Two of the most widely used patriotic songs have been combined together into one anthem and is scored for SAB with Piano accompaniment. Accessible and appropriate for any school, concert or church setting. Can be used on many occasions.

Sung practice tracks available at https://www.youtube.com/watch?v=XHaZ1xWIJJcandlist=PL9awNA6CPR_9T-xbHlxu3HtRhHwTHmKdi

Original key of Bb.

Ranges:
S1: C4-Eb5
S2: Bb3-Eb5
A1: A3-Bb4
A2: F3-F4 (with some optional alternate notes)

Arrangement by David P. Zimmerman. 24 measures. A Cappella. 7 pages. Self-Published on SMP. This is an SSA a cappella arrangement of the sea shanty, "The Wellerman", as made popular recently on Tiktok.

For SAB - Soprano, Alto, Baritone - Choir and Piano - Easter, Eastertide
Reduced Range
With Chords
https://youtu.be/G3Z-Hi0_368

This two part arrangement can be learnt quickly yet sounds very effective. Both parts have to learn the harmony/additional lines so teach all harmony lines to the whole choir when learning.

This a cappella (SSAA) arrangement of Carol of the Bells is accessible to any community or school choir.

The melody is shared between all the parts, making it a great sing for all!

Dorothy Horn is an arranger who lives in Sydney and whose arrangements are designed to be singable by community or school choirs whose members usually include people with varying musical backgrounds. Dorothy aims to keep her arrangements simple, singable, fairly easy to memorize, within comfortable singing range, while still conveying the beauty and feel of the song. https://www.musicforchoir.com/store/

https://youtu.be/d1hSxOp4RjQ

Part of the Duke Chapel Series, conceived to present well-written but accessible anthems that bring out the best in the volunteer church choir, this setting of VILLE DU HAVRE is carefully crafted to capture the beauty and simplicity of this beloved hymn. .

Men's TTBB Barbershop arrangement (melody in T2). Contestable in men's barbershop.

An a capella arrangement of the well-known hymn Amazing Grace with the original words by John Newton. The soprano sings the melody throughout with the other voices mostly following in the same rhythm, although there is some independence in the non-melody voices, most notably in the bass.