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DvoÅ™ák: Largo from the New World Symphony for French Horn & Piano
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Cor et Piano
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FACILE
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 2 - SKU: A0.549438 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Stand...
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French Horn,Piano - Level 2 - SKU: A0.549438 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494249. Published by jmsgu3 (A0.549438). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Erlkönig
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Schumbert
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Layne Anspach
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Erlkönig
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Musi...
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French Horn,Piano - Level 4 - SKU: A0.1416182 Composed by Franz Schumbert. Arranged by Layne Anspach. Classical. Score and part. 14 pages. Songburd Music #997866. Published by Songburd Music (A0.1416182). FRANZ SCHUBERT was an Austrian composer native to the cosmopolitan city of Vienna, colorfully called the “City of Music†as so many other non-native musicians composed or performed there, while others such as Mozart and Beethoven called it home.  While only 20 years of age in the year of 1814 Schubert composed a remarkable number of lieder (songs), drawing upon the works of many different poets of the period, which eventually connected him with the poems of Johann Goethe.  This lead Schubert in the year of 1815 to compose the well-known Erlkönig, op. 1 D. 328, based upon Goethe’s poem Der Erlköning, which was taken and revised from a widely told Scandinavian folk tale about a sinister daughter of a forest-dwelling Elf King. Johann Wolfgang von Goethe was a poet, playwright and novelist who is thought to have been influenced by the Sturm und Drang literary movement, becoming perhaps one of the greatest authors in the German language whose works have had a lasting impression on Western literature to this day.  Notably, it ought to be mentioned that many of his poems were set to music by the likes of Mozart, Liszt, Wagner, Mahler, Berlioz, Beethoven and of course Schubert, who used Goethe’s poem, Der Erlkönig, to produce one of his more fanciful art songs that depicts the death of a child who is attacked by the “king of the elves,†a mystical being who lingers in the woods only to stalk little children and kill them with a touch of his hand. The story of the Erlkönig is considered by some to have come from the Danish folk ballad Elveskud, and that Goethe’s variant was inspired by a work written by the philosopher, Johann Gottfried von Herder.  It tells the story of a boy who is being carried home by his father during the night, and the child hears noises and seems to see things in the woods, while the father attempts to comfort the son by explaining away the things that scare him, all the while riding ever faster on horseback, only in the end to discover that his son has died. (The Erlkönig translates literally from the German as “Alder King†rather than the commonly used “Elf King.â€)For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$14.99
The Confessions of St. Augustine for Solo Horn
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Cor
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AVANCÉ
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Classique
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Erika Raum
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The Confessions of St. Augusti
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Cherry Classics Music
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SheetMusicPlus
Horn in F - Advanced - Composed by Erika Raum. 21st Century, 20th Century, Modern. Solo Part. 6 pages. Published by Cherry Classics Music ...
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Horn in F - Advanced - Composed by Erika Raum. 21st Century, 20th Century, Modern. Solo Part. 6 pages. Published by Cherry Classics Music
The Confessions of St. Augustine is a solo for Unaccompanied Horn in F written by Canadian violinist/composer Erika Raum.
St. Augustine (of Hippo) was a 5th Century convert to Christianity who was one of the first philosophers and theologians of the faith. He went on to write a number of important works including the autobiographical work Confessions, a series of thirteen books outlining his sinful youth and eventual conversion to Christianity.
Ms. Raum's music, in four sections features the following tabloids:
Youth and Pagan Beginnings, The Mystical Voice of the Child in the Garden, St. Augustine, Bishop of Hippo, The Debate at the Baths of Sozius.
This work of almost 7 minutes in length is very expressive, with many contrasting sections and complex rhythms, and is rather moderate in range, being accessible to moderately advanced to advanced performers.
The beautifully performed sample track from the horn version of this work (up a 5th from the trombone version) is played by Howard Wall, Hornist of the New York Philharmonic, taken from his solo recording Horn Monologues for sale on Amazon and elsewhere.
This edition is available as an eBook on iTunes and Kindle.
$20.00
Stamitz: Duet Op. 27 No. 2 for French Horn Duo
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2 Cors (duo)
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INTERMÉDIAIRE
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Carl Stamitz
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James M
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Stamitz: Duet Op. 27 No. 2 for
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 3 - SKU: A0.552253 Composed by Carl Stamitz. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Scor...
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French Horn Duet Horn - Level 3 - SKU: A0.552253 Composed by Carl Stamitz. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score. 14 pages. Jmsgu3 #6306433. Published by jmsgu3 (A0.552253). I. Andante II. Menuetto III. Allegro The significance of Stamitz Duets Op. 27 lies in their contribution to the duet repertoire for two violins (or two flutes). Composed by Carl Stamitz, a prominent figure of this era, the duets were published in 1780. These duets are well-regarded for their musicality and are popular choices for duet performances and educational purposes. They are available in sheet music and have been performed in concerts and recordings, reflecting their enduring appeal and importance in the classical music domain. The duets are known for their melodic and expressive qualities, making them valuable for developing ensemble playing and musical interpretation skills. They are also appreciated for their historical significance in the context of classical music composition and the repertoire for violin or flute duets. Carl Stamitz, born in 1745 and passing away in 1801, was a significant figure in music history, particularly in the classical period. He was one of the most prolific Mannheim orchestral composers, known for writing numerous symphonies, concertos for various instruments, and other instrumental works. Stamitz's influence on the evolution of the Classical sonata form by introducing contrasting themes within a single movement is also noteworthy. He was a prominent representative of the second generation of the Mannheim School, and his contributions to the duet repertoire for two violins or two flutes are highly regarded for their musicality and historical significance. Despite not being as widely recognized as some of his contemporaries, his work has left a lasting impact on the classical music domain.Carl Stamitz significantly contributed to the Mannheim School of Music as the most prominent representative of its second generation. He was the eldest son of Johann Stamitz, a violinist and composer considered the Mannheim School's founder. Carl Stamitz's contribution to the school included his role as a prolific orchestral composer, writing numerous symphonies, concertos for various instruments, and other instrumental works. His work, along with other members of the Mannheim School, helped solidify the Classical symphony and its dynamic contrasts, impacting the evolution of the classical music period. Carl Stamitz's choice of the viola as his favorite instrument and his compositions for the viola also contributed to the school's legacy.
$32.95
I Don’t Want to Play in Your Yard: Trumpet Feature
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Quatuor de Cuivres
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INTERMÉDIAIRE/AVANCÉ
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H
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F
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I Don’t Want to Play in
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 2...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95
Album Leaves, Opus 28 for Horn and Piano
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Cor et Piano
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AVANCÉ
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Classique
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Edvard Grieg
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Ralph Sauer
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Album Leaves, Opus 28 for Horn
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Gordon Cherry
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1478251 Composed by Edvard Grieg. Arranged by Ralph Sauer. 19th Century,Romantic Period. Score and part. 16 pages....
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French Horn,Piano - Level 5 - SKU: A0.1478251 Composed by Edvard Grieg. Arranged by Ralph Sauer. 19th Century,Romantic Period. Score and part. 16 pages. Gordon Cherry #1055641. Published by Gordon Cherry (A0.1478251). Grieg’s Album Leaves, Opus 28 are four exquisite musical miniatures originally composed for Piano between 1864 and 1878. Although almost unknown, they are some of the finest works from the pen of the composer. They are expressive, noble, delicate and subtle, totaling about twelve minutes in length.Ralph Sauer has done an outstanding job arranging these beautiful character pieces for advanced performers.
$27.50
Three Concert Etudes for Solo Horn
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Cor
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AVANCÉ
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Richard Decker
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Three Concert Etudes for Solo
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Charles Decker Music Press
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pa...
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French Horn Solo - Level 5 - SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pages. Charles Decker Music Press #5770859. Published by Charles Decker Music Press (A0.817157). These three challenging concert etudes showcase multiple skills and styles for ambitious advanced hornists seeking to expand their musical horizons. Focusing thematically on the wider intervals of fourths, fifths, sixths, sevenths and ninths, the studies incorporate a variety of well-known and contemporary horn techniques. These concert etudes, performed either singly or as a set of three, offer an excellent non-accompanied variation to any recital. Performers are encouraged to approach these etudes as more than just technical exercises, and use the various markings as guidelines with flexibility to have the freedom to embrace the pauses, the accelerandi, the crescendi and the thematic repetitions to create engaging musical performances.  The audio file is an actual solo horn performance and not a computer playback of score.See also Richard Decker arrangement for horn ensemble with Charles Decker Music Press at Sheet Music Plus and this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$7.95
Achte Gedichte aus "Letzte Blätter"
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Cor et Piano
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AVANCÉ
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Classique
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Richard Strauss
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Layne Anspach
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Achte Gedichte aus "Letzt
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Musi...
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French Horn,Piano - Level 5 - SKU: A0.1416186 Composed by Richard Strauss. Arranged by Layne Anspach. Classical. Score and part. 43 pages. Songburd Music #997870. Published by Songburd Music (A0.1416186). RICHARD STRAUSS was a much-celebrated German composer and conductor who is understood by many to have captured the essence of the German Period of Romanticism and his works encompass almost every type of compositional form, noting that many of his compositions became standards of the operatic and orchestral repertoire.  While being personally recognized as one of the leading conductors in Western Europe, and internationally as well, he is also known for his lieder (songs), noting also that Strauss is thought to have composed most of these songs with the voice of his wife in mind, writing them for voice and piano accompaniment.   As the story is sometimes told, it was Ludwig Thuille, also a prominent Austrian operatic composer, who introduced Strauss to the poetry of Hermann von Gilm, Austrian lawyer and poet, whose authored works caught Strauss’ attention.  Strauss’ admiration for Gilm’s work eventually brought him to compose a series of eight art songs found in Gilm’s literary collection Letzte Blätter (Last Leaves or Last Pages). Strauss’ completed musical work, entitled Acht Lieder aus ‘Letzte Blätter,’ op. 10 (Eight Songs from Last Pages), was first published in the year 1887, with the intention that all would be written for the tenor voice, and the collection is thought to contain some of Strauss’ most appreciated and respected art songs of the period.For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$39.99
Handel: Sonata No. 1 for French Horn Duo
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2 Cors (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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James M
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Handel: Sonata No. 1 for Frenc
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 4 - SKU: A0.552422 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Sc...
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French Horn Duet Horn - Level 4 - SKU: A0.552422 Composed by George Frideric Handel. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score. 25 pages. Jmsgu3 #6345017. Published by jmsgu3 (A0.552422). Sonata No. 1, K. 555I. LarghettoII. AllegroIII. AndanteIV. AllegroHandel's sonatas hold significant importance in the history of music, particularly in the Baroque era. George Frideric Handel, a prominent composer of the late Baroque period, was renowned for his vocal compositions but also made substantial contributions to instrumental music. His sonatas, including those for violin, oboe, flute, recorder, and other instruments, showcase his form mastery and ability to blend melodic ideas. Handel's sonatas are considered an integral part of the Baroque instrumental repertoire, demonstrating his exceptional skill in composing for various instruments and contributing to the development of instrumental music during his time. The sonatas reflect the stylistic characteristics of the Baroque period and are valued for their musical richness and expressive qualities. Therefore, Handel's sonatas are regarded as significant works that have left a lasting impact on the history of music.
$27.95
Handel: Largo from Xerxes for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549394 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. ...
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French Horn,Piano - Level 3 - SKU: A0.549394 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492579. Published by jmsgu3 (A0.549394). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many people call it Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. Overall, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Dichterliebe
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Cor et Piano
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AVANCÉ
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Classique
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Musi...
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French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99
Debussy: Arabesque 1 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 1 for Frenc
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.551635 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Ro...
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French Horn,Piano - Level 3 - SKU: A0.551635 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5325949. Published by jmsgu3 (A0.551635). Claude Debussy: Arabesque 1. Duration: ca. 3:30. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
WF Bach: Duet No. 3 for French Horn Duo
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2 Cors (duo)
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INTERMÉDIAIRE
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W
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James M
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WF Bach: Duet No. 3 for French
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 3 - SKU: A0.551251 Composed by W. F. Bach. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score....
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French Horn Duet Horn - Level 3 - SKU: A0.551251 Composed by W. F. Bach. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score. 26 pages. Jmsgu3 #5011291. Published by jmsgu3 (A0.551251). Duet No. 3 - F. 56 I. Allegro II. Adagio ma non troppo III. PrestoWilhelm Friedemann Bach's six duets, F. 55-59, are significant works that showcase refined nuances, interwoven two-part writing, and rapid outer movements, demonstrating a range of musical expression. The exact dates of composition for these duets are not definitively known, but there is strong evidence that the last duets were composed in the previous decade of W.F. Bach's life when he lived in Berlin. Their musical intricacy and expressive qualities characterize these duets. The duets are a valuable contribution to the chamber music repertoire and exemplify the compositional skill of Wilhelm Friedemann Bach. Wilhelm Friedemann Bach (1710–1784) was a German composer, organist, harpsichordist, and Johann Sebastian Bach's eldest son.
$24.95
Poème
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Cor et Piano
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INTERMÉDIAIRE
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Horn in F and piano - intermediate - SKU: S9.Q15275 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edit...
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Horn in F and piano - intermediate - SKU: S9.Q15275 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15275. Published by Schott Music - Digital (S9.Q15275). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
CPE BACH: Sonata in E Minor WQ124 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.551523 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructiona...
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French Horn,Piano - Level 4 - SKU: A0.551523 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5308693. Published by jmsgu3 (A0.551523). Sonata Wq. 124 - 1. Adagio 2. Allegro 3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a transition between the Baroque and Classical styles of music. His approach, empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from his father's style, Johann Sebastian Bach.The historical context of C.P.E. Bach's Wq 124 Sonatas lies in the mid-18th century during the transition between the Baroque and Classical periods. This period was characterized by significant changes in musical style, with composers exploring new forms and expressive techniques. As a prominent figure of this era, C.P.E. Bach played a crucial role in shaping the emerging Classical style, and his keyboard sonatas, including the Wq 124 Sonatas, reflect the expressive and innovative characteristics of this transitional period. The Wq 124 Sonatas are a testament to Bach's unique musical language. Their historical significance lies in their contribution to the development of keyboard music during this pivotal period in music history.
$24.95
Three Renaissance Dances for Horn Quartet
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Quatuor de cuivres: 4 cors
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INTERMÉDIAIRE
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Tielman Susato
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Charles Decker
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Three Renaissance Dances for H
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Charles Decker Music Press
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SheetMusicPlus
Horn Ensemble Euphonium,Horn - Level 3 - SKU: A0.817180 Composed by Tielman Susato. Arranged by Charles Decker. Children,Contest,Festival,Instructional,...
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Horn Ensemble Euphonium,Horn - Level 3 - SKU: A0.817180 Composed by Tielman Susato. Arranged by Charles Decker. Children,Contest,Festival,Instructional,Multicultural,Renaissance,World. 19 pages. Charles Decker Music Press #6700945. Published by Charles Decker Music Press (A0.817180). They may be 500 years old, but these three Renaissance instrumental dances from Tielman Susato's 1551 collection The Third Little Music Book, prefaced with to be played on all types of musical instruments, remain appealing music for audiences and performers. These lively, popular dances of the day feature homophonic structure, root position chords, primary beat stresses, and individual parts that encompass an octave or less which makes them very accessible for musicians of all ages including inexperienced players. Treble and bass clef euphonium alternate parts for horn IV are included. Beyond brass ensemble programs, feature your horn section at your next band or orchestra concert with this spirited music. The recording is of the entire edition.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. Â
$6.95
Kyrie from Mass in E Minor for Horn Ensemble
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Ensemble de Cors
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INTERMÉDIAIRE/AVANCÉ
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Anton Bruckner
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Richard Decker
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Kyrie from Mass in E Minor for
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Charles Decker Music Press
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SheetMusicPlus
Horn Ensemble Horn - Level 4 - SKU: A0.1297115 Composed by Anton Bruckner. Arranged by Richard Decker. 19th Century,Chamber,Christian,Multicultural,Prai...
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Horn Ensemble Horn - Level 4 - SKU: A0.1297115 Composed by Anton Bruckner. Arranged by Richard Decker. 19th Century,Chamber,Christian,Multicultural,Praise & Worship,World. 26 pages. Charles Decker Music Press #887214. Published by Charles Decker Music Press (A0.1297115). Bruckner's Kyrie from his first Mass in E minor completed early in his career in 1866 foreshadowed his lifelong use of expressive harmonic and contrapuntal elements in his compositions which when combined with his devout religious poignancy creates this powerful opening Mass movement that fits well with the sound of the horn choir.  This elegant and dramatic arrangement for horn octet can be a memorable featured work on brass ensemble programs guaranteed to impress audiences and inspire the performers. The recording is of the entire edition.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$14.95
Melody
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Cor et Piano
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FACILE
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Grigorjewitsch Rubinstejn
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Wolfgang Birtel
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Melody
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Schott Music - Digital
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SheetMusicPlus
Horn and piano - easy to intermediate - SKU: S9.Q6522 Composed by Grigorjewitsch Rubinstejn. Arranged by Wolfgang Birtel. This edition: Sheet music. Edi...
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Horn and piano - easy to intermediate - SKU: S9.Q6522 Composed by Grigorjewitsch Rubinstejn. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 3/1. Schott Music - Digital #Q6522. Published by Schott Music - Digital (S9.Q6522). Originally composed for piano solo, Rubinstein's 'Melody' Op. 3/1 is the best-known work written by the Russian composer. Thanks to the simple, yet tender melody and its expressive harmony, the name of the composer will be remembered forever. The piece makes an excellent encore to a concert.
$4.99
Josquin: Five Duets for French Horn Duo
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2 Cors (duo)
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DÉBUTANT
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Josquin des Prez
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James M
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Josquin: Five Duets for French
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jmsgu3
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SheetMusicPlus
French Horn Duet Horn - Level 1 - SKU: A0.550333 Composed by Josquin des Prez (1450-1521). Arranged by James M. Guthrie. Instructional,Renaissance,Sacre...
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French Horn Duet Horn - Level 1 - SKU: A0.550333 Composed by Josquin des Prez (1450-1521). Arranged by James M. Guthrie. Instructional,Renaissance,Sacred,Standards. Score. 11 pages. Jmsgu3 #4607991. Published by jmsgu3 (A0.550333). Josquin des Prez (1450-1521) was a French-Flemish composer who lived during the Renaissance period. His chamber music was influential in developing modern tonality and musical genres. Josquin's compositions encompassed secular and sacred works, including chansons and Italian frottola. He is regarded as one of the greatest composers of the Renaissance and was among the first to use innovations such as multiple voices and counterpoint. His achievements as a musical magician-mathematician remain stunning even centuries after his death. The importance of Josquin des Prez's chamber music lies in its influence on the development of modern music and its enduring legacy as a masterpiece of the Renaissance period.The significance of Josquin Des Prez's Bicinia lies in its contribution to the development of Renaissance music. Josquin Des Prez, a renowned composer of the Renaissance, emphasized the relationship between text and music, departing from the early Renaissance tendency towards lengthy melismatic lines on a single syllable. His Bicinia, two-part compositions, showcase his mastery of polyphony and his innovative approach to musical expression. Josquin is universally regarded as the greatest composer of the Renaissance, and his music, including the Bicinia, played a significant role in shaping the musical landscape of his time and beyond.
$29.95
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Three Etudes for Horn and Piano
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Cor et Piano
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AVANCÉ
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Classique
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Alexander Scriabin
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Ralph Sauer
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Three Etudes for Horn and Pian
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Gordon Cherry
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1317669 Composed by Alexander Scriabin. Arranged by Ralph Sauer. 19th Century,Romantic Period. Score and part. 16 ...
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French Horn,Piano - Level 5 - SKU: A0.1317669 Composed by Alexander Scriabin. Arranged by Ralph Sauer. 19th Century,Romantic Period. Score and part. 16 pages. Gordon Cherry #906344. Published by Gordon Cherry (A0.1317669). Alexander Scriabin’s music has been described as mystical, lyrical and idiosyncratic. He was known as the most innovative and controversial early modern Russian composer. His works were ignored for many years until recently and are now seen as “sincere expression(s) of geniusâ€.The Three Etudes for Horn and Piano are early works of Scriabin, originally written for Solo Piano. They show lyricism, passion, moodiness, chromatic harmonies and great expression.Mr. Sauer has brought three wonderful new works for advanced performers who wish to explore this area, largely unknown to the brass world. The three movements are about 9-10 in length and suitable for advanced performers.
$27.50
Three Motets for Horn Octet
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Ensemble de Cors
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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Richard Decker
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Three Motets for Horn Octet
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Charles Decker Music Press
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SheetMusicPlus
Horn Ensemble - Level 4 - SKU: A0.817173 Composed by Johannes Brahms. Arranged by Richard Decker. 19th Century,Chamber,Multicultural,Romantic Period,Wor...
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Horn Ensemble - Level 4 - SKU: A0.817173 Composed by Johannes Brahms. Arranged by Richard Decker. 19th Century,Chamber,Multicultural,Romantic Period,World. 58 pages. Charles Decker Music Press #6659701. Published by Charles Decker Music Press (A0.817173). Three glorious choral motets of Brahms arranged for an octet of his favorite instrument - the Horn. Providing a contrasting stylistic recital addition to Renaissance transcriptions and contemporary jazz and popular works, these arrangements will challenge advanced players yet offer accessible inner parts for intermediate players, offering an opportunity for players to experience Brahms without a full orchestra.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$18.99
Part Of Your World
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Cor et Piano
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DÉBUTANT
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Alan Menken and Howard Ashman
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André Nusa
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Part Of Your World
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Andre_Nusa
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SheetMusicPlus
French Horn,Piano - Level 1 - SKU: A0.1271561 Composed by Alan Menken and Howard Ashman. Arranged by André Nusa. Broadway,Film/TV,Musical/Show. Score...
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French Horn,Piano - Level 1 - SKU: A0.1271561 Composed by Alan Menken and Howard Ashman. Arranged by André Nusa. Broadway,Film/TV,Musical/Show. Score and part. 9 pages. Andre_Nusa #863961. Published by Andre_Nusa (A0.1271561). Immerse yourself in the enchanting world of Disney's The Little Mermaid with this captivating piano and french horn duet arrangement of the iconic song Part of Your World. Created for beginner level musicians, this sheet music brings the beloved melody to life, allowing musicians to recreate the magic of Ariel's heartfelt ballad. This arrangement stays true to the original composition by the renowned composer Alan Menken, capturing the delicate emotions and whimsical essence of the song. The piano part faithfully emulates the lush harmonies and melodic lines, providing a solid foundation for the captivating french horn solo to soar. This duet arrangement offers an exciting opportunity for musical collaboration, making it perfect for recitals, performances, or simply for the joy of playing music together. The expressive dynamics and nuanced phrasing of the piece will transport listeners to the depths of the ocean, evoking a sense of longing, dreams, and the desire for exploration. Capture the essence of Ariel's longing and her yearning for a world beyond the sea with this beautiful piano and french horn duet arrangement of Part of Your World..
$5.99
Motet Das ist meine Freude for Horn Octet
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Ensemble de Cors
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INTERMÉDIAIRE/AVANCÉ
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Johann Ludwig Bach
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Richard Decker
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Motet Das ist meine Freude for
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Charles Decker Music Press
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SheetMusicPlus
Horn Ensemble Horn - Level 4 - SKU: A0.817183 Composed by Johann Ludwig Bach. Arranged by Richard Decker. Baroque,Contest,Festival,Multicultural,Renaiss...
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Horn Ensemble Horn - Level 4 - SKU: A0.817183 Composed by Johann Ludwig Bach. Arranged by Richard Decker. Baroque,Contest,Festival,Multicultural,Renaissance,World. 40 pages. Charles Decker Music Press #6720243. Published by Charles Decker Music Press (A0.817183). One of the many talented composers of the Bach family, Johann Ludwig Bach, contemporary of Johann Sebastian Bach, highlights the best of the late Renaissance and early Baroque writing with antiphonal call and response, full ensemble climaxes and florid passages for all players. This four-minute gem for a horn octet will enliven any horn choir or brass ensemble program providing enjoyment for all players. The recording is of the entire edition.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$14.95
Scriabin: Prelude Op. 11 No. 2 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549482 Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pag...
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French Horn,Piano - Level 3 - SKU: A0.549482 Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3500069. Published by jmsgu3 (A0.549482). Scriabin's Prelude in A minor, Op. 11, No. 2 is part of his set of 24 Preludes, Op. 11, composed between 1888 and 1896. These preludes are modeled after Frédéric Chopin's 24 Preludes, Op. 28, covering all 24 major and minor keys and following the same key sequence. The Prelude in A Minor is significant for its expressive and chromatic nature, showcasing Scriabin's evolving style, characterized by unusual harmonies and textures. Like the others in the set, this piece demonstrates Scriabin's early works, which resemble Chopin's style, before transitioning to more unconventional harmonies and textures in his middle and late periods. The preludes represent an essential stage in Scriabin's development as a composer, reflecting the evolution of his style and musical language.
$24.95
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