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Vous avez sélectionné:
Being Alive
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Partitions à imprimer
18 partitions trouvées
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1
Don't Stop Me Now
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1078067 By Queen. By Freddie Merc…
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Concert Band - Level 4 - Digital Download SKU: A0.1078067 By Queen. By Freddie Mercury. Arranged by Jeffrey Bowen. Contest,Festival,Pop. Score and parts. 63 pages. Music Arrangement Services Inc. #682272. Published by Music Arrangement Services Inc. (A0.1078067). Performed by Queen. This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. This song is about feeling vibrant and alive. The song refers to having fun, being alive and vibrant, feeling unstoppable, being like a shooting star, tiger, racing car, rocket ship, and satellite. This arrangement offers vocal features and a dance break and is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:25.
$49.99
46.1 €
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Orchestre d'harmonie
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Queen
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Jeffrey Bowen
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Don't Stop Me Now
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Music Arrangement Services Inc.
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SheetMusicPlus
Being Alive
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.718688 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.718688 Composed by Stephen Sondheim. Arranged by Daryl McKenzie. Broadway,Musical/Show. Score and parts. 71 pages. Daryl McKenzie #6500069. Published by Daryl McKenzie (A0.718688). Arranged in the style of the original Broadway orchestration for the music Company for Vocal with Big Band (2 Flutes, 2 Clarinets, Bass Clarinet, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums, Percussion) Key of C to Db
$59.99
55.33 €
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Ensemble Jazz
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Stephen Sondheim
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Daryl McKenzie
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Being Alive
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Daryl McKenzie
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SheetMusicPlus
Being Alive
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.718467 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.718467 Composed by Stephen Sondheim. Arranged by Daryl McKenzie. Broadway,Musical/Show. Score and Parts. 73 pages. Daryl McKenzie #6235619. Published by Daryl McKenzie (A0.718467). Arranged in the style of the original Broadway orchestration for the music Company for Vocal with Big Band (2 Flutes, 2 Clarinets, Bass Clarinet, 4 Trumpets, 4 Trombones, Piano, Guitar, Bass, Drums, Percussion) Key of Eb to E
$59.99
55.33 €
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Ensemble Jazz
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Stephen Sondheim
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Daryl McKenzie
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Being Alive
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Daryl McKenzie
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SheetMusicPlus
Being Alive
Jazz combo
Jazz Combo - Level 5 - Digital Download SKU: A0.790222 Composed by Stephen Sondheim…
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Jazz Combo - Level 5 - Digital Download SKU: A0.790222 Composed by Stephen Sondheim. Arranged by Nigel Hanley. 20th Century,Broadway,Contemporary,Musical/Show,Opera,Pop. 22 pages. Nigel Hanley Music #4267263. Published by Nigel Hanley Music (A0.790222). This chart is an 8 piece musical theater pit band arrangement of the Stephen Sondheim tune from the musical 'Company'. The instrumentation is keyboards, bass, guitar, drums, trumpet, alto & tenor saxes, and trombone. The keyboard/piano part has cues for strings, oboe, horns, and guitar, which means the chart will work with various instrumentations, ie a trio, up to an octet. Download the complete mp3 track from www.nigelhanleymusic.com Other keys and instrumentation available on request: info@nigelhanley.com
$29.99
27.66 €
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Jazz combo
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Stephen Sondheim
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Nigel Hanley
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tenor saxes, and trombone
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Being Alive
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Nigel Hanley Music
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SheetMusicPlus
Being Alive
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.734139 Composed by Stephen Sondhe…
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Concert Band - Level 3 - Digital Download SKU: A0.734139 Composed by Stephen Sondheim. Arranged by Daryl McKenzie. Broadway,Contemporary,Musical/Show. Score and parts. 92 pages. Daryl McKenzie #6495847. Published by Daryl McKenzie (A0.734139). Arranged in the style of the original Broadway orchestration for the music Company for Vocal with Concert Band (2 Flutes, Oboe, 3 Clarinets, Bass Clarinet, Bassoon, 4 Saxes, 4 F Horns, 3 Trumpets, 3 Trombones, Euphonium, Tuba, String Bass, Drum Kit, Percussion) Key of Eb to E
$79.99
73.77 €
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Orchestre d'harmonie
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Stephen Sondheim
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Daryl McKenzie
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Being Alive
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Daryl McKenzie
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SheetMusicPlus
Vanished Trilogy
Orchestre d'harmonie
Concert band - Grade 1 - Digital Download SKU: IZ.CBS174-S Composed by Rich Johnson…
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Concert band - Grade 1 - Digital Download SKU: IZ.CBS174-S Composed by Rich Johnson. Score. 31 pages. Imagine Music - Digital #CBS174-S. Published by Imagine Music - Digital (IZ.CBS174-S). 9 x 12 in inches.The Vanished Trilogy is based on the idea [with inspiration from the television show Lost] of what would happen if you were suddenly on an island away from everything you knew and thought you knew. How would you react? Would you be able to survive not only physically,but mentally as well?I. Stranded!You wake up in the middle a jungle only to find that you are stranded on an island with no way home.II. Survival. (Happy to be Alive)After coming to terms of being stranded, you are happy to be alive and begin to learn how to survive on the island and with yourself.III. Rescued?Rescue is coming, but in being lost you have found your true self.
$10.00
9.22 €
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Orchestre d'harmonie
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Rich Johnson
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Vanished Trilogy
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Imagine Music - Digital
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SheetMusicPlus
The Raft of the Medusa
Orchestre d'harmonie
Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15…
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Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CBW205-S). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$12.00
11.07 €
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Orchestre d'harmonie
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Vanished Trilogy
Orchestre d'harmonie
Concert band - Grade 1 - Digital Download SKU: IZ.CBS174 Composed by Rich Johnson. …
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Concert band - Grade 1 - Digital Download SKU: IZ.CBS174 Composed by Rich Johnson. Score and Parts. 86 pages. Duration 6. Imagine Music - Digital #CBS174. Published by Imagine Music - Digital (IZ.CBS174). 9 x 12 in inches.The Vanished Trilogy is based on the idea [with inspiration from the television show Lost] of what would happen if you were suddenly on an island away from everything you knew and thought you knew. How would you react? Would you be able to survive not only physically,but mentally as well?I. Stranded!You wake up in the middle a jungle only to find that you are stranded on an island with no way home.II. Survival. (Happy to be Alive)After coming to terms of being stranded, you are happy to be alive and begin to learn how to survive on the island and with yourself.III. Rescued?Rescue is coming, but in being lost you have found your true self.
$50.00
46.11 €
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Orchestre d'harmonie
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Rich Johnson
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Vanished Trilogy
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Imagine Music - Digital
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SheetMusicPlus
The Raft of the Medusa
Orchestre d'harmonie
Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and P…
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Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital (IZ.CBW205). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$60.00
55.34 €
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Orchestre d'harmonie
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.64 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
The Flight of the Bumble Bee - Rimsky Korsakov - For solo Bb Clarinet and Concert Band
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1046491 Composed by N. Rimsky Kor…
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Concert Band - Level 5 - Digital Download SKU: A0.1046491 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Opera,Pop,Romantic Period. Score and parts. 59 pages. Raymond Fenech #651010. Published by Raymond Fenech (A0.1046491). Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$35.00
32.28 €
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Orchestre d'harmonie
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N
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Raymond Fenech
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The Flight of the Bumble Bee - Rimsky Korsakov - For solo Bb Clarinet and Concert Band
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Raymond Fenech
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SheetMusicPlus
Being Alive - Drums
Batterie (partie séparée)
By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show;…
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By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show; Pop. EPak. 1 pages. Duration 3:35. Published by Hal Leonard - Digital Sheet Music
$7.00
6.46 €
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Batterie (partie séparée)
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Stephen Sondheim
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Mac Huff
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Concert
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Being Alive - Drums
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Being Alive - Trumpet 1
Trompette (partie séparée)
By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show;…
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By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show; Pop. EPak. 1 pages. Duration 3:35. Published by Hal Leonard - Digital Sheet Music
$7.00
6.46 €
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Trompette (partie séparée)
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Stephen Sondheim
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Mac Huff
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Concert
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Being Alive - Trumpet 1
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Being Alive - Guitar
Guitare (partie séparée)
By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show;…
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By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show; Pop. EPak. 2 pages. Duration 3:35. Published by Hal Leonard - Digital Sheet Music
$7.00
6.46 €
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Guitare (partie séparée)
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Stephen Sondheim
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Mac Huff
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Concert
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Being Alive - Guitar
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Being Alive - Bb Clarinet
Clarinette (partie séparée)
By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show;…
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By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show; Pop. EPak. 1 pages. Duration 3:35. Published by Hal Leonard - Digital Sheet Music
$7.00
6.46 €
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Clarinette (partie séparée)
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Stephen Sondheim
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Mac Huff
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Concert
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Being Alive - Bb Clarinet
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Being Alive - Trumpet 2
Trompette (partie séparée)
By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show;…
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By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show; Pop. EPak. 1 pages. Duration 3:35. Published by Hal Leonard - Digital Sheet Music
$7.00
6.46 €
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Trompette (partie séparée)
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Stephen Sondheim
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Mac Huff
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Concert
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Being Alive - Trumpet 2
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Stephen Sondheim: Being Alive (complete set of parts) - orchestra/band
Orchestre
Instantly printable sheet music by Mac Huff for orchestra/band of MEDIUM skill level. / mu…
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Instantly printable sheet music by Mac Huff for orchestra/band of MEDIUM skill level. / musical/show,pop,broadway,concert
$32.99
30.43 €
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Orchestre
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Stephen Sondheim
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Virtualsheetmusic
Being Alive - Synthesizer
Piano (partie séparée)
By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show;…
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By Stephen Sondheim (1930-). Arranged by Mac Huff. Combo. Broadway; Concert; Musical/Show; Pop. EPak. 3 pages. Duration 3:35. Published by Hal Leonard - Digital Sheet Music
$7.00
6.46 €
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Piano (partie séparée)
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Stephen Sondheim
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Mac Huff
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Concert
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Being Alive - Synthesizer
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
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