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ORCHESTRE
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351
'Re-Creation'
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Orchestre à Cordes
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Contemporain
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Craig Michael Davis
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'Re-Creation'
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Jack Harrison Inc.
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SheetMusicPlus
String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Pub...
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String Orchestra - SKU: A0.1022594 Composed by Craig Michael Davis. 20th Century,Contemporary. Score and parts. 11 pages. Jack Harrison Inc. #50957. Published by Jack Harrison Inc. (A0.1022594). 'Re-Creation' Program Notes What is time, and where did it come from? These two questions consumed my thought process while writing Re-Creation. Upon completing the piece, I was no closer to answering those questions, but what I could answer became clear: could I write a piece in which time ceases to exist? In order to do this, I decided early on to throw out conventional notation that tends to restrict most performers. As my thought process evolved, I began contemplating the idea of juxtaposing the continuum of timelessness against the traditional view of time. Not only did this free me from the confines of a specific time, it opened up the entire spectrum of time, creating the possibility of infinity and the eternal existence of the continuity of time that invariably existed from the earliest sketches of this piece. The early sketches of this piece were written in my coastal Californian studio during the summer months of 2014, and because of this, Re-Creation represents not only a freedom of time, but also a sound world unique to California’s breathtaking coast. However, the impetus for this piece was the opening chapters of the book of Genesis, portraying the creation of the world in seven days. In this respect, the usage of three and seven play and important roll in the overall structure of this piece. Re-Creation was also inspired by a vacation I had taken a year before where I drove up the coast, stopping in small towns periodically, to collect poems from local authors. One collection of poems from Jeanie Greensfelder entitled, Biting the Apple, caught my attention. Reading through the poems, I began to realize that each poem was unique in that it marked a special time and place in the authors life, ultimately providing the reader with an autobiographical time capsule. The arch of the author’s life was thus on display for the world to read inevitably transforming her life, rather than her work, into the work of art. My hope for The Creation is that it portrays a snapshot of the Californian coast in which it was written, so that it can have a life of it’s own, free from the confines of it’s author and any concert hall it is performed in.
$15.00
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #7...
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Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #...
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Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399....
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Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
Existence Infinite - Euphonium T.C.
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rossano Galante
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Existence Infinite - Euphonium
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G. Schirmer
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SheetMusicPlus
Concert Band - Level 3.5 - SKU: HX.1255242 Composed by Rossano Galante. This edition: scorch. Concert. 1 pages. Duration 255. G. Schirmer #0. Published ...
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Concert Band - Level 3.5 - SKU: HX.1255242 Composed by Rossano Galante. This edition: scorch. Concert. 1 pages. Duration 255. G. Schirmer #0. Published by G. Schirmer (HX.1255242).
$6.00
Existence Infinite - Conductor Score (Full Score)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rossano Galante
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Existence Infinite - Conductor
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G. Schirmer
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SheetMusicPlus
Concert Band - Level 3.5 - SKU: HX.1255218 Composed by Rossano Galante. This edition: scorch. Concert. 15 pages. Duration 255. G. Schirmer #0. Published...
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Concert Band - Level 3.5 - SKU: HX.1255218 Composed by Rossano Galante. This edition: scorch. Concert. 15 pages. Duration 255. G. Schirmer #0. Published by G. Schirmer (HX.1255218).
$7.50
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Il barbiere di Siviglia - Sinfonia (The Barber of Seville - Overture)
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Orchestre d'harmonie
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AVANCÉ
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Gioachino Rossini
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Albert Schwarzmann
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Il barbiere di Siviglia - Sinf
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Edition Schwalbe
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1485676 Composed by Gioachino Rossini. Arranged by Albert Schwarzmann. 19th Century,21st Century,Classical,Opera,Romant...
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Concert Band - Level 5 - SKU: A0.1485676 Composed by Gioachino Rossini. Arranged by Albert Schwarzmann. 19th Century,21st Century,Classical,Opera,Romantic Period. 211 pages. Edition Schwalbe #1062745. Published by Edition Schwalbe (A0.1485676). When arranging the overture of Rossini's opera Il barbiere di Siviglia (The Barber of Seville) the choice of the original source is an important question, as there exist more versions in different scorings, with or without piccolo flute, with or without trombones. In this case the arranger was to be chosen the scientific original text edition published by the Rossini foundation. The arrangement is transposed from the original key E to E flat. The ad libitum parts of Euphonium and Tuba are only recommended to be used, if there is a lack of low winds and double bass players in the orchestra performing. This arrangement was first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6th January 2010 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/le-rendez-voud-de-chasse/ or https://www.jpc.de/jpcng/classic/detail/-/art/le-rendez-vous-de-chasse/hnum/10428700.
$130.00
Can The Circle Be Unbroken (Will The Circle Be Unbroken)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Nitty Gritty Dirt Band
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Cascia Talbert
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Can The Circle Be Unbroken
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Cascia Talbert
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1414965 By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. 94 pages. Cascia Talb...
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Concert Band - Level 4 - SKU: A0.1414965 By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. 94 pages. Cascia Talbert #996694. Published by Cascia Talbert (A0.1414965). Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.This arrangement is for concert band and choir.
$49.99
All Time High
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporar...
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Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
All Time High
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,P...
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Full Orchestra - Level 4 - SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music ...
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Full Orchestra - Level 4 - SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Beyond The Sea
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Bobby Darin
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Matt Amy
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Beyond The Sea
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Matt Amy Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.750389 By Bobby Darin. By Albert Lasry and Charles Trenet. Arranged by Matt Amy. Jazz,Pop. Score and par...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.750389 By Bobby Darin. By Albert Lasry and Charles Trenet. Arranged by Matt Amy. Jazz,Pop. Score and parts. 60 pages. Matt Amy Music #3104219. Published by Matt Amy Music (A0.750389). Beyond the Sea is a 1946 contemporary pop romantic love song by Jack Lawrence, with music taken from the song La Mer by Charles Trenet.This arrangement by Matt Amy is for Big Band, Strings (optional) and solo vocals, as made famous by Bobby Darin and later Robbie Williams.Instrumentation is as followed:Vocals1st Alto Sax2nd Alto Sax1st Tenor Sax2nd Tenor SaxBaritone Sax1st Trumpet2nd Trumpet3rd Trumpet4th Trumpet1st Trombone2nd Trombone3rd Trombone4th TromboneGuitarPianoBassDrumsViolin 1Violin 2Violin 3 (doubling Viola)ViolaCelloContrabass (optional)Note: Cross cues exist in the chart where strings are unavailable.
$50.00
Into the Dancesness for Euphonium and Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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William Pagan-Perez
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Into the Dancesness for Euphon
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William Pagan-Perez
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1297771 Composed by William Pagan-Perez. 21st Century,Latin. Score and Parts. 58 pages. William Pagan-Perez #88774...
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Chamber Orchestra - Level 4 - SKU: A0.1297771 Composed by William Pagan-Perez. 21st Century,Latin. Score and Parts. 58 pages. William Pagan-Perez #887746. Published by William Pagan-Perez (A0.1297771). The word Dancesness doesn't exist but I use it to describe an extasis during a dance. This is a single-movement piece for Euphonium Solo with a Chamber Orchestra accompaniment.
$25.00
Carson Cooman: Concerto for Portatif Organ and Strings (2006), score and complete parts
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Po
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Pub...
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String Orchestra - Level 5 - SKU: A0.533701 Composed by Carson Cooman. Baroque,Contemporary,Standards. Score and parts. 77 pages. Musik Fabrik Music Publishing #3038897. Published by Musik Fabrik Music Publishing (A0.533701). Concerto for Portatif Organ and Strings (2006) was commissioned by the Harvard Baroque Chamber Orchestra and its director, Robert Mealy. The work is dedicated to organist Nancy Granert, for whom the solo part was written. The work was commissioned in celebration of the von Clemm Chamber Organ at The Memorial Church, Harvard University, built in 2006 by Klop Organ Builders.As with many of my works, relationships between old and new musical concepts are explored. In this piece, musical aspects of the Baroque organ concerto tradition (and Baroque style string playing) co-exist with more contemporary musical elements. In particular, the directness of expression found in many Baroque concertante works is present throughout. Musical material is shared between the movements in a motivic fashion.The title of the first movement, Bricolage, is defined as “something made or put together using whatever materials happen to be available.†Thus, the musical material for the movement is of varying characters; these elements are assembled together in ways that allow them to comment on and inform each other. Some of these musical elements include: a traditional “overture†texture, a Basse de Trompette texture (with an organ reed stop in the left hand) common in French Baroque organ music, and the French keyboard toccata style.The second movement, Elegia, is dark and searching in tone. It begins with a rageful roar before quieting down to introduce its basic musical material – a simple “lament†theme in a folk-inflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time with a whisper. The movement winds down to a sad conclusion.After the soul-searching of the second movement, the third movement, Rondeau, is sprightly and energetic. The basic material is a set of Baroque and Classical-style figurations (with a few American gospel inflections thrown in), firmly grounded in G major. After minor diversions, the original material continues to return and ends the work with unfettered joy.
$64.95
Medieval Fanfare and Chant: (wp) B-flat Tuba T.C.
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Orchestre d'harmonie
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Methodes
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Michael Story
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Festival.
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Medieval Fanfare and Chant:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014937_WPTBBTC (wp) B-flat Tuba T.C.. Arranged by Michael Story. Instructional. World Part. 2 pages. Alfred Music -...
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Concert Band - SKU: AX.00-PC-0014937_WPTBBTC (wp) B-flat Tuba T.C.. Arranged by Michael Story. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014937_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014937_WPTBBTC). UPC: 038081414485.This piece is based entirely upon PA(c)rotin's Viderunt Omnes. A member of the Notre Dame School, PA(c)rotin was a pioneer in three- and four-voice polyphony. Viderunt Omnes is one of the few remaining pieces of organum quadruplum known to exist. Medieval Fanfare and Chant alternates between the literal presentation of the music and a more contemporary setting of the themes, going back and forth until the final grandiose statement.Concert/Contest; Festival.
$3.00
Medieval Fanfare and Chant: (wp) 2nd B-flat Trombone B.C.
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Orchestre d'harmonie
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Methodes
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Michael Story
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Festival.
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Medieval Fanfare and Chant:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014937_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Arranged by Michael Story. Instructional. World Part. 1 pages. Alfred...
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Concert Band - SKU: AX.00-PC-0014937_WPTN2BC (wp) 2nd B-flat Trombone B.C.. Arranged by Michael Story. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014937_wpTN2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014937_WPTN2BC). UPC: 038081414485.This piece is based entirely upon PA(c)rotin's Viderunt Omnes. A member of the Notre Dame School, PA(c)rotin was a pioneer in three- and four-voice polyphony. Viderunt Omnes is one of the few remaining pieces of organum quadruplum known to exist. Medieval Fanfare and Chant alternates between the literal presentation of the music and a more contemporary setting of the themes, going back and forth until the final grandiose statement.Concert/Contest; Festival.
$3.00
Yankee Doodle Christmas: (wp) E-flat Tuba T.C.
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Orchestre d'harmonie
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Noël
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Mark Williams
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Yankee Doodle Christmas:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0000804_WPTBETC (wp) E-flat Tuba T.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music -...
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Concert Band - SKU: AX.00-PC-0000804_WPTBETC (wp) E-flat Tuba T.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000804_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000804_WPTBETC). UPC: 038081274225.This interesting novelty piece combines your favorite holiday carols with the ever-popular Yankee Doodle in skillful counterpoint to produce a unique and enjoyable performance experience. Joy to the World, Up On the Housetop, Jingle Bells, and Hark the Herald Angels Sing co-exist beautifully with the tune Yankee Doodle in this arrangement from the pen of Mark Williams. Correlated with Accent on Achievement, Book 2, page 24, this arrangement is a perfect choice for your next holiday program.
$3.00
Yankee Doodle Christmas: (wp) B-flat Tuba T.C.
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Orchestre d'harmonie
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Noël
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Mark Williams
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Yankee Doodle Christmas:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0000804_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music -...
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Concert Band - SKU: AX.00-PC-0000804_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000804_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000804_WPTBBTC). UPC: 038081274225.This interesting novelty piece combines your favorite holiday carols with the ever-popular Yankee Doodle in skillful counterpoint to produce a unique and enjoyable performance experience. Joy to the World, Up On the Housetop, Jingle Bells, and Hark the Herald Angels Sing co-exist beautifully with the tune Yankee Doodle in this arrangement from the pen of Mark Williams. Correlated with Accent on Achievement, Book 2, page 24, this arrangement is a perfect choice for your next holiday program.
$3.00
Yankee Doodle Christmas: (wp) 1st B-flat Trombone B.C.
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Orchestre d'harmonie
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Noël
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Mark Williams
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Yankee Doodle Christmas:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0000804_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred...
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Concert Band - SKU: AX.00-PC-0000804_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000804_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000804_WPTN1BC). UPC: 038081274225.This interesting novelty piece combines your favorite holiday carols with the ever-popular Yankee Doodle in skillful counterpoint to produce a unique and enjoyable performance experience. Joy to the World, Up On the Housetop, Jingle Bells, and Hark the Herald Angels Sing co-exist beautifully with the tune Yankee Doodle in this arrangement from the pen of Mark Williams. Correlated with Accent on Achievement, Book 2, page 24, this arrangement is a perfect choice for your next holiday program.
$3.00
Medieval Fanfare and Chant: (wp) 2nd Horn in E-flat
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Orchestre d'harmonie
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Methodes
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Michael Story
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Festival.
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Medieval Fanfare and Chant:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014937_WPEH2 (wp) 2nd Horn in E-flat. Arranged by Michael Story. Instructional. World Part. 1 pages. Alfred Music -...
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Concert Band - SKU: AX.00-PC-0014937_WPEH2 (wp) 2nd Horn in E-flat. Arranged by Michael Story. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014937_wpEH2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014937_WPEH2). UPC: 038081414485.This piece is based entirely upon PA(c)rotin's Viderunt Omnes. A member of the Notre Dame School, PA(c)rotin was a pioneer in three- and four-voice polyphony. Viderunt Omnes is one of the few remaining pieces of organum quadruplum known to exist. Medieval Fanfare and Chant alternates between the literal presentation of the music and a more contemporary setting of the themes, going back and forth until the final grandiose statement.Concert/Contest; Festival.
$3.00
Medieval Fanfare and Chant: (wp) E-flat Tuba T.C.
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Orchestre d'harmonie
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Methodes
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Michael Story
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Festival.
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Medieval Fanfare and Chant:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014937_WPTBETC (wp) E-flat Tuba T.C.. Arranged by Michael Story. Instructional. World Part. 2 pages. Alfred Music -...
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Concert Band - SKU: AX.00-PC-0014937_WPTBETC (wp) E-flat Tuba T.C.. Arranged by Michael Story. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014937_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014937_WPTBETC). UPC: 038081414485.This piece is based entirely upon PA(c)rotin's Viderunt Omnes. A member of the Notre Dame School, PA(c)rotin was a pioneer in three- and four-voice polyphony. Viderunt Omnes is one of the few remaining pieces of organum quadruplum known to exist. Medieval Fanfare and Chant alternates between the literal presentation of the music and a more contemporary setting of the themes, going back and forth until the final grandiose statement.Concert/Contest; Festival.
$3.00
Yankee Doodle Christmas: (wp) E-flat Tuba B.C.
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Orchestre d'harmonie
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Noël
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Mark Williams
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Yankee Doodle Christmas:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0000804_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music -...
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Concert Band - SKU: AX.00-PC-0000804_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000804_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000804_WPTBEBC). UPC: 038081274225.This interesting novelty piece combines your favorite holiday carols with the ever-popular Yankee Doodle in skillful counterpoint to produce a unique and enjoyable performance experience. Joy to the World, Up On the Housetop, Jingle Bells, and Hark the Herald Angels Sing co-exist beautifully with the tune Yankee Doodle in this arrangement from the pen of Mark Williams. Correlated with Accent on Achievement, Book 2, page 24, this arrangement is a perfect choice for your next holiday program.
$3.00
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