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Words: Earl B
CHORALE - CHANT
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Julian's Hazelnut for SSAA and B flat clarinet
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrien…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
$1.99
1.8 €
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Chorale SSAA
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Adrienne Inglis
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Julian's Hazelnut for SSAA and B flat clarinet
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Adrienne Inglis
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SheetMusicPlus
Titanium - David Guetta and Sia (SSAA)
Chorale SSAA
Barbershop Quartet - Early Intermediate - Digital Download By David Guetta and Sia. …
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Barbershop Quartet - Early Intermediate - Digital Download By David Guetta and Sia. Arranged by Rebecca (Boo) de Bruin. Score. 16 pages. Published by Rebecca de Bruin
Words and Music by David Guetta, Sia Furler, Giorgio Tuinfort and Nik Van De Wall. Arranged in 2017 by Boo de Bruin. 16 pages (because it's written on four staves for ease of reading) for Sweet Adelines (ladies' barbershop) quartet or SSAA choir. (Tenor, lead, baritone, bass are roughly equivalent to SSAA).<br> <br> This arrangement was written for a chorus of young women, and as such the ranges are relatively narrow.<br> <br> Vocal ranges are:<br> Tenor: F#4 - F#5 (F# above middle C to F# above high C)<br> Lead: A#3 - D#5 (A# below middle C to D# above high C)<br> Baritone: A#3 - B4 (A# below middle C to B above middle C)<br> Bass: F#3 - D#4 (F# below middle C to D# above middle C)<br> <br> Attached recording provided by Helen Warner.
$1.99
1.8 €
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Chorale SSAA
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David Guetta and Sia
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Rebecca (Boo) de Bruin
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Titanium - David Guetta and Sia
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Rebecca de Bruin
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SheetMusicPlus
YOU'RE THE LOVE OF MY LIFE (Piano/Vocal)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1401949 By ROBERT VAN HORNE.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1401949 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Country,Film/TV,Pop,Singer/Songwriter,Wedding. Score. 8 pages. White Piano International Publishing #985139. Published by White Piano International Publishing (A0.1401949). YOU’RE THE LOVE OF MY LIFE (Piano / Vocal) by Robert Van Horne8 pagesYOU’RE THE LOVE OF MY LIFE is a romantic song composed in 2023 as a birthday gift for Kristine, “The Love Of My Life.†She was delighted after receiving the special song for her birthday.This love song is intended as an everlasting promise of commitment between two people who love each other unconditionally. It can be a special acknowledgement of each other’s life together forever.The words add a meaningful connection to this memorable and enchanting melody. The Piano/Vocal Sheet Music of YOU’RE THE LOVE OF MY LIFE features a clearly published piano accompaniment and a vocal part with chord identifications. The score provides singers and pianists with a comprehensive guidance for an expressive and delightful performance.In addition to being a song for husbands, wives and lovers, YOU’RE THE LOVE OF MY LIFE is a song that will entertain audiences at concerts and recitals and could even be used as a theme for a television show or movie production.The original key is D Flat modulating to D at the Coda. The mp3 example is performed and sung by Robert in the key of B Flat  and B. Robert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99
4.52 €
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Piano, Voix
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ROBERT VAN HORNE
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YOU'RE THE LOVE OF MY LIFE
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White Piano International Publishing
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SheetMusicPlus
Lesbia mi dicit semper male
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.864441 Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441). Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says: Lesbia keeps insulting me in front of her husband:this fills the fatuous idiot with delight. Mule, do you perceive nothing? If she shut up and ignored me that’d show healthy indifference;… In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.
$2.00
1.81 €
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Chorale SATB
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Mark D
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Lesbia mi dicit semper male
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Mark Templeton Choral Music
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SheetMusicPlus
The Seed
Chorale 2 parties
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510167 Composed by words and…
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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510167 Composed by words and music by Glyn Lehmann. R & B. Octavo. 7 pages. Glyn Lehmann #3507867. Published by Glyn Lehmann (A0.510167). What you plant is what you grow.The old saying says 'what you reap is what you sow'. This song turns it around in a way that makes it more accessible to children.A great way to get young minds thinking about how their words and actions affect the world and the people they encounter.SA - Early Intermediate, unison - Easy/BeginnerMy choir's performance of 'The Seed' at the official Grand Opening of the school where I teach was a resounding success! The children loved the song and learnt it quickly.D Taylor, Ontario, CanadaThe SeedWords and music by Glyn LehmannVerse 1There’s a saying that you might knowWhat you reap is what you sowTurn it around and so it goesWhat you plant is what you growMm (hum)ChorusWhat you plant is what you growYou won’t get cherries from an apple treeIt’s so plain for all to seeWhat you plant is what you growWhat you plant is what you growSo take care what seed you sowCos what you plant is what you growVerse 2A seed of kindness and friendship sownSoon takes root and finds a homeInto the light now it has grownWhat you plant is what you growMmBridgeMeanness is a feral seedKept unchecked a choking weedShuts out the light from those in needWhat you plant is what you growMmChorusWhat you plant is what you growYou won’t get cherries from an apple treeIt’s so plain for all to seeWhat you plant is what you growWhat you plant is what you growSo take care what seed you sowCos what you plant is what you growTagGrow, growWhat you plant is what you grow© 2014 Glyn Lehmann. All rights reserved.
$2.25
2.04 €
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Chorale 2 parties
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words and music by Glyn Lehmann
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The Seed
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Glyn Lehmann
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SheetMusicPlus
The Jogging Song
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1358202 Composed by…
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1358202 Composed by Dillie Keane. Arranged by Liz Garnett. 20th Century,A Cappella,Barbershop,Comedy. 5 pages. Liz Garnett #942690. Published by Liz Garnett (A0.1358202). This classic from Fascinating Aida seems purpose-built to be sung in the barbershop style, with harmonies that not only fit right into the contest-style description but also help to carry the story. Its primary appeal are the sparkling lyrics (look out for the wonderful internal rhymes). By the same token, its primary challenge is getting  all the words out clearly and smoothly and still finding time to breathe.N.B. This arrangement is notated in treble and bass alta (i.e. sounding one octave higher than written) clefs.Vocal Ranges:Tenor: F4 - E flat 5Lead: A3 - E5Bari: A3 - A4Bass: D3 - F4.
$2.99
2.71 €
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Chorale SSAA
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the same token, its primary challenge is getting  all the words out clearly and smoothly and still finding time to breathe
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Dillie Keane
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Liz Garnett
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The Jogging Song
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Liz Garnett
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SheetMusicPlus
"Arabia's magi sought him" & "Ubi est qui natus est"
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.851260 Composed by Tim Attr…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.851260 Composed by Tim Attride. Christian,Christmas,Holiday,Sacred. Octavo. 6 pages. Tim Attride #1916993. Published by Tim Attride (A0.851260). Two Epiphany anthems for the price of one. Firstly, Arabia's Magi sought him is a setting of original English words by the composer which references the journey of the Magi, their gifts and the redemption of the world following a humble birth. This three-part (S,A,Bar.) homophonic piece is only one page in length but, in its 45-second duration, sets the scene for the following Latin motet. Ubi est qui natus est uses the words from Matthew 2,2 when the Magi ask after the new-born King of Judea. Comprising three short contrapuntal sections, this section lasts about 1.15. Either section (English or Latin) may be used independently or, as intended, with the English followed immediately by the Latin.Marked as Early Intermediate because there are a few intervals which may catch the unwary sight-reader. However, with practice, this is certainly not difficult. (And, yes, I know this is not actually a Christmas piece, but it may well be included in a service of Lessons & Carols - and there was no option for Epiphany.)N.B. The second & third pages are for reference; please print (& back) pages 1 & 3-5 for the complete work, or 3-5 to miss the title page.
$1.99
1.8 €
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Chorale 3 parties
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Tim Attride
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"Arabia's magi sought him" & "Ubi est qui natus est"
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Tim Attride
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SheetMusicPlus
The Water is Wide (SSA choir and piano)
Chorale 3 parties
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1251832 Composed by Traditi…
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Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1251832 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Multicultural,Wedding,World. Octavo. 9 pages. Colin Kirkpatrick Publications #846048. Published by Colin Kirkpatrick Publications (A0.1251832). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly†which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906 using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because performers would often create new lyrics for the song. This melody has attracted a family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular and optimistic lyrics used during the twentieth century. The song was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SSA arrangement by Colin Kirkpatrick is ideal for boy choir, amateur choir, school or college choir. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the Soprano 1 part (which has one brief divisi section), the highest note is G5 (the G just above the staff) and the highest note in the Soprano 2 part is E5 (near the top of the treble staff). The Alto part has a range of G below Middle C (G4) up to B flat in the middle of the treble staff. The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike. Note that the audio sample cannot yet render the words.
$2.99
2.71 €
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Chorale 3 parties
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Traditional
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Colin Kirkpatrick
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
Three Latin Elegies to Lesbia
Chorale SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.52 €
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Chorale SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
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