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TRI ET FILTRES
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Tri et filtres :
--INSTRUMENTS--
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Arioso by Bach for Choir TTBB and Piano
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 1 - Digital Download SKU: A0.957331 Composed by …
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Choral Choir,Choral (TTBB) - Level 1 - Digital Download SKU: A0.957331 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Multicultural,Sacred,Standards,Wedding,World. 7 pages. Woods Only, Arrangements #6853135. Published by Woods Only, Arrangements (A0.957331). This easy arrangement for choir ttbb was adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students due to the ease imposed on the piece; however, this does not preclude it from being played by professionals and music teachers. It is also ideal for academic recitals, weddings, student method and ceremonies that are arranged in the same way as the piece contains.
$7.99
7.38 €
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Chorale TTBB
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Johann Sebastian Bach
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Ander
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Arioso by Bach for Choir TTBB and Piano
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Woods Only, Arrangements
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Air on the G String by Bach for Choir SATB and Piano
Chorale SATB
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.957309 Composed by …
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Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.957309 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christian,Standards,Wedding,World. 6 pages. Woods Only, Arrangements #6820757. Published by Woods Only, Arrangements (A0.957309). This easy arrangement for choir and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains.
$7.99
7.38 €
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Chorale SATB
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach for Choir SATB and Piano
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Woods Only, Arrangements
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SheetMusicPlus
This Train
Chorale 2 parties
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.844212 Composed by American …
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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.844212 Composed by American Spiritual. Arranged by Zachary Seckman. Gospel,Sacred,Spiritual,Standards. Octavo. 6 pages. ZS Music Publishing #4765161. Published by ZS Music Publishing (A0.844212). Looking for an easy and accessible piece for your church choir or children's choir? This Train is what you need! The arrangement offers flexibility for singers of all stages and ages, allows you to program it as a unison, or 2-part split piece, or even sung as a solo if need be.The accompaniment is set in a minor key, with the vocal parts in a major key, untill the last verse when you are welcomed to God's great kingdom! ZS Music Publishing is the music-writing arm of Seckman Music Studio in Kansas. We write original compositions, arrangements, and method books for drums and percussion, and piano. Contact us for inquiries by visiting our Facebook page: ZS Music Publishing. .
$2.10
1.94 €
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Chorale 2 parties
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American Spiritual
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Zachary Seckman
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This Train
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ZS Music Publishing
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SheetMusicPlus
For Us There Is No Other Help but Thee (Nye ímamï inïya pómoshchi) (Downloadable)
Chorale SATB
SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.82…
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SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.8248-E Composed by Anthony Antolini and Pavel Grigorievich Chesnokov. Arranged by Anthony Antolini. Advanced/Collegiate. 20th Century, Communion. Instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8248-E. Published by E. C. Schirmer Music Company - Digital (MQ.8248-E). English, Slavonic.Nye Ãmamï inïya pómoshchi comes from a set of ten communion hymns, Opus 25. It is technically a kontakion, (a hymn sung in commemoration of a feast day, whether referring to Christ, the Virgin Mary, or to a saint). Nye Ãmamï inïya pómoshchi is intended to be sung for the feast day commemorating an icon of the Virgin entitled “The joy of all who sorrow,†(Ð’Ñех ÑкорбÑщих РадоÑÑ‚ÑŒ|Vsekh skorbyashchikh Radost') observed on October 24 in the Orthodox Church calendar. The author of the text is unknown. In contemporary church practice, this work is sometimes sung during the communion of the clergy. Although other pieces in Opus 25 are based on traditional church chants, Nye Ãmamï inïya pómoshchi contains original music that is not based on any preexisting chant. The present edition is based on the first edition published in Moscow by Pyotr Ivanovich Jurgenson. The keyboard reduction has been modified from the Jurgenson edition. Russian Orthodox performance practice forbids the use of musical instruments to accompany church singing. Organ accompaniment, if used, should be unobtrusive. The Jurgenson edition includes Chesnokov's use of a quarter note without metronome marking. This indicates that the pulse is in a moderato tempo in quarter notes. A tempo of approximately 69 to the quarter note is suggested. The Jurgenson edition has inconsistent dynamic markings in various parts and text appears only below the soprano and tenor parts. For clarity and convenience, these indications have been included in each staff in the present edition. This scholarly performance edition includes notes concerning the history of Chesnokov and this piece, performance notes, the editorial method of the English singing version, and a pronunciation guide for the Slavonic transliteration.
$2.25
2.08 €
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Chorale SATB
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Anthony Antolini and Pavel Grigorievich Chesnokov
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Anthony Antolini
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For Us There Is No Other Help but Thee
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Glory of Our God (Kol’ slaven) (Downloadable)
Chorale SATB
SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.8208-E Compos…
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SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.8208-E Composed by Anthony Antolini and Dimitri S. Bortniansky. Arranged by Anthony Antolini. Advanced/Collegiate. Church Anniversary, Confirmation, Memorial, Classical. Instrument part. 10 pages. Duration 4 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8208-E. Published by E. C. Schirmer Music Company - Digital (MQ.8208-E). French, Russian.The Russian version, Kol' slaven, sets the poetry of M. M. Kheraskov (1733–1807), a Mason. The hymn was first associated with Freemasonry in Russia, but its popularity quickly grew. It became an unofficial national anthem until it was superseded by Lvov's “God save the Tsar.†Except during the Soviet period (1917–1991), Kol' slaven has been used in Russia at public gatherings and military ceremonies such as the christening of ships, lowering or raising of the flag, and at military funerals. Kol' slaven also became popular among émigré Russians and has been associated with Russian emigration in many countries. The singing of hymns with multiple verses in chorale style is not a part of Russian Orthodox worship. For this reason, Bortniansky's hymn is not considered liturgical in the Russian Church but is used mostly for secular ceremonies. The language of the hymn is Russian (although with several archaic words and word endings) rather than the language of Russian Orthodox worship, Church Slavonic. In Germany, the hymn is used not only in worship but also for military ceremonies and is occasionally sung as a prelude to the German national anthem. This scholarly performance edition includes extensive notes concerning the history of Bortniansky and this piece, performance notes, the editorial method of the English singing version, and a pronunciation guide for the Russian transliteration.Duration: 4:15.
$2.25
2.08 €
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Chorale SATB
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Anthony Antolini and Dimitri S
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Anthony Antolini
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The Glory of Our God
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SOLFEGGIO CANTATO - Exercise No. 1
Voix seule
Voice - Easy/Beginner - Digital Download Composed by Renato Tagliabue. General Worshi…
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Voice - Easy/Beginner - Digital Download Composed by Renato Tagliabue. General Worship, Method, Etudes and Exercises. Individual Part. 2 pages. Published by Renato Tagliabue
Progressive study of the theory and practice of music.<br> At the end of the course (10 lessons) you will be able to sing a medium difficulty score simply following the step by step videos and practicing to associate "notes you sing" to "notes you see scroll" in the video<br> -------------------------------------------------- -<br> 1st Lesson: Solfeggio sung n. 1<br> Treble clef;<br> Key of C Major;<br> joint degrees;<br> Full, minimum, crotchet and quaver
$5.00
4.62 €
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Voix seule
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Renato Tagliabue
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SOLFEGGIO CANTATO - Exercise No. 1
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Renato Tagliabue
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SheetMusicPlus
Clap Your Hands
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1042510 Composed by Al Fis…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1042510 Composed by Al Fisk. Contemporary,Praise & Worship,Sacred. Octavo. 10 pages. Al Fisk #647297. Published by Al Fisk (A0.1042510). SATB/piano/3-5 octave handbells Easy/intermediate uplifting setting of Psalm 47, perfect for church (Easter), school, or university. Written for the Lake Orion (MI) United Methodist Church and St. Paul's United Methodist Church (Rochester, MI).
$1.99
1.84 €
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Chorale SATB
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Al Fisk
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Clap Your Hands
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Al Fisk
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SheetMusicPlus
Clap Your Hands
Choir,Handbell,Piano - Digital Download SKU: A0.1072166 Composed by Al Fisk. Christ…
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Choir,Handbell,Piano - Digital Download SKU: A0.1072166 Composed by Al Fisk. Christian,Easter,Praise & Worship. Full Performance. Duration 171. Al Fisk #6922281. Published by Al Fisk (A0.1072166). SATB/piano/3-5 octave handbells Easy/intermediate uplifting setting of Psalm 47, perfect for church (Easter?), school, or university. Written for the Lake Orion (MI) United Methodist Church and St. Paul's United Methodist Church (Rochester, MI).
$2.99
2.76 €
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Al Fisk
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Clap Your Hands
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Al Fisk
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SheetMusicPlus
Homemade Memory
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.894105 Composed by Chelle …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.894105 Composed by Chelle Peterson. Concert,Contemporary,Holiday,Standards. Octavo. 11 pages. Chelle A Peterson #2071165. Published by Chelle A Peterson (A0.894105). This SATB choral with piano was commissioned by The Community Composing Project for the Writing Center in the College of Arts and Letters at Michigan State University for Lansing Central United Methodist Church Choir, and was supported in part by the Michigan Council for Arts and Cultural Affairs and the National Endowment for the Arts. It was premiered at the Wharton Center for the Performing Arts in April of 2016 as part of a community wide choral concert involved in the Mid-West Hunger Is project. It is an intermediate level secular choral piece with relatively easy accompaniment., suitable for community and educational purposes.
$3.99
3.68 €
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Chorale SATB
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Chelle Peterson
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Homemade Memory
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Chelle A Peterson
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SheetMusicPlus
Clap Your Hands
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1001399 Composed by Al Fis…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1001399 Composed by Al Fisk. Concert,Praise & Worship,Sacred. Octavo. 6 pages. Al Fisk #6630533. Published by Al Fisk (A0.1001399). SATB/piano Easy/intermediate uplifting setting of Psalm 47, perfect for church (Easter?), school, or university. Written for the Lake Orion (MI) United Methodist Church.
$2.99
2.76 €
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Chorale SATB
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Al Fisk
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Clap Your Hands
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Al Fisk
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SheetMusicPlus
Open Hearts, Open Minds, Open Doors
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.727064 Composed by Carol Tr…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.727064 Composed by Carol Troutman Wiggins. Contemporary,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Carol Troutman Wiggins #2878071. Published by Carol Troutman Wiggins (A0.727064). SAB Mixed ChorusThis song was composed using the current theme of the United Methodist Church worldwide, but can be used with any denomination who wants to let His light shine for all the world to see. Beautiful words of praise and adoration to our Lord and Savior, Jesus Christ. Contemporary melody and lush piano accompaniment with easy, comfortable voicing and harmonies that make a small choir sound big!
$2.50
2.31 €
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Chorale 3 parties
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Carol Troutman Wiggins
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Open Hearts, Open Minds, Open Doors
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Carol Troutman Wiggins
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SheetMusicPlus
Spared: A poem by Wendy Cope (Downloadable)
Chorale SATB
SATB choir divisi and piano - Moderately Easy - Digital Download SKU: MQ.56-0016-E …
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SATB choir divisi and piano - Moderately Easy - Digital Download SKU: MQ.56-0016-E Composed by Howard Goodall. 9/11 Service (Patriotic). 11 pages. MorningStar Music Publishers - Digital Sheet Music #56-0016-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0016-E). English.Howard Goodall's setting of Spared by Wendy Cope, arranged for SATB divisi and piano accompaniment.This work was first performed by The Chapel Choir of The Methodist College Belfast on 27th October 2005 at St Anne's Cathedral, Belfast. Wendy Cope's poem movingly evokes the events of September 11th 2001, an event that Howard Goodall witnessed firsthand. Duration: 3:00.
$3.15
2.91 €
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Chorale SATB
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Howard Goodall
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Spared: A poem by Wendy Cope
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
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