holiday,Musical/Show. 47 pages. Victor Pesavento #1078880. Published by Victor Pesavento (A0.1503431). Solo Vocal with Orchestra arrangement of Sally's Song from Tim Burton's The Nightmare Before Christmas.Includes optional Accordion and Alto Saxophone parts.Score & Parts (in the original key)FLUTE 1-2ALTO FLUTEOBOEENGLISH HORNBb CLARINET 1-2BASS CLARINETBASSOON 1-2ALTO SAXOPHONE (optional)F HORNS 1-4Bb TRUMPET 1-3TROMBONE 1-2BASS TROMBONETUBAPERCUSSION 1: GlockenspielPERCUSSION 2: Vibraphone, Finger CymbalsHARPCELESTAACCORDION (optional)SOLO VOICEVIOLIN IVIOLIN IIVIOLACELLOCONTRABASSAbout the arranger:Victor Pesavento is a Los Angeles based orchestrator and arranger. Recent notable orchestration projects include the films Hocus Pocus 2 (2022), Luck (2022), Ice Age: Adventures of Buck Wild (2022), The New Mutants (2020), Dora and the Lost City of Gold (2019), Solo: A Star Wars Story (2018) and Maze Runner: The Death Cure (2018), as well as episodes of The Simpsons, The Orville, Halo, Green Eggs & Ham, and The Mandalorian.Victor has worked with composers John Williams, Alan Silvestri, James Newton Howard, John Debney, John Powell, Alexandre Desplat and others on over 600 motion pictures that have included West Side Story, Star Wars: Episodes VII-VIII-IX, Frozen, The Avengers and How To Train Your Dragon. Other film credits include various installments of the Indiana Jones, Harry Potter, Hunger Games and Lord of the Rings franchises, as well as Tony Award nominated musicals Catch Me If You Canand Beautiful: The Carole King Musical.Victor’s arrangements have been heard on numerous Academy Awards shows and American Idol broadcasts and have been recorded by the London Symphony Orchestra, the Los Angeles Film Orchestra and the Royal Philharmonic Orchestra, performed by such notable artists and ensembles as Barbra Streisand, Jennifer Hudson, Kristen Bell, the National Symphony Orchestra, and featured in the Ghent Film Festival, the Tenerife International Film Music Festival and Hollywood In Vienna (Festival der Filmmusik).
$49.99
45.7 €
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Orchestre
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Danny Elfman
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Victor Pesavento
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Sally's Song
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Victor Pesavento
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SheetMusicPlus
Indian of Jalapão - Brasilian Native Music
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.943238 Composed by Eduardo Ma…
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String Orchestra - Level 1 - Digital Download SKU: A0.943238 Composed by Eduardo Martinelli. Arranged by Eduardo Martinelli. Children,New Age,Standards,World. Score and parts. 10 pages. Eduardo Martinelli #4338921. Published by Eduardo Martinelli (A0.943238). This song is based on an anonymous indigenous melody from the Midwest of Brazil
$1.99
1.82 €
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Orchestre à Cordes
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Eduardo Martinelli
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Eduardo Martinelli
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Indian of Jalapão - Brasilian Native Music
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Eduardo Martinelli
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SheetMusicPlus
The Gates of Madrid (score only)
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.971646 Composed by Jeffrey Hoover…
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Concert Band - Level 5 - Digital Download SKU: A0.971646 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 27 pages. Musicart Publications #4325189. Published by Musicart Publications (A0.971646). This is an 11 x 17 PDF download SCORE for large wind ensemble. A standard Grade 5 work, The Gates of Madrid is inspired by two things found at the heart of Madrid's civic identity: historic stone and iron gateways (such as the Puerta de Hierro from the 18th Century) and Spanish Flamenco music. In this beautiful and challenging composition, the music unfolds as two arching sections, similar in character to a Flamenco song, with shifting meter and contrasts in harmony, dynamics, and tone color. As one takes this musical walk through the streets of Madrid old fanfares are heard, contrasting the intimate Flamenco-like melody that is developed. The Gates of Madrid concludes with a triumphant fanfare. Band performance parts are available on rental: please contact musicart.publications.editor@gmail.com for further information. Jeffrey Hoover's compositions - music ranging from works for soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$29.00
26.51 €
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Orchestre d'harmonie
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Jeffrey Hoover
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The Gates of Madrid
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Musicart Publications
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SheetMusicPlus
Tommy Dorsey Medley
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.612649 By Tommy Do…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.612649 By Tommy Dorsey. By Eric Burger. Arranged by Eric Burger. Jazz. Score and parts. 81 pages. Eric Burger Music #221839. Published by Eric Burger Music (A0.612649). A great show tune to feature your extraordinary lead trombonist (especially if that's you). It consists of: I'm Getting Sentimental, Marie, Song of India, I'll Never Smile Again, and then a upbeat swing recap of I'm Getting Sentimental. Two places to blow in changes, and lots of room to show off your amazing slide vibrato and phrasing! Please click the link to check out the YouTube playback of the score. Eric Burger is a long time commercial and military arranger who has written many charts that are performed by bands around the world. Each part is beautifully typeset for ease of reading, and every chart is proven on the “band-stand†by working bands and is sure to be a hit with your audiences. For more information, to request custom work, or for other fine charts please visit https://www.EricBurgerMusic.com Custom work is available, including adapting any work to your ensemble's instrumentation!
$60.00
54.85 €
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Ensemble Jazz
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Tommy Dorsey
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Eric Burger
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Tommy Dorsey Medley
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Eric Burger Music
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SheetMusicPlus
A Tribute to Tommy Dorsey: 4th B-flat Clarinet
Ensemble Jazz
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017139_C4 4th B-flat Clarinet
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017139_C4 4th B-flat Clarinet. Composed by Tommy Dorsey. Arranged by Jeff Hest. Jazz; Standard; Swing. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017139_C4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017139_C4). UPC: 038081321912.This tribute by arranger Jeff Hest brings two classics to you with Dorsey's famous hits, Song of India and I'm Getting Sentimental Over You. If you have a lead 'bone with range and a sweet sound, then this will be the perfect showcase. Includes standard sax parts plus optional parts for saxes with clarinet doubles. This is the real deal for Tommy Dorsey. (8:33).
$3.00
2.74 €
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Ensemble Jazz
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Tommy Dorsey
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Jeff Hest
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Standard
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A Tribute to Tommy Dorsey: 4th B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Tribute to Tommy Dorsey: 3rd B-flat Clarinet
Ensemble Jazz
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017139_C3 3rd B-flat Clarinet
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017139_C3 3rd B-flat Clarinet. Composed by Tommy Dorsey. Arranged by Jeff Hest. Jazz; Standard; Swing. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017139_C3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017139_C3). UPC: 038081321912.This tribute by arranger Jeff Hest brings two classics to you with Dorsey's famous hits, Song of India and I'm Getting Sentimental Over You. If you have a lead 'bone with range and a sweet sound, then this will be the perfect showcase. Includes standard sax parts plus optional parts for saxes with clarinet doubles. This is the real deal for Tommy Dorsey. (8:33).
$3.00
2.74 €
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Ensemble Jazz
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Tommy Dorsey
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Jeff Hest
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Standard
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A Tribute to Tommy Dorsey: 3rd B-flat Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Tribute to Tommy Dorsey: B-flat Bass Clarinet
Ensemble Jazz
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017139_BC B-flat Bass Clarinet
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017139_BC B-flat Bass Clarinet. Composed by Tommy Dorsey. Arranged by Jeff Hest. Jazz; Standard; Swing. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017139_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017139_BC). UPC: 038081321912.This tribute by arranger Jeff Hest brings two classics to you with Dorsey's famous hits, Song of India and I'm Getting Sentimental Over You. If you have a lead 'bone with range and a sweet sound, then this will be the perfect showcase. Includes standard sax parts plus optional parts for saxes with clarinet doubles. This is the real deal for Tommy Dorsey. (8:33).
$3.00
2.74 €
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Ensemble Jazz
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Tommy Dorsey
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Jeff Hest
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Standard
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A Tribute to Tommy Dorsey: B-flat Bass Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
A Tribute to Tommy Dorsey: Score
Ensemble Jazz
Jazz Ensemble - Digital Download SKU: AX.00-PR-0005423 Score. Composed by To…
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Jazz Ensemble - Digital Download SKU: AX.00-PR-0005423 Score. Composed by Tommy Dorsey. Arranged by Jeff Hest. Jazz; Standard; Swing. Score. 30 pages. Alfred Music - Digital Sheet Music #00-PR-0005423. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005423). UPC: 038081321912.This tribute by arranger Jeff Hest brings two classics to you with Dorsey's famous hits, Song of India and I'm Getting Sentimental Over You. If you have a lead 'bone with range and a sweet sound, then this will be the perfect showcase. Includes standard sax parts plus optional parts for saxes with clarinet doubles. This is the real deal for Tommy Dorsey. (8:33).
$10.00
9.14 €
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Ensemble Jazz
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Tommy Dorsey
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Jeff Hest
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Standard
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A Tribute to Tommy Dorsey: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.19 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dv…
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
16.46 €
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Orchestre à Cordes
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Wabash Cannonball
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1398261 By Cascia Talbert. By J.A…
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Concert Band - Level 3 - Digital Download SKU: A0.1398261 By Cascia Talbert. By J.A Roff. Arranged by Cascia Talbert. Country,Folk. 74 pages. Cascia Talbert #981538. Published by Cascia Talbert (A0.1398261). The Great Rock Island Route, popularized as Wabash Cannonball and various other titles, is a 19th-century American folk song that describes the scenic beauty and predicaments of a fictional train, the Wabash Cannonball Express, as it traveled on the Great Rock Island Railroad. The song has become a country music staple and common marching band repertoire. The only train to actually bear the name was created in response to the song's popularity, the Wabash Railroad renaming its daytime express service between Detroit and St. Louis the Wabash Cannon Ball from 1949 until discontinuation during the formation of Amtrak in 1971.The Carter Family made one of the first recordings of the song in 1929, though it was not released until 1932. Another popular version was recorded by Roy Acuff in 1936. The Acuff version is one of the fewer than 40 all-time singles to have sold 10 million (or more) physical copies worldwide.The tune is most famously associated with Kansas State University athletics and ESPN in 2016 named it the top Big Twelve football pregame ritual. It is also a signature song of the Indiana State University Marching Sycamores and the Purdue All-American Marching Band as the ISU and Purdue campuses are adjacent to the Mighty Wabash River. It is also associated with the Stephen F. Austin State University Lumberjack Marching Band, the Kansas State University Marching Band, the Texas Tech University Goin' Band from Raiderland, and the University of Texas Longhorn Band. It was also used as the theme song by USS Wabash.The song The Wabash Cannonball is part of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list. It is the oldest song on the list.This arrangement is for concert band.
$19.99
18.28 €
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Orchestre d'harmonie
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Cascia Talbert
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Cascia Talbert
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Wabash Cannonball
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Cascia Talbert
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SheetMusicPlus
Canticum Canticorum for Krzysztof Penderecki
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by Mohammad…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
22.85 €
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Orchestre de chambre
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysztof Penderecki
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Rimorarte Edition
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SheetMusicPlus
Here Comes The Sun
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1311771 By The Beatles. By George…
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Concert Band - Level 3 - Digital Download SKU: A0.1311771 By The Beatles. By George Harrison. Arranged by John Ivor Holland. 20th Century,Film/TV,New Age,Pop,Singer/Songwriter. 48 pages. John Ivor Holland #900727. Published by John Ivor Holland (A0.1311771). Here Comes the Sun is a song by The Beatles from their 1969 album 'Abbey Road'. It was written by George Harrison and is one of his best-known compositions. He wrote the song at his friend Eric Clapton's house, whilst he was avoiding a dull business meeting. It peaked at number 3 on the US Billboard Hot Rock Songs chart in September 1969 and as of 2021, it was the most streamed Beatles song on Spotify globally. Reflecting the continued influence of Indian classical music on Harrison's writing, the composition includes several time signature changes, which may present a few challenges to players initially, but this wonderful song would make an excellent choice in a concert for all ages.
$49.99
45.7 €
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Orchestre d'harmonie
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The Beatles
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John Ivor Holland
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Here Comes The Sun
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John Ivor Holland
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SheetMusicPlus
March Masters Folio for Band
Orchestre d'harmonie
Concert Band; Marching Band SKU: HL.4476043 Conductor. Composed by Various. …
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Concert Band; Marching Band SKU: HL.4476043 Conductor. Composed by Various. Arranged by James A. Scott. Band Folio. Collection, March. 52 pages. Published by Rubank Publications (HL.4476043). ISBN 9798350107241. UPC: 073999760439. 6.75x10.5x0.16 inches.This tried-and-true collection by Rubank includes easy arrangements of 16 marches written with the young band in mind. There's no more economical way to introduce middle school and early high school bands to the great marches of Sousa and others, as well as some well-known college fight songs. Includes: American Patrol • Bay State March • Black Jack March • College Life • Father of Victory • High School Cadets • Indiana State Band • Joyce's 71st Regiment • March Gloria • Salutation March • Second Connecticut March • Semper Fidelis • Steel King • The Thunderer • Washington Post.
Song List: The American Patrol Gloria High School Cadets Semper Fidelis The Thunderer Washington Post March 'a Frangesa! March Bay State March Black Jack March College Life March Indiana State Band March Joyce's 71st Regiment March Salutation March (Seitz R) Second Connecticut March Steel King March Father Of Victory March
Song List
: The American Patrol Gloria High School Cadets Semper Fidelis The Thunderer Washington Post March 'a Frangesa! March Bay State March Black Jack March College Life March Indiana State Band March Joyce's 71st Regiment March Salutation March (Seitz R) Second Connecticut March Steel King March Father Of Victory March
$12.95
11.84 €
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Orchestre d'harmonie
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Various
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James A
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Marching Band
SKU: HL
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March Masters Folio for Band
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Rubank Publications
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SheetMusicPlus
The Four Seasons in the Basque Country
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Cen…
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
91.42 €
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque Country
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Musica Nova USA
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SheetMusicPlus
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