Transcribed as recordedby CHICAGO on their album CHICAGO 17 in 1984.

INSTRUMENTATION:Lead Vocal, Lead Vocal Echo, Background Vocal I, Background Vocal II,Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb), Horn (F), Trombone,Keyboard I, Keyboard II, Keyboard III, Violin I, Violin II, Viola, Cello,Contrabass, Electric Guitar I, Electric Guitar II, Bass, Tambourine,Drumset.

**SCOREis 8.5x14? (legal-sized paper), parts are 8.5x11? (letter-sized) paper.**

ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.

Transcribed as recordedby CHICAGO on their album CHICAGO 17 in 1984.

INSTRUMENTATION:Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II,Background Vocal III, Background Vocal IV, Background Vocal V, Background VocalVI, Flute, Tenor Saxophone (Bb), Trumpet (Bb), Horn (F), Trombone, Keyboard I,Keyboard II, Keyboard III, Keyboard IV, Violin I, Violin II, Viola, Cello,Contrabass, Electric Guitar, Bass, Drumset.

**SCOREis 8.5x14? (legal-sized paper), parts are 8.5x11? (letter-sized) paper.**

ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.

A classic Christmas song that everybody enjoys! This is arrangement for early-intermediate children symphony orchestra will be loved by students and by the audience!
Easy to work and can be played in no time!
This st includes: conductor's score, sections' scores (brass, woodwinds, percussion, strings) and parts.

Second Son (For Stephen) - Orchestra Score and Parts PDF
This lovely tune is dedicated to my second oldest son, Stephen, who is very creative especially in the area of animation.

It has been scored for full orchestra with additional parts for Piano, Harp, and Vibraphone or Glockenspiel. There is also 2-part voice part (No lyrics - only Ahs!) Different instruments get to play the melody, which gets repeated 9 times, with various accompaniments and counter melodies, especially in the Horn line. Let me know what you think of this composition. The MP3 was recorded with NotePerformer.

The original arrangement was done in 2011 but revised in June 2016

Grade = 3 Duration = 3:25 mins

Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.

Debussy?s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier?s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner?s Tristan und Isolde are that none of the action takes place in Cornwal and that ?Isolde of the white hands? is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.

The idea of a Tristan that restorced its ?legendary character? and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan?s death. Even if he thought that Mourey?s poetry was ?not very lyrical and many passages do not exactly ?invite? music?, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ?one of the 363 themes for the ?Roman de Tristan?? in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong ?Le Faucon?. After a short atmospheric introduction, Debussy?s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy?s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.

Unforunately, Mourey?s actual libretto has been lost and the project eventually foundered because Bédier?s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey?s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!

Hans Zimmer's film scores are unique, bold, and unmistakable. His works are notable for integrating electronic music sounds with traditional orchestral arrangements. This collection is not so much a medley of tunes as it is a portrait of his styles and Zimmer-esque moods. Incorporating selections from Man of Steel, Inception, and The Dark Knight Rises, this arrangement is a tour de force of dramatic and emotional cinematic textures. (3:30) This title is available in SmartMusic.

The majestic national anthem of Canada, in a brand new fully orchestrated arrangement for orchestra and SATB chorus by Samuel Labrecque based on George Alfred Grant-Shaefer's version for SATB and piano. This orchestration was done to be performable both with and without the choir. It's a simple yet powerful arrangement that's within reach of every ensemble and is certain to reach the patriotic Canadian within you!

Note: This is the full performance package containing both the conductor's full score and the complete set of parts. The full score and the vocal score can each be purchased on their own as well.

A word of caution: The full score is in A3 format while the parts are in A4. Make sure to rescale the full score if you don't want to print it in A3.

Experience the swashbuckling action and tender emotional moments of the original story of Peter Pan with a new twist. Heroic themes and soaring melodies amplify the drama, and provide musical satisfaction well beyond the scope of the screenplay. As a prequel to the classic story, the movie Pan includes characters we all know and love, but who aren't all they necessarily appear to be in later life. The dynamic score is by British composer, John Powell (Shrek, Chicken Run, Happy Feet, How to Train Your Dragon), and arranged by Douglas E. Wagner. (3:45).

The majestic national anthem of Canada, in a brand new fullyorchestrated arrangement for orchestra and SATB chorus by Samuel Labrecquebased on George Alfred Grant-Shaefer's version for SATB and piano. Thisorchestration was done to be performable both with and without the choir. It'sa simple yet powerful arrangement that's within reach of every ensemble and iscertain to reach the patriotic Canadian within you!

Note: This item contains only the conductor's full score, for study purposes. The vocal score (piano reduction) and the full performance package (full score and parts) can each be purchased on theirown as well.

Poignant with bold striking musical punctuation, this comprehensive medley recreates chilling musical moments drawn from the Hans Zimmer score. (6:30)

This title is available in SmartMusic.

Orchestration: Lloyd Larson.

Filled with charm and warmth, this traditional service is thoughtfully designed for performance by choirs of all sizes with a minimum of preparation and cost. Beloved traditional scripture readings are tightly interwoven with twenty-six carols that include just a touch of Handel and Bach! A continuous flow of carols both accompanies the scripture readings and flows seamlessly into simple arrangements for choir, choir with vocal solo or duet, and choir with congregation. One unique feature is an optional four-hand piano score that adds budget-friendly sparkle! Another welcome option is a simple handbell and percussion score with synth strings and two-hand piano. Flexibly conceived, this program can be performed in its entirety, lasting approximately 30-35 minutes, or shortened to conform to your particular Christmas needs.

You'll feel the gentle tropical breeze as your beginners play this easy and contagiously hum-able tune! Simple rhythms (half-, quarter-, and a few eighth-notes) make CUBAN BREEZE an ideal piece for your concert.

FEATURES: Easy notes, easy rhythms, repeated sections; uses rhythm instruments for color; simple, unison low brass/low woodwind parts.

CHALLENGES: Percussion break (4 measures); tenor drum line uses a two-sixteenth/eighth-note rhythm pattern.

KEY and RANGES: Concert B-flat major. Beginner ranges: all parts use 5 or fewer different notes. Flutes, Clarinet 1, Trumpet 1 use concert D to A; Clarinet 2 uses low G to D below staff; all others use first 5 notes of B-flat concert scale.

INSTRUMENTATION: Flute, Oboe, Bassoon, Clarinet 1, Clarinet 2, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Trumpet, Horn in F, Trombone/Euphonium, T.C. Euphonium, Tuba, Percussion 1 (Tenor Drum, Bass Drum), Percussion 2 (Guiro, Maracas), Percussion 3 (Claves).

MINIMUM INSTRUMENTATION REQUIREMENTS: At least one: Flute, Clarinet 1, Clarinet 2, Trumpet, Bass line (any low reed, saxophone, or low brass instrument), and 3 Percussionists.

NOTE: This Digital Download document is assembled with the Trumpet part appearing as page 1 so you may view it on the web site as you listen to the sound file. When you download/print the full document (26 pages, total), the first page to print will be the Trumpet part, followed by 8 pages of the FULL SCORE, then the remaining PARTS (16 pages), and a Site License permitting you to make multiple copies of the score and parts for use by your school.

INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, TenorSaxophone (Bb), Trumpet (Bb), Trombone, Keyboard, Electric Guitar I, ElectricGuitar II, Bass, Drumset.

BIGBAND: Piccolo, Flute, Alto Saxophone I(Eb), Alto Saxophone II (Eb), Tenor Saxophone I (Bb), TenorSaxophone II (Bb), Baritone Saxophone (Eb), Trumpet I (Bb), Trumpet II (Bb),Trumpet III (Bb), Trumpet IV (Bb), Trombone I, Trombone II, Trombone III, BassTrombone (IV), Vibraphone, Cabasa, Claves, Cowbell, Conga Drums, Timbales.

*** Score is 8.5? x 14? ?legal? sizepaper, parts are standard 8.5?x11? size.

ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.

Transcribed as recordedby CHICAGO for their album CHICAGO ?NIGHT AND DAY? (big band album) released in1995.

INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, TenorSaxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, ElectricGuitar, Bass, Drumset.

BIGBAND: Alto Saxophone I (Eb), AltoSaxophone II (Eb), Tenor Saxophone I (Bb), Tenor Saxophone II (Bb), BaritoneSaxophone (Eb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trumpet IV (Bb), Trombone I, Trombone II, Trombone III, BassTrombone (IV).

*** Score is 8.5? x 14? ?legal? sizepaper, parts are standard 8.5?x11? size.

ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.

This is the big band accompaniment for the choral score also available here on SMP Press.

Transcribed as recordedby CHICAGO for their album CHICAGO ?NIGHT AND DAY? (big band album) released in1995.

INSTRUMENTATION:Lead Vocal I, Lead Vocal II, Lead Vocal III, Background Vocal I, BackgroundVocal II, BackgroundVocal III, Background Vocal IV, Background Vocal V, Tenor Saxophone (Bb),Trumpet (Bb), Trombone, Grand Piano, Hammond B-3 Organ, Solo Flamenco Guitar,Acoustic Guitar II, Bass, Shaker, Whistle, Sleigh Bells, BongoDrums, Conga Drums, Drumset.

*** Score is 8.5? x 14? ?legal? sizepaper, parts are standard 8.5?x11? size.

ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.

Transcribed as recordedby CHICAGO for their album CHICAGO ?NIGHT AND DAY? (big band album) released in1995.

INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, BackgroundVocal IV, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, KeyboardII, Keyboard III, ElectricGuitar, Bass, Cowbell, Drumset.

BIGBAND: Alto Saxophone I (Eb), AltoSaxophone II (Eb), Tenor Saxophone I (Bb), Tenor Saxophone II (Bb), BaritoneSaxophone (Eb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trumpet IV(Bb), Trombone I, Trombone II, TromboneIII, Bass Trombone (IV).

*** Score is 8.5? x 14? ?legal? sizepaper, parts are standard 8.5?x11? size.

ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.

Transcribed as recordedby CHICAGO for their album CHICAGO ?NIGHT AND DAY? (big band album) released in1995.

INSTRUMENTATION:Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II,Background Vocal III, Background Vocal IV, Background Vocal V, Background VocalVI, Background Vocal VII, Background Vocal VIII, Background Vocal IX, TenorSaxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, Keyboard III, ElectricGuitar, Bass, Drumset.

BIGBAND: Alto Saxophone I (Eb), Alto SaxophoneII (Eb), Tenor Saxophone I (Bb), Tenor Saxophone II (Bb), BaritoneSaxophone (Eb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trumpet IV(Bb), Trombone I, Trombone II, Trombone III, Bass Trombone (IV).

*** Score is 8.5? x 14? ?legal? sizepaper, parts are standard 8.5?x11? size.

ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.

"God Defend New Zealand" was written as a poem in the 1870s by Irish-born, Victorian-raised immigrant Thomas Bracken of Dunedin. A competition to compose music for the poem was held in 1876 by The Saturday Advertiser and judged by three prominent Melbourne musicians, with a prize of ten guineas. The winner of the competition was the Tasmanian-born John Joseph Woods of Lawrence, New Zealand who composed the melody in a single sitting the evening after finding out about the competition. The song was first performed at the Queen?s Theatre, Princes Street, Dunedin, on Christmas Day, 1876. [Wikipedia]

This arrangement is for Concert Band and with optional Strings and Piano parts included (but not shown on the score) - Lower Key of F (Original in G) ? If singing the words for more than one verse, accompaniment can be varied eg. Woodwind only for one verse ? as in the MP3 recording with was recorded with NotePerformer. Also available MARCH CARD format...

Duration = 2:00 mins Grade 2-3

A Christmas Tale, score for Symphony Orchestra
Holiday music

Nightwalk for Piano and Chamber Orchestra is an ideal piece of music for the late intermediate/early advanced piano student. Nightwalk is a dramatic and fiery showcase piece of music. The music serves as a terrific piece for students wishing to highlight their ensemble abilities, and looking to play contemporary piano/orchestral repertoire. This package includes the Orchestral Score, a set of all orchestral parts, Solo Piano part, and Solo Piano with Piano Accompaniment part. To listen to more of Lisa's original piano compositions, please check out Lisa's original piano music at Piano Pronto's Composers Community. https://www.youtube.com/watch?v=9JbU0shOcP8