Page d'accueil
Parcourir Librairie Musicale
ORCHESTRE
PARTITIONS GRATUITES
PARTITIONS LIVRES
PARTITIONS NUMÉRIQUES
MATÉRIEL DE MUSIQUE
--INSTRUMENTS--
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
FORMATION MUS…
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
I Have Come
Non classifié
1 359
Piano & claviers
Guitares
Voix
Vents
Cuivres
Cordes
Orchestre & Percussions
Orchestre d'harmonie
103
Orchestre
59
Orchestre à Cordes
44
Ensemble de cuivres
20
Ensemble Jazz
16
Orchestre de chambre
15
Jazz combo
11
Fanfare
2
+ 3 instrumentations
Retracter
Autres
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
206
Partitions Numériques
275
Librairie Musicale
3 223
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
I Have Come
ORCHESTRE
Partitions à imprimer
275 partitions trouvées
<
1
26
51
....
251
O come all ye faithful/Joy to the word
#
Orchestre d'harmonie
#
FACILE
#
Arr Pastor Pete Cross
#
O come all ye faithful/Joy to
#
Pete Cross
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1007627 Arranged by Arr Pastor Pete Cross. Christian. Score and parts. 60 pages. Pete Cross #6214135. Published by Pete...
(+)
Concert Band - Level 2 - SKU: A0.1007627 Arranged by Arr Pastor Pete Cross. Christian. Score and parts. 60 pages. Pete Cross #6214135. Published by Pete Cross (A0.1007627). Two of my favourite carols that I enjoy, I have used the together and the last 8 have combined the two.I like the drama of both and by using them together adds more drama .
$50.00
O Come all ye Faithful for String Orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Noël
#
Traditional
#
David Burndrett
#
O Come all ye Faithful for Str
#
David Burndrett
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1304225 Composed by Traditional. Arranged by David Burndrett. Christmas. Score and Parts. 10 pages. David Burndrett...
(+)
String Orchestra - Level 3 - SKU: A0.1304225 Composed by Traditional. Arranged by David Burndrett. Christmas. Score and Parts. 10 pages. David Burndrett #893784. Published by David Burndrett (A0.1304225). This is an extended arrangement of O Come All Ye Faithfull for String orchestra.As usual I have added a violin three part, which is the same as the viola part, if you do not have any viola players.Download includes the score and all of the parts.
$10.95
COME CHRUSTIANS, JOIN TO SING (Horn Quartet #17)
#
Ensemble de cuivres
#
INTERMÉDIAIRE/AVANCÉ
#
Traditional
#
James K
#
COME CHRUSTIANS, JOIN TO SING
#
James K. Taylor
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.872456 Composed by Traditional. Arranged by James K. Taylor. Christian,Sacred,Traditional,World. Score and parts. 9 p...
(+)
Brass Ensemble - Level 4 - SKU: A0.872456 Composed by Traditional. Arranged by James K. Taylor. Christian,Sacred,Traditional,World. Score and parts. 9 pages. James K. Taylor #1921017. Published by James K. Taylor (A0.872456). This is a public domain hymn (COME, CHRISTIANS, LET US SING) a traditional Spanish melody. I have arranged it for HORN QUARTET using the FINALE music software, and the audio horn tone is actually produced by the FINALE program. I am on a quest to arrange fifty old hymns as horn quartets. Please enjoy.
$20.00
O come, all ye faithful for beginner and intermediate string orchestra
#
Orchestre à Cordes
#
DÉBUTANT
#
Musique Sacrée
#
John F
#
Kirsty Hugill
#
O come, all ye faithful for be
#
Kirsty Hugill
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.940207 Composed by John F. Wade. Arranged by Kirsty Hugill. Children,Christian,Christmas,Praise & Worship. Score an...
(+)
String Orchestra - Level 1 - SKU: A0.940207 Composed by John F. Wade. Arranged by Kirsty Hugill. Children,Christian,Christmas,Praise & Worship. Score and parts. 5 pages. Kirsty Hugill #3042157. Published by Kirsty Hugill (A0.940207). I have arranged this traditional Christmas carol for beginner to early intermediate string orchestra. It works well for children in schools, Christmas church services and concerts. It is also appropriate to adult amateur groups. There parts range from beginners using on 1 finger up to the melody line for more intermediate players. If you have more advanced players the main melody works well up the octave. If you have a limited range of players this arrangement will also work using one melody line and any of the accompanying parts. For the cello/bass line bass players will read the upper notes when 2 notes are shown.
$2.50
I'm Gonna Sit Right Down And Write Myself A Letter
#
Ensemble Jazz
#
INTERMÉDIAIRE
#
Billy Williams
#
John Hoesly
#
I'm Gonna Sit Right Down And W
#
PRS&B
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453550 By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by John Hoesly. Broadway,Jazz,Music...
(+)
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453550 By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by John Hoesly. Broadway,Jazz,Musical/Show,Pop,Standards. 52 pages. PRS&B #1032775. Published by PRS&B (A0.1453550). I’m Gonna Sit Right Down And Write Myself A Letter- music by Fred E. Ahlert and lyrics by Joe Young. Arrangement for Little Big Band/ Jazz Ensemble. Written in 1935 and one of the most recorded songs ever. It seemed to work in all genres. Rock, Swing, Pop…on and on. Recorded by Frank Sinatra, Nat King Cole, Barry Manilow, Willie Nelson, Bill Haley and His Comets, Fats Waller and Count Basie. Even Paul McCartney.This arrangement is in the style of Basie’s LIL’ DARLIN’…a slow burn. Relaxed, but full of energy. Difficulty: Intermediate. A standard of the Great American Songbook.Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.
$55.00
Seagull Can I Have Your French Fry?
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Jonathan Monk
#
Jonathan Monk
#
Seagull Can I Have Your French
#
Jonathan Monk
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1220607 By Jonathan Monk. By Jonathan Monk. Arranged by Jonathan Monk. Children,Comedy,Pop,Singer/Songwriter. Score and...
(+)
Concert Band - Level 4 - SKU: A0.1220607 By Jonathan Monk. By Jonathan Monk. Arranged by Jonathan Monk. Children,Comedy,Pop,Singer/Songwriter. Score and Parts. 5 pages. Jonathan Monk #816946. Published by Jonathan Monk (A0.1220607). Two old friends engage in a traditional power struggle over tasty food!
$4.99
Have You Heard? - Set of Parts (Digital Download)
#
Orchestre
#
Noël
#
Joel Raney
#
Away in a Manger
#
Have You Heard? - Set of Parts
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
Instrumental Parts, Full Orchestra - SKU: LX.30-3732L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas....
(+)
Instrumental Parts, Full Orchestra - SKU: LX.30-3732L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas. Set of Parts (). 481 pages. Lorenz Publishing - Digital Sheet Music #e30/3732L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3732L). Orchestrated by Ed Hogan.Digital Set of Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
$249.95
HERE WE COME A-CAROLING (med.easy beginner)
#
Orchestre à Cordes
#
DÉBUTANT
#
Noël
#
Traditional English Carol
#
Vincent Vitale
#
HERE WE COME A-CAROLING
#
Vincent Vitale
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.835579 Composed by Traditional English Carol. Arranged by Vincent Vitale. Christmas. Score and parts. 16 pages. Vin...
(+)
String Orchestra - Level 1 - SKU: A0.835579 Composed by Traditional English Carol. Arranged by Vincent Vitale. Christmas. Score and parts. 16 pages. Vincent Vitale #6019275. Published by Vincent Vitale (A0.835579). HERE WE COME A-CAROLING is written on a medium easy level for beginning string players in 3 part harmony with viola doubling 2nd violin and cello doubling string bass. In the event instrumentation is lacking this type of scoring will make your group sound fuller and give your players more confidence. This well known traditional English carol will be a delightful addition to your Holiday line-up. Includes full score and parts for Violin 1, Violin 2, Viola, Cello, and String Bass. This composition will show that music does not have to be difficult to sound good. If this piece appeals to you please try others in this string series by typing VINCENT VITALE in the search bar located on the home page. I hope you and your students enjoy performing this piece and as always I thank you very much for your consideration and wish you and your students much musical success. …Copyright 2020.
$15.00
Angels We Have Heard on High (Downloadable Orchestral Version)
#
Noël
#
Charles E
#
Strings and Organ
#
Angels We Have Heard on High
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Full orchestra and organ (Instrumental parts include: Trumpets I and II in B-flat or C, Trombones I and II, Horn in F (sub for Trombone I), Tuba Orchestral vers...
(+)
Full orchestra and organ (Instrumental parts include: Trumpets I and II in B-flat or C, Trombones I and II, Horn in F (sub for Trombone I), Tuba Orchestral versions may be performed with a variety of instrumentation: Flute, Oboe, and Organ; Strings and Organ; Harp and Organ; Brass) - Moderately Easy - SKU: MQ.20-758-06E Composed by Charles E. Peery. Christmas. Instrument parts. 58 pages. MorningStar Music Publishers - Digital Sheet Music #20-758-06E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-758-06E). Like its predecessor, Festive Hymn settings for Congregational Singing by James Biery (20-752), these congregational carol arrangements can be performed with a minimum of brass quartet and organ, or add the tuba and French horn, and it becomes a quintet.
$15.00
String Quintet/String Orchestra - I Saw Three Ships
#
Noël
#
the 3rd iteration of the tune
#
Anon
#
Mike Lyons
#
String Quintet/String Orchestr
#
Lyons Music Services
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.767379 Composed by Anon. Arranged by Mike Lyons. Christian,Christmas. Score and parts. 22 pages. Lyon...
(+)
String Ensemble,String Quintet - Level 3 - SKU: A0.767379 Composed by Anon. Arranged by Mike Lyons. Christian,Christmas. Score and parts. 22 pages. Lyons Music Services #3594309. Published by Lyons Music Services (A0.767379). This is a brand new arrangement of the well-known carol for 2018. The violins don't always have the tune, in fact the viola starts in its medium range after the intro, followed by the Cello. By the 3rd iteration of the tune I decided to change key and to begin to incorporate other tunes. It's not really a medley, though. The obbligato parts are all original. The two other tunes you might spot are In Dulci Jubilo and O Come All Ye Faithful
$10.99
Come Sail Away
#
Ensemble de cuivres
#
AVANCÉ
#
Rock
#
Styx
#
Tim Olt
#
So....
#
Come Sail Away
#
Olt Music
#
SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.759156 By Styx. By Dennis Deyoung. Arranged by Tim Olt. Pop,Rock. Score and parts. 16 pages. Olt Music #5033845. Publ...
(+)
Brass Ensemble - Level 5 - SKU: A0.759156 By Styx. By Dennis Deyoung. Arranged by Tim Olt. Pop,Rock. Score and parts. 16 pages. Olt Music #5033845. Published by Olt Music (A0.759156). One of the greatest rock tunes of the 70s, the opening always seemed more like Baroque than rock. So.... I exploited that..... Piccolo trumpet has some nice features in this with everyone have something important to contribute.
$20.00
I Wanna Have Fun With You
#
Ensemble Jazz
#
INTERMÉDIAIRE
#
Michael Drake
#
Kevin Carberry
#
I Wanna Have Fun With You
#
Michael Gene Drake
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1489992 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Contemporary,Film/TV,Fu...
(+)
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1489992 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Contemporary,Film/TV,Funk,Jazz,Musical/Show. 120 pages. Michael Gene Drake #1066854. Published by Michael Gene Drake (A0.1489992). “I Wanna Have Fun With You” is a Funky composition from my CD “Welcome To My Island” 1991. It is a Big Band arrangement and features Vocals and a trumpet solo.michaeldrakemusic@outlook.com www.drakemusic.com
$35.00
Lily Park - I. Wind Bell
#
Orchestre
#
INTERMÉDIAIRE
#
Yoonjee Kim
#
Lily Park - I. Wind Bell
#
Yoonjee Kim
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoo...
(+)
Full Orchestra - Level 3 - SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.
$17.00
And I Love Her
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
The Beatles
#
Mike Dana
#
And I Love Her
#
Mike Dana Music
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pag...
(+)
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
Sinfonia in C Movement I
#
Orchestre à Cordes
#
FACILE
#
Classique
#
Tomaso Giovanni Albinoni
#
Nick Lacanski
#
Sinfonia in C Movement I
#
theupperstaff
#
SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.646040 Composed by Tomaso Giovanni Albinoni. Arranged by Nick Lacanski. Baroque. Score and parts. 22 pages. Theuppe...
(+)
String Orchestra - Level 2 - SKU: A0.646040 Composed by Tomaso Giovanni Albinoni. Arranged by Nick Lacanski. Baroque. Score and parts. 22 pages. Theupperstaff #1989139. Published by theupperstaff (A0.646040). From the Baroque era and the same pen that composed the famous Adagio comes this first movement of a Sinfonia. The winds have been removed so your string orchestra can now play this piece. Two solo violin parts have been added while the cello/bass is in octaves.
$9.95
When I Survey the Wondrous Cross - Orchestration
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cro
#
WheatMyer Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
(+)
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
When Johnny Comes Marching Home
#
Orchestre de chambre
#
FACILE
#
Patrick Gilmore
#
Dan Severino
#
When Johnny Comes Marching Hom
#
Piano Teacher Press
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.864731 Composed by Patrick Gilmore. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 6...
(+)
Chamber Orchestra - Level 2 - SKU: A0.864731 Composed by Patrick Gilmore. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 6 pages. Piano Teacher Press #48783. Published by Piano Teacher Press (A0.864731). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. Here’s an early intermediate arrangement originates from the American Civil War. Each performer must learn to be both melodist and accompanist, thus learning one of the major elements of playing in ensemble with other musicians.
$3.99
I've Got My Love To Keep Me Warm
#
Ensemble Jazz
#
AVANCÉ
#
Benny Goodman
#
Bryan Kidd
#
I've Got My Love To Keep Me Wa
#
BryanKiddMusic.com
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.534831 By Benny Goodman. By Irving Berlin. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Pop,Standards....
(+)
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.534831 By Benny Goodman. By Irving Berlin. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Pop,Standards. Score and parts. 89 pages. BryanKiddMusic.com #142920. Published by BryanKiddMusic.com (A0.534831). Warmly swinging with vocal (alto), big band and strings! This arrangement of Irving Berlin’s “I’ve Got My Love to Keep Me Warm†has its roots in Skip Martin’s famous arrangement, a 1949 million-record seller and Billboard Top 10 song for Les Brown and His Band of Renown. While not a Christmas song, it has become an enduring part of the holiday repertoire. A partial list of artists who have covered it include Billie Holiday, Tony Bennett, Ella Fitzgerald, Rod Stewart, Jo Stafford and Idina Menzel. NOTE: a letter-size (8.5x11) score is included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). Brass high note: Trumpet E-flat 6, Trombone B-flat 4.
$75.00
Nordic Movement 1: Ginnungagap
#
Orchestre d'harmonie
#
FACILE
#
Aric Noble
#
It
#
Nordic Movement 1: Ginnungagap
#
Aric Noble
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1025077 Composed by Aric Noble. Contemporary,Folk. Score and parts. 10 pages. Aric Noble #5306619. Published by Aric No...
(+)
Concert Band - Level 2 - SKU: A0.1025077 Composed by Aric Noble. Contemporary,Folk. Score and parts. 10 pages. Aric Noble #5306619. Published by Aric Noble (A0.1025077). Over the past few years I have become obsessed with Norse Mythology, and I mean real Norse Mythology. I say that withquotes because in my research I realized that a lot of people tell different stories. This is mainly because back when Christianity was growing,the Christians saw anything that wasn't Christian as pagan, so they got rid of it all. So that is why Greek, Roman, and Norse religions faded into mythologies, and all that was left was passed around in folk tales. And also because Marvel tells a very different tale of the mythology than the research I have collected and I want people to know these stories. Now moving passed the history lesson and into the music. This is interesting for me because this is the biggest original piece that I've ever made. This is going to be a multimovement piece, and this is the 1st movement, Ginnungagap, the endless void. This movement describes The Void, and the two lands of Fire(Muspelheim) and Ice(Niflhiem).Starting with The Void, it describes the blackness, and I use the absence of instruments to give this feeling, but however to give2 of the other themes to foreshadow it. It moves into this wild cascading theme for the Niflheim theme to describe the cold cascading environment of the world.After that it slows into a dark and ominous theme for Muspelheim(Surtr's Destiny). This was an interesting part to make because in mythology, Surtr, also referred to as Surt, is the fabled fire giant who destroys Asgard. No one knows where hecomes from, but from the moment of his creation, he knew of his destiny to destroy Asgard so he spent all of his time forging his sword to burrow into Asgard. I used a break drum to symbolize a hammer hitting an anvil to forge a sword, a lingering sound of Surtr's destiny.After this, I brought both themes together to resemble The Clash of the two worlds to create the Norse universe.The final theme in this first movement is entitled I am Ymir. In myhtology, Ymir is the father of everything. Created from the clash, he gave creation to all the gods, humans, giants, elves, and dwarves. This final theme takes Surtr's theme and flipsit to be mo.
$24.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Visionary Quest Records
#
Violin Solo
#
Tears from My Eyes: Onward and
#
Visionary Quest Records
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Record...
(+)
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
#
Orchestre à Cordes
#
Tito Abeleda
#
Violin Solo
#
Tears from My Eyes: Onward and
#
Visionary Quest Records
#
SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records...
(+)
Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
Requiem
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Only from Blood Does Freedom Grow (Full Score and Parts)
#
Orchestre
#
FACILE
#
Stanley M Hoffman
#
Stanley M Hoffman
#
Only from Blood Does Freedom G
#
stanleymhoffman.com
#
SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. St...
(+)
Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
Do You Hear How Many You Are?
#
Orchestre d'harmonie
#
FACILE
#
Contemporain
#
Keane Southard
#
Do You Hear How Many You Are?
#
Spindrift Pages
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spin...
(+)
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
Welsh Folksongs for String Orchestra
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Traditional
#
Yoel Epstein
#
Welsh Folksongs for String Orc
#
Yoel Epstein
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages....
(+)
String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages. Yoel Epstein #3236529. Published by Yoel Epstein (A0.773302). If ever there was a nation with song in its heart, it is the Welsh. These five traditional Celtic folksongs are among the best known and best loved of all folk music. Ar Hyd Y Nos (All Through The Night), first published in 1784 in Edward Jones's anthology of folk songs, Musical and Poetical Relics of the Welsh Bards, became one of the most popular hymns in the English-speaking world. A popular Christmas song, All Through the Night also appears in numerous films and stage productions, beginning with John Gay's opera of 1728 and up to the present day. Calon Lân (a pure heart), a traditional Celtic tune with lyrics later written by Daniel James (Gwyrosydd) in the 1890s, has become the anthem of the Welsh Rugby league. Llwyn Onn (The Ash Grove) was first published in 1892 in The Bardic Museum by harpist Edward Jones. In its English version, with words written by poet Thomas Oliphant, it is traditionally sung in America on Thanksgiving and Christmas. Dafydd y Gareg Wen (David of the White Rock). This song was written by David Owen, a harpist who died about 1720 at the tender age of 29. Tradition says that Owen was lying on his deathbed, and called for his harp. Too weak to hold the harp, he was helped by his wife, who held the harp upright while he played this haunting tune. Rhyfelgyrch Gwyr Harlech (Men of Harlech) describes the seven-year siege of Harlech Castle between 1461 and 1468. Commanded by Constable Dafydd ap Ieuan, the Welsh garrison withstood the longest known siege in the history of the British Isles I hope you enjoy playing this as much as I enjoyed writing it. If you enjoy this, you are welcome to try some of my other arrangements. You can see them at http://www.sheetmusicplus.com/publishers/yoel-epstein-sheet-music/3001988?ac=1. I have also arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
$34.99
<
1
26
51
....
251
I Have Come
