Page d'accueil
Parcourir Free-scores.com
ORCHESTRE
PARTITIONS GRATUITES
PARTITIONS LIVRES
PARTITIONS NUMÉRIQUES
MATÉRIEL DE MUSIQUE
--INSTRUMENTS--
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
FORMATION MUS…
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
The Altar
Piano & claviers
Guitares
Voix
Vents
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Cordes
Orchestre & Percussions
Orchestre d'harmonie
8
Orchestre
7
Fanfare
2
Orchestre à Cordes
1
Orchestre de chambre
1
Autres
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
63
Partitions Numériques
20
Librairie Musicale
355
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
The Altar
ORCHESTRE
Partitions à imprimer
20 partitions trouvées
<
1
Altar Medley--Full Score.pdf
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Fischer, Norris, and William H
#
Marilyn Thompsonn
#
Altar Medley--Full Score.pdf
#
Marilyn Thompson
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809480 Composed by Fischer, Norris, and William H. Doane. Arranged by Marilyn Thompsonn. Christian,Sacred. Score and ...
(+)
Full Orchestra - Level 4 - SKU: A0.809480 Composed by Fischer, Norris, and William H. Doane. Arranged by Marilyn Thompsonn. Christian,Sacred. Score and parts. 15 pages. Marilyn Thompson #6013183. Published by Marilyn Thompson (A0.809480). An expressive, creative choral medley of invitational hymns calling for dedication and Christian discipleship. The original baritone solo was sung by international operatic baritone, Robert McFarland, in his album entitled Nothing Between. The vocal solo is also available. (Please contact marilyn@mtmusicministries.com for more information.) Parts and Octavo are available on other posts. ASCAP
$4.99
Altar Medley--Parts.pdf
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Fischer, Norris, and William H
#
Marilyn Thompsonn
#
Altar Medley--Parts.pdf
#
Marilyn Thompson
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809481 Composed by Fischer, Norris, and William H. Doane. Arranged by Marilyn Thompsonn. Christian,Sacred. Score and ...
(+)
Full Orchestra - Level 4 - SKU: A0.809481 Composed by Fischer, Norris, and William H. Doane. Arranged by Marilyn Thompsonn. Christian,Sacred. Score and parts. 27 pages. Marilyn Thompson #6013209. Published by Marilyn Thompson (A0.809481). An expressive, creative choral medley of invitational hymns calling for dedication and Christian discipleship. The original baritone solo was sung by international operatic baritone, Robert McFarland, in his album entitled Nothing Between. The vocal solo is also available. (Please contact marilyn@mtmusicministries.com for more information.) Score and Octavo are available on other posts. ASCAP.
$19.99
Restaurador / Renovator "Alfonso of Arcos Mayor of Tarifa and Mayor of Gibraltar"
#
Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
Alicia DomÃnguez Arcos Sona
#
Alicia DomÃnguez Arcos
#
Restaurador / Renovator "
#
Alicia Dominguez
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1364649 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Clas...
(+)
Full Orchestra - Level 3 - SKU: A0.1364649 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Film/TV,Medieval,Multicultural,World. 346 pages. Alicia Dominguez #948939. Published by Alicia Dominguez (A0.1364649). Complete opera (Prelude and four acts) 346 pages in band/symphony orchestra and voices. About the history of the 15th century of Alfonso de Arcos mayor of Tarifa and first mayor of Gibraltar, in which he restored both Alcazarseguer, Estepona, Jimena de la Frontera, being mayor of Tarifa and then being the first mayor of Gibraltar. With all his achievements, in his last years he was the one who maintained La Cartuja de Sevilla with 100 needy people then who remained in La Cartuja. where he even attended King Henry IV as well as the King of Portugal. Then with the money earned from his achievements, La Cartuja was maintained for 200 years, helping needy people or captives from Gibraltar, Tarifa and North Africa. The sheet music is in English and Spanish. It has not yet been performed on stage.
$25.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jms...
(+)
Concert Band - Level 3 - SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jms...
(+)
Concert Band - Level 3 - SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Saltarello from the Dance Suite for Orchestra
#
Orchestre
#
INTERMÉDIAIRE
#
Robert E
#
Saltarello from the Dance Suit
#
R. E. Proctor
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809816 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 36 pages. R. E. Proctor #3417163. Pu...
(+)
Full Orchestra - Level 3 - SKU: A0.809816 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 36 pages. R. E. Proctor #3417163. Published by R. E. Proctor (A0.809816). Saltarello - A lively dance that dates to 14th century Italy. This is the 5th movement from the Dance Suite for Orchestra. It is a lively dance that alternates between D Major and D minor. The tempo is 1/4 = 120 throughout. Duration is approximately 2 minutes and 32 seconds.
$7.95
Ronde and Saltarello for String Orchestra
#
Orchestre à Cordes
#
DÉBUTANT
#
Renaissance
#
Tielman Susato
#
David Burndrett
#
Ronde and Saltarello for Strin
#
David Burndrett
#
SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1474738 Composed by Tielman Susato. Arranged by David Burndrett. Renaissance. 20 pages. David Burndrett #1052306. P...
(+)
String Orchestra - Level 1 - SKU: A0.1474738 Composed by Tielman Susato. Arranged by David Burndrett. Renaissance. 20 pages. David Burndrett #1052306. Published by David Burndrett (A0.1474738). This works well as a concert piece or just for fun!I have added an violin three part, which is the same as the viola part, if you do not have any viola players.I have also added an optional piano part. Download includes the score and all of the parts.
$9.95
Ronde and Saltarello for School Orchestra
#
Orchestre
#
DÉBUTANT
#
Renaissance
#
Tielman Susato
#
David Burndrett
#
Ronde and Saltarello for Schoo
#
David Burndrett
#
SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.1477949 Composed by Tielman Susato. Arranged by David Burndrett. Renaissance. 43 pages. David Burndrett #1055316. Pub...
(+)
Full Orchestra - Level 1 - SKU: A0.1477949 Composed by Tielman Susato. Arranged by David Burndrett. Renaissance. 43 pages. David Burndrett #1055316. Published by David Burndrett (A0.1477949). This is an easy and fun piece for school orchestra.I have added an optional piano part.I have also added a violin three part which is the same as the viola part, if you do not have any viola players.Download includes the score and all of the parts.
$14.95
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
#
Orchestre d'harmonie
#
FACILE
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #345...
(+)
Concert Band - Level 2 - SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
The Lost Island (Fantasy for Band) - Dinis Rego
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Contemporain
#
Dinis Rego
#
The Lost Island
#
Dinis Rego
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1030900 Composed by Dinis Rego. Contemporary. Score and parts. 100 pages. Dinis Rego #483701. Published by Dinis Rego (...
(+)
Concert Band - Level 3 - SKU: A0.1030900 Composed by Dinis Rego. Contemporary. Score and parts. 100 pages. Dinis Rego #483701. Published by Dinis Rego (A0.1030900). A Fantasia The Lost Island, procura demonstrar a descoberta de uma ilha perdida por um grupo de jovens aventureiros, encontrando-se dividia em seis andamentos: Shadowland, Adventure, Waterfall, Serenity, Glory e Apogee. O primeiro andamento, procura retratar o ambiente sombrio do desconhecido, a incerteza que muitas vezes existe na nossa própria vida quando experienciamos algo novo, algo que nos é desconhecido, daà o seu registo grave e sombrio, um pouco em jeito de mistério. Segue-se o andamento Adventure, este exprime a aventura inerente a esta descoberta, os momentos mais energéticos, aventureiros e perigosos vividos por este grupo de exploradores. Os dois andamentos seguintes, Waterfall e Serenity, exprimem um pouco do que é esta ilha, do seu espaço, as quedas de água a serenidade e tranquilidade existente, o verde que estamos habituados a sentir inerente a estes espaços, tendo grande ênfase no naipe das madeiras, com um pequeno solo do oboé, bastante expressivo. Por fim, a peça termina com dois andamentos num estilo mais épico, Glory e Apogee, que vão enaltecer e exaltar o feito conseguido por este grupo de jovens aventureiros, procurando perpetuar este feito para sempre no tempo.
$66.99
So This Is Love
#
Orchestre
#
INTERMÉDIAIRE
#
James Ingram
#
Ken Litton
#
So This Is Love
#
Artist of Note, Inc.
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1474066 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Ken Litton. Broadway,Film/TV,In...
(+)
Full Orchestra - Level 3 - SKU: A0.1474066 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Ken Litton. Broadway,Film/TV,Instructional,Musical/Show,Standards,Traditional. 65 pages. Artist of Note, Inc. #1051695. Published by Artist of Note, Inc. (A0.1474066). So This Is Love(The Cinderella Waltz)from Walt Disney’s CINDERELLABy Jerry Livingston, Mack David, Al HoffmanFULL ORCHESTRA© 1948 Walt Disney Music Company Copyright Renewed. All Rights Reserved. Used by Permission.East of the Altar/Artist of Note, Inc.How about a blast from the past in the form of a highly playable dance for your student (high school/college), community, professional or even church orchestra?The romantic ballad from Disney's classic animated film Cinderella (1950) originally ”sung” by Cinderella and Prince Charming as they finally dance together at the ball.The accelerating introduction leads to the elegant melody with light accompaniment. Then, material from the intro brings an easily playable lift into a new key and the melody up an octave, leading to a dramatic chord resolution at the words “dreaming of.” Add a choice of effective endings and, well…it’s love at first play!All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/en-US/se/ID_No/1574510/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/product/so-this-is-love-22801217.htmlAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc. including an INTERMEDIATE PIANO arrangement taken directly from this score.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$49.99
Wedding March (Mendelssohn) for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Various
#
Dico
#
Wedding March
#
Dico Ferreira
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.509103 By Various. By Felix Bartholdy Mendelssohn. Arranged by Dico. Romantic Period,Wedding. Score and parts. 60 ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.509103 By Various. By Felix Bartholdy Mendelssohn. Arranged by Dico. Romantic Period,Wedding. Score and parts. 60 pages. Dico Ferreira #120198. Published by Dico Ferreira (A0.509103). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.WEDDING MARCH (for reduced orchestra) - this arrangement goes beyond the traditional excerpt but contains an indication of an alternate ending for purposes of timing with the bride's arrival at the altar.INSTRUMENTATION:Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 | Percussion | Piano | Strings (-Viola)
$25.00
Lord I'm Coming To You Bb Clarinet Score
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
Lord I'm Coming To You Bb Clar
#
Andrew Mc Donald
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.842170 Composed by Andrew Mc Donald. Christian,Gospel. Score and parts. 1 pages. Andrew Mc Donald (Macka Records) #5028...
(+)
Concert Band - Level 4 - SKU: A0.842170 Composed by Andrew Mc Donald. Christian,Gospel. Score and parts. 1 pages. Andrew Mc Donald (Macka Records) #5028973. Published by Andrew Mc Donald (Macka Records) (A0.842170). Lord I'm Coming To You is a song about coming forward at the altar call and making a decision for Jesus. This is the Bb clarinet part for brass or concert band.
$3.99
Lord I'm Coming To You Bb Trumpet Score
#
Fanfare
#
INTERMÉDIAIRE/AVANCÉ
#
Gospel Spirituel
#
Musique Sacrée
#
Andrew Mc Donald
#
Lord I'm Coming To You Bb Trum
#
Andrew Mc Donald
#
SheetMusicPlus
Marching Band - Level 4 - SKU: A0.842172 Composed by Andrew Mc Donald. Christian,Gospel. Score and parts. 2 pages. Andrew Mc Donald (Macka Records) #502...
(+)
Marching Band - Level 4 - SKU: A0.842172 Composed by Andrew Mc Donald. Christian,Gospel. Score and parts. 2 pages. Andrew Mc Donald (Macka Records) #5028979. Published by Andrew Mc Donald (Macka Records) (A0.842172). Lord I'm Coming To You is a song about coming to Jesus at the altar call in church. This is an arrangement for Bb Trumpet in the concert or brass band.
$3.99
Lord I'm Coming To You Eb Alto Saxophone Score
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
Lord I'm Coming To You Eb Alto
#
Andrew Mc Donald
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.842173 Composed by Andrew Mc Donald. Christian,Gospel. Score and parts. 2 pages. Andrew Mc Donald (Macka Records) #5028...
(+)
Concert Band - Level 4 - SKU: A0.842173 Composed by Andrew Mc Donald. Christian,Gospel. Score and parts. 2 pages. Andrew Mc Donald (Macka Records) #5028983. Published by Andrew Mc Donald (Macka Records) (A0.842173). Lord I'm Coming to you is a song about coming forward at the altar call and accepting Jesus. This is a concert band arrangement for Eb Alto Saxophone.
$3.99
Lord I'm Coming To You Bb Trombone Score
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Andrew Mc Donald
#
Lord I'm Coming To You Bb Trom
#
Andrew Mc Donald
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.842171 Composed by Andrew Mc Donald. Christian,Gospel. Score and parts. 2 pages. Andrew Mc Donald (Macka Records) #5028...
(+)
Concert Band - Level 4 - SKU: A0.842171 Composed by Andrew Mc Donald. Christian,Gospel. Score and parts. 2 pages. Andrew Mc Donald (Macka Records) #5028977. Published by Andrew Mc Donald (Macka Records) (A0.842171). Lord I'm Coming to You is a song about coming forward at the altar call to accept Jesus. This music is written for Bb Trombone as part of a concert band or brass band.
$3.99
Gibraltar Anthem for Brass Quintet
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE
#
Patriotique
#
Peter Emberley
#
Keith Terrett
#
Gibraltar Anthem for Brass Qui
#
Keith Terrett
#
SheetMusicPlus
Composed by Peter Emberley. Arranged by Keith Terrett. 20th Century, Patriotic, World. Score and parts. 12 pages. Keith Terrett #1967809. Published by...
(+)
Composed by Peter Emberley. Arranged by Keith Terrett. 20th Century, Patriotic, World. Score and parts. 12 pages. Keith Terrett #1967809. Published by Keith Terrett
$8.99
Dance Suite for Orchestra
#
Orchestre
#
INTERMÉDIAIRE
#
Robert E
#
Dance Suite for Orchestra
#
R. E. Proctor
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809809 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 255 pages. R. E. Proctor #3417093. P...
(+)
Full Orchestra - Level 3 - SKU: A0.809809 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 255 pages. R. E. Proctor #3417093. Published by R. E. Proctor (A0.809809). Dance Suite for Orchestra is, as the title suggests, a suite of Renaissance period dances, seven in all. The music is a nostalgic look back with modern nuances. The dances are: Allemande, Bourree, Galliard, Gigue, Pavane, Saltarello, and Sarabande. Not based on any particular Renaissance composer’s work, simply an echo of music of that time. Although it is written for full orchestra, not all instruments are used in every movement. As in the Renaissance, each dance movement can be played separately, or, a few dances performed together without the entire suite being performed. As such, this work is being offered as the complete suite and as individual movements. The entire work is approximately 20 minutes and 4 seconds in length.
$29.95
Marcha Cadiz
#
Orchestre d'harmonie
#
Contemporain
#
Joaquin Valverde y Federico Ch
#
Marc Oliver
#
Marcha Cadiz
#
Ayotte Custom Musical Engravings
#
SheetMusicPlus
Concert Band - SKU: A0.733068 Composed by Joaquin Valverde y Federico Chueca. Arranged by Marc Oliver. Contemporary. Score and parts. 63 pages. Ayotte C...
(+)
Concert Band - SKU: A0.733068 Composed by Joaquin Valverde y Federico Chueca. Arranged by Marc Oliver. Contemporary. Score and parts. 63 pages. Ayotte Custom Musical Engravings #2966795. Published by Ayotte Custom Musical Engravings (A0.733068). Cádiz is a comic-lyric-dramatic national episode (zarzuela) in two acts, divided into nine paintings, with music by Federico Chueca and JoaquÃn Valverde, with a libretto by Javier de Burgos. It premiered at the Teatro Apolo in Madrid, on November 20, 1886. Cádiz (which is pronounced KAH-dis and not KAY-dis) is a Spanish seaport and naval base on the Southwest shore of the Atlantic Ocean, between the Portuguese border and the Strait of Gibraltar. (Cadiz, which is pronounced KAY-dis, is a little town in Western Kentucky on Interstate 24, about 20 miles west of Hopkinsville.) This march is one of many popular military marches in Spain.
$59.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
The Altar
