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At the End of the Day
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At the End of the Day
CHORALE - CHANT
Partitions à imprimer
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The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
The Christmas Wish (Vocal Solo)
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Chorale Unison
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INTERMÉDIAIRE/AVANCÉ
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Carol Troutman Wiggins [ASCAP]
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The Christmas Wish
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (Unison) - Level 4 - SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Sing...
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Choral Choir (Unison) - Level 4 - SKU: A0.727123 Composed by Carol Troutman Wiggins [ASCAP], Mary White Pustrom. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. Octavo. 11 pages. Carol Troutman Wiggins #2907289. Published by Carol Troutman Wiggins (A0.727123). The Christmas WishVocal Solo for AltoWould you like a different kind of Christmas wish this year? Here it is!This song is based on the poem Christmas Wishes written by contemporary author and poet Mary White Pustrom. Mary wrote many poems with the theme of Christmas, including what she thought people should wish for at Christmas. While so many adults wish for a new car, a sparkling diamond ring, or celebrating with a nice vacation in the tropics, she believes that Christmas wishes should be taken a step further by considering the wishes and needs of others more so than our own. In her poem Christmas Wishes, her desire for reaching out to others and granting them their wishes for the simple things in life take on great meaning: Christmas Wishes by Mary White Pustrom Now that Christmas is drawing near I cannot help but seeAll the poor and needy people who are reaching out to me. It seems that everywhere I look there is a need to fill; I feel so inadequate when their wishes I can't fill. Among the lights and decorations, there is hunger and despair, Faces filled with sadness while bright carols fill the air; Little children who are cold and hungry wait for Santa Claus, Wishing that he would bring them food, for that's a worthy cause. Others laughing, smiling, singing - so completely unaware Of all the pain and suffering that's around them everywhere; They wish for generosity in our thoughts, time, and deeds, And wish that here at Christmas time, someone could fill their needs. My wish is that we reach out to our sisters and our brothers, Who depend on us for kindness from one to another; Fill our hearts with Christmas cheer, and teach us how to share, So that Christmas wishes will be fulfilled all throughout the year. It sounds like she might have the right idea. At this time of year, it is so easy to get caught up in buying and receiving presents, the lights, and the Christmas tree, without considering the simple needs of others. Maybe this year, these simple wishes will come true for some: · Sick little children to be healed · Homeless people and children to find a family · For the less fortunate to have enough food, clothing, shelter, and shoes on their feet · That no one spends Christmas lonely and alone, and spent the way it should be, with loving family and friends. Most of all, wish that by caring for one another, Christmas wishes would come true all year long. ~ Carol Troutman Wiggins
$5.95
Waltz for a Friday Evening for SSA, tenor solo and piano by Martha Hill Duncan, Poetry by Janet Wind
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Martha Hill Duncan
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Waltz for a Friday Evening for
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Martha Hill Duncan
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SheetMusicPlus
Choral Choir (SSA) - Level 4 - SKU: A0.969148 Composed by Martha Hill Duncan. Contemporary,World. Octavo. 14 pages. Martha Hill Duncan #5982081. Publish...
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Choral Choir (SSA) - Level 4 - SKU: A0.969148 Composed by Martha Hill Duncan. Contemporary,World. Octavo. 14 pages. Martha Hill Duncan #5982081. Published by Martha Hill Duncan (A0.969148). Waltz for a Friday EveningFriday evening it's still in the airThere's a soft white moonGlowing through the trees.At the end of the footpathI still carry throughMy thoughts quietly thought through the day...@ 2016 Janet Windeler RyanOriginally written for Open Voices Community Choir with accordionist Jan Le Clair, premiered on December 10, 2016Also available for SATB and piano.
$2.25
Waltz for a Friday Evening for SATB and piano by Martha Hill Duncan, Poetry: Janet Windeler Ryan
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Martha Hill Duncan
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Waltz for a Friday Evening for
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Martha Hill Duncan
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.969147 Composed by Martha Hill Duncan. Contemporary,World. Octavo. 15 pages. Martha Hill Duncan #5981813. Publis...
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Choral Choir (SATB) - Level 4 - SKU: A0.969147 Composed by Martha Hill Duncan. Contemporary,World. Octavo. 15 pages. Martha Hill Duncan #5981813. Published by Martha Hill Duncan (A0.969147). Waltz for a Friday EveningFriday evening it's still in the airThere's a soft white moonGlowing through the trees.At the end of the footpathI still carry throughMy thoughts quietly thought through the day...@ 2016 Janet Windeler RyanOriginally written for Open Voices Community Choir with accordionist Jan Le Clair, premiered on December 10, 2016 in Kingston, ON. Also available for SSA and tenor solo. Optional accordion part available upon request from marthahillduncan.com.
$2.25
The Ecchoing Green
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Richard Joseph Barber
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The Ecchoing Green
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Barber Music Company
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.915669 Composed by Richard Joseph Barber. 20th Century. Octavo. 7 pages. Barber Music Company #2072507. Publishe...
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Choral Choir (SATB) - Level 4 - SKU: A0.915669 Composed by Richard Joseph Barber. 20th Century. Octavo. 7 pages. Barber Music Company #2072507. Published by Barber Music Company (A0.915669). This is a great piece for any good high school, college or professional choir. William Blake's poem takes us through a day on the ecchoring green (British spelling) from the bright and energetic morning into the wonderful weariness of an evening at the end of a day spent with good friends. Keep voices bright and buoyant, except at the end when the children are getting sleepy. This is a happy song, fun to sing and listen to. Should be well received and a nice concert piece.
$2.95
Before the Ending of the Day
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Chorale SATB
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FACILE
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John Sandford
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John Sandford
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Before the Ending of the Day
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John A Sandford
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1149910 By John Sandford. By John Sandford. Arranged by John Sandford. Christian,Early Music,Latin,Sacred. Octav...
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Choral Choir (SATB) - Level 2 - SKU: A0.1149910 By John Sandford. By John Sandford. Arranged by John Sandford. Christian,Early Music,Latin,Sacred. Octavo. 1 pages. John A Sandford #750075. Published by John A Sandford (A0.1149910). The text is a translation of the old Latin Hymn Te Lucis Ante Terminum. A new melody has been created with three part harmonies working in similar motion. An optional Soprano descant (as heard in this recording) can be added for the last verse. This piece is ideally sung at the end of a program of sacred music.
$1.99
Valentine's Day Choral Activity/Game Sight Singing
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Chorale SATB
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INTERMÉDIAIRE
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J
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Valentine's Day Choral Activit
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J. Gallagher
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.978029 Composed by J.C. Baker, Fermata Nowhere. Instructional,Standards. Octavo. 1 pages. J. Gallagher #5034151....
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Choral Choir (SATB) - Level 3 - SKU: A0.978029 Composed by J.C. Baker, Fermata Nowhere. Instructional,Standards. Octavo. 1 pages. J. Gallagher #5034151. Published by J. Gallagher (A0.978029). For a whole week of Valentine's Day have your students use this fun and engaging sight reading practice with love songs THEY WILL KNOW! I use it as a warm up/ do now at the start of band and choral classes for the first 5-10 minutes or so.These are quick 2, 4, and 8 measure examples totaling 10 songs for the students to practice sight reading using solfege.There are some tricky syncopated rhythms involved as well as key changes (C, G, F, D, Bb).The songs included in the 10 examples are, in order:1. Can't Help Falling In Love - Elvis2. Thinking Out Loud - Ed Sheeran3. We Found Love - Rhianna4. Just The Way You Are - Bruno Mars5. She Loves You - The Beatles6. I Will Always Love You - Whitney Houston7. Shallow - A Star Is Born8. All Of Me - John Legend9. Can You Feel The Love Tonight - Elton John/Lion King10. Love Is An Open Door - FrozenThis is a great warm up exercise at the start of class or rehearsal to get the students focused and their brains warmed up for singing, sight singing, reading, and learning new music.Typically students can take either the whole sheet down in one day and we spend a good majority of a day on it OR spread it out over the week and do 1 or 2 a day.Structure it as best you see fit.The students love competing with each other to see who can figure out the solfege and the song first!Bonus points if they can name the song, artist, and the correct lyrics!
$1.99
And His Kingdom Will Have No End
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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And His Kingdom Will Have No E
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Kevin Longley
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no endâ€.
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The United States Army Hymn (Eternal Father, Hear Our Prayer)
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Chorale SATB
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DÉBUTANT
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James F
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The United States Army Hymn
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Military Bible Association
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465850 Composed by James F. Linzey and William H. Monk. 21st Century,Chamber,Christian,Classical,Re...
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Choral Choir,Choral,SATB Chorus - Level 1 - SKU: A0.1465850 Composed by James F. Linzey and William H. Monk. 21st Century,Chamber,Christian,Classical,Religious. 4 pages. Military Bible Association #1044448. Published by Military Bible Association (A0.1465850). The History of the Four Immortal Chaplains and the United States Army HymnDuring World War II, four Army chaplains met at the Army Chaplains School at Harvard University. ere, they received training for their assignments in the European theater. They then boarded and sailed on the United States Army Transport (USAT) Dorchester to report to their new assignments. The USAT Dorchester left New York on January 23, 1943, en route to Greenland. She carried about 900 military personnel and was escorted by Coast Guard Cutters Tampa, Escanaba, and Comanche. During the early morning hours of February 3, 1943, the vessel was torpedoed by the German submarine U-223 off Newfoundland in the North Atlantic. As the Dorchester sank on that fateful day of February 3, 1943, the four Army chaplains on board helped their soldiers board lifeboats as they handed out life jackets. When they ran out of life jackets, the chaplains gave their own life jackets to four soldiers that they might live. Then the chaplains joined arms and prayed as they went down with the Dorchester. These were young chaplains, new to the Army, holding the rank of first lieutenant. They included Methodist minister Reverend George L. Fox, Reform Rabbi Alexander D. Goode, Catholic priest Father John P. Washington, and Reformed Church in America minister Reverend Clark V. Poling. e four chaplains were posthumously awarded the Distinguished Service Cross and the Purple Heart. Chaplain (MAJ) James F. Linzey, USA (Ret.), who was one of four military chaplains in his family, composed the United States Army Hymn, “Eternal Father, Hear Our Prayer,” in remembrance of the “Four Immortal Chaplains” on board the Dorchester. Also, James Linzey is the General Editor of the New Tyndale Version (NTV) Bible translation.
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I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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Voix Alto, Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
WAYFARING STRANGER (Poor Wayfaring Stranger)
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Chorale TTBB
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DÉBUTANT
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 p...
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Choral Choir (TTBB) - Level 1 - SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
Mary Had a Baby (That's How the Story Goes) - An Original Gospel Christmas Anthem for Unison Choir
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Chorale Unison
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DÉBUTANT
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Joanna Mills
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Mary Had a Baby
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.781342 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 7 pages. Joa...
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Choral Choir (Unison) - Level 1 - SKU: A0.781342 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 7 pages. Joanna Mills Music #4830695. Published by Joanna Mills Music (A0.781342). This upbeat, original unison (or solo) Christmas song is perfect for children's or youth choirs-- use it in your Christmas Pageant, or your Lessons & Carols service! It tells the Christmas story in a bluesy, gospel style, and is pitched in an accessible key for most voices. The simple melody and bridge is easy to learn, even for very young children, plus it features an optional easy counterpoint near the end of the song. Approximate performance time: 1.51. (Also available for 2-part, SSA, SAB and SATB choirs!)This is one song from the complete children's musical That's How The Story Goes - also available here. S0.661113Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.
$1.99
Mary Had a Baby (That's How the Story Goes) - An Original Gospel Christmas Anthem for SATB Choir
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Chorale SATB
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FACILE
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Noël
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Joanna Mills
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Alto Bb3-C5
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Mary Had a Baby
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.781346 Composed by Joanna Mills. Christmas,Holiday,Sacred,Spiritual,Traditional. Octavo. 8 pages. Joanna Mills M...
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Choral Choir (SATB) - Level 2 - SKU: A0.781346 Composed by Joanna Mills. Christmas,Holiday,Sacred,Spiritual,Traditional. Octavo. 8 pages. Joanna Mills Music #4835691. Published by Joanna Mills Music (A0.781346). This upbeat original SATB Christmas song is perfect for youth choirs (or adult choirs looking for something fun and fresh!) -- perfect for Christmas concerts and services. It tells the Christmas story in a bluesy, gospel style, and is pitched in an accessible key for most voices (Soprano Eb4-Eb5; Alto Bb3-C5; Tenor Eb3-Eb4; Bass Ab2-C4). It also features an optional gospel-style descant near the end of the song. Approximate performance time: 1.51. (Also available for Unison Choirs, 2-part choirs, SAB and SSA Choirs!)Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.
$1.99
Mary Had a Baby (That's How the Story Goes) - An Original Gospel Christmas Anthem for SSA Choir
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Chorale 3 parties
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FACILE
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Noël
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Joanna Mills
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Soprano 2 Bb3-C5
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Mary Had a Baby
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.781345 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 8 pages. Joanna...
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Choral Choir (SSA) - Level 2 - SKU: A0.781345 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 8 pages. Joanna Mills Music #4834697. Published by Joanna Mills Music (A0.781345). This upbeat original SSA Christmas song is perfect for youth choirs (or adult choirs looking for something fun and fresh!) -- perfect for Christmas concerts and services. It tells the Christmas story in a bluesy, gospel style, and is pitched in an accessible key for most voices (Soprano Eb4-Eb5; Soprano 2 Bb3-C5; Alto Bb3-C5). It also features an optional gospel-style descant near the end of the song. Approximate performance time: 1.51. (Also available for Unison Choirs, 2-part choirs, SATB and SAB Choirs!)Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.
$1.99
Sunday
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Comédie Musicale
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Ukelele Ike
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Jim Ivy
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Sunday
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Jim Ivy
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SheetMusicPlus
Choral Piano and Keyboard,Ukulele,Voice (4-Part) - Level 3 - Interactive Download SKU: A0.1033592 By Ukelele Ike (Cliff Edwards). Arranged by Jim Ivy. Th...
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Choral Piano and Keyboard,Ukulele,Voice (4-Part) - Level 3 - Interactive Download SKU: A0.1033592 By Ukelele Ike (Cliff Edwards). Arranged by Jim Ivy. This edition: Interactive Download. Musical/Show,Standards. Octavo. Duration 133. Jim Ivy #bLtl7pcHmOevED0xqdd2w. Published by Jim Ivy (A0.1033592). Key: C major.Am I the only one here who remembers Saturday morning at the movies? No one had air conditioning or TV sets when I was a boy. The only way to cool off during those long, hot Alabama summers was to either jump in the creek for a swim, or go into town to the movie theater! On Saturday mornings we would pedal our bikes into town, where for a dime, we could spend half the day in refrigerated air comfort. There was always a double feature on Saturday and between the two movies, there was newsreel about the important events of the day, the weekly installment of the serial, one or two cartoons, and always a bouncing ball sing-a-long! Here is an arrangement that reminds me very much of those Saturday mornings. I had to figure out some new things (at least new to me) but I'm rather pleased with the way it turned out. It reminds me very much of those Saturday mornings long ago!
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Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
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Chorale 2 parties
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Musique Sacrée
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Dan Cutchen
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Choral - "O Give Thanks t
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (2-Part) - SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0...
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Choral Choir (2-Part) - SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0.844330). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment and optional children's melody.The presence of children in a choir presentation can be quite charming and encouraging for the congregation. These kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir. Plus, as Psalm 8:2 informs us, children can have a ministry that silences the negative influence of the enemy and bring strength and encouragement to all who hear them sing praise!The children's part in this piece of music is a simple counter melody, no parts. You do not need an established children's choir, only a few good singers will do nicely.-------------------------------------------------------------------------------------------------------------This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
$1.99
Share the Easter Joy
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Chorale Unison
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Musique Sacrée
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Mark Patterson
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Share the Easter Joy
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Chorister's Guild - Digital
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SheetMusicPlus
Unison/Two-part chorus - SKU: C7.CGA851 Composed by Mark Patterson. Easter. With 3 octaves handbells or handchimes, descant. Sacred Anthem. Octavo. 8 pa...
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Unison/Two-part chorus - SKU: C7.CGA851 Composed by Mark Patterson. Easter. With 3 octaves handbells or handchimes, descant. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA851. Published by Chorister's Guild - Digital (C7.CGA851). UPC: 749193005934.Unison/Two-part Opt Handbells or Handchimes (3 oct). Eastertide This festive anthem can be used on Easter Sunday or on any of the Sundays immediately following, and would be especially effective as a sending forth anthem at the end of a service. Because the optional descant is learned within the piece itself, the two-part section is easy to put together.
$2.10
Hymn to the Holy Trinity — anthem for SAB voices, organ
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Chorale 3 parties
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FACILE
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Musique Sacrée
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Todd Marchand
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Hymn to the Holy Trinity &mdas
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Con Spirito Music
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1042625 Composed by Todd Marchand. Sacred. Octavo. 7 pages. Con Spirito Music #647400. Published by Con Spirito M...
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Choral Choir (SAB) - Level 2 - SKU: A0.1042625 Composed by Todd Marchand. Sacred. Octavo. 7 pages. Con Spirito Music #647400. Published by Con Spirito Music (A0.1042625). Tobias Clausnitzer (1619-1684) was a German Lutheran pastor and writer of theological treatises, sermons, and hymns. His best-known hymn, perhaps, is Liebster Jesu wir sind bier, translated to English and published as Blessed Jesus, at thy word by the English hymn-writer and educator Catherine Winkworth (1827-1878) in her Lyra Germanica — Hymns for the Sundays and Chief Festivals of the Christian Year, translated from the German (1858), and repeated in her Chorale Book for England (1863). Winkworth was also translator for Clausnitzer's Wir glauben all an einen Gott, Yater, Sohn und heilgen Geist (We all believe in one true God, Father, Son, and Holy Ghost), a metrical paraphrase of the Apostles Creed designated for Trinity Sunday in the Culmbach-Bayreuth Gesang-Buch (1668). Winkworth also included this in her Chorale Book for England.This new musical setting, mostly in unison and briefly expanding to three-part harmony at the peak of each verse, is very singable by small and developing choirs composed of soprano, alto, and baritone/bass voices. The accompaniment, with sustained tones, is best realized on organ.The opening phrase, We all believe in one true God, may be sung by a solo male voice, similar to the opening intonation of a chanted canticle or psalm. Dynamic contrasts (crescendi and decrescendi) throughout follow the rising and falling of the melodic line and should be carefully observed. ©Copyright 2022 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$2.00
The Light of the World
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Josh Benninger
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The Light of the World
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Josh Benninger
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1028013 Composed by Josh Benninger. Christian,Sacred. Octavo. 12 pages. Josh Benninger #3215365. Published by Jo...
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Choral Choir (SATB) - Level 3 - SKU: A0.1028013 Composed by Josh Benninger. Christian,Sacred. Octavo. 12 pages. Josh Benninger #3215365. Published by Josh Benninger (A0.1028013). Premiere performance at Christ Episcopal Church, San Antonio, Texas on Rally Day Sunday, August 20, 2017. Scored for mixed choir, piano, and clarinet. The melody, tenderly introduced by the clarinet, is taken up by the women singing the sacred text from Matthew 5:14,16: You are the light of the world. A city set on a hill cannot be hidden. So let your light shine before others, so that they may see your good works and give glory to your Father who is in heaven. The text is repeated with the men joining in while the clarinet plays a counter melody that soars high above the choir. This work projects the plea for us to look beyond ourselves and to be a positive light in an uncertain world. Duration: about 4 minutes.
$2.10
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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Chorale SATB
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INTERMÉDIAIRE
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Michael A
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AND THE WORD BECAME FLESH - SE
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Pu...
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Choral Choir (SATB) - Level 3 - SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
The Heart and the Fountain (SATB)
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Chorale SATB
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Contemporain
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Ofer Ben-Amots, composer and l
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The Heart and the Fountain
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The Composer's Own Press
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.944041 Composed by Ofer Ben-Amots, composer and librettist. Contemporary. Octavo. 28 pages. The Composer's Own Press #4799...
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Choral Choir (SATB) - SKU: A0.944041 Composed by Ofer Ben-Amots, composer and librettist. Contemporary. Octavo. 28 pages. The Composer's Own Press #4799263. Published by The Composer's Own Press (A0.944041). Composer’s Notes: The Hebrew text stems from a mystical Kabalistic source attributed to the great Hassidic Rabbi Nachman of Breslav. The words tell us, in a poetic and metaphysical manner, about the mechanism that moves the world and keeps the universe alive: there is a singing fountain at the end of the world and a pounding heart at the other end. The fountain and the heart are attracted to each other and wish to get closer, but as soon as they move from their place they lose sight of each other. Once they cannot see each other anymore the heart would stop beating and the fountain would stop singing. Thus, they both stay in their places and sing to each other. Their song spreads over the entire world and sparks of light emanate from it. When the sparks are woven together they produce enough Time for a new day to be created. The music mirrors the soft pounding of the heart and the spreading of this magical melody.Duration: 9' 40 For demo recording, any questions, or additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$9.90
The Heart and the Fountain (SSAA)
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Chorale 2 parties
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Contemporain
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Ofer Ben-Amots, composer and l
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The Heart and the Fountain
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The Composer's Own Press
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SheetMusicPlus
Choral Choir (SA) - SKU: A0.944042 Composed by Ofer Ben-Amots, composer and librettist. Contemporary. Octavo. 28 pages. The Composer's Own Press #479991...
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Choral Choir (SA) - SKU: A0.944042 Composed by Ofer Ben-Amots, composer and librettist. Contemporary. Octavo. 28 pages. The Composer's Own Press #4799915. Published by The Composer's Own Press (A0.944042). Composer’s Notes:The Hebrew text stems from a mystical Kabalistic source attributed to the great Hassidic Rabbi Nachman of Breslav. The words tell us, in a poetic and metaphysical manner, about the mechanism that moves the world and keeps the universe alive: there is a singing fountain at the end of the world and a pounding heart at the other end. The fountain and the heart are attracted to each other and wish to get closer, but as soon as they move from their place they lose sight of each other. Once they cannot see each other anymore the heart would stop beating and the fountain would stop singing. Thus, they both stay in their places and sing to each other. Their song spreads over the entire world and sparks of light emanate from it. When the sparks are woven together they produce enough Time for a new day to be created. The music mirrors the soft pounding of the heart and the spreading of this magical melody.Duration: 9' 40 For demo recording, any questions, or additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com.
$9.90
Them Changes
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Chorale SATB
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AVANCÉ
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Chris Jasper, Ernie Isley, Mar
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Kerry Marsh
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Them Changes
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Kerry Marsh
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SheetMusicPlus
Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, an...
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Rhythm Section SATB Chorus divisi,Voice - Level 5 - SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Kerry Marsh. Funk,Jazz,Pop,Soul. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1032960. Published by Kerry Marsh (A0.1453743). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Them Changes is a standout track by Thundercat, featuring a funky, bass-driven groove that highlights Thundercat's virtuosic bass playing and unique blend of jazz, funk, and R&B influences. The lyrics explore themes of heartbreak and emotional turmoil, delivered with Thundercat's signature falsetto vocals.Kerry Marsh's vocal jazz arrangement begins with an a cappella rendition of the song's bridge, serving as a teaser before launching into the now-iconic drums and bass groove. A hallmark of neo-soul, the dissonance between the chord changes and the melody can present challenges for vocal harmonies. This arrangement skillfully navigates these tricky spots, employing octaves and unison writing to minimize clashes, and then breaking out into lush, dense harmonies where they are most effective.The chart concludes with a space for vocal or instrumental improv, accompanied by vocal backgrounds, ending the piece in a sudden and unconventional manner. This modern-day classic will be a hit with your vocal jazz ensemble, offering something for singers, instrumentalists, and the audience alike to enjoy.Perfect for advanced ensembles looking to explore contemporary jazz-funk, this arrangement captures the essence of Thundercat's innovative style while providing a fresh and exciting challenge. Check out the Scoreflipper preview to see how this arrangement can elevate your group's performance and captivate your audience.
$49.99
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At the End of the Day
