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Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
Two Dreams for solo Trombone and 8-part Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Antonio J
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Two Dreams for solo Trombone a
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Gordon Cherry
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #...
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Percussion Ensemble - Level 5 - SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
Alan Menken : Forrest Gump - Thème (niveau facile/intermédiaire, marimba)
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Percussion
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FACILE
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Film/TV
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Alan Menken
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Forrest Gump
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Tomplay
Telechargez la partition Percussions Forrest Gump - Thème (niveau facile/intermediaire, marimba) de Alan Menken. Partition pour Avec accompagnement orche...
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Telechargez la partition Percussions Forrest Gump - Thème (niveau facile/intermediaire, marimba) de Alan Menken. Partition pour Avec accompagnement orchestre -- Musique de film
5.99€
Alan Menken : Forrest Gump - Thème (niveau facile, marimba)
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Percussion
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FACILE
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Film/TV
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Alan Menken
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Forrest Gump
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Tomplay
Telechargez la partition Percussions Forrest Gump - Thème (niveau facile, marimba) de Alan Menken. Partition pour Avec accompagnement orchestre -- Musiqu...
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Telechargez la partition Percussions Forrest Gump - Thème (niveau facile, marimba) de Alan Menken. Partition pour Avec accompagnement orchestre -- Musique de film
5.99€
Alan Menken : Forrest Gump - Thème (niveau facile/intermédiaire, vibraphone)
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Percussion
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FACILE
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Film/TV
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Alan Menken
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Forrest Gump
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Tomplay
Telechargez la partition Percussions Forrest Gump - Thème (niveau facile/intermediaire, vibraphone) de Alan Menken. Partition pour Avec accompagnement or...
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Telechargez la partition Percussions Forrest Gump - Thème (niveau facile/intermediaire, vibraphone) de Alan Menken. Partition pour Avec accompagnement orchestre -- Musique de film
5.99€
Power Line for Two or More Energetic Drummers)
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Ensemble de Percussions
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DÉBUTANT
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Brian Monroe
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Power Line for Two or More Ene
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BLM Music Publications
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.1012689 Composed by Brian Monroe. Instructional,Standards. Score and parts. 9 pages. BLM Music Publications (htt...
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Percussion Ensemble - Level 1 - SKU: A0.1012689 Composed by Brian Monroe. Instructional,Standards. Score and parts. 9 pages. BLM Music Publications (https://brianmonroemusic.com) #6890089. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1012689). Power Line: for 2 or More Energetic Percussionists is a two part ensemble for first year percussionist.  Performed on a drum pad, the work explores the sound a percussionist can make by playing on the head and rim of the pad and the metal stand on which the pad sits, and stick clicks  In addition, there are also vocal effects.  The performs say tzzzz imitating the sound or an electrical arc.  Rhythms include quarter note and eighth note patterns and a few instances of four sixteenth notes grouped into one beat (1e&a).  The performs are also asked to play flams, paradiddles and multi bounce rolls.  Finally there is a small section which features a drum to drum section where the performers will play on the pads on each side of the performer.  This is a fun and exciting work for your first year percussionist!  Enjoy!
$5.99
Forever
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Ensemble de Percussions
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FACILE
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Rock
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The Beach Boys
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Derrick Crawford
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In 1992, John Stamos, a
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Forever
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Derrick Crawford
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.941720 By The Beach Boys. By Dennis Wilson and Gregg Jakobson. Arranged by Derrick Crawford. Pop,Rock. Score and...
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Percussion Ensemble - Level 2 - SKU: A0.941720 By The Beach Boys. By Dennis Wilson and Gregg Jakobson. Arranged by Derrick Crawford. Pop,Rock. Score and parts. 24 pages. Derrick Crawford #3875777. Published by Derrick Crawford (A0.941720). This powerful love song was written by Beach Boys drummer, Dennis Wilson, and his close friend Gregg Jakobson in 1970. In 1992, John Stamos, a.k.a. Uncle Jesse on the sitcom Full House, did a cover of the song with his group Jesse and the Rippers. The song was performed on the sitcom three times. Written for percussion ensemble, this arrangement will sweep you with nostalgia for the 90s!
$20.00
In My Room (Jacob Collier) for Percussion Ensemble
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Ensemble de Percussions
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Jazz
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The Beach Boys
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Ryan Jonker
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In My Room
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Ryan Jonker Music
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SheetMusicPlus
Drums, Marimba, Vibraphone, Multi-Percussion, Hand Percussion, Percussion Ensemble, Bass Guitar - Early Intermediate - Digital Download By The Beach ...
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Drums, Marimba, Vibraphone, Multi-Percussion, Hand Percussion, Percussion Ensemble, Bass Guitar - Early Intermediate - Digital Download By The Beach Boys (as performed by Jacob Collier). Arranged by Ryan Jonker. Score, Set of Parts. 26 pages. Published by Ryan Jonker Music
Here is a 2-mallet arrangement of "In My Room," as performed by Jacob Collier. Please watch the attached video to see and hear the score! Props to June Lee for the original transcription. Enjoy!
https://youtu.be/hban0d9QihE
More music like this can be found by searching "Ryan Jonker Music" on this website, or by visiting https://www.ryanjonkermusic.com
$29.99
Alexandriana for Percussion Ensemble
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Ensemble de Percussions
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AVANCÉ
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Dan Heslink
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Alexandriana for Percussion En
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. P...
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Percussion Ensemble - Level 5 - SKU: A0.937755 Composed by Dan Heslink. Contemporary,World. Score and parts. 128 pages. Pharaoh Publications #5983475. Published by Pharaoh Publications (A0.937755). Alexandriana for percussion ensemble (12 performers) by Dan Heslink The term Alexandriana is popularly used to reference the Great Library of antiquity in Alexandria, Egypt. Rooted in Alexander the Great’s global military and exploratory exploits (334 - 323 BCE), the library symbolizes the ancient Greek ever expanding worldview, especially under the influence of Alexander and his tutor, Aristotle. Alexander died long before construction of the Ancient Museum and Library of Alexandria, but the concept of a universal library was uniquely his. The mixing of Hellenistic columns with Egyptian architecture and the housing of thousands of scrolls in Greek, Turkish, Babylonian, Egyptian and Hebrew, intensify the division of the library broadly into two large sections, one for eastern knowledge and one for western knowledge. In this musical score, typically western is the thematic concept (expressed most clearly in the chimes), the tonal, triadic-based harmony and sectional concept of form. The music’s sectional nature parallels the library’s different rooms, each containing their own genre of knowledge (history, mathematics, poetry, etc.) Evocative of eastern musical practices are the simultaneous layers of different rhythmic subdivisions, oriental modes, and florid lines in the xylophone and vibe parts. In this score, eastern musical procedures are expressed with instruments commonly found in the Western orchestra or wind band. The performers are encouraged to always emphasize the score’s contrasts. Passages for indefinitely pitched percussion featuring the song within the drums contrast with other passages of purely quantitative rhythm. Complexity in the interaction of parts contrast with simple rhythmic unison. Passages of thick harmony contrast with modal monophonic melodies accompanied only by indefinitely pitched sounds. Overall, there is a wide dynamic range. During long passages of gradually accruing energy, take care to not build dynamics too quickly, and during fortissimo passages, drums should be stroked in a manner that avoids excessive aggression. The rhythmic background of 16th notes must be consistent among all players so that interlocking rhythmic motifs are consistent. Often the tom-toms have melodic passages that imitate the shape of mallet or timpani melodies. Tune the drums for a warm, round sound and select mallets accordingly. Bar percussion players should apply a flowing legato to their passage work. Soft sections are intended to sound mysterious: be sure to use mallets that match that character. The composer assigns a performance level of difficult to this work. Performance time is 9:15. The composer, Dan Heslink, can be reached at dan@dheslink.com.
$9.99
Tidings of Comfort and Joy!: 1st Percussion
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Percussion (partie séparée)
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Methodes
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Michael Story
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Tidings of Comfort and Joy!: 1
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016343_PC1 1st Percussion. Arranged by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet ...
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Full Orchestra - SKU: AX.00-PC-0016343_PC1 1st Percussion. Arranged by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016343_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016343_PC1). UPC: 038081465791.Reinforce legato, staccato, and ensemble phrasing with this piece while ushering in the joyous holiday season with musical glee. Opening with a clear unison statement and slowly adding textures and harmonic voices, the work develops to a joyous tutti statement that continues to build in intensity to a glorious conclusion. This arrangement is scored for full orchestra; however, it is also completely playable by string orchestra alone, or with any number of added winds or percussion. (2:30) This title is available in SmartMusic.
$3.00
G-Force Five!: 3rd Percussion
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Percussion (partie séparée)
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Methodes
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Ralph Ford
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G-Force Five!: 3rd Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Ralph Ford. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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By Ralph Ford. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
G-Force Five!: 2nd Percussion
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Percussion (partie séparée)
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Methodes
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Ralph Ford
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G-Force Five!: 2nd Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Ralph Ford. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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By Ralph Ford. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
G-Force Five!: 1st Percussion
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Percussion (partie séparée)
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Methodes
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Ralph Ford
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G-Force Five!: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Ralph Ford. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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By Ralph Ford. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
G-Force Five!: Mallets
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Percussion
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Methodes
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Ralph Ford
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G-Force Five!: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Ralph Ford. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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By Ralph Ford. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Pops Standards Holiday Concert Series: Ukrainian Bell Carol (For Percussion Ensemble)
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Ensemble de Percussions
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Forte Press
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Pops Standards Holiday Concert
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Forte Press
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SheetMusicPlus
Percussion Ensemble - SKU: A0.924257 Arranged by Forte Press. Christian,Christmas. Score. 14 pages. Forte Press #3243055. Published by Forte Press (A0.9...
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Percussion Ensemble - SKU: A0.924257 Arranged by Forte Press. Christian,Christmas. Score. 14 pages. Forte Press #3243055. Published by Forte Press (A0.924257). This well-known Holiday Piece can be heard almost anywhere. This arrangement from Pops Standards gives the Percussion section of the Orchestra, a quick yet colorful arrangement of the famous carol. A perfect start to any Holiday Concert, as well as a great tool for practicing percussion instrument changes. Deluxe Score OnlyPerformance Time: 1'35Arranged By: Caleb SwiftPublished under Forte Press
$9.99
Pops Standards Holiday Concert Series: Ukrainian Bell Carol (For Percussion Ensemble)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Caleb Swift
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Pops Standards Holiday Concert
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Forte Press
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.924256 Arranged by Caleb Swift. Contemporary. Score and parts. 28 pages. Forte Press #3243059. Published by Fort...
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Percussion Ensemble - Level 3 - SKU: A0.924256 Arranged by Caleb Swift. Contemporary. Score and parts. 28 pages. Forte Press #3243059. Published by Forte Press (A0.924256). This well-known Holiday Piece can be heard almost anywhere. This arrangement from Pops Standards gives the Percussion section of the Orchestra, a quick yet colorful arrangement of the famous carol. A perfect start to any Holiday Concert, as well as a great tool for practicing percussion instrument changes.Deluxe Score OnlyPerformance Time: 1'35Arranged By: Caleb SwiftPublished under Forte Press
$19.99
Sharks' Teeth, a Musical Game for Percussion
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Dan Heslink
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Sharks' Teeth, a Musical Game
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Publishe...
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Percussion Ensemble - Level 3 - SKU: A0.935392 Composed by Dan Heslink. Contemporary. Score and parts. 23 pages. Pharaoh Publications #6203899. Published by Pharaoh Publications (A0.935392). Sharks’ Teeth, a Game for any Number of Percussionists. . . . . . . . . . . . . . . Dan Heslink Sharks’ Teeth is a musical game, or contest, between two or more percussionists. It is based on rhythm, and can therefore be executed on any combination of indefinitely-pitched percussion instruments. Its execution relies on guided improvisation governed by preconceived thematic material and manners of elaboration. In addition to the two or more contestants, another musician functions as a Game Meister (GM) who controls that game’s progress and evaluation. Enclosed are the game instructions for a contest of guided improvisation, and a notated example for two percussionists and Game Meister, Shark’s Tooth. This score can also be played on recital. After reading the contest instructions, the composer recommends that contestants next play the notated example before attempting the game through improvisation. Besides being fun to play, this game is also an excellent tool for fostering concentration, musicality, memory and an understanding of musical structure. The composer, Dan Heslink, assigned a difficulty level of medium, and can be contacted at dan@dheslink.com.
$9.99
Minuet in G (in the Key of Cool!) - Boomwhackers
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Ensemble de Percussions
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DÉBUTANT
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Christian Petzold
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Shelly Davis
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Minuet in G
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Shelly Davis
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SheetMusicPlus
Percussion Ensemble - Level 1 - SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 p...
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Percussion Ensemble - Level 1 - SKU: A0.891145 Composed by Christian Petzold. Arranged by Shelly Davis. Baroque,Instructional,Jazz. Score and parts. 7 pages. Shelly Davis #3507305. Published by Shelly Davis (A0.891145). This arrangement takes this familiar Baroque tune and arranges it to be played with three sets of Boomwhackers (plus a fourth B if you have one). After the familiar tune is established, the arrangement changes time signatures and offers a fun swinging version of the melody. The original melody is transposed from G Major to C Major (the Key of Cool) so that the arrangement can be played on a regular classroom set of diatonic Boomwhackers, without the need for the chromatic set. Minuet in G (in the Key of Cool!) can be performed with as few as nine players.In this arrangement, you will receive the conductor’s score and one copy of each of the individual parts: melody, harmony, and bass. The purchase of this set permits the owner to create enough copies for each performer in their group to have their own music to mark and study.I would love to see videos of your group performing this piece! You can find me on Facebook at Shelly Davis Piano Studio and on Instagram @pianoparentpodcast or email me at shelly@pianoparentpodcast.com
$8.88
A MIGHTY FORTRESS - PERCUSSION ENSEMBLE
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Ensemble de Percussions
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FACILE
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Musique Sacrée
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Martin Luther
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Glen Poehlmann
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A MIGHTY FORTRESS - PERCUSSION
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arrangements by GPoehlmann
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.807170 Composed by Martin Luther. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 11 pages. Arran...
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Percussion Ensemble - Level 2 - SKU: A0.807170 Composed by Martin Luther. Arranged by Glen Poehlmann. Christian,Sacred. Score and parts. 11 pages. Arrangements by GPoehlmann #6472225. Published by arrangements by GPoehlmann (A0.807170). A MIGHTY FORTRESS - PERCUSSION ENSEMBLEA medium-easy arrangement of the popular hymn. Scored for 3 Mallets (suggest Glockenspiel, Xylophone & Marimba), Timpani, Percussion 1 (Snare Drum, Bass Drum, Cymbal) and Percussion 2 (Triangle, Tambourine & Wood Block).61 measures. Performance Time approx 2:00. Medium Easy (Grade 2)Key: C. Meter: 4/4. PDF parts included: Score, Mallet 1, Mallet 2, Mallet 3, Timpani, Percussion 1 (Snare Drum, Bass Drum, Cymbals), & Percussion 2 (Wood Bolock, Triangle & Tambourine).
$5.00
Staying Busy for Two Marimbas (or vibraphones)
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Ensemble de Percussions
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INTERMÉDIAIRE
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Contemporain
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Paul Taylor
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Staying Busy for Two Marimbas
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Paul Taylor
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.803346 Composed by Paul Taylor. 20th Century. Score and parts. 6 pages. Paul Taylor #6099257. Published by Paul ...
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Percussion Ensemble - Level 3 - SKU: A0.803346 Composed by Paul Taylor. 20th Century. Score and parts. 6 pages. Paul Taylor #6099257. Published by Paul Taylor (A0.803346). An exciting and busy marimba or xylophone duet written for late intermediate students. Both students get to play the main motives and will find it stimulating to bat these motives back and forth to each other throughout the piece. The printing format provides each player with their own score, allowing them the convenience of not only seeing their own individual part, but their partner's as well. .
$1.99
Gravity for Septet
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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MohammadHadi Ayanbod
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Gravity for Septet
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Rimorarte Edition
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Editio...
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Percussion Ensemble - Level 5 - SKU: A0.1027778 Composed by MohammadHadi Ayanbod. 20th Century,Contemporary. Score and parts. 25 pages. Rimorarte Edition #5996957. Published by Rimorarte Edition (A0.1027778). In GRAVITY I explored different gravities as forces we not only feel them in every moments of our lives, but also thinking of living without or escaping from them seems impossible. Likewise, those gravities exist in the music, make us feel the music continuous, desirable, logical and an integrated language of art. The exploration of the path from chaos to unity, and from unity to multiplicity, is where the title came from. GRAVITY consists of two main sections. The first section, which shows the fully-grown and flourished musical ecosystem, and the second part; a flashback to just after big-bang, which tries to musicalize the creation of the gravity! In the first section, I’ve used the concept of horizontal and vertical minimalism. At the very beginning of the piece we have a structure that bring the idea of the vertical minimalism out. In every moment, each instrument plays the same note as others. However, the narrative line is divided into different octaves, so, the melody is not the same in spite of the fact that each instrument plays the same tone. This structure also reminds the paradoxical ladder or optical staircase illusion. The narration is built up until it reaches temporal climax. At the same time, this melody starts again from the beginning with some microscopic differences visible vividly to musicians. This semi reciprocating musical narration, could be observed as a musical example of the staircase illusion. After this part, but still in the first section of the music, I’ve used the horizontal (traditional) minimalism idioms to explore the bounding forces present in the music. Although, what interesting here is the creation of synthetic voices which is the result of different amounts of the nuances and different combinations of the sound. For keen ears, it seems like shades of neon lights, penetrate into one another in the scale of time and create a big picture of micro fluctuating objects. In the second section or just after big-bang, I’ve observed and recreate musically, the very moment of creation of the gravity just after the big-bang. Here, we don’t have melody, rhythm, structure, narration and other aspects of the music in the traditional way, although all of them are present in the music. very single sound or noise is meaningful and showing the assemblage process of the forces in the music to create a melody line. I’ve occupied idioms of contemporary Sonorism genre to create the atmosphere. This highly complex texture shows the virtuosity of interpreters and the capability of the instruments in avant-garde literature and extended techniques. The music is concluded by a fast-tempo finale, with the instruction of fortissimo possiblile (as loud as possible). The piece, in fact, will not be finished as a morendo, but, it opens a space for hypothetically living structure; constantly grows, flourishes, shines and decays.
$16.99
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99
Troll's Beard from Forgotten Lands
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Doug Clyde
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Troll's Beard from Forgotten L
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ALBEDO MUSIC
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.713171 Composed by Doug Clyde. Contemporary. Score and parts. 23 pages. ALBEDO MUSIC #2550391. Published by ALBE...
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Percussion Ensemble - Level 4 - SKU: A0.713171 Composed by Doug Clyde. Contemporary. Score and parts. 23 pages. ALBEDO MUSIC #2550391. Published by ALBEDO MUSIC (A0.713171). Song: Troll's Beard. Composer: Doug Clyde. Album: Forgotten Lands. Artist: ALBEDO. © 2011 by ALBEDO MUSIC. AMSM50. Soundtrack to the video game Forgotten Lands VIII: The Legend of Shadow Lake by TBC Productions. Nominated for Best Soundtrack Album by the 12th Annual Independent Music Awards. Percussion Ensemble. Bass Drum, Timpani, Snare Drum, Cymbals, Hi-Hat, Tom-Toms, Cow Bell, Tambourine, Gong, Triangle, Maracas, Vibraslap, Guiro.
$9.99
Forbidden Friendship
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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John Powell
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Anja Goller
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Forbidden Friendship
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Anja Goller
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.901552 Composed by John Powell. Arranged by Anja Goller. Contemporary. Score and parts. 20 pages. Anja Goller #4...
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Percussion Ensemble - Level 4 - SKU: A0.901552 Composed by John Powell. Arranged by Anja Goller. Contemporary. Score and parts. 20 pages. Anja Goller #4355179. Published by Anja Goller (A0.901552). Arrangement for 3 marimba-players.
$12.99
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