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PERCUSSION
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TRI ET FILTRES
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PERCUSSION
Partitions à imprimer
46 partitions trouvées
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Ukrainian Bell Carol (But With Extra Percussion)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Mykola Leontovich
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Aedan McBride
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Ukrainian Bell Carol
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Aedan McBride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1024882 Composed by Mykola Leontovich. Arranged by Aedan McBride. 20th Century,Christmas,Contemporary,Romantic P...
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Percussion Ensemble - Level 3 - SKU: A0.1024882 Composed by Mykola Leontovich. Arranged by Aedan McBride. 20th Century,Christmas,Contemporary,Romantic Period. Score and parts. 38 pages. Aedan McBride #4110919. Published by Aedan McBride (A0.1024882). Everyone knows and loves the Christmas tune known as the Ukrainian Bell Carol. Countless times, it's been arranged for various instrumentations, yet I have not seen string orchestra with percussion ensemble together for this particular tune. So I decided to make my own such arrangement, and now we have this piece: a classic tune with plenty of contemporary twists.
$9.99
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
I’ve Gotta Be Me / Don’t Rain on My Parade Mash-Up: 1st Percussion
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Percussion (partie séparée)
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Methodes
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Barbra Streisand
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Patrick Roszell
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I’ve Gotta Be Me / Don&r
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015985_PC1 1st Percussion. By Barbra Streisand. Arranged by Patrick Roszell. Instructional. Part. 2 pages. Alfred...
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Full Orchestra - SKU: AX.00-PC-0015985_PC1 1st Percussion. By Barbra Streisand. Arranged by Patrick Roszell. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015985_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015985_PC1). UPC: 038081453675.Featuring two popular songs presented on the hit television show Glee, this mash-up combines a high-energy, swing-style arrangement of Broadway's I've Gotta Be Me and the Barbra Streisand classic, Don't Rain on My Parade. (2:05) This title is available in SmartMusic.
$3.00
I’ve Gotta Be Me / Don’t Rain on My Parade Mash-Up: 2nd Percussion
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Percussion (partie séparée)
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Methodes
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Barbra Streisand
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Patrick Roszell
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I’ve Gotta Be Me / Don&r
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0015985_PC2 2nd Percussion. By Barbra Streisand. Arranged by Patrick Roszell. Instructional. Part. 1 pages. Alfred...
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Full Orchestra - SKU: AX.00-PC-0015985_PC2 2nd Percussion. By Barbra Streisand. Arranged by Patrick Roszell. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015985_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015985_PC2). UPC: 038081453675.Featuring two popular songs presented on the hit television show Glee, this mash-up combines a high-energy, swing-style arrangement of Broadway's I've Gotta Be Me and the Barbra Streisand classic, Don't Rain on My Parade. (2:05) This title is available in SmartMusic.
$3.00
I Sing Out: 1st Percussion
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Percussion (partie séparée)
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Methodes
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Mark Hayes
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Recorded Acc. Available.
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I Sing Out: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
1st Percussion - SKU: AX.00-PC-0015381_PC1 1st Percussion. Composed by Mark Hayes. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Mus...
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1st Percussion - SKU: AX.00-PC-0015381_PC1 1st Percussion. Composed by Mark Hayes. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015381_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015381_PC1). UPC: 038081425771.From the sensitive opening solo, through the captivating textured polyphony, to the final choral refrain, this contemporary powerhouse teaches an inspiring lesson about the strength of song. From the very best part of who I am, I sing out!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
I'm Seventeen Come Sunday: 3rd Percussion
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Percussion (partie séparée)
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Methodes
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Percy Aldridge Grainger
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Douglas E
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I'm Seventeen Come Sunday: 3rd
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Percy Aldridge Grainger (1882-1961). Arranged by Douglas E. Wagner. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet...
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By Percy Aldridge Grainger (1882-1961). Arranged by Douglas E. Wagner. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
I'm Seventeen Come Sunday: 2nd Percussion
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Percussion (partie séparée)
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Methodes
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Percy Aldridge Grainger
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Douglas E
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I'm Seventeen Come Sunday: 2nd
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Percy Aldridge Grainger (1882-1961). Arranged by Douglas E. Wagner. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet...
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By Percy Aldridge Grainger (1882-1961). Arranged by Douglas E. Wagner. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
I'm Seventeen Come Sunday: 1st Percussion
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Percussion (partie séparée)
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Methodes
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Percy Aldridge Grainger
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Douglas E
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I'm Seventeen Come Sunday: 1st
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Percy Aldridge Grainger (1882-1961). Arranged by Douglas E. Wagner. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet...
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By Percy Aldridge Grainger (1882-1961). Arranged by Douglas E. Wagner. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
I'm Seventeen Come Sunday: Mallets
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Percussion
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Methodes
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Percy Aldridge Grainger
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Douglas E
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I'm Seventeen Come Sunday: Mal
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Percy Aldridge Grainger (1882-1961). Arranged by Douglas E. Wagner. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet...
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By Percy Aldridge Grainger (1882-1961). Arranged by Douglas E. Wagner. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
All I Do Is Win - Quad Toms
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Percussion (partie séparée)
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INTERMÉDIAIRE
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Pop musique
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DJ Khaled
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Jay Bocook
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All I Do Is Win - Quad Toms
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Hal Leonard - Digital
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SheetMusicPlus
Marching band Quad Toms - Level 3-4 - SKU: HX.176125 By DJ Khaled. By Calvin Broadus, Christopher Bridges, Johnny Mollings, Khaled M. Khaled, Leonardo M...
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Marching band Quad Toms - Level 3-4 - SKU: HX.176125 By DJ Khaled. By Calvin Broadus, Christopher Bridges, Johnny Mollings, Khaled M. Khaled, Leonardo Mollings, T-Pain, and William Roberts. Arranged by Jay Bocook. Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.176125).
$6.00
All I Do Is Win - Aux Percussion
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Percussion (partie séparée)
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INTERMÉDIAIRE
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Pop musique
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DJ Khaled
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Jay Bocook
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All I Do Is Win - Aux Percussi
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Hal Leonard - Digital
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SheetMusicPlus
Marching band Aux Percussion - Level 3-4 - SKU: HX.176127 By DJ Khaled. By Calvin Broadus, Christopher Bridges, Johnny Mollings, Khaled M. Khaled, Leona...
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Marching band Aux Percussion - Level 3-4 - SKU: HX.176127 By DJ Khaled. By Calvin Broadus, Christopher Bridges, Johnny Mollings, Khaled M. Khaled, Leonardo Mollings, T-Pain, and William Roberts. Arranged by Jay Bocook. Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.176127).
$6.00
When Can I See You Again? - Score Only
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Ensemble de saxophones
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FACILE
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Owl City
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Caden Meliska
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When Can I See You Again? - Sc
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Caden Meliska
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1410474 By Owl City. By Adam Young, Brian Lee, and Matthew Thiessen. Arranged by Caden Meliska. 21st Century,Chi...
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Percussion Ensemble - Level 2 - SKU: A0.1410474 By Owl City. By Adam Young, Brian Lee, and Matthew Thiessen. Arranged by Caden Meliska. 21st Century,Children,Film/TV,Pop,Video Game. 16 pages. Caden Meliska #992891. Published by Caden Meliska (A0.1410474). Percussion Ensemble Piece for Owl City and Wreck-it-Ralphs credit song, When Can I See You Again.
$4.99
Mix & Match Ensembles - Volume I - Duets
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Ensemble de Percussions
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INTERMÉDIAIRE
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Lawrence H
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Mix & Match Ensembles - Vo
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Lawrence H Underwood
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.968568 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 36 page...
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Percussion Ensemble - Level 3 - SKU: A0.968568 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 36 pages. Lawrence H Underwood #6666543. Published by Lawrence H Underwood (A0.968568). 8 original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$9.95
I Ain't Worried - Score Only
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Ensemble de Percussions
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FACILE
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Rock
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OneRepublic
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Josh Ball
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I Ain't Worried - Score Only
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The BeatCave
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1304726 By OneRepublic. By Bjorn Yttling, Brent Kutzle, John Eriksson, Peter Moren, Ryan Tedder, and Tyler Spry....
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Percussion Ensemble - Level 2 - SKU: A0.1304726 By OneRepublic. By Bjorn Yttling, Brent Kutzle, John Eriksson, Peter Moren, Ryan Tedder, and Tyler Spry. Arranged by Josh Ball. Pop,Rock. 1 pages. The BeatCave #894151. Published by The BeatCave (A0.1304726). Color-coded Top 40 chart for use with Boomwhackers, Xylophones, Keyboards, and all pitched percussion instruments.
$4.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Ensemble de Percussions
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Sl...
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Percussion Ensemble - Level 3 - SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Duel for 2 Marching Percussionists
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Adam Grim
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Duel for 2 Marching Percussion
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Adam B. Grim
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.939385 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200499. Published by Adam ...
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Percussion Ensemble - Level 3 - SKU: A0.939385 Composed by Adam Grim. Contemporary. Score and parts. 17 pages. Adam B. Grim #6200499. Published by Adam B. Grim (A0.939385). The Duel for 2 Marching Percussionists was written in 2015 and premiered at Ohio Northern University. It features two players, each with a number of marching percussion (drumline) instruments in front of them. Both players use a snare drum and mounted cymbal while one player plays 5 tonal bass drums and the other plays the tenors (for 5 drums). It is for advanced high school or college level players, and is very entertaining to watch. It includes stick tricks and moves that are neat to see and do. All the tricks are fairly well known, so you could easily see them on YouTube. If not, then contact me directly and I would be happy to explain!
$15.00
En Rêve for Percussion Ensemble
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Ensemble de Percussions
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FACILE
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Contemporain
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Anders Wall
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En Rêve for Percussion En
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WallofSound
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Pub...
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Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
TAZ
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Ensemble de Percussions
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FACILE
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Rick Henson and Rick Henson
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TAZ
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Rick Henson
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.942553 Composed by Rick Henson and Rick Henson. Multicultural,World. Score and parts. 19 pages. Rick Henson #286...
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Percussion Ensemble - Level 2 - SKU: A0.942553 Composed by Rick Henson and Rick Henson. Multicultural,World. Score and parts. 19 pages. Rick Henson #2864595. Published by Rick Henson (A0.942553). This original composition was written for the Pan Ramajay Steel Drum Festival in 2013. It harkens to an era when steel pans were hung around the neck and marched through the streets.I wasn't there, then, but this song is how I imagine a steel band would sound marching through the streets. The sound is faint at first, but soon the neighborhood is filled with the unmistakable rhythm and soaring melodies of the steel band.
$29.99
All About That Bass
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Ensemble de Percussions
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FACILE
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Pop musique
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Meghan Trainor
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Levi Whitworth
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All About That Bass
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Levi A Whitworth
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.903824 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Levi Whitworth. Pop. Score and parts. ...
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Percussion Ensemble - Level 2 - SKU: A0.903824 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Levi Whitworth. Pop. Score and parts. 32 pages. Levi A Whitworth #3500789. Published by Levi A Whitworth (A0.903824). An enjoyable arrangement of the 2014 pop hit All About That Bass by Meghan Trainor.This Percussion Ensemble arrangement lasts about 3 minutes, and is written with young players in mind.Instrumentation:Xylophone & GlockenspielVibraphonePianoDrum Kit (Snare Drum, Bass Drum, Hi-Hat, Mark Tree). If you perform this arrangement, I’d love to know about it! Please email me via contact@leviwhitworth.com and feel free to
$12.99
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
A Swingin' Safari
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Ensemble de Percussions
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Contemporain
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Billy Vaughn
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JohnBeale
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A Swingin' Safari
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John Beale
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SheetMusicPlus
Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #644...
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Percussion Ensemble - SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99
Asian Symmetries
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Ensemble de Percussions
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INTERMÉDIAIRE
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Dan Heslink
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Asian Symmetries
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Pu...
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Percussion Ensemble - Level 3 - SKU: A0.935379 Composed by Dan Heslink. Contemporary,World. Score and parts. 30 pages. Pharaoh Publications #4978359. Published by Pharaoh Publications (A0.935379). Asian Symmetries by Dan Heslink Asian Symmetries is a fanciful work which draws loosely from the musical procedures and sonic preferences of Indonesian and other Asian musical styles. It is scored for three percussionists, each with their own battery of instruments. Gamelan-like impressions might be inferred from the cyclical nature of its rhythm, using metal plates like cymbals and gongs to mark large units of rhythmic time. Also evocative are the faster moving elaborations and a preponderance of metallophones in the instrumentation. The work is medium to difficult in its demands. There are quick changes of instrument, planned to be manageable but requiring some attention to logistics Each player’s performance station must remain stationary, with all instruments in reach without moving the performer’s position. Percussion I and Percussion III players must set up next to each other so that they may share the tenor drum. A selection of mallets that allows different striking surfaces to sound good without undue picking up and setting down of mallets is suggested. Changes of meter and tempo occur, and an odd meter section sporting measures in 12/8, 6/8, 11/8 may require some additional attention. The instrumentation is selected to approximate Asian sounds with common western instruments. Performance time is 6:28. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$4.99
L'autre Finistere
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Jean-Christophe Urbain, Jean-P
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Stephane ELSINY
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L'autre Finistere
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Stephane Elsiny
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.1005298 Composed by Jean-Christophe Urbain, Jean-Philippe Nataf, Michael Rushton, and Richard Ganivet. Arranged ...
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Percussion Ensemble - Level 3 - SKU: A0.1005298 Composed by Jean-Christophe Urbain, Jean-Philippe Nataf, Michael Rushton, and Richard Ganivet. Arranged by Stephane ELSINY. Contemporary. Score and parts. 2 pages. Stephane Elsiny #5720103. Published by Stephane Elsiny (A0.1005298). I am not a singer. When I love a pop rock song, I would like to play it with my instrument. And you ? The original tone is respected. So add karaoke online and go ! Example for this title: https://youtu.be/7eYdwuD7hTM Professors, these titles are ideal for motivating your students. Students, bring these titles to your teacher and have fun. Soon other French songs, pop, variety and also international songs… Do you have a question about your purchase? You can contact me by e-mail: musicaccess.se@gmail.com Be informed of new products by subscribing to my YouTube channel: https://www.youtube.com/user/musicaccessse
$4.99
A Most Wonderful Christmas: 1st Percussion
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Percussion (partie séparée)
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Noël
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Robert Sheldon
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A Most Wonderful Christmas: 1s
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016180_PC1 1st Percussion. Arranged by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music - Digital Sheet...
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Full Orchestra - SKU: AX.00-PC-0016180_PC1 1st Percussion. Arranged by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016180_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016180_PC1). UPC: 038081323527.A fabulous medley for full orchestra or band and orchestra together! Some of the most popular Christmas selections of all time are included in this delightful arrangement that has a complimentary band arrangement by the same title. Winter Wonderland, I'll be Home for Christmas, Santa Claus is Comin' to Town, Have Yourself a Merry Little Christmas and It's the Most Wonderful Time of the Year are featured in this tasteful arrangement. Solo opportunities abound and are cross-cued to allow your best players to shine, while the swing sections and jazz-inspired ballads will have your audience tapping their feet and singing these tunes long after the concert is over. This is certain to become a repertoire standard year after year! (8:30).
$3.00
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