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Rather Be - Synthesizer
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Rather Be - Synthesizer
ORCHESTRE
Partitions à imprimer
132 partitions trouvées
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126
I'd Rather Be Blue Over You Than Be Happy With
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1002654 Composed by Billy Rose an…
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Concert Band - Level 3 - Digital Download SKU: A0.1002654 Composed by Billy Rose and Fred Fisher. Arranged by Chris Harris. 20th Century,Blues,Jazz,Jewish,Standards. Score and parts. 38 pages. CHRIS HARRIS MUSIC #603763. Published by CHRIS HARRIS MUSIC (A0.1002654). I’D RATHER BE BLUE, THINKING OF YOU (than be happy with somebody else) was originally recorded by pioneering American songstress Fanny Brice in 1929. Since then it was featured in her biography “Funny Girl†when it was sung (and danced on roller-skates!) by Barbra Streisand. This is a FLEXIBLE ORCHESTRATION which implies that it is intended for community bands, bands in small schools, club bands etc. and can be played, not only by full bands or orchestras but by incomplete bands and bands that are made up of almost any mixture of instrument that you can imagine. To achieve this, the music is made up of five “Parts†or voices which are defined by pitch and key e.g. Part II Bb – Trumpet, Clarinet, Tenor saxophone etc. To those five are added additional parts for percussion, tuned percussion, piano and voice. I should mention here that, besides regular band or orchestral instruments, it is possible to include less used instruments such as harmonica, piano-accordion, ukulele, electric guitar – the list is endless! Lastly, it is possible to use flexible orchestrations for chamber groups of any size. They can be chosen by instrument family e.g. Woodwind quintet, or by particular instrument e.g. Clarinet Trio.
$49.99
46.01 €
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Orchestre d'harmonie
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Billy Rose and Fred Fisher
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Chris Harris
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I'd Rather Be Blue Over You Than Be Happy With
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CHRIS HARRIS MUSIC
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SheetMusicPlus
Born To Be Wild
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1232529 By Steppenwolf. By Ma…
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String Orchestra - Level 3 - Digital Download SKU: A0.1232529 By Steppenwolf. By Mars Bonfire. Arranged by Thomas Graf. Classical,Film/TV,Pop,Rock. Score and Parts. 20 pages. Thomas Graf - the-hit-factory.com #828193. Published by Thomas Graf - the-hit-factory.com (A0.1232529). Born to Be Wild is a song written by Mars Bonfire and first performed by the band Steppenwolf. It is often invoked in both popular and counter culture to denote a biker appearance or attitude. It is most notably featured in the 1969 film Easy Rider. Sometimes, Born to Be Wild is described as the first heavy metal song, and the second-verse lyric heavy metal thunder marks the first use of this term in rock music (although not as a description of a musical style but rather a motorcycle).About this arrangement:Â Composed by: By Mars BonfireArranged by: Thomas H. GrafInstrumentation:Â Full Score and Parts as listed below:Violin 1Violin 2ViolaVioloncelloContrabassDrum SetAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$50.00
46.02 €
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Orchestre à Cordes
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Steppenwolf
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Thomas Graf
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Born To Be Wild
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
A Rather Fishy Trout
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1199994 By Edward …
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1199994 By Edward Sims. By Edward Sims. Arranged by Edward Sims. Contemporary,Contest,Festival,Instructional,Jazz,Multicultural,World. Score and parts. 61 pages. Ed Sims #798815. Published by Ed Sims (A0.1199994). When you think of jazz bands, who doesn't think of Franz Schubert [1797-1828]. Normal people, right? When listening to both his Trout Quintet and his Lied named The Trout, I thought if Schubert can use this melody multiple times, would it also work as the basis of a jazz band chart? This is the result: am up tempo swing chart that is both fun and playable. The chart overall is Grade 2 with solos a grade harder for Alto, Trumpet, Trombone, and Piano which, of course, can be altered to match the level of your players.
$2.00
1.84 €
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Ensemble Jazz
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Edward Sims
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Edward Sims
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A Rather Fishy Trout
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Ed Sims
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SheetMusicPlus
Rather Be
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1399023 By Clean Bandit Feat. Jes…
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Concert Band - Level 3 - Digital Download SKU: A0.1399023 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Janina Schülin. Pop. 25 pages. Janina Schülin #982300. Published by Janina Schülin (A0.1399023). Mixed Band ArrangementViolin, Viola, Clarinet 1&2, Alto Sax, Tenor Sax, Trumpet, Horn, Piano/Keyboard, Bass.
$49.99
46.01 €
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Orchestre d'harmonie
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Clean Bandit Feat
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Janina Schülin
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Rather Be
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Janina Schülin
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SheetMusicPlus
Rather Be - Cymbals
Fanfare
Marching Band - Digital Download SKU: HX.308757 By Clean Bandit feat. Jess Glynne. …
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Marching Band - Digital Download SKU: HX.308757 By Clean Bandit feat. Jess Glynne. Arranged by Tom Wallace. A Cappella,Pop. Marching Band. 1 pages. Published by Arrangers' Publishing Company (HX.308757).
$5.99
5.51 €
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Fanfare
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Clean Bandit feat
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Tom Wallace
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Rather Be - Cymbals
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Arrangers' Publishing Company
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SheetMusicPlus
Rather Be - Full Score
Fanfare
Marching Band - Digital Download SKU: HX.308730 By Clean Bandit feat. Jess Glynne. …
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Marching Band - Digital Download SKU: HX.308730 By Clean Bandit feat. Jess Glynne. Arranged by Tom Wallace. A Cappella,Pop. Marching Band. 11 pages. Published by Arrangers' Publishing Company (HX.308730).
$10.00
9.2 €
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Fanfare
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Clean Bandit feat
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Tom Wallace
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Rather Be - Full Score
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Arrangers' Publishing Company
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SheetMusicPlus
Rather Be
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1039407 By Clean Bandit Feat. Jess …
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Jazz Combo - Level 3 - Digital Download SKU: A0.1039407 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Garrett Breeze. Pop. Score and parts. 56 pages. Lagom Music #644368. Published by Lagom Music (A0.1039407). Accompaniment for piano vocal score.
$150.00
138.05 €
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Jazz combo
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Clean Bandit Feat
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Garrett Breeze
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Rather Be
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Lagom Music
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SheetMusicPlus
Rather Be - Baritone Sax
Fanfare
Marching Band - Digital Download SKU: HX.308739 By Clean Bandit feat. Jess Glynne. …
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Marching Band - Digital Download SKU: HX.308739 By Clean Bandit feat. Jess Glynne. Arranged by Tom Wallace. A Cappella,Pop. Marching Band. 1 pages. Published by Arrangers' Publishing Company (HX.308739).
$5.99
5.51 €
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Fanfare
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Clean Bandit feat
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Tom Wallace
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Rather Be - Baritone Sax
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Arrangers' Publishing Company
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SheetMusicPlus
Rather Be - Piccolo
Fanfare
Marching Band - Digital Download SKU: HX.308731 By Clean Bandit feat. Jess Glynne. …
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Marching Band - Digital Download SKU: HX.308731 By Clean Bandit feat. Jess Glynne. Arranged by Tom Wallace. A Cappella,Pop. Marching Band. 1 pages. Published by Arrangers' Publishing Company (HX.308731).
$5.99
5.51 €
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Fanfare
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Clean Bandit feat
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Tom Wallace
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Rather Be - Piccolo
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Arrangers' Publishing Company
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SheetMusicPlus
Rather Be - Snare
Fanfare
Marching Band - Digital Download SKU: HX.308755 By Clean Bandit feat. Jess Glynne. …
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Marching Band - Digital Download SKU: HX.308755 By Clean Bandit feat. Jess Glynne. Arranged by Tom Wallace. A Cappella,Pop. Marching Band. 1 pages. Published by Arrangers' Publishing Company (HX.308755).
$5.99
5.51 €
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Fanfare
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Clean Bandit feat
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Tom Wallace
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Rather Be - Snare
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Arrangers' Publishing Company
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SheetMusicPlus
Rather Be
Orchestre
Full Orchestra - Digital Download SKU: A0.867374 By Clean Bandit Feat. Jess Glynne.…
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Full Orchestra - Digital Download SKU: A0.867374 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Adrian Pang. Contemporary. Score and parts. 32 pages. Adrian Pang #2803857. Published by Adrian Pang (A0.867374). Arranged for full String Orchestra with additional parts for Drum Set and Piano. Included are parts for Violin I, Violin II, Viola, Cello, and Double Bass. In addition, there are backup parts for Violin I, Violin II, and Viola that are to fill in extra voices. The entire song is essentially a Viola solo with an orchestral accompaniment, and is as accurate as possible to the actual song.
$40.00
36.81 €
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Orchestre
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Clean Bandit Feat
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Adrian Pang
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Rather Be
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Adrian Pang
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SheetMusicPlus
Have You Met Miss Jones?
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1504155 By George Shearing Quinte…
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Concert Band - Level 4 - Digital Download SKU: A0.1504155 By George Shearing Quintet. By Lorenz Hart and Richard Rodgers. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Standards. 81 pages. John Ivor Holland #1079611. Published by John Ivor Holland (A0.1504155). 'Have You Met Miss Jones?' is a song from the 1937 Broadway musical I'd Rather Be Right, a Depression-era political satire set in New York City about Washington politics and political figures such as President Franklin D. Roosevelt. The plot centres on Peggy Jones and her boyfriend Phil, who needs a raise in order for them to get married; the President ultimately steps in and solves their dilemma. This jazz standard has been covered by many artists over the years, including George Shearing, Anita O'Day, Frank Sinatra, Robbie Williams and Seth MacFarlane - it is also cited as a potential inspriation, in its bridge passage, for saxophonist John Coltrane. This arrangement has been created from the jazz combo version by Michael Philip Mossman and features short solos (with suggested lines and chords) for clarinet, flute, trumpet and alto sax, with drum breaks towards the end.
$49.99
46.01 €
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Orchestre d'harmonie
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George Shearing Quintet
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John Ivor Holland
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Have You Met Miss Jones?
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John Ivor Holland
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SheetMusicPlus
La Vie En Rose
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1494774 By Edith Piaf. By Edi…
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String Orchestra - Level 4 - Digital Download SKU: A0.1494774 By Edith Piaf. By Edith Piaf and Louis Guglielmi. Arranged by Levi Comstock. 20th Century,Chamber,Classical,Film/TV,Jazz. 16 pages. Viola Fusion #1071341. Published by Viola Fusion (A0.1494774). A lush, dynamic, and egalitarian take on this beloved jazz standard, this arrangement gives each instrument a chance to shine. If you like schmaltzy melodies and sweet, tight jazz harmonies; if you get all tingly when a soloist glides into that high note; if you'd rather be sipping cafe au lait from the balcony of your pied-de terre overlooking the Seine, but you can't afford the plain ticket, then this arrangement is the one for you.
$55.99
51.53 €
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Orchestre à Cordes
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Edith Piaf
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Levi Comstock
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La Vie En Rose
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Viola Fusion
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SheetMusicPlus
Elegie - for String Orchestra, Harp, and Piano
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.1095833 Composed by Ronan Bod…
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String Orchestra - Level 5 - Digital Download SKU: A0.1095833 Composed by Ronan Bodisch. Chamber,Classical,Contemporary,Romantic Period. Score and Parts. 5 pages. Ronan Bodisch #699803. Published by Ronan Bodisch (A0.1095833). This intense and emotional piece draws inspiration from classical/romantic composers, such as Edward Elgar, while also mixing in modern elements. Performance Notes: Dissonance is very common in this piece. It will not help the orchestra if the players cower away from it, rather than play it confidently. Don't second-guess whether or not the right notes are being played. Be sensitive to whoever has the moving line, as it is passed around the orchestra. At measure 22, the Violas and Cellos should soar above the violins. At measures 26-30, everyone in the orchestra should be playing as loud as humanly possible (go crazy, go bananas), while still remaining sensitive to the moving melodies; this is the composer's signature theme. Be mindful of the key change at measure 35 (F Maj/D Min to B-Flat Maj/G Min). In the end, Violins, Violas, and Cellos should decrescendo to literally nothing on the tremolos. The basses should emphasize pizzicato, but play it lightly, rather than thunderous. The chords in the Harp and Piano should also be brought out.
$35.00
32.21 €
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Orchestre à Cordes
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Ronan Bodisch
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Elegie - for String Orchestra, Harp, and Piano
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Ronan Bodisch
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.13 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.13 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
L'Arlésienne Suite No. 2
Orchestre
Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition…
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Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, study score. Ernst Eulenburg & Co. GmbH - Digital #Q21191. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21191). The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, given at the Théâtre du Vaudeville on 30 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet, however, did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death, the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.In 1872 Bizet wrote the incidental music to Daudet’s famous tragedy ‘L’Arlésienne’. He had to tailor his composition to an orchestra of only 26 players, but these limited forces turned out to pose a stimulating challenge rather than an obstacle. Shortly after the premiere, he arranged four of the movements and formed them into the Suite No. 1 for large orchestra. The Suite No. 2 was arranged by Ernest Guiraud four years after Bizet’s death.
$13.99
12.88 €
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Orchestre
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Georges Bizet
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L'Arlésienne Suite No. 2
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
24k Magic
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1305224 By Bruno M…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1305224 By Bruno Mars. By Bruno Mars, Chris Brown, and Philip Lawrence. Arranged by Ken Naidu. Contemporary,Funk,Jazz,Pop. Score and Parts. 71 pages. Scores by Ken #894648. Published by Scores by Ken (A0.1305224). 24K Magic | Bruno Mars About the Piece24k Magic is an excellent example of a song that's designed entirely to create a loose, party feeling with nothing important to say. There's a time and a place for these songs, so I don't condemn the song itself, but it's certainly not a piece of art and is, rather, a product made by a music industry capable of using writers, designers, and producers to manufacture something they think will sell, rather than to create something beautiful or honest about what life is really like. Intsead, they sell the idea that life can be a party if one has enough money or enough 24k Magic. About the Composer | Ken Naidu From the breathtaking landscapes of New Zealand, Ken weaves melodies and harmonies that captivate and transport listeners to another realm. Specialising in screen composition, and versatile jazz renditions, each piece is a unique auditory experience, meticulously crafted to resonate with the soul. Whether you're seeking a composition that tells a profound story or a vibrant jazz chart that dances with energy, Scores by Ken promises unparalleled originality and precision in every note.
$49.99
46.01 €
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Ensemble Jazz
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Bruno Mars
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Ken Naidu
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24k Magic
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Scores by Ken
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SheetMusicPlus
Bohemian Rhapsody
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862693 By Queen. B…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862693 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Michael Bomier. Rock. Score and parts. 68 pages. Michael Butkus-Bomier #3926193. Published by Michael Butkus-Bomier (A0.862693). Bohemian Rhapsody, the Song of the Moment, the Film of the year, and the piece everyone wants to try and play! Here is a setting for a standard jazz ensemble with ONE main Idea: Let's NOT make this a guitar piece, but a Horn Piece. So, we have all the same structures as the original recording, right down to the time changes, and the shift from slow to fast and back again. The saxes are given the solo vocal line harmonized as a typical sax soli. The brass take Queen's vocal overdubs and operatic elements, and are given a jazz rather than a pop harmonic setting, with some extended and altered harmony, rather than just the triads and 7th chords of the Queen vocal. Sax ranges go to the top of the horn for lead alto, and go to a concert Ab just above the staff for the lead trpt. Trombone goes to a high Bb in the lead solo. First ending should appear at ms. 29 to the repeat. 2nd ending at ms. 35The guitar solos are given to either the piano, in octaves, or the brass, so that a guitar player is an option here, not a necessity. Revised version here, with ending placement errors all fixed up! This is NOT a jazz chart in the improvisational sense: it is a pop song set for a jazz ensemble. Our audio clip shows the opening trombone solo with the piano accomp, into the main vocal line harmonized with saxes. The score precedes the parts in the PDF file, with coverpage and a blank page, so print double-sided until pg. 27. Parts begin at pg. 28 and should be printed single-sided. MBB
$34.95
32.16 €
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Ensemble Jazz
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Queen
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Michael Bomier
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Bohemian Rhapsody
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Michael Butkus-Bomier
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SheetMusicPlus
Mercy [String Orchestra]
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.596599 Composed by Juan MarÃ…
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String Orchestra - Level 3 - Digital Download SKU: A0.596599 Composed by Juan MarÃa Solare. 20th Century,Contemporary. Score and parts. 13 pages. Juan Maria Solare #6020971. Published by Juan Maria Solare (A0.596599). Mercy is an obsessively expressive Adagio (so to say, an answer to Samuel Barber's Adagio) with a homophonic texture, like a four part chorale. Rhythmically, this piece offers no problems. While the part of the first violin requires more experienced players, all others are relatively easy to play. Most groups would be able to master this piece after only a couple of rehearsals. Some would say that mercy is a virtue, others that it is a weakness. Do not seek in this piece a one-to-one musical transcription of merciful feelings, but rather concentrate on the smoothness and tender sound quality associated with it. Rather than pity, mercy is about empathy, togetherness and support - this attitude can also show while performing music. Approximate duration: 3 minutes 15 seconds. Mercy was composed in 2013 and is dedicated to the flutist Cecilia Piehl Pierce.
$11.00
10.12 €
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Orchestre à Cordes
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Juan MarÃa Solare
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Mercy [String Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Parker's Lullaby For Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1135076 Composed by Christian Pau…
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Concert Band - Level 2 - Digital Download SKU: A0.1135076 Composed by Christian Paulson. Contemporary,Contest,Festival. Score and parts. 34 pages. Christian Paulson #734412. Published by Christian Paulson (A0.1135076). I originally wrote Parker's Lullaby for our orchestra to celebrate the birth of my first grandchild, Parker. Then I wanted to explore the sounds of the concert band with this piece...so away I went. A couple of fun things went into writing this piece originally. It had to be a lullaby, represent the anticipation of her arrival and the peacefulness of her sleeping, while contrasting her whimsical side with her bold and dramatic side. A couple of other things. The chords are rather jazzy because grandpa is a rather jazzy guy. At letter C, the drum part is grandpa being playful while the flute melody is her grandma doing the same. The ranges are comfortable allowing your band to sound full and confident. I think your horns will enjoy their heroic part in the climax. I'm very pleased with how this turned out. It was important that it kept its simplicity going from strings to band. I hope you enjoy it.
$45.00
41.41 €
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Orchestre d'harmonie
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Christian Paulson
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Parker's Lullaby For Band
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Christian Paulson
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SheetMusicPlus
Diehnelt: Striadica - A Symphonic Passage - SCORE
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809057 Composed by Kim Diehnelt. Contemporary. Score and parts. 28 pages. Kim Diehnelt #4367718. Published by Kim Diehnelt (A0.809057). Striadica: A Symphonic PassageThe every-day, reshaped by contingencies. The time-bound path twists through certainty, bewilderment, and fragile reconstruction. Upon release, recognition arrives.Duration: 8 - 9 mins.I was specifically asked to write a work where everyone had something to play. As is my usual style, I tend to allow the second players and less-prominent instruments a chance to shine, and in general shake up the usual orchestral hierarchy. (The second violins, for example, even get their own solo passage!)The wind parts are much more individualized, where the first part may have a completely different line than the second.A colleague who is a trombone player challenged me to write parts that sing for his instrument; hence the word dolce occurs in the low brass parts. Although the low brass parts are rather simple, they do require finesse and nuance.In general, none of the parts are overly challenging; rather, I hope each player finds the music allows them the opportunity to express themselves both individually and as an ensemble.Instrumentation1 Piccolo2 Flutes2 Oboes2 Clarinets in A2 Bassoons4 Horns in F2 Trumpets in C3 Trombones (2 Tenor, 1 Bass Trombone)1 TubaTimpani (B / D)Percussion: Wood Blocks, Snare Drum1 HarpStrings------Commissioned by the Lake Forest Civic Orchestra, IL. Premiere performance May, 2018This item contains ONLY THE SCORE. The PDF, when printed double sided will make for an 8 ½ by 11 score with a left margin suitable for comb binding. (Please consider a larger sized comb than usual so pages may be turned quietly!) A full set of hard-copy parts are available directly from Kim Diehnelt. (Kim@KimDiehnelt.com)© 2017 Kim Diehnelt (ASCAP)
$8.99
8.27 €
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Orchestre
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Kim Diehnelt
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Diehnelt: Striadica - A Symphonic Passage - SCORE
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Kim Diehnelt
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SheetMusicPlus
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie S…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
7.32 €
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Ensemble de cuivres
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Improvisation On Tchaikovsky`s Cherubic Hymn
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.889429 Composed by Luis Anjos…
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String Orchestra - Level 2 - Digital Download SKU: A0.889429 Composed by Luis Anjos Teixeira. Christmas,Concert,Contemporary,Easter,Standards. Score and parts. 17 pages. Luis Anjos Teixeira #4727333. Published by Luis Anjos Teixeira (A0.889429). „Improvisation On Tchaikovsky`s Cherubic Hymn. It is an original Harp improvisation to be accompanied by an adaptation for strings inspired by Tchaikovsky`s choir piece „Cherubic Hymn. The harmonic structure of Tchaikowky`s original work has been faithfully reproduced, so all credits for this piece goes to him. Rather than an arrangement, the outcome of this adventurous experience resulted in an improvisation for the Harp. With the added melodies on the Harp and the stringed instrumental caracter of the orquestral adaptation, the piece gains a stronger tone contrast, keeping at the same time its deep spiritual beauty, thus bringing it to a wider range of public and performance choices. it is very easy to perform, yet it moves deeply both performer and public. The piece is appropriate for beginner students. It can be used in serious concerts and all kinds of cultural events. It is a very Spiritual piece, it induces a wonderful mood in Baptism or Christmas celebrations. One can get married to it. The piece is also appropriate to honor someone in a funeral. Although this score was composed in full intent to be performed as written, the Harp part can be played by itself and the orquestral arrangement from the Hymn can also be performed without the Harp. This score was conceived so that without adaptations, the Harp the orchestra and the original Choir could perform at the same time. Or intercalated „Ad Lieb, the Harp with the choir, or the orquestra with the choir. Instead of a full string orquestra one can also use just a string quartet and a doublebass. A Little Historical Note. „The Cherubic Hymn is part of the Liturgy of St. John Chrysostom written in the fourth century by the Byzantine saint, honored as such by both Eastern Orthodox and Roman Catholic churches. In the context of the liturgy, the hymn is sung during the most mystical and spiritual part of the service as a prelude to the transubstantiation of bread and wine into the real presence of Our Lord. Pyotr Ilyich Tchaikovsky, the inspiring Master and genial composer with whom I had the happy causality to write this improvisation or „collab was born in; 25 April/7 May 1840 – 25 October/6 November 1893, was a Russian composer of the late Romantic period, he created an outstanding number of unique musical masterpieces. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension. Thanks to Claudia Eppelt for the all the Love the wonderful painting and cover design, this work is dedicated to her. Special Thanks to Tchaikovsky, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was produced with Garritan instruments. Thank You very much that You toke Your Time to read this text and to listen the file. I hope You enjoy it, Sheers…
$9.99
9.19 €
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Orchestre à Cordes
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Luis Anjos Teixeira
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Improvisation On Tchaikovsky`s Cherubic Hymn
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Luis Anjos Teixeira
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SheetMusicPlus
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. …
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
46.01 €
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Orchestre d'harmonie
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A
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Stephen Davies
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"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Stephen Davies
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SheetMusicPlus
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