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Souls At Rest
ORCHESTRE
Partitions à imprimer
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Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
Volcán
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Eduardo Arolas
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Mike Strand
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Volcán
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Michael M. Strand
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.970739 Composed by Eduardo Arolas. Arranged by Mike Strand. Concert,Jazz,Latin,World. Score and parts. 3 pages. Michael M...
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Jazz Combo - Level 4 - SKU: A0.970739 Composed by Eduardo Arolas. Arranged by Mike Strand. Concert,Jazz,Latin,World. Score and parts. 3 pages. Michael M. Strand #4895835. Published by Michael M. Strand (A0.970739). Arranged by Mike Strand, ASCAPâ??This is a lead sheet for a jazz or Latin combo or ensemble. It may serve as the basis for a variety of arrangements, improvisations, or contrafacts.The audio sample is a jazz bossa nova iReal Pro accompaniment, combined with the lead sheet melody in Finale PrintMusic. In this arrangement, you will hear acoustic guitar and violin, often heard in tango ensembles in the early 20th century. This bossa nova is inspired by Eduardo Arolasâ??s never-published tango, Volcán (Volcano). At least itâ??s never been published according to the todotango.com web site. Eduardo Arolas is a famous tango composer who is well documented on that web site. Also on that web site, you can listen to Osvaldo Requenaâ??s piano performance of Volcán from Arolasâ??s original piano sheets (written circa 1917). Years ago, I developed and wrote a tango quintet arrangement of Volcán by listening carefully to Requenaâ??s recorded piano performance on the web site. My quintet arrangement, in turn, was my source for writing this bossa nova arrangement. So, now Volcán has finally been published, but as a bossa nova! Wherever Señor Arolas may be, I hope he understands. In this bossa nova arrangement, I believe I've preserved the spirit of Arolas's original tango.Without knowing exactly what was in Eduardo Arolas's mind when he wrote the original tango, this is my personal idea of the message behind the music:Introduction: Let me tell you a story about a volcano that happened long ago.Part A (bars 5-20): It's a sad tale about human helplessness and suffering in the face of natural catastrophe.Part B (bars 21-36): The people living in a town below a volcanic peak were going about business, leisure, and play, experiencing the ordinary cares and pleasures of life.Part C (bars 41-52): One day, without warning, the volcano erupted, with smoke, falling hot rocks and ash, and hot lava flows. Some folks got away, but others were killed, buried or injured, and all that was left of the town was devastation, suffering, and, eventually, calm.Part A' (bars 53-end): A sad tale, but may we learn from it, and may the souls of the poor victims rest in peace.If you listen to and read the lyrics of Arolas's great tango, La Cachila, or listen to another superb tango of his, El Marne, you will witness further his talent and skill in composing dramatic music. My piano arrangement of La Cachila is for sale on this web site.
$2.50
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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From the Hillside, Aria for Te
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathani...
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Full Orchestra - Level 4 - SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
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