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Dance The Night
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Dance The Night
CHORALE - CHANT
Partitions à imprimer
106 partitions trouvées
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The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Down with the Smokers for voice and guitar
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Voix duo
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INTERMÉDIAIRE
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David Warin Solomons
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Down with the Smokers for voic
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.576909 Composed by David Warin Solomons. 20th Century,Blues,Pop. 14 pages. David Warin Solomons #516085. Published ...
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Voice Duet Voice - Level 3 - SKU: A0.576909 Composed by David Warin Solomons. 20th Century,Blues,Pop. 14 pages. David Warin Solomons #516085. Published by David Warin Solomons (A0.576909). I am so happy that smoking in enclosed public places is now illegal in the UK and in many other countries, but this song was written in the 1980s when people had to breath the pollution created by inconsiderate smokers, and, of course, there are still countries where this is the case. So I decided to publish the song even though the battle is thankfully won here. The sound sample is my own performance with some additional (un-notated) improvisations on cello and vibraphone. The pdf file contains the score and parts. The music has also been arranged as an instrumental duo called Laid back bounce, also available on this site. I went out this morning along the way to work when without warning I was faced with clouds of murk refrain: Sing Down with the smokers who infect the air with clouds hate their unthinking uncaring unblinking hate the stinking coughing crowds! I went down to the station and was waiting for my train but to my irritation the stinkers were there again. [refrain] Wouldn't it be pleasant to enjoy a drink in a theatre bar discussing the play or wouldn't it be jolly just to sing along with pals in a cozy pub along the way or wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death. [refrain] I was eating my fav'rite curry but the air was getting thick and I felt I had to hurry because the smokers made me feel sick [refrain] It's fine bright hot and sunny and I'd love to have a drink but why spend time and money where the smokers sit and stink? [refrain] Wouldn't it be pleasant just to pass the time at a social do or a meeting hall or wouldn't it be jolly to dance the night away with the one you love at a disco or ball wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death [refrain].
$8.00
The Midsummer Marriage
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Soli, choeur mixte et accompagnement
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Sir Michael Tippett
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The Midsummer Marriage
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Soloists, choir and orchestra - SKU: S9.Q24858 Opera in 3 acts. Composed by Sir Michael Tippett. Choral music - Ernst Eulenburg - Score. Eulenbur...
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Soloists, choir and orchestra - SKU: S9.Q24858 Opera in 3 acts. Composed by Sir Michael Tippett. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 150 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q24858. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q24858). English.Like few other theatre works—The Magic Flute, A Midsummer Night’s Dream—Tippett’s first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves.The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer’s businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).
$55.99
Dance The Night
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Dua Lipa
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Katherine Bodor
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Dance The Night
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Katherine Bodor
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1288567 By Dua Lipa. By Andrew Watt (Andrew Wotman), Caroline Ailin, Dua Lipa, and Mark Ronson. Ar...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1288567 By Dua Lipa. By Andrew Watt (Andrew Wotman), Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Katherine Bodor. A Cappella,Contemporary,Pop. 24 pages. Katherine Bodor #879522. Published by Katherine Bodor (A0.1288567). A Cappella arrangement for a mixed group, SSATBB+Lead+VP.
$4.00
Dance The Night
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Chorale SSAA
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FACILE
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Dua Lipa
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Rebecca (Boo) de Bruin
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Dance The Night
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Rebecca de Bruin
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SheetMusicPlus
SSAA Chorus,Voice - Level 2 - SKU: A0.1493616 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Bo...
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SSAA Chorus,Voice - Level 2 - SKU: A0.1493616 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. Barbershop Quartet. 8 pages. Rebecca de Bruin #1070309. Published by Rebecca de Bruin (A0.1493616). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.
$12.99
Dance The Night
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Chorale SSAA
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FACILE
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Dua Lipa
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Rebecca (Boo) de Bruin
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Dance The Night
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Rebecca de Bruin
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 2 - SKU: A0.1494121 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged ...
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Choral Choir,Choral,SSAA Chorus - Level 2 - SKU: A0.1494121 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rebecca (Boo) de Bruin. A Cappella,Barbershop,Disco,Pop. 8 pages. Rebecca de Bruin #1070731. Published by Rebecca de Bruin (A0.1494121). Dance the Night is a disco / synth-pop song by Dua Lipa from the soundtrack to the 2023 movie, Barbie. It was co-written with Caroline Ailin, Andrew Wyatt and Mark Ronson, with the Picard Brothers also contributing to production. It is inspired by a dance sequence in the movie, and is about always trying to appear perfect.Arranged in 2024 by Rebecca (Boo) de Bruin. 8 pages for Sweet Adelines (ladies' barbershop) quartet. (Tenor, lead, baritone, bass are roughly equivalent to SSAA). Please note: in keeping with normal barbershop practice, an octave-shifted bass clef is used for the baritone and bass parts (roughly equivalent to alto 1 and alto 2).Vocal ranges are:Tenor (S1): F#4 - D5 (F# above middle C to D above high C)Lead (S2): A3 - B4 (A below middle C to B above middle C). Baritone (A1): B3 - A5 (B below middle C to A above middle C)Bass: D3 - F#4 (D below middle C to F# above middle C). NB the only low D is sung in octaves with the higher parts, and the bass could sing in unison. Alternatively, the entire arrangement sits quite low and could easily be pitched up.
$2.99
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
Dance The Night
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Chorale SATB
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FACILE
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Dua Lipa
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Daniel Bizer-Cox
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Dance The Night
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Daniel Bizer-Cox
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1303881 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Da...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1303881 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Daniel Bizer-Cox. A Cappella,Film/TV,Pop. 7 pages. Daniel Bizer-Cox #893406. Published by Daniel Bizer-Cox (A0.1303881). Dua Lipa's fun Dance the Night from Barbie is arranged for SATB a cappella. There is no solo line in this arrangement, as the melody is passed throughout each section. There is one short section where the soprano line splits into two voices, with each voice repeating motifs heard earlier in the piece in the same section. There are many complicated arrangements of this song out there, but this one is intended to be easy to pick up and is approachable for any size high school or collegiate a cappella group.
$1.99
Dance The Night
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Chorale SATB
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INTERMÉDIAIRE
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Dua Lipa
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Daniel Bizer-Cox
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Dance The Night
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Daniel Bizer-Cox
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1306238 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Da...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1306238 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Daniel Bizer-Cox. A Cappella,Film/TV,Pop. 7 pages. Daniel Bizer-Cox #895630. Published by Daniel Bizer-Cox (A0.1306238). Dua Lipa's fun Dance the Night from Barbie is arranged for SATB a cappella with a soloist. There are many complicated arrangements of this song out there, but this one is intended to be easy to pick up and is approachable for any size high school or collegiate a cappella group.
$1.99
Dance The Night
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Chorale SSAA
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INTERMÉDIAIRE
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Dua Lipa
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Joseph Knox
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Dance The Night
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Joseph Knox
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1329117 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Jo...
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Choral Choir,Choral (SSAA) - Level 3 - SKU: A0.1329117 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Joseph Knox. A Cappella,Disco,Film/TV,Pop. 13 pages. Joseph Knox #917092. Published by Joseph Knox (A0.1329117). A fun, upbeat banger from the hit movie Barbie that is sure to get the crowd excited. A great opener or closer to any show, and a fun way to get the audience on their feet. Arranged for treble voices.Ensemble: - Alto Soloist - Soprano - Mezzo - Alto 1 - Alto 2 - Bass - Vocal Percussion - Body Percussion (hand claps, finger snaps).
$3.99
Dance The Night
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Dua Lipa
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John Tang
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Dance The Night
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John Tang
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 4 - SKU: A0.1514627 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arrange...
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Choral Choir,Choral (SATB Chorus) - Level 4 - SKU: A0.1514627 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by John Tang. 21st Century,A Cappella,Contemporary,Disco,Pop. 12 pages. John Tang #1088844. Published by John Tang (A0.1514627). 'Dance The Night', from Barbie: The Album, by Dua Lipa, arranged by John Tang for SATB.This arrangement is of an intermediate to hard difficulty, and requires vocal agility from singers. Vocal Percussion is not written but preferred to have.
$6.00
Dance The Night
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Chorale SSAA
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FACILE
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Dua Lipa
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Rowena Harper
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Dance The Night
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Rowena Harper
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SheetMusicPlus
Choral Choir,Choral,SSAA Chorus - Level 2 - SKU: A0.1492475 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged ...
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Choral Choir,Choral,SSAA Chorus - Level 2 - SKU: A0.1492475 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Rowena Harper. A Cappella,Barbershop,Contemporary,Pop. 6 pages. Rowena Harper #1069151. Published by Rowena Harper (A0.1492475). From the Barbie movie, this arrangement is a fun dance number. It features a bass solo as well as incrementally layered voice parts, building into the chorus. It should be a fun arrangement, which would also suit young singers due to the F-lowest bass part.Purchasing allows printing of one copy, and one copy per singer is required.Key: C minorRange (Lowest-Highest): Bass F3-F4, Baritone C4-C5, Lead C4-C5, Tenor A4-Eb5. (Note: This sheet music is notated in barbershop format: Tenor (S.1) and Lead (S.2) in treble clef , Baritone (A.1) and Bass (A.2) in bass clef. The Bass clef parts are sung an octave higher than written.)Contact: acappellatenor@gmail.com or on Facebook: Rowena Harper ArrangementsOriginal Song YouTube Link https://www.youtube.com/watch?v=OiC1rgCPmUQ.
$2.99
Dance the Night (w/Hey Blondie) (from Barbie) (arr. Mark Brymer)
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Dominic Fike and Dua Lipa
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Mark A
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Dance the Night
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Hal Leonard - Digital
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SheetMusicPlus
Choral Choral - SKU: HX.1303787 By Dominic Fike and Dua Lipa. By Andrew Wyatt, Caroline Ailin, Dominic Fike, Dua Lipa, Henry Kwapis, Mark Ronson, and Ry...
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Choral Choral - SKU: HX.1303787 By Dominic Fike and Dua Lipa. By Andrew Wyatt, Caroline Ailin, Dominic Fike, Dua Lipa, Henry Kwapis, Mark Ronson, and Ryan Raymond Raines. Arranged by Mark A. Brymer. Dance,Disco,Film/TV,Pop,Singer/Songwriter. Duration 188. Hal Leonard - Digital #348599. Published by Hal Leonard - Digital (HX.1303787).
$1.99
Dance the Night (w/Hey Blondie) (from Barbie) (arr. Mark Brymer)
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Dominic Fike and Dua Lipa
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Mark A
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Dance the Night
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Hal Leonard - Digital
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SheetMusicPlus
Choral Accompaniment Only,Choral - SKU: HX.1303788 By Dominic Fike and Dua Lipa. By Andrew Wyatt, Caroline Ailin, Dominic Fike, Dua Lipa, Henry Kwapis, ...
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Choral Accompaniment Only,Choral - SKU: HX.1303788 By Dominic Fike and Dua Lipa. By Andrew Wyatt, Caroline Ailin, Dominic Fike, Dua Lipa, Henry Kwapis, Mark Ronson, and Ryan Raymond Raines. Arranged by Mark A. Brymer. Dance,Disco,Film/TV,Pop,Singer/Songwriter. Duration 188. Hal Leonard - Digital #348599. Published by Hal Leonard - Digital (HX.1303788).
$26.99
Dance The Night (with "Hey Blondie") (from Barbie) (arr. Mark Brymer)
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Chorale 3 parties
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Film/TV
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Dominic Fike, Dua Lipa, and
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Mark A
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Dance The Night
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Hal Leonard - Digital
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SheetMusicPlus
Voice, SSA, 3-Part - Digital Download By Dominic Fike, Dua Lipa, and Dua Lipa and Dominic Fike. Arranged by Mark A. Brymer. This edition: scorch. D...
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Voice, SSA, 3-Part - Digital Download By Dominic Fike, Dua Lipa, and Dua Lipa and Dominic Fike. Arranged by Mark A. Brymer. This edition: scorch. Dance,Disco,Pop. 14 pages. Duration 185. Hal Leonard - Digital #348599. Published by Hal Leonard - Digital
$2.75
Dance The Night (with "Hey Blondie") (from Barbie) (arr. Mark Brymer)
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Chorale 3 parties
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Film/TV
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Dominic Fike, Dua Lipa, and
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Mark A
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Dance The Night
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Hal Leonard - Digital
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SheetMusicPlus
3-Part, SAB - By Dominic Fike, Dua Lipa, and Dua Lipa and Dominic Fike. Arranged by Mark A. Brymer. This edition: scorch. Dance,Disco,Pop. 14 pages....
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3-Part, SAB - By Dominic Fike, Dua Lipa, and Dua Lipa and Dominic Fike. Arranged by Mark A. Brymer. This edition: scorch. Dance,Disco,Pop. 14 pages. Duration 183. Hal Leonard - Digital #348599. Published by Hal Leonard - Digital
$2.75
Dance The Night (with "Hey Blondie") (from Barbie) (arr. Mark Brymer)
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Chorale SATB
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Film/TV
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Dominic Fike, Dua Lipa, and
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Mark A
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Dance The Night
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Hal Leonard - Digital
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SheetMusicPlus
By Dominic Fike, Dua Lipa, and Dua Lipa and Dominic Fike. Arranged by Mark A. Brymer. This edition: scorch. Dance,Disco,Pop. 14 pages. Duration 185. H...
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By Dominic Fike, Dua Lipa, and Dua Lipa and Dominic Fike. Arranged by Mark A. Brymer. This edition: scorch. Dance,Disco,Pop. 14 pages. Duration 185. Hal Leonard - Digital #348599. Published by Hal Leonard - Digital
$2.75
Dance The Night Away
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Chorale SATB
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The Mavericks
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Debbie Warren
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Dance The Night Away
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Keep Calm and Keep Singing
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SheetMusicPlus
Choral Choir,Choral (SATB) - SKU: A0.1397429 By The Mavericks. By Raul Malo. Arranged by Debbie Warren. Country,Latin,Pop,Rock. 11 pages. Keep Calm and ...
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Choral Choir,Choral (SATB) - SKU: A0.1397429 By The Mavericks. By Raul Malo. Arranged by Debbie Warren. Country,Latin,Pop,Rock. 11 pages. Keep Calm and Keep Singing #980755. Published by Keep Calm and Keep Singing (A0.1397429). A lively and infectious song by American country band The Mavericks with a blend of pop-rock and Latin rhythms. Arranged here for SATB voices and piano this is one to get your toes tapping and your audience grooving! The tune is divided between upper and lower voices in a call back style which makes it really fun to sing. Works with male or female tenor voices (or a mixture of both). A guaranteed audience pleaser!Part of the Keep Singing Series for community choirs designed to be easy to teach and easy to learnRehearsal tracks available from Keep Calm and Keep SingingEasy LevelDuration: 4'15Also available in SAB.
$2.99
O Holy Night (SATB)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Dwight & Adam
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Corey Cerullo
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O Holy Night
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Cerullo Music LLC
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.540615 Composed by Dwight & Adam. Arranged by Corey Cerullo. A Cappella,Christmas,Contemporary,Jazz. Octa...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.540615 Composed by Dwight & Adam. Arranged by Corey Cerullo. A Cappella,Christmas,Contemporary,Jazz. Octavo. 11 pages. Cerullo Music LLC #4996169. Published by Cerullo Music LLC (A0.540615). This arrangement of O Holy Night is dressed up with more jazz inspired harmonies and feels more like a dance rather than individual sways. The piece is arranged for SAATBB voices but the splits can be managed by either voice part, given your constraints. The arrangement should feel consistent forward motion as in rolling waves in the ocean to get the full affect and adding in dynamics to emphasize the different sizes of rolling waves will be able to help this arrangement sing. .
$3.00
They All Dance the Samba
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Chorale SATB
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Jean Berger
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They All Dance the Samba
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Heritage Music Press
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SheetMusicPlus
SATB choir, Piano - SKU: LX.15-3570H (Dansando O Samba). Composed by Jean Berger. Educational. Octavo. 16 pages. Heritage Music Press #e15/3570H....
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SATB choir, Piano - SKU: LX.15-3570H (Dansando O Samba). Composed by Jean Berger. Educational. Octavo. 16 pages. Heritage Music Press #e15/3570H. Published by Heritage Music Press (LX.15-3570H). ISBN 9780787761080.Experience yet another facet of Jean Berger's writing in this delightfully up-beat, cheerful pop tune with original music and Portuguese lyrics. The accompaniment is steeped in colorful harmonies and traditional dance rhythms characteristic to the region, and the playful vocal parts portray life in a typical Portuguese village: work by day and dance at night...the Samba, of course!
$2.75
The Whippoorwill
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Chorale SATB
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INTERMÉDIAIRE
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Nina Quinlivan
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Nina Quinlivan
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The Whippoorwill
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Nina Quinlivan
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.987504 Composed by Nina Quinlivan. Arranged by Nina Quinlivan. Contemporary,Pop,World. Octavo. 17 pages. Nina Qu...
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Choral Choir (SATB) - Level 3 - SKU: A0.987504 Composed by Nina Quinlivan. Arranged by Nina Quinlivan. Contemporary,Pop,World. Octavo. 17 pages. Nina Quinlivan #2032913. Published by Nina Quinlivan (A0.987504). The Whippoorwill contains a beautiful lyric vocal line that is enhanced by rich harmonic voice leading. The true beauty of this piece lies in its functionality. The song is highly recommended for the choir that has an over abundance of female voices, and it can also be performed solely SSA, omitting the tenor and bass lines. Not only is this song an excellent learning piece for high school students, the poetic text makes it appropriate for adult choirs as well. A note from the composer: I chose to base the lyrics on the Whippoorwill for the uniqueness of this bird. The Whippoorwill is a bird that flies during the night instead of the day. They have nests on the ground instead of in trees, and the Native Americans believe that the Whippoorwill will catch a soul in flight as it is leaving the earth. Another fun fact is that John Burroughs, famous naturalist of the Burroughs Audubon Society in Kansas City, once heard a Whip-poor-will make 1,088 vocal repetitions before pausing.
$2.95
On a Sacred, Still and Silent Night
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Betsy Lee Bailey
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On a Sacred, Still and Silent
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Betsy Lee Bailey
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.746051 Composed by Betsy Lee Bailey. Christmas,Sacred. Octavo. 11 pages. Betsy Lee Bailey #4806385. Published by...
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Choral Choir (SSAA) - Level 4 - SKU: A0.746051 Composed by Betsy Lee Bailey. Christmas,Sacred. Octavo. 11 pages. Betsy Lee Bailey #4806385. Published by Betsy Lee Bailey (A0.746051). On a Sacred, Still and Silent Night - SSAA is an original Christmas Carol arranged for Treble Chorus and Piano with optional Violin obligato. Â This piece is in a minor key which carries the listeners to a distant time and place and builds to the climax at the very sacred nature of Christ's Atonement. Â Its dance-like character is perfect for concerts, especially with a featured sacred interpretive dancer. Â .
$1.99
Goodnight Sweetheart
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Chorale SATB
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INTERMÉDIAIRE
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Pop musique
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Dean Martin
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Scott S
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Goodnight Sweetheart
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955896 By Dean Martin. By Jimmy Campbell, Ray Noble, and Reg Connelly. Arranged by Scott S. Stewart. Pop....
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955896 By Dean Martin. By Jimmy Campbell, Ray Noble, and Reg Connelly. Arranged by Scott S. Stewart. Pop. 7 pages. Scott S. Stewart #6869179. Published by Scott S. Stewart (A0.955896). Goodnight, Sweetheart, a song from the Golden Age of British music (dance band music of the 1920’s and 30’s prior to the Second World War), was composed in 1931 by the song writing-team of Ray Noble, Jimmy Campbell and Reg Connelly, a team known for their ballads. This sentimental favorite makes for a perfect ‘closer’ to almost any program, or it could be a fine ‘encore’ number. This arrangement is scored for a 4-part SATB ensemble with piano accompaniment. There is an optional verse in German which pairs nicely to any program of German music. Performance time: 2:17+-
$2.99
Finding Strength in Shadows (from "Rising from the Ashes: Stories of Lahaina")
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Chorale SATB
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INTERMÉDIAIRE
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Christopher Alexander
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Finding Strength in Shadows
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1510475 By Christopher Alexander. By Christopher Alexander and Noah Richard. A Cappella,Conte...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1510475 By Christopher Alexander. By Christopher Alexander and Noah Richard. A Cappella,Contest,Festival,Multicultural,World. 24 pages. Christopher Alexander #1085672. Published by Christopher Alexander (A0.1510475). This is the third movement from the extended choral work Rising from the Ashes: Stories of Lahaina.The three drums kick off this effervescent work, creating a joyful rhythmic cadence upon which the the choir sings. The inspiring text lifts the spirits of the singers and audience alike as the harmonies propel through slight modulations and resolutions to the original key. The work moves swiftly into a mele hula (dance that tells or depicts a story) about the Phoenix bird rising from its ashes and beginning to live a new life for itself. With a call and response setting transcending into the melodic treatment, the eight voices create a powerful and triumphant ending to this song.Full score and other movements (On That Night, Forever Anew, Kama'aina) also available for purchase.
$2.99
Happy Place
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Chorale 2 parties
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INTERMÉDIAIRE
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Pop musique
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0...
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Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99
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Dance The Night
