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Vous avez sélectionné:
Let Melodies Rise
CHORALE - CHANT
Partitions à imprimer
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Let Melodies Rise (A Celtic Praise)
(Full Performance) - Digital Download SKU: HX.249493 Composed by Ed Rush, Jan McGui…
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(Full Performance) - Digital Download SKU: HX.249493 Composed by Ed Rush, Jan McGuire, and Stan Pethel. Concert,Sacred. Choral. Duration 153. Published by Hal Leonard - Digital (HX.249493).
$1.99
1.82 €
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Ed Rush, Jan McGuire, and Stan Pethel
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Let Melodies Rise
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Hal Leonard - Digital
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SheetMusicPlus
Let Us Join Our Hearts Together
Chorale SATB
SATB choir with optional Handbell 3 octaves (With Optional Handbell 3 octaves) - Digital D…
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SATB choir with optional Handbell 3 octaves (With Optional Handbell 3 octaves) - Digital Download SKU: LX.10-2366LA Composed by Joseph M. Martin. Sacred Anthem, Easter, General. Octavo. 12 pages. Laurel Press #e10/2366LA. Published by Laurel Press (LX.10-2366LA). UPC: 000308048810.Propelled by clean, bold rhythms and supported by the accompanimentAEs columns of octaves, two melodies, Ode To Joy and Holy Manna, call us to arise from Christ's table in strength to serve his people.
$2.50
2.29 €
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Chorale SATB
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Joseph M
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Let Us Join Our Hearts Together
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Laurel Press
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SheetMusicPlus
Hänsel und Gretel
Voix duo, Piano
2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liedersp…
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2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
$23.99
21.94 €
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Voix duo, Piano
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the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord
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Engelbert Humperdinck
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Hänsel und Gretel
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Schott Music - Digital
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SheetMusicPlus
Let Melodies Rise (A Celtic Praise)
Chorale SATB
By Jan McGuire, Stan Pethel, and Ed Rush. SATB. Concert; Sacred. Choral. 5 pages. Duration…
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By Jan McGuire, Stan Pethel, and Ed Rush. SATB. Concert; Sacred. Choral. 5 pages. Duration 2:33. Published by Hal Leonard - Digital Sheet Music
$1.80
1.65 €
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Chorale SATB
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Jan McGuire, Stan Pethel, and Ed Rush
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Sacred
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Let Melodies Rise
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Ed Rush: Let Melodies Rise (A Celtic Praise) for choir and piano (SATB)
Chorale SATB
Instantly printable sheet music by Stan Pethel for choir (SATB: soprano, alto, tenor, bass…
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Instantly printable sheet music by Stan Pethel for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / concert,sacred
$4.78
4.37 €
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Chorale SATB
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Ed Rush
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Virtualsheetmusic
Mwiche Khumufumie
Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson…
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Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world.  With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa. Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style.  We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected.  The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music.  We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation. This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance.  Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music.   Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99
10.97 €
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Wilson Shitandi
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Mwiche Khumufumie
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Songburd Music
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SheetMusicPlus
Mary, Did You Know?
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1293742 By Pentaton…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1293742 By Pentatonix. By Buddy Greene and Mark Lowry. Arranged by Christopher Wormald. Christmas,Praise & Worship,Soul. 9 pages. Christopher Wormald #884219. Published by Christopher Wormald (A0.1293742). A 100% completely accurate, faithful transcription in the original Pentatonix key of B Minor, complete with all complex and inner harmonies, counter melodies and descants, rescored for SATB choir and piano accompaniment without subdivided voice parts. There are no SSAATTBB divisi necessary and the whole arrangement/transcription can be sung to perfection without the need for complicated subdividing, therefore making this faithful transcription in every way entirely accessible for choirs which are not advanced but who would love to sing and sound like the original Pentatonix setting, including in their original key. The Soprano line is therefore never high and rarely rises above treble clef middle line B natural (there is one phrase requiring fourth line D) but the Tenor line requires a number of top line F sharps, but never higher.
$1.99
1.82 €
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Chorale SATB
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Pentatonix
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Christopher Wormald
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Mary, Did You Know?
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Christopher Wormald
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SheetMusicPlus
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