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Crtitères actifs :
Op. 16
CLASSIQUE - BAROQUE - ROMANTIQUE
ORCHESTRE
Partitions à imprimer
51 partitions trouvées
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51
Piano Concerto In A Minor Op.16 (Orchestral score)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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MPS
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Piano Concerto In A Minor Op.1
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Classic Piano sheetz
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.651097 Composed by Edvard Grieg. Arranged by MPS. Romantic Period. Score and parts. 104 pages. Classic Piano sheetz #...
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Full Orchestra - Level 4 - SKU: A0.651097 Composed by Edvard Grieg. Arranged by MPS. Romantic Period. Score and parts. 104 pages. Classic Piano sheetz #6015421. Published by Classic Piano sheetz (A0.651097). Piano Concerto In A Minor Op.16 (Orchestral score).
$25.00
Piano Concerto, Op. 16
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Craig Garner
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Piano Concerto, Op. 16
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.740255 Composed by Edvard Grieg. Arranged by Craig Garner. Romantic Period. Score and parts. 44 pages. Dorm 40 Music ...
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Brass Ensemble - Level 4 - SKU: A0.740255 Composed by Edvard Grieg. Arranged by Craig Garner. Romantic Period. Score and parts. 44 pages. Dorm 40 Music #2942111. Published by Dorm 40 Music (A0.740255). One of the world's most famous piano concertos comes to brass quintet! And you don't even need a pianist! The unforgettable melodies and rich harmonies are a joy to the listener and performer alike. This unique and demanding arrangement is so different from the typical quintet repertoire, it is sure to capture the attention of your audience. Play one movement or play them all. Includes both B-flat and C Trumpet parts (you may prefer C Trumpet on the outer movements and B-flat for the middle movement). Performance time, 16:00. Published by Dorm 40 Music, www.dorm40music.com.
$20.00
Faure Berceuse Op.16 for Violin and String Orchestra
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Orchestre à Cordes
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Classique
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Gabriel Faure
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Paul Wood
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Faure Berceuse Op.16 for Violi
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - SKU: A0.736758 Composed by Gabriel Faure. Arranged by Paul Wood. 20th Century,Romantic Period. Score and parts. 18 pages. MyMusicScor...
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String Orchestra - SKU: A0.736758 Composed by Gabriel Faure. Arranged by Paul Wood. 20th Century,Romantic Period. Score and parts. 18 pages. MyMusicScores.com #5453513. Published by MyMusicScores.com (A0.736758). Faure's beautiful Berceuse arranged for violin and string orchestra.The PDF file contains the score and all instrumental parts.
$19.99
Faure Berceuse Op.16 for Cello and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Paul Wood
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Faure Berceuse Op.16 for Cello
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.736761 Composed by Gabriel Faure. Arranged by Paul Wood. 20th Century,Romantic Period. Score and parts. 18 pages. M...
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String Orchestra - Level 4 - SKU: A0.736761 Composed by Gabriel Faure. Arranged by Paul Wood. 20th Century,Romantic Period. Score and parts. 18 pages. MyMusicScores.com #5731061. Published by MyMusicScores.com (A0.736761). Faure's beautiful Berceuse arranged for cello and string orchestra.
$19.99
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Stand...
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String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Beethoven: Bagatelle Op. 33 No.6 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1209126 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Cl...
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String Orchestra - Level 2 - SKU: A0.1209126 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 16 pages. Jmsgu3 #807240. Published by jmsgu3 (A0.1209126). 6. Allegretto quasi andante.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 6 of Beethoven's Op. 33 is a short Allegretto that is characterized by its playful and light-hearted nature. The piece is in the key of D major and is written in a binary form, consisting of two sections that are repeated. The first section is in a brisk andante tempo and features a playful melody that is accompanied by a simple, yet effective, harmonic progression. The second section is more subdued and features a more lyrical melody that is accompanied by a more complex harmonic progression. The piece is notable for its use of syncopation, which adds to its playful character. Overall, Bagatelle No. 6 is a charming and delightful piece that showcases Beethoven's skill as a composer of small-scale works.
$42.95
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Lindpaintner - Concertino for clarinet with orchestra in E flat major, Op.41
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Orchestre
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Classique
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Peter Joseph Von Lindpaintner
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J
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Lindpaintner - Concertino for
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.1398097 Composed by Peter Joseph Von Lindpaintner. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. 146...
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Full Orchestra - SKU: A0.1398097 Composed by Peter Joseph Von Lindpaintner. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. 146 pages. J.G. Cuco Barber #981372. Published by J.G. Cuco Barber (A0.1398097). Work Title Clarinet ConcertinoComposer Lindpaintner, Peter Joseph vonOpus/Catalogue Number Op.41Key E flat majorMovements/Sections 1 movement, 3 sections: Adagio â?? Allegro giusto Andantino Allegro First Publication 1824 ca. â?? Mainz: SchottDedication à Monsieur Tausch Fils membre de la chapelle royale de Prusse (Franz Tausch's (1762â??1817) son)Average Duration 16 minutesComposer Time Period RomanticPiece Style RomanticInstrumentation Solo: clarinet (Bâ?)Orchestra: 2 flutes, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, bass trombone, timpani and strings.
$45.00
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
(+)
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aar...
(+)
String Orchestra - Level 4 - SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Nordseebilder (North Sea Images), Walzer (Waltz) op. 390
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Orchestre d'harmonie
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AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Albert Schwarzmann
#
Nordseebilder
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Edition Schwalbe
#
SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1505940 Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 243 pages. Edition...
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Concert Band - Level 5 - SKU: A0.1505940 Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 243 pages. Edition Schwalbe #1081321. Published by Edition Schwalbe (A0.1505940). Nordseebilder (North Sea Images) was composed during a vacation on the German North Sea island of Föhr. Johann Strauss incorporated his impressions of sea and coast land. It premiered on 16 November 1879 in the concert hall of the Vienna Musikverein, conducted by Johann's brother Eduard. The arrangement is in the original key of the composition for symphony orchestra and was commissioned and first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2016 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria. A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/wien-new-york-wiener-gschichten-aus-der-neuen-welt/ or https://www.jpc.de/jpcng/classic/detail/-/art/wien-new-york/hnum/10428731?iampartner=303&subid=umr6&ref=partner.jpc.de .
$142.40
RIGEL Symphony No.4 in C minor Op.12 No.4
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Henri-Joseph Rigel
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Ian Butterworth
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RIGEL Symphony No.4 in C minor
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1496246 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 85 pages. Ian Butterworth #1072771...
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Chamber Orchestra - Level 4 - SKU: A0.1496246 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 85 pages. Ian Butterworth #1072771. Published by Ian Butterworth (A0.1496246). Rigel (1741-1799) was born in Austria but spent most of his life in France. This work is in three movements and is a fine example of the Sturm und Drang movement. The work is scored for two oboes, bassoon, two horns and strings. The score (31 pages) has been edited for bowing and phrasing and the string parts may be copied for the sole use of the purchaser. Duraction 16 minutes approx.www.ianbutterworthmusic.co.uk
$18.00
RIGEL Symphony No.10 in D minor Op.21 No.2
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Henri-Joseph Rigel
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Ian Butterworth
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RIGEL Symphony No.10 in D mino
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Ian Butterworth
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1496608 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 70 pages. Ian Butterworth #1073129...
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Chamber Orchestra - Level 4 - SKU: A0.1496608 Composed by Henri-Joseph Rigel. Arranged by Ian Butterworth. Classical. 70 pages. Ian Butterworth #1073129. Published by Ian Butterworth (A0.1496608). Rigel (1741-1799) was born in Germany but spent most of his life in France. This symphony is in three movements and is scored for two oboes, bassoon, two horns and strings. The wind players are tacet in the central movement. The score (18 pages) has been edited for bowing and phrasing and string parts may be copied for sole use by the purchaser. Duration 16 minutes approx.www.ianbutterworthmusic.co.uk
$18.00
Unter Donner und Blitz (Under Thunder and Lightning), Polka schnell (Quick Polka) op. 324
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Johann Strauss Jr
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Albert Schwarzmann
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Unter Donner und Blitz
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Edition Schwalbe
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1497182 Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 96 pages. Edition ...
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Concert Band - Level 5 - SKU: A0.1497182 Composed by Johann Strauss Jr. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 96 pages. Edition Schwalbe #1073603. Published by Edition Schwalbe (A0.1497182). Johann Strauss jr. composed this famous quick polka for the carnival ball of the Hesperus artists' association in Vienna. It premiered there at Dianabad hall on 16 February 1868. The arrangement is kept in the original key of the composition for symphony orchestra and was commissioned and first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2010 at the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria, repeated at the same event 2013 and 2018, the latter two broadcasted live by Austrian television. Live recordings of all three concerts are available at https://www.salzburg-windphilharmonic.at/de/le-rendez-voud-de-chasse/ or https://www.jpc.de/jpcng/classic/detail/-/art/le-rendez-vous-de-chasse/hnum/10428700?iampartner=303&subid=umr42&ref=partner.jpc.de and https://www.salzburg-windphilharmonic.at/de/la-chasse-die-jagd/ or https://www.jpc.de/jpcng/classic/detail/-/art/la-chasse-die-jagd-paris-wien/hnum/10428714?iampartner=303&subid=umr62&ref=partner.jpc.de and https://www.salzburg-windphilharmonic.at/de/durch-die-waelder-durch-die-auen/ or https://www.jpc.de/jpcng/classic/detail/-/art/durch-die-waelder-durch-die-auen/hnum/10428715?iampartner=303&subid=umr14&ref=partner.jpc.de .
$88.00
Mendelssohn Symphony No. 3 in A minor Op. 56 "Scottish" Clarinet in Bb I (transposed part)
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Orchestre
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Ocelot Music
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Mendelssohn Symphony No. 3 in
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Ocelot Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1394538 Composed by Felix Bartholdy Mendelssohn. Arranged by Ocelot Music. 19th Century,Classical. 16 pages. Ocelot M...
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Full Orchestra - Level 5 - SKU: A0.1394538 Composed by Felix Bartholdy Mendelssohn. Arranged by Ocelot Music. 19th Century,Classical. 16 pages. Ocelot Music #978019. Published by Ocelot Music (A0.1394538). I. Andante con moto – Allegro un poco agitatoIII. AdagioIV. Allegro vivacissimo – Allegro maestoso assaiTransposed part for Clarinet in Bb. Originally for Clarinet in A. © 2023 by Ocelot Music.
$9.99
RACHMANINOV Prelude Op.23 No.3 for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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RACHMANINOV
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Ian Butterworth
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Humoresque.Â
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RACHMANINOV Prelude Op.23 No.3
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963752 Composed by RACHMANINOV. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 pages. Ian Butter...
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String Orchestra - Level 4 - SKU: A0.963752 Composed by RACHMANINOV. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 16 pages. Ian Butterworth #5997843. Published by Ian Butterworth (A0.963752). This Prelude, originally for piano, is admirably suitable for string orchestra.  Copying of individual parts for sole use by the purchaser is permitted. Also available are arrangements for strings by Ian Butterworth of Rachmaninov works: Romance, Hungarian Dance & Humoresque.Â
$7.99
GRANADOS Andaluza (Spanish Dance Op.37 No.5) for string orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Enrique Granados
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Ian Butterworth
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GRANADOS Andaluza
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Ian Butterworth
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.963710 Composed by Enrique Granados. Arranged by Ian Butterworth. 20th Century. Score and Parts. 16 pages. Ian Butt...
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String Orchestra - Level 4 - SKU: A0.963710 Composed by Enrique Granados. Arranged by Ian Butterworth. 20th Century. Score and Parts. 16 pages. Ian Butterworth #5955475. Published by Ian Butterworth (A0.963710). One of Granados's most popular works sensitively arranged for strings.  Copying of individual parts for sole use by the purchaser is permitted. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$10.99
Tchaikovsky Nocturne Op.19 No. 4 for Cello and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Pyotr Tchaikovsky
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Paul Wood
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Tchaikovsky Nocturne Op.19 No.
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.736771 Composed by Pyotr Tchaikovsky. Arranged by Paul Wood. Romantic Period. Score and parts. 16 pages. MyMusicSco...
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String Orchestra - Level 4 - SKU: A0.736771 Composed by Pyotr Tchaikovsky. Arranged by Paul Wood. Romantic Period. Score and parts. 16 pages. MyMusicScores.com #6047093. Published by MyMusicScores.com (A0.736771). The set of six pieces was commissioned by the publisher Pyotr Jurgenson and finished in 1873. The Nocturne also appears in the same copybook as sketches for the opera Vakula the Smith.
$21.00
Pachulski Chanson triste Op 4 No 3 for Cello and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Henryk Pachulski
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Paul Wood
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Pachulski Chanson triste Op 4
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1296353 Composed by Henryk Pachulski. Arranged by Paul Wood. Romantic Period. Score and Parts. 19 pages. MyMusicSco...
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String Orchestra - Level 4 - SKU: A0.1296353 Composed by Henryk Pachulski. Arranged by Paul Wood. Romantic Period. Score and Parts. 19 pages. MyMusicScores.com #886603. Published by MyMusicScores.com (A0.1296353). Henryk Pachulski (1859-1921) was a prolific composer, born on October 16, 1859, in Poland, Pachulski displayed prodigious talent from an early age. He studied composition at the Warsaw Conservatory and later in Berlin, honing his skills in orchestration and harmony.Pachulski's compositions, characterized by their romantic fervor and rich harmonies, found favor among audiences and critics alike. His notable works include symphonic poems, chamber music, and piano pieces. Throughout his life, he demonstrated a deep connection to his Polish roots, infusing his music with nationalistic themes.The PDF contains the score and all parts.
$19.99
Lieder ohne Worte Op.62 No.6
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Orchestre
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DÉBUTANT
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Classique
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Felix Bartholdy Mendelssohn
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Lieder ohne Worte Op.62 No.6
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SheetmusicLAB
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SheetMusicPlus
Orchestra (Flute, Violin, Violin, Viola, Cello, Piano) - Primer Level - SKU: P5.CL-ROM-3092 Composed by Felix Bartholdy Mendelssohn. Romantic Period. Sc...
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Orchestra (Flute, Violin, Violin, Viola, Cello, Piano) - Primer Level - SKU: P5.CL-ROM-3092 Composed by Felix Bartholdy Mendelssohn. Romantic Period. Score and Parts. 16 pages. SheetmusicLAB #CL-ROM-3092. Published by SheetmusicLAB (P5.CL-ROM-3092). 8.3 x 11.7 inches.
$26.67
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