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Crtitères actifs :
A Prayer for Healing
ORCHESTRE
Partitions à imprimer
2 partitions trouvées
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Chorale on Friedman's Shalom Aleichem
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Orchestre d'harmonie
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INTERMÉDIAIRE
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the time Debbie Friedman died
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Dan Dickerman
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Chorale on Friedman's Shalom A
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True Indie Media
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1031499 Composed by Dan Dickerman. Contemporary,Jewish. Score and parts. 44 pages. True Indie Media #3424827. Published...
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Concert Band - Level 3 - SKU: A0.1031499 Composed by Dan Dickerman. Contemporary,Jewish. Score and parts. 44 pages. True Indie Media #3424827. Published by True Indie Media (A0.1031499). Bringing folk melodies into modern repertoire has a long tradition, with many iconic works simultaneously celebrating and preserving melodies which might otherwise have been lost to history. Here we have the opportunity to celebrate and preserve a melody just as it starts to find its way in the musical world. By the time Debbie Friedman died in January 2011, just shy of her 60th birthday, she had created a large collection of music loved throughout the world’s Jewish community. She embodied the idea that each generation has a responsibility to contribute to the canon of sacred music, and her settings of liturgical texts have been sung regularly for decades. Her setting of Mi Shebeirach, the prayer for healing, is likely her most familiar tune, but Shalom Aleichem is a beautiful capstone to her legacy. It was in an early stage at the time of her death, having shared the melody among a few groups. This melody has since been sung worldwide, beginning with Friedman’s own memorial and the following Sabbath of Song (Shabbat Shira), and it has begun to take its rightful place in the liturgical canon. The music here is ordered as it would be sung: starting with a presentation of the chorus theme by clarinets in SATB choir voicing, with more of the band joining-in with each repetition of the theme or chorus. The melody and countermelodies move among the different sections until the full band has taken up the tune while the euphonium, horn, and clarinet weave a contrapuntal line through it. Slowly, the joy of the full band is stripped away, exposing the more solemn sound of a brass choir, juxtaposing the joy brought to so many by Ms. Friedman during her life with a quiet reflection at its end.Â
$54.00
Accentus
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Orchestre d'harmonie
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Gary Gazlay
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Accentus
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Imagine Music - Digital
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SheetMusicPlus
Concert Band - SKU: IZ.CBW221 Composed by Gary Gazlay. Score and Parts. 61 pages. Imagine Music - Digital #CBW221. Published by Imagine Music - Digital ...
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Concert Band - SKU: IZ.CBW221 Composed by Gary Gazlay. Score and Parts. 61 pages. Imagine Music - Digital #CBW221. Published by Imagine Music - Digital (IZ.CBW221). 9 x 12 inches.Some years back, during a series of retreats, prayerful reflection on the “servantpassages from the book of the prophet Isaiah (Is. 40-53) coalesced into what wouldbecome an eight-movement cantata entitled: The Servant of Yahweh.“How Beautiful on the Mountain represents movement three of that larger work - aLenten cantata highlighting key aspects of the life, death, and resurrection of Jesus,viewed through the lens of the aforementioned servant passages.“How Beautiful on the Mountain (from Is.52 ff) attempts to capture in two sections thejoyful vision of God's people being led back to Zion from exile in Babylon. Israel'sdeliverer is near, proclaiming peace, bearing good news, announcing salvation, leadingIsrael back to Jerusalem. The New Testament likewise speaks of deliverance frombondage – bondage from sin, and healing of the breach between God and humanity. It isthrough the passion, death, and resurrection of Jesus that this deliverance isaccomplished. In both cases, there is cause for great joy.Musically, movement from the more subdued preface (part 1) to the festive Latin groove(part 2) conveys the transition from journey to jubilation.The present rendition, written for SATB choir and piano with optional flute and oboemarks the latest evolution in the work's arrangement history. The originalaccompaniment included guitar, bass, drum, flute and electric violin. However, in 2009,through a collaboration with bassist/arranger, Perry Orfanella, a full orchestral score wasdeveloped. Most recently, in order to make the piece more accessible to church choirsand other choral groups, Phil Sims (musician/arranger and partner of Imagine MusicPublishing) reduced the orchestral score and completed the present arrangement forpiano and SATB choir.
$50.00
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