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La libertà
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Crtitères actifs :
La libertà
CHORALE - CHANT
Partitions à imprimer
7 partitions trouvées
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1
Vive la Liberté! for two-part treble choir, flute, percussion, and piano
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Chorale 2 parties
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FACILE
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Jenni Brandon
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Vive la Liberté! for tw
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Jenni Brandon Music
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.918670 Composed by Jenni Brandon. Contemporary,Holiday,Patriotic. Octavo. 21 pages. Jenni Brandon Music #2007315. ...
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Choral Choir (SA) - Level 2 - SKU: A0.918670 Composed by Jenni Brandon. Contemporary,Holiday,Patriotic. Octavo. 21 pages. Jenni Brandon Music #2007315. Published by Jenni Brandon Music (A0.918670). Vive la Liberté! for Two-Part Treble choir, flute, percussion, piano (JB 114) by Jenni Brandon. Duration approx. 4:30 Text written and compiled by Jenni Brandon. Vive la Liberté! was commissioned in 2007 to celebrate the 250th birthday of the Marquis de Lafayette and to honor his constant belief in liberty and freedom for all people. This is a great work to program on a historical concert or a work celebrating freedom and liberty. Appropriate for younger choirs through college and community. Winner of the 2008 Roger Wagner Center for Choral Studies International Composition Competition in the Treble Category. Score includes parts for flute and percussion.Programming: Concert and ContestJenni Brandon Musicwww.jennibrandon.comASCAP
$2.00
La bella Gigogin
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Anonimo
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Ester Alessandrini
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La bella Gigogin
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ester
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SheetMusicPlus
Choir,Flute,Guitar,Piano,Violin - SKU: A0.1063723 Composed by Anonimo. Arranged by Ester Alessandrini. Folk,Instructional,Romantic Period,Wedding. Full ...
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Choir,Flute,Guitar,Piano,Violin - SKU: A0.1063723 Composed by Anonimo. Arranged by Ester Alessandrini. Folk,Instructional,Romantic Period,Wedding. Full Performance. Duration 81. Ester #23205. Published by ester (A0.1063723). Il celebre canto del risorgimento italiano, un po' scanzonato e libertino per il periodo in cui è stato composto ma ancora famoso nell'Italia settentrionale.
$4.50
Vous aimez le danger/Ah! que j'aime les militaires from La Grande-Duchesse de Gérolstein - Duchesse
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Voix Alto, Piano
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AVANCÉ
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Jacques Offenbach
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Nicole Elyse DiPaolo
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Vous aimez le danger/Ah! que j
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799618 Composed by Jacques Offenbach. Arranged by Nicole Elyse DiPaolo. Opera,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5306351. Published by Nicole Elyse DiPaolo (A0.799618). The first of its kind, this is a customized La Duchesse-only audition cut of Vous aimez le danger...Ah! que j'aime les militaires from Jacques Offenbach's La Grande-Duchesse de Gérolstein (1867). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the choral parts when performing this excerpt. The current edition omits those passages and, as a result, noticeably reduces the page count. In addition, this new engraving is remarkably clearer than the existing vocal score, which has deteriorated from age and is cluttered with instrumental cues that may not be relevant to a sight-reading audition pianist.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation and inserting a few logical enharmonic respellings).About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Ange Flégier: Je ne sais pourquoi for bass voice and piano
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Voix basse, Piano
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INTERMÉDIAIRE
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Musik Fabrik Music Publishing
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Ange Flégier: Je ne sai
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bass Voice,Vocal Solo - Level 3 - SKU: A0.533420 Arranged by Musik Fabrik Music Publishing. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Mu...
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Bass Voice,Vocal Solo - Level 3 - SKU: A0.533420 Arranged by Musik Fabrik Music Publishing. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913427. Published by Musik Fabrik Music Publishing (A0.533420). A setting of a poem by Paul Verlaine. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In Bb minor Duration: aprox. 4 minutes 30 secondsJe ne sais pourquoiMon esprit amerD’une aile inquiète et folle vole sur la mer.Tout ce qui m’est cher,D’une aile d’effroiMon amour le couve au ras des flots. Pourquoi, pourquoi ?Mouette à l’essor mélancolique,Elle suit la vague, ma pensée,À tous les vents du ciel balancéeEt biaisant quand la marée oblique,Mouette à l’essor mélancolique,Ivre de soleilEt de liberté,Un instinct la guide à travers cette immensité.La brise d’étéSur le flot vermeilDoucement la porte en un tiède demi-sommeil.Parfois si tristement elle crieQu’elle alarme au lointain le pilote,Puis au gré du vent se livre et flotteEt plonge, et l’aile toute meurtrieRevole, et puis si tristement crie !Je ne sais pourquoiMon esprit amerD’une aile inquiète et folle vole sur la mer.Tout ce qui m’est cher,D’une aile d’effroiMon amour le couve au ras des flots. Pourquoi, pourquoi ?
$10.35
O' sole mio
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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music: Eduardo di Capua, lyric
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Bacco Baccanels
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O' sole mio
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Bacco Baccanels
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1410812 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Bacc...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1410812 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Classical,Opera,Traditional. 9 pages. Bacco Baccanels #993210. Published by Bacco Baccanels (A0.1410812). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.
$1.99
O' sole mio
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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music: Eduardo di Capua, lyric
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Bacco Baccanels
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O' sole mio
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Bacco Baccanels
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1410810 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. ...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1410810 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Opera,Traditional. 9 pages. Bacco Baccanels #993208. Published by Bacco Baccanels (A0.1410810). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.
$1.99
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La libertà
