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CHORALE - CHANT
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--INSTRUMENTS--
ACCORDEON
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AUTRES INSTRU…
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CHANT - CHORA…
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Way Back Then
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12
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19
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8
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4
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1
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1
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Partitions Gratuites
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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Crtitères actifs :
Way Back Then
CHORALE - CHANT
Partitions à imprimer
48 partitions trouvées
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1
26
Way Back Then
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Chorale SATB
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FACILE
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Jaeil Jung
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Stefan Pugliese
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Way Back Then
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Stefan Pugliese
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1439581 By Jaeil Jung. By Jea Il Jung. Arranged by Stefan Pugliese. 21st Century,Contemporary,Film/T...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1439581 By Jaeil Jung. By Jea Il Jung. Arranged by Stefan Pugliese. 21st Century,Contemporary,Film/TV. 14 pages. Stefan Pugliese #1019590. Published by Stefan Pugliese (A0.1439581). Arrangement of the opening track Way Back Then from Squid Game on Netflix.For SATB choir with soprano recorder and percussion (snare drum, floor tom and castanet) - parts includedOriginally arranged for Voyces.
$1.99
There Are Many Ways (to Say I Love You)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Fred Rogers
Arranged by
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Fred Rogers
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Kim Lomax
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There Are Many Ways
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Kimberly Lomax
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.935216 Composed by Fred Rogers. Arranged by Kim Lomax. A Cappella. Octavo. 10 pages. Kimberly Lomax #5290...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.935216 Composed by Fred Rogers. Arranged by Kim Lomax. A Cappella. Octavo. 10 pages. Kimberly Lomax #5290129. Published by Kimberly Lomax (A0.935216). SSATB a cappella - Advanced Intermediate - There Are Many Ways (To Say I Love You) By Fred RogersArranged by Kim LomaxL4, SSATB a cappella with notated chords - This Fred Rogers classic from his long-running PBS program Mr. Rogers' Neighborhood has been arranged for five part a cappella vocal jazz ensemble with a soprano lyric solo. This playful arrangement really swings! The upper four voices often feature tight harmonies with closed voicings, offering a challenge to singers, while remaining fun to listen to. The B section transitions to a jazz waltz and then back into swing for the final A and rubato coda to finish. It is possible to sing this with only 5 voices as the backgrounds are either doubled in the solo or can be woven into the solo line. The bass part is equal parts walking and homorhythmic. All vocal percussion is a written part of the bass line and singable by even a novice to vocal percussion. This title is part of the Vault Collection at KerryMarsh.com, where you can hear the full-length demo, preview the full score and supplement your SheetMusicPlus order with Part Tracks and Minus-One Tracks for this arrangement. Ranges S1: B4 - D5S2: G#3 - Db5A: F3 - C5T: C3 - Db4B: E2 - G3DurationApproximately 2:00
$2.50
This Angel (backing track)
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David Kai
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David Kai
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This Angel
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David Kai
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SheetMusicPlus
String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105248 By David Kai. By David Kai. Arranged by David Kai. Christian,...
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String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105248 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Accompaniment. Duration 229. David Kai #708508. Published by David Kai (A0.1105248). This version of the song is for backing a soloist or group. This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai ©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ‘cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
$1.99
Look back on Time with kindly Eyes (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Kevin Uppercue
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Look back on Time with kindly
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir (choir divisi) and piano - Medium - SKU: MQ.1.3563-E Composed by Kevin Uppercue. 11 pages. Duration 3 minutes, 30 seconds. Galaxy Music Corpo...
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SATB choir (choir divisi) and piano - Medium - SKU: MQ.1.3563-E Composed by Kevin Uppercue. 11 pages. Duration 3 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3563-E. Published by Galaxy Music Corporation - Digital (MQ.1.3563-E). English.The work opens with a sardonic take on the title line, the first reaction being one of malice towards recollection. The piece then transitions to a nostalgic perspective, as continued pondering gives way to softer sentiment and encompasses the climax of the setting. A long, languid section provides the ending material with an open-ended close in the piano depicting the dreamy haze of memory. The varied and thoughtful reading of the text yields varied textures in both the chorus and accompaniment, with each section of the chorus given equal measure. This work may be performed in conjunction with In this short Life (1.3562) to create a multi-movement setting titled Two Dickinson Poems on Time. Duration: 3:30.
$2.65
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
In My Room
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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The Beach Boys
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Donald A
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In My Room
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Donald A Mills
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock...
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Choral Choir (TTBB) - Level 4 - SKU: A0.928974 By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974). In My Room, by The Beach Boys. This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies. This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in. From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me. Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true. In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.
$1.99
Shy - an original pop or country song for solo voice
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Voix Alto, Piano
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FACILE
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Connie Boss
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Shy - an original pop or count
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Connie Boss
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 2 - SKU: A0.1090169 Composed by Connie Boss. Country,Pop. 2 pages. Connie Boss #694347. Published by Connie Boss (A0.10901...
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Alto Voice,Vocal Solo - Level 2 - SKU: A0.1090169 Composed by Connie Boss. Country,Pop. 2 pages. Connie Boss #694347. Published by Connie Boss (A0.1090169). Are you one of the shy people growing up like me? It was so hard to go through school that way. At age 64, I'm not nearly as shy as I was back then. I hope you enjoy this song and can maybe identify with it. It would be a great pop or country song. Any questions email me at cdboss@cvalley.net.
$5.99
Believe in Yourself PVG
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Voix duo, Piano
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INTERMÉDIAIRE/AVANCÉ
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the time I sat down I had deci
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Steven H
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Ashley Ivers
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Believe in Yourself PVG
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Boothe Publishing
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.983992 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 9 pages. Boothe Publishin...
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Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.983992 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 9 pages. Boothe Publishing #4360819. Published by Boothe Publishing (A0.983992). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$3.99
Cry Heaven
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Chorale SATB
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INTERMÉDIAIRE
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Ethan R
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Cry Heaven
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Ethan R. Ray
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1038298 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 5 pages. Ethan R. Ray #643236. Published by Etha...
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Choral Choir (SATB) - Level 3 - SKU: A0.1038298 Composed by Ethan R. Ray. A Cappella,Classical. Octavo. 5 pages. Ethan R. Ray #643236. Published by Ethan R. Ray (A0.1038298). A meditative, introspective, and pensive a cappella SATB written primarily for college choirs. The piece foregoes complexities and flourishes and focuses on simplicity and melody. Text: Believe when you’re gone I don’t feel my soul When you are not here And when you leave me on some shore I think of how I’ll always love you And in ways I will grieve I will cry heaven If the beauty of the day is enough to break your heart Then come back angel See that your meadows give way to the sun I’ll always love you And in ways I won’t know You may grieve me too You may grieve me in heaven.
$1.99
Forever 18
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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Wayne H
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Forever 18
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Wayne Howard Christensen III
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.987122 Composed by Wayne H. Christensen III. Classical,Jazz. 5 pages. Wayne Howard Christensen III #484357. Publish...
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Vocal Solo,Voice - Level 4 - SKU: A0.987122 Composed by Wayne H. Christensen III. Classical,Jazz. 5 pages. Wayne Howard Christensen III #484357. Published by Wayne Howard Christensen III (A0.987122). My how time flies. In 1984 I had my whole life ahead of me. Then I graduated high school, went to the U.S.A.F. Academy, and served a 26 year career as an officer and a pilot in the U.S. Air Force active duty and reserves. Now I look back and wonder where all the time went. I wrote this song to depict how I feel about getting to play the piano again at the ripe old age of 49 after such a long absence. For 26 years I did not have a piano so I did not think about playing. Then my mother in law gave me her piano and it was like reuniting with a long lost friend. I am grateful for any opportunity I have to play now. It makes me feel like I am 18 years old again with my whole life ahead of me. But then I have to wake up from my dream and get back to reality. (2015 Steinway/SMP Piano Contest).
$2.19
Cool Watermelon Day - a fun Australian Christmas song for two part choir and piano
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Chorale 2 parties
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FACILE
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Kim Kirkman and Patricia Roche
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and Groove the time away
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Cool Watermelon Day - a fun Au
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Kim Kirkman
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.779698 Composed by Kim Kirkman and Patricia Roche. Children,Christmas,Contemporary,Pop. Octavo. 7 pages. Kim K...
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Choral Choir (2-Part) - Level 2 - SKU: A0.779698 Composed by Kim Kirkman and Patricia Roche. Children,Christmas,Contemporary,Pop. Octavo. 7 pages. Kim Kirkman #6794709. Published by Kim Kirkman (A0.779698). A fun Christmas song in a boogie-woogie style. East two part choir work. Set quite low in the voice.It includes lots of Aussie references.LyricsThe December sun is beating, wow, it’s really heating, The kids are coming out to play: Red cheeks are glowing, the hot wind’s a-blowing, it’s a Cool Watermelon Day.  Pick through the seafood mountain, lickin’ a chocolate fountain, Or nibble on a mixed nut tray; Sounds like a neat, Aussie Christmas treat on a Cool Watermelon Day. We’re having lots of fun, here in the pool, - cool! And splashing at Uncle Ray. We’ll party through the night, tour the Christmas lights; and Groove the time away.  And then we’ll pack away the wicket, No more backyard cricket. At the end of a summer day. Let’s join a Christmas zoom in an air-conditioned room on a Cool Watermelon Day.
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Loaves and Fishes, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Loaves and Fishes, sacred musi
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1261183 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1261183 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 12 pages. Kevin G. Pace #854253. Published by Kevin G. Pace (A0.1261183). A beautiful, dramatic choral composition portraying the miracle of Jesus in feeding the 5000.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Jesus lifted up his eyes while sitting on a mount.There a multitude had come, where thousands was the count.Jesus asked of Philip then, “Whence shall we buy some bread?â€Feeding hungry souls was such a way the Master led.One small lad had barley loaves, just five that day were found.And small fishes, only two, were set upon the ground.“Bring them hither,†Jesus said, then blessed and brake the loaves.These became like manna there, this miracle to show.Jesus asked disciples close to share the scanty feast.Each did eat, not sparingly, ‘til all were filled and pleased.Then He called disciples there to gather what remained;Twelve full baskets still were left, all through the Savior’s Name.Jesus also fills our lives when we might have a lack.Needing aid we lend our best, then He gives as we act.Listening to all we pledge He takes each offering,Always giving more to us than what we humbly bring.Chorus:Granting needs and pure desires is what our Savior seeks.As He fills our daily cups, we aid his heartfelt plea.He will ever honor us by giving what we lack.This, this precious miracle, is what He gives us back.
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Loaves and Fishes, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Loaves and Fishes, a sacred hy
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1204591 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1204591 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #803058. Published by Kevin G. Pace (A0.1204591). A sacred hymn depicting the miracle of Jesus and the feeding of the 5000.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Jesus lifted up his eyes while sitting on a mount.There a multitude had come, where thousands was the count.Jesus asked of Philip then, “Whence shall we buy some bread?â€Feeding hungry souls was such a way the Master led.One small lad had barley loaves, just five that day were found.And small fishes, only two, were set upon the ground.“Bring them hither,†Jesus said, then blessed and brake the loaves.These became like manna there, this miracle to show.Jesus asked disciples close to share the scanty feast.Each did eat, not sparingly, ‘til all were filled and pleased.Then He called disciples there to gather what remained;Twelve full baskets still were left, all through the Savior’s Name.Jesus also fills our lives when we might have a lack.Needing aid we lend our best, then He gives as we act.Listening to all we pledge He takes each offering,Always giving more to us than what we humbly bring.Chorus:Granting needs and pure desires is what our Savior seeks.As He fills our daily cups, we aid his heartfelt plea.He will ever honor us by giving what we lack.This, this precious miracle, is what He gives us back.
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Down by the Salley Gardens
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Chorale SATB
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FACILE
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Matthew M Tang
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Matthew M Tang
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Down by the Salley Gardens
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Matthew M Tang
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1122872 By Matthew M Tang. By Matthew M Tang. Arranged by Matthew M Tang. A Cappella,Chamber. Octavo. 8 pages. M...
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Choral Choir (SATB) - Level 2 - SKU: A0.1122872 By Matthew M Tang. By Matthew M Tang. Arranged by Matthew M Tang. A Cappella,Chamber. Octavo. 8 pages. Matthew M Tang #723836. Published by Matthew M Tang (A0.1122872). Here is my arrangement of Down by the Salley Gardens. It is arranged in a way so that everyone of all skill levels should be able to perform this piece. It starts with a Baritone Solo and expands to the full choir by the end of the first verse. The voices then travel through a journey of different keys through the use of mode mixture before slipping into D Major. The second verse starts in a similar way with the sopranos getting the melody and the altos with a harmony. It then proceeds to slowly adding in the tenors and basses. It then goes back to the Baritone Solo for the end of the song.
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FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
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Alabama Gal / Come Through in a Hurry (2-part, a cappella)
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Chorale 2 parties
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FACILE
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American Folk Song
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Sarah Martinez
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Alabama Gal / Come Through in
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Sarah Martinez
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1379322 Composed by American Folk Song. Arranged by Sarah Martinez. A Cappella,Children,Folk,Instructio...
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Choral Choir,Choral (2-Part) - Level 2 - SKU: A0.1379322 Composed by American Folk Song. Arranged by Sarah Martinez. A Cappella,Children,Folk,Instructional,Traditional. 3 pages. Sarah Martinez #964003. Published by Sarah Martinez (A0.1379322). Alabama Gal, also known as Come Through in a Hurry, is a traditional folk dance in the southern United States. This Virgina Reel style dance originated in Scotland, but It was popular in the US in the mid-1800s and was called a play party or social dance.Setup: longways setVerse 1: The lead partners link hands and sashay down the center of the lines and then back up to their original spots.Verse 2: Partners do a right elbow turn, then a left elbow turn and back to their original spots.Verse 3: The lead partners cast off and lead their lines to the bottom of the set. The lead partners make an arch for the rest of the partners to go under.Verse 4: The first set of partners to go under the arch lead the lines back to the top of the set and they get ready to become the new lead partners for the next round.This a cappella choral arrangement is also available in 3-part, SAB, and SATB.
$1.99
Alabama Gal / Come Through in a Hurry (3-part, a cappella)
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Chorale 3 parties
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FACILE
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American Folk Song
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Sarah Martinez
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Alabama Gal / Come Through in
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Sarah Martinez
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SheetMusicPlus
Choral Choir,Choral (3-Part) - Level 2 - SKU: A0.1379319 Composed by American Folk Song. Arranged by Sarah Martinez. A Cappella,Children,Folk,Instructio...
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Choral Choir,Choral (3-Part) - Level 2 - SKU: A0.1379319 Composed by American Folk Song. Arranged by Sarah Martinez. A Cappella,Children,Folk,Instructional,Traditional. 4 pages. Sarah Martinez #964001. Published by Sarah Martinez (A0.1379319). Alabama Gal, also known as Come Through in a Hurry, is a traditional folk dance in the southern United States. This Virgina Reel style dance originated in Scotland, but It was popular in the US in the mid-1800s and was called a play party or social dance.Setup: longways setVerse 1: The lead partners link hands and sashay down the center of the lines and then back up to their original spots.Verse 2: Partners do a right elbow turn, then a left elbow turn and back to their original spots.Verse 3: The lead partners cast off and lead their lines to the bottom of the set. The lead partners make an arch for the rest of the partners to go under.Verse 4: The first set of partners to go under the arch lead the lines back to the top of the set and they get ready to become the new lead partners for the next round.This a cappella choral arrangement is also available in 2-part, SAB, and SATB.
$1.99
Alabama Gal / Come Through in a Hurry (SATB, a cappella)
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Chorale SATB
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FACILE
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American Folk Song
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Sarah Martinez
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Alabama Gal / Come Through in
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Sarah Martinez
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1379313 Composed by American Folk Song. Arranged by Sarah Martinez. A Cappella,Children,Folk,Instructiona...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1379313 Composed by American Folk Song. Arranged by Sarah Martinez. A Cappella,Children,Folk,Instructional,Traditional. 4 pages. Sarah Martinez #963994. Published by Sarah Martinez (A0.1379313). Alabama Gal, also known as Come Through in a Hurry, is a traditional folk dance in the southern United States. This Virgina Reel style dance originated in Scotland, but It was popular in the US in the mid-1800s and was called a play party or social dance.Setup: longways setVerse 1: The lead partners link hands and sashay down the center of the lines and then back up to their original spots.Verse 2: Partners do a right elbow turn, then a left elbow turn and back to their original spots.Verse 3: The lead partners cast off and lead their lines to the bottom of the set. The lead partners make an arch for the rest of the partners to go under.Verse 4: The first set of partners to go under the arch lead the lines back to the top of the set and they get ready to become the new lead partners for the next round.This a cappella choral arrangement is also available in 2-part, 3-part, and SAB.
$1.99
Alabama Gal / Come Through in a Hurry (SAB, a cappella)
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Chorale 3 parties
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FACILE
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American Folk Song
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Sarah Martinez
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Alabama Gal / Come Through in
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Sarah Martinez
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1379316 Composed by American Folk Song. Arranged by Sarah Martinez. A Cappella,Children,Folk,Instructional...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1379316 Composed by American Folk Song. Arranged by Sarah Martinez. A Cappella,Children,Folk,Instructional,Traditional. 4 pages. Sarah Martinez #963998. Published by Sarah Martinez (A0.1379316). Alabama Gal, also known as Come Through in a Hurry, is a traditional folk dance in the southern United States. This Virgina Reel style dance originated in Scotland, but It was popular in the US in the mid-1800s and was called a play party or social dance.Setup: longways setVerse 1: The lead partners link hands and sashay down the center of the lines and then back up to their original spots.Verse 2: Partners do a right elbow turn, then a left elbow turn and back to their original spots.Verse 3: The lead partners cast off and lead their lines to the bottom of the set. The lead partners make an arch for the rest of the partners to go under.Verse 4: The first set of partners to go under the arch lead the lines back to the top of the set and they get ready to become the new lead partners for the next round.This a cappella choral arrangement is also available in 2-part, 3-part, and SATB.
$1.99
There Were Two Men (Nathan the Prophet and King David) from "The Kings" - ACT 2:Song 7
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Chorale 2 parties
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INTERMÉDIAIRE
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McCorkle, Dennis F
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There Were Two Men
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Choral Choir (TB) - Level 3 - SKU: A0.784833 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle ...
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Choral Choir (TB) - Level 3 - SKU: A0.784833 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11757. Published by DF McCorkle Music and eBook Publications (A0.784833). ACT TWO: Song 7. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 12:1-7… - And Yahweh sent Nathan to David. And he came unto him, and said unto him: ‘There were two men in one city: the one rich, and the other poor. 2 The rich man had exceeding many flocks and herds; 3 but the poor man had nothing save one little ewe lamb, which he had bought and reared; and it grew up together with him, and with his children; it did eat of his own morsel, and drank of his own cup, and lay in his bosom, and was unto him as a daughter. 4 And there came a traveler unto the rich man, and he spared to take of his own flock and of his own herd, to dress for the wayfaring man that was come unto him, but took the poor man’s lamb, and dressed it for the man that was come to him.’ 5 And David’s anger was greatly kindled against the man; and he said to Nathan: ‘As Yahweh lives, the man that hath done this deserves to die; 6 and he shall restore the lamb fourfold, because he did this thing, and because he had no pity.’ 7 And Nathan said to David: ‘You art the man.’…] The news is brought back to DAVID and BATHSHEBA. After an appropriate period of mourning, DAVID calls for BATHSHEBA and takes her as his wife and eventually gives birth to a son. DAVID in the meantime still conceals to himself the actions that precipitated URIAH’S death. NATHAN confronts DAVID about a rich man in the town who has stolen a lamb from a poor man. DAVID outraged at the injustice tells NATHAN that the man will die for his unfeeling actions. NATHAN then reveals that he (DAVID) is that man [There Were Two Men – Nathan and the Prophetess’]. Now at last the matter is exposed and David must face his actions. As NATHAN and the prophets leave, one of DAVID’S men comes in and tells him that his son has died. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
And His Kingdom Will Have No End
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Kevin Longley
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Kevin Longley
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And His Kingdom Will Have No E
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Kevin Longley
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1109087 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. A Cappella,Christian,Praise & Worship,Religious,Sacred. 10 pages. Kevin Longley #711630. Published by Kevin Longley (A0.1109087). Inspiration While I have recited the Nicene Creed countless times, in July 2021 something changed. The church had cleared the return of the choir, post pandemic, and it was my first Sunday of singing in well over a year. That Sunday as I recited the creed something happened when I reached the line “And His Kingdom Will Have No Endâ€. Was it louder? Was it spoken with greater conviction? Something was different! Maybe it was just me. I'm not sure but all I know is that every Sunday thereafter it had the same impact on me. Within a few weeks I decided to compose a choral piece about that very line. I had to! The Music For the most part the harmony and structure are traditional but do contain harmonic structures with a contemporary flair. The arrangement is refrain, verse, refrain, verse, bridge and then refrain. The first and 3rd refrains are highly similar while the second refrain contains a soprano section descant while featuring the bass's carrying the main melody. The overall intent of the music is that on every return to the refrain, it is louder than the previous refrain. This signifies the singers confidence growing, in the existence of God's Kingdom, after each verse. With that said the piece starts quietly, almost being heard from a distance. The refrain lyrics speak to the hope that we carry for God's kingdom while the verses speak to God and Jesus in a more intimate way. The bridge speaks to the strength of the Kingdom and then leads back to the opening refrain, now in double forte. The high point in the piece is reached where volume, emotion and a significant ritard occur at the phrase “we'll be togetherâ€. From there the piece decreases in volume ending in a quiet confidence repeating “No end, no end, no endâ€.
$1.99
This Angel
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David Kai
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David Kai
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This Angel
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David Kai
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SheetMusicPlus
String Ensemble Choir,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105244 By David Kai. By David Kai. Arranged by David Kai. C...
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String Ensemble Choir,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105244 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop,Rock. Full Performance. Duration 232. David Kai #708504. Published by David Kai (A0.1105244). This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai ©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ‘cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
$1.99
I'll Cover You - Reprise
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Chorale SATB
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Original Broadway Cast Recordi
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Jeremy Gussin
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r&
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I'll Cover You - Reprise
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Jeremy Gussin
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.893720 By Original Broadway Cast Recording. By Jonathan D. Larson. Arranged by Jeremy Gussin. A Cappella. Octavo. 9 pages....
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Choral Choir (SATB) - SKU: A0.893720 By Original Broadway Cast Recording. By Jonathan D. Larson. Arranged by Jeremy Gussin. A Cappella. Octavo. 9 pages. Jeremy Gussin #4819913. Published by Jeremy Gussin (A0.893720). A cappella goes Broadway with hints of vocal jazz; r&b stylings in solo give lots of freedom (and flexibility) for required range. Emotive ballad is strengthened with additional background vocals and smooth additions of soprano 2/alto part to translate instrumental harmonies into voices. Great standalone piece to show of strengths of ensemble in both blend, close-harmony tuning, and potential use of belt, r&b styling in backgrounds.Performance time a little under 3 minutes.
$3.99
I'll Cover You
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Chorale TTBB
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INTERMÉDIAIRE
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Jonathan Larson
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Timorell
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I'll Cover You
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Timorell
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.501983 Composed by Jonathan Larson. Arranged by Timorell. A Cappella,Broadway,Contemporary,Film/TV,Musica...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.501983 Composed by Jonathan Larson. Arranged by Timorell. A Cappella,Broadway,Contemporary,Film/TV,Musical/Show,Wedding. 14 pages. Timorell #3553501. Published by Timorell (A0.501983). As performed by TONEWALL, the charismatic queer a cappella band the New York City Gay Men's Chorus. Follow us! @tonewallnyc Instagram | Facebook | Tiktok | Youtube | email | website . Questions for the arranger? Contact us at tonewallnyc@gmail.com. An intermediate level, upbeat cover of the Broadway song from RENT, featuring a male couple. Cross-part playful backup, 8 bar slow section then builds to a peak near the finished, pulling back at the very end for a quieter ending. Performs well both with and without vocal percussion. Range: low - (tessitura) - highSolo 1: D3 - (E4) - A4Solo 2: C3 - (B3) - F4T1: Bb3 - (A4) - C5 T2: G3 - (D4) - Ab4 Bari: E3 - (C4) - E4Bass: F2 - (D3) - C4
$2.00
Soft Snow
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Mathias Algotsson
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Soft Snow
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Slingan Musik
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1440310 Composed by Mathias Algotsson. Classical,Contemporary,Jazz,Romantic Period. 9 pages. ...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1440310 Composed by Mathias Algotsson. Classical,Contemporary,Jazz,Romantic Period. 9 pages. Slingan Musik #1020251. Published by Slingan Musik (A0.1440310). A piece for choir and improvised jazz piano with text by William Blake. The way of improvisation can be up to the pianist and choir, but the piano solo part, with choir backgrounds, are made for a slow medium swing style. The backgrounds can also be modified in terms of dynamics and/or omitting parts etc. At the end of the solo the tempo slows down and stops and then the choir finishes a capella.Enjoy - the pdf contains both the SATB/piano score plus a rehearsal score!---------------------------------------------------------------------------------------------------Mathias Algotsson is a Swedish pianist and composer, working around the world with artists such as Barbara Hendricks, Svante Henryson (cello/piano duo) among others as well as running his own projects. Through the years also an accomplished composer, for instance for choir. Most of it published by Gehrmans Musikförlag or here through Slingan Musik and has so far released 6 full albums in his own name. More info: www.mathiasalgotsson.com.
$2.50
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Way Back Then
