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CHORALE - CHANT
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--INSTRUMENTS--
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Michèle
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54
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44
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8
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5
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
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BASSE
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Vous avez sélectionné:
Michèle
CHORALE - CHANT
Partitions à imprimer
35 partitions trouvées
<
1
26
Le papillon et la rose
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Piano, Voix
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Classique
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Michel Forqueray
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Early Music Scores
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Le papillon et la rose
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - SKU: A0.791924 Composed by Michel Forqueray. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #6759017....
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Vocal Solo,Voice - SKU: A0.791924 Composed by Michel Forqueray. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #6759017. Published by Early Music Scores (A0.791924). Voice and continuoComposed by Michel Forqueray (1681-1757). From Recueil d'Airs sérieux et àboire de différents auteurs pour l'année, 1722. Edited by Felipe Dias. 2 pages.
$5.99
Le Paradis
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Piano, Voix
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Pop musique
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Michel Legrand
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Le Paradis
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Hal Leonard Europe
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SheetMusicPlus
Piano, voice and guitar (chords only) - Interactive Download By Michel Legrand. By Michel Legrand (1932-). This edition: Interactive Download. Pop. Piano/...
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Piano, voice and guitar (chords only) - Interactive Download By Michel Legrand. By Michel Legrand (1932-). This edition: Interactive Download. Pop. Piano/Vocal/Guitar (chords only). 3 pages. Published by Hal Leonard Europe
$4.99
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 3: Le Matin au bor
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 14: Lettres, le se
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 10: Le calme de me
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 6: Le Château
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Sur le pont d'Avignon
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Chorale 2 parties
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DÉBUTANT
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Traditionell
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Jutta Michel-Becher
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Sur le pont d'Avignon
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Schott Music - Digital
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SheetMusicPlus
For two part choir and piano, alto recorder ad lib. - very easy to easy - SKU: S9.Q576020 Composed by Traditionell. Arranged by Jutta Michel-Becher. Dow...
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For two part choir and piano, alto recorder ad lib. - very easy to easy - SKU: S9.Q576020 Composed by Traditionell. Arranged by Jutta Michel-Becher. Downloadable. Schott Music - Digital #Q576020. Published by Schott Music - Digital (S9.Q576020).
$2.99
Le Festin
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Chorale 3 parties
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INTERMÉDIAIRE
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Boualem Lamhene and Michael Gi
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Davide Bizzarri
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Le Festin
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Davide Bizzarri
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.1107504 Composed by Boualem Lamhene and Michael Giacchino. Arranged by Davide Bizzarri. Contemporary,Film/TV,Jazz...
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Choral Choir (SSA) - Level 3 - SKU: A0.1107504 Composed by Boualem Lamhene and Michael Giacchino. Arranged by Davide Bizzarri. Contemporary,Film/TV,Jazz,Singer/Songwriter. Octavo. 3 pages. Davide Bizzarri #710168. Published by Davide Bizzarri (A0.1107504). This arrangement was commissioned by a conservatoire, so you can find an unusual orchestration. The organic: three voices, flute, oboe, clarinet, alto sax, bassoon, drums, piano, harp, guitar and strings. In this file only voices part.
$4.99
Entre le bœuf et l’âne gris
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Chorale TTBB
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FACILE
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Alwin Michael Schronen
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Entre le bœuf et l&rsquo
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Schott Music - Digital
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SheetMusicPlus
TTBB chorus a cappella - easy to intermediate - SKU: S9.Q52685 Arranged by Alwin Michael Schronen. This edition: choir book. Downloadable. Schott Music ...
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TTBB chorus a cappella - easy to intermediate - SKU: S9.Q52685 Arranged by Alwin Michael Schronen. This edition: choir book. Downloadable. Schott Music - Digital #Q52685. Published by Schott Music - Digital (S9.Q52685). French.
$1.99
Entre le bœuf et l’âne gris
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Chorale SSAA
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FACILE
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Alwin Michael Schronen
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Entre le bœuf et l&rsquo
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Schott Music - Digital
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SheetMusicPlus
Female choir (SSAA) a cappella - easy to intermediate - SKU: S9.Q52660 Arranged by Alwin Michael Schronen. This edition: choir book. Downloadable. Schot...
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Female choir (SSAA) a cappella - easy to intermediate - SKU: S9.Q52660 Arranged by Alwin Michael Schronen. This edition: choir book. Downloadable. Schott Music - Digital #Q52660. Published by Schott Music - Digital (S9.Q52660). French.
$1.99
Entre le bœuf et l’âne gris
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Chorale 3 parties
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FACILE
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Alwin Michael Schronen
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Entre le bœuf et l&rsquo
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SAB) a cappella - easy to intermediate - SKU: S9.Q52635 Arranged by Alwin Michael Schronen. This edition: choir book. Downloadable. Schott ...
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Mixed choir (SAB) a cappella - easy to intermediate - SKU: S9.Q52635 Arranged by Alwin Michael Schronen. This edition: choir book. Downloadable. Schott Music - Digital #Q52635. Published by Schott Music - Digital (S9.Q52635). French.
$1.99
Entre le bœuf et l’âne gris
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Alwin Michael Schronen
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Entre le bœuf et l&rsquo
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Schott Music - Digital
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SheetMusicPlus
Choirs (SATB/SAB/SSA/TTBB) a cappella or with piano accompaniment - easy to intermediate - SKU: S9.Q52416 Arranged by Alwin Michael Schronen. This editi...
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Choirs (SATB/SAB/SSA/TTBB) a cappella or with piano accompaniment - easy to intermediate - SKU: S9.Q52416 Arranged by Alwin Michael Schronen. This edition: choir book. Downloadable. Schott Music - Digital #Q52416. Published by Schott Music - Digital (S9.Q52416). French.
$3.99
Entre le bœuf et l’âne gris
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Chorale SATB
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FACILE
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Alwin Michael Schronen
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Entre le bœuf et l&rsquo
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) a cappella - easy to intermediate - SKU: S9.Q52610 Arranged by Alwin Michael Schronen. This edition: choir book. Downloadable. Schott...
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Mixed choir (SATB) a cappella - easy to intermediate - SKU: S9.Q52610 Arranged by Alwin Michael Schronen. This edition: choir book. Downloadable. Schott Music - Digital #Q52610. Published by Schott Music - Digital (S9.Q52610). French.
$1.99
Polish Carol / "W żłobie leży, któż pobieży"
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Voix haute
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FACILE
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Waldemar Partyka
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Waldemar Partyka C
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Polish Carol / "W żÅâ
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ks. Waldemar Partyka
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.928789 Composed by Waldemar Partyka. Arranged by Waldemar Partyka C.Or. Christian,Christmas,Folk,Sacred. 2 pag...
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High Voice,Vocal Solo - Level 2 - SKU: A0.928789 Composed by Waldemar Partyka. Arranged by Waldemar Partyka C.Or. Christian,Christmas,Folk,Sacred. 2 pages. Ks. Waldemar Partyka #6202177. Published by ks. Waldemar Partyka (A0.928789). Polish carol for high voice ( tenor, soprano) with piano accompaniament Recording: Andrzej Michałowski - tenor, Waldemar Partyka C.Or. - piano.
$1.99
Trois chansons
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Chorale SATB
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Clement Janequin
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Bo Holten
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Trois chansons
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus - SKU: BJ.1202 Composed by Clement Janequin. Arranged by Bo Holten. Michaeli Early Music Series. Octavo. 16 pages. Bo Ejeby Forlag - Digital...
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SATB chorus - SKU: BJ.1202 Composed by Clement Janequin. Arranged by Bo Holten. Michaeli Early Music Series. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1202. Published by Bo Ejeby Forlag - Digital (BJ.1202). 8.27 x 11.7 inches.Three renaissance chansons with lyrics in both Swedish and original, old French. Swedish lyrics by Eva Sommestad Holten.Contents: Le chant du rossignol (Min naktergal) Mais que ce fust secretement (Om blott det sker i hemlighet) De ta bouche tant vermeille (Ah! Fran dina roda lappar)Michaeli Early Music Series is edited by Mikael Paulsson, luteplayer and choral conductor, specialized in early music.
$2.80
This Is Living Now
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Michele Laymon
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Peter B North
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This Is Living Now
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Peter B North
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1032388 By Michele Laymon. By Aodhan King, Joel Davis, and Le Crae Moore. Arranged by Peter B North. A Cappella....
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Choral Choir (TTBB) - Level 4 - SKU: A0.1032388 By Michele Laymon. By Aodhan King, Joel Davis, and Le Crae Moore. Arranged by Peter B North. A Cappella. Octavo. 9 pages. Peter B North #4986545. Published by Peter B North (A0.1032388). An a cappella TTBB version of this really good song, specially prepared for the King's Barbers of King's Ely, near Cambridge, UK.
$1.99
Un, Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella)
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Chorale 3 parties
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INTERMÉDIAIRE
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Traditional
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Michelle Willis
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Un, Flambeau, Jeanette Isabell
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Teton Music
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.887268 Composed by Traditional. Arranged by Michelle Willis. Christmas,Contemporary,Renaissance,Sacred. Octavo. 4...
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Choral Choir (SSA) - Level 3 - SKU: A0.887268 Composed by Traditional. Arranged by Michelle Willis. Christmas,Contemporary,Renaissance,Sacred. Octavo. 4 pages. Teton Music #3138323. Published by Teton Music (A0.887268). Lucious harmonies make this familiar, 15th century Christmas carol fresh again. The piece begins with percussive 'dings' and 'dongs' as they mimic the ringing of church bells. The remainder of the piece splits into four part women's harmony with flowing, moving lines in each vocal part. Excellent selection for church, school or professional ensembles. May be sung in English or French.Duration: 2 minutes, 45 secondsEnglish LyricsBring a torch, Jeanette, Isabella!Bring a torch, to Bethlehem come!Christ is born. Tell the folk of the villageMary has laid him in a manger.Ah! Ah! beautiful is the Mother!Ah! Ah! beautiful is her child!Who is that, knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Knock! Open the door for us!Knock! Knock! Knock! Let's celebrate!It is wrong when the Baby is sleeping,It is wrong to speak so loud.Silence, now as you gather around,Lest your noise should waken Jesus.Hush! Hush! see how the Baby slumbers;Hush! Hush! see how the Baby sleeps!Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at him there, His cheeks are rosy!Hush! Hush! see how the Child is sleeping;Hush! Hush! see how he smiles in dreams!French LyricsUn flambeau, Jeannette, IsabelleUn flambeau, courons au berceau.C’est Jésus, bonnes gens du hameau,Le Christ est né, Marie appelleAh! Ah! Que la mère est belleAh! Ah! Que l’Enfant est beau.Qui vient làfrappant de la sorteQui vient làfrappant comme ça.Ouvrez donc j’ai posé sur un platDe bons gâteaux qu’ici j’apporte.Toc! Toc! Ouvrez-nous la porteToc! Toc! Faisons grand gala.C’est un tort quand l’Enfant sommeilleC’est un tort de crier si fort.Taisez-vous l’un et l’autre d’abord,Au moindre bruit Jésus s’éveilleChut! Chut! Il dort àmerveilleChut! Chut! Voyez comme Il dort.Doucement dans l’étable closeDoucement venez un momentApprochez! Que Jésus est charmant,Comme Il est blanc, comme Il est roseDo! Do! Que l’Enfant reposeDo! Do! Qu’Il rie en dormant.
$2.49
Le Rouge Et Le Noir
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Piano, Voix et Guitare
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Pop musique
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Michel Legrand
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Le Rouge Et Le Noir
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Michel Legrand. By Michel Legrand (1932-). For piano, voice and guitar (chords only). Pop. Piano/Vocal/Guitar (chords only). 3 pages. Published by Hal Leonar...
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By Michel Legrand. By Michel Legrand (1932-). For piano, voice and guitar (chords only). Pop. Piano/Vocal/Guitar (chords only). 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Le Petit Jazz de la Classe - Piano Reduction
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Voix d'Enfants
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Jean-Michel Maury
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Le Petit Jazz de la Classe - P
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FLEX Editions - Di
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SheetMusicPlus
By Jean-Michel Maury. Children's choir and piano accompaniment. For Children's Choir (8 to 11 years) and Piano. Lyrics by Jean-Michel Maury. Classical...
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By Jean-Michel Maury. Children's choir and piano accompaniment. For Children's Choir (8 to 11 years) and Piano. Lyrics by Jean-Michel Maury. Classical, Educational. Grade 3. Score and Set of Parts, Piano Reduction. 6 pages. Published by FLEX Editions - Di
$6.95
Le Cinema
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Piano, Voix et Guitare
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Pop musique
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Michel Legrand
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Le Cinema
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Michel Legrand. By Michel Legrand (1932-). For piano, voice and guitar (chords only). Pop. Piano/Vocal/Guitar (chords only). 5 pages. Published by Hal Leonar...
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By Michel Legrand. By Michel Legrand (1932-). For piano, voice and guitar (chords only). Pop. Piano/Vocal/Guitar (chords only). 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Prendre le Temps - Piano Reduction
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Voix d'Enfants
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Jean-Michel Maury
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Prendre le Temps - Piano Reduc
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FLEX Editions - D
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SheetMusicPlus
By Jean-Michel Maury. Children's choir and piano accompaniment. For Children's Choir (10 to 12 years) and Piano. Lyrics by Jean-Michel Maury. Classica...
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By Jean-Michel Maury. Children's choir and piano accompaniment. For Children's Choir (10 to 12 years) and Piano. Lyrics by Jean-Michel Maury. Classical, Educational. Grade 3. Score and Set of Parts, Piano Reduction. 6 pages. Published by FLEX Editions - D
$6.95
Prendre le Temps
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Voix d'Enfants
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Jean-Michel Maury
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Prendre le Temps
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SheetMusicPlus
By Jean-Michel Maury. Children's choir and small ensemble. For Children's Choir (10 to 12 years), Bb Trumpet, Tenor Saxophone, Trombone, Piano, Double...
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By Jean-Michel Maury. Children's choir and small ensemble. For Children's Choir (10 to 12 years), Bb Trumpet, Tenor Saxophone, Trombone, Piano, Double Bass, Drum Set. Lyrics by Jean-Michel Maury. Classical, Educational. Grade 3. Score and Set of Parts. 7
$15.95
Le Blues du Dimanche Soir
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Voix d'Enfants
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Jean-Michel Maury
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6 pages (parts)
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Le Blues du Dimanche Soir
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SheetMusicPlus
By Jean-Michel Maury. Children's choir and small ensemble. For Children's Choir (8 to 11 years), Flute, Bb Clarinet, Double Bass, Piano. Lyrics by Jea...
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By Jean-Michel Maury. Children's choir and small ensemble. For Children's Choir (8 to 11 years), Flute, Bb Clarinet, Double Bass, Piano. Lyrics by Jean-Michel Maury. Classical, Educational. Grade 3. Score and Set of Parts. 8 pages (score); 6 pages (parts)
$14.95
Chanson Pour le Jeu De Balle
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Voix d'Enfants
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Jean-Michel Maury
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Maxime Aulio
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Chanson Pour le Jeu De Balle
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SheetMusicPlus
By Jean-Michel Maury. Arranged by Maxime Aulio. Children's choir and piano accompaniment. For Children's Choir (8 to 11 years) and Piano. Lyrics by Je...
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By Jean-Michel Maury. Arranged by Maxime Aulio. Children's choir and piano accompaniment. For Children's Choir (8 to 11 years) and Piano. Lyrics by Jean-Michel Maury. Classical, Educational. Grade 4. Score and Set of Parts, Piano Reduction. 5 pages. Publi
$5.95
Le Blues du Dimanche Soir - Piano Reduction
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Voix d'Enfants
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Jean-Michel Maury
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Le Blues du Dimanche Soir - Pi
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FLEX Editions - Di
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SheetMusicPlus
By Jean-Michel Maury. Children's choir and piano accompaniment. For Children's Choir (8 to 11 years) and Piano. Lyrics by Jean-Michel Maury. Classical...
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By Jean-Michel Maury. Children's choir and piano accompaniment. For Children's Choir (8 to 11 years) and Piano. Lyrics by Jean-Michel Maury. Classical, Educational. Grade 3. Score and Set of Parts, Piano Reduction. 6 pages. Published by FLEX Editions - Di
$6.95
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