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Three Winter Movements from The Seasons, Op. 37
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Orchestre de chambre
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AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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James Bicigo
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Three Winter Movements from Th
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Polar Publications
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1163542 Composed by Peter Ilyich Tchaikovsky. Arranged by James Bicigo. 19th Century,Chamber,Christmas,Classical,H...
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Chamber Orchestra - Level 5 - SKU: A0.1163542 Composed by Peter Ilyich Tchaikovsky. Arranged by James Bicigo. 19th Century,Chamber,Christmas,Classical,Holiday. Score and Parts. 133 pages. Polar Publications #763883. Published by Polar Publications (A0.1163542). Here are three winter movements from Tchaikovsky's The Seasons, Op. 37 for piano. This arrangement for Chamber Orchestra (1,1,1,1 1,2,0,0 Percussion, Piano, Strings) includes Snowdrop, On the Troika (Sleighride), and Christmas Waltz. Arranged for the Central Alberta Chamber Orchestra, this is a lovely alternative to the Nutcracker Suite.
$100.00
The Four Seasons - 3- or 4-part Woodwind &/or Brass Ensemble with Optional Percussion - Flexible Ins
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Ensemble de cuivres
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FACILE
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Classique
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Antonio Vivaldi
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Kathy Hirche
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The Four Seasons - 3- or 4-par
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Kathy Hirche
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.820034 Composed by Antonio Vivaldi. Arranged by Kathy Hirche. Baroque,Standards. Score and parts. 78 pages. Kathy Hir...
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Brass Ensemble - Level 2 - SKU: A0.820034 Composed by Antonio Vivaldi. Arranged by Kathy Hirche. Baroque,Standards. Score and parts. 78 pages. Kathy Hirche #5043847. Published by Kathy Hirche (A0.820034). The Four Seasons is generally considered to be Vivaldi’s most famous work. It is a set of four concerti for Violin, each of the four representing one of the four seasons. A performance of the entire original set would take at least 40 minutes. This version is a collection of the main themes presented as a short suite and takes approximately 5 minutes to perform. Alternatively, each of the movements may be performed as a separate piece. The aim of this arrangement was to give Early Intermediate Level Woodwind and/or Brass players an opportunity to perform what is undoubtedly one of the most well-known pieces of Baroque string repertoire. The instrumentation is flexible, allowing for many different combinations of instruments, including Clarinet Trio/ Ensemble, Saxophone Trio/Ensemble, Brass Trio/Ensemble and even Concert Band. The Solo at the start of the 4th Movement (Winter) is an opportunity to feature a Part 1 player who is more advanced. The inclusion of this short section is entirely optional. Part 4 is optional and can be used to include a Tuba and/or less competent players of Clarinet, Bass Clarinet, Tenor Saxophone and F Horn. The inclusion of a Tuba is preferable in the case of a large brass ensemble. The inclusion of a Bass Clarinet (Part 3 or 4) is preferable in a large clarinet ensemble. The score is shown in concert pitch. Octave displacement occurs in some parts. Parts 2, 3 and 4 are kept below the break for the Clarinet and/or Bass Clarinet players. Parts in this set: Part 1 (Flute, Oboe, Clarinet, Alto Saxophone, Trumpet); Part 2 (Clarinet, Alto Saxophone, Tenor Saxophone, Trumpet, F Horn); Part 3 (Clarinet / Bass Clarinet, Tenor Saxophone, Baritone Saxophone, Trombone/Euphonium/Bassoon); Optional Part 4 (Tuba, Clarinet / Bass Clarinet, Tenor Saxophone, F Horn); Optional Glockenspiel, Optional Cymbal & Triangle & Tambourine (2 players); Optional Snare Drum & Bass Drum (2 players).
$17.99
The Four Seasons in the Basque Country
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Orchestre d'harmonie
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Publishe...
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Concert Band - SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
Five Australian Scenes for String Orchestra - 4. Snowy Mountains
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Publ...
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String Orchestra - Level 3 - SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Published by MA Lass & I Lass (A0.1368932). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Snowy Mountains, is set in the alpine region of Australia, in Thredbo in the state of NSW, which is a popular ski resort. The scene opens with the majesty and austerity of the alpine mountains. Then, the cold sets the teeth chattering and the feet stamping with a paraphrase from Vivaldi's Winter from The Four Seasons but which transforms into the iconic Australian song, Waltzing Matilda. From there, fun is had in the snow followed by the journey up the ski lift to the top of the ski fields. Then, of course, there is the exhilarating ski journey down the mountain! After more fun in the snow, the day ends, everybody tired but happy!
$39.00
Lindpaintner - Concertino in E major, Op.43 for Horn & Orchestra
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Orchestre
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AVANCÉ
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Classique
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Peter Joseph Von Lindpaintner
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J
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Lindpaintner - Concertino in E
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1452133 Composed by Peter Joseph Von Lindpaintner. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Per...
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Full Orchestra - Level 5 - SKU: A0.1452133 Composed by Peter Joseph Von Lindpaintner. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. 99 pages. J.G. Cuco Barber #1031452. Published by J.G. Cuco Barber (A0.1452133). Work Title Horn ConcertinoAlternative Title Concertino pour le Cor avec Accompagnement de deux Violons, Alto, Violoncelle et Basse, Flûte, deux Clarinettes, deux Bassons, deux Cors, deux Trompettes et TimbalesComposer Lindpaintner, Peter Joseph vonOpus/Catalogue Number Op.43Key E major (with an introduction in B major)Movements/Sections 3 movements Adagio ma non troppo — Allegretto Andantino Allegro First Publication 1824 ca. – Leipzig: H.A. ProbstDedication à son ami S. RauchComposer Time Period RomanticPiece Style RomanticInstrumentation horn and orchestraOrchestra flute, 2 clarinets (A), 2 bassoons2 horns, 2 trumpets, timpani, strings.
$75.00
Legacy for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Legacy
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published ...
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Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
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