Captain O'Kane, traditional Irish air arranged for early intermediate and late intermediate lever harp. These two arrangements (one page each) may be played one after the other for a more varied arrangement, or either one may be played twice through to suit the level of the player.

The early intermediate arrangement will fit on a small harp of 26 strings.

Chord symbols are provided in both versions. Ample fingering suggestions are in the easy arrangement, and a few in the more advanced arrangement. Video tutorials for these arrangements may be downloaded at patreon.com/tiffanyharpandsong.

Sweet Jenny Jones, or Cader Idris, traditional Welsh air arranged for early and late intermediate lever harp. These two arrangements (one page each) may be played one after the other for a more varied arrangement, or either one may be played twice through to suit the level of the player. The early intermediate arrangement will fit on a small harp of 26 strings, and the more advanced arrangement can also fit 26 strings by omitting a few bass notes. Chord symbols are provided in both versions. Ample fingering suggestions are in the easy arrangement, and a few in the more advanced arrangement. Video tutorials for these arrangements may be downloaded at patreon.com/tiffanyharpandsong.

ISBN 9781609740351. Forty-six Celtic arrangements for folk harp solo. Includes Blind Mary; Berceuse (excerpt), Martin Wynnd's Air; Blackberry Blossom; Give Me Your Hand; Moon Over the Rising Castle; and more!

Greensleeves arranged for small harp, range from middle C

Key: F
Lever Change: No
Skill Level: Easy.

ISBN 9781619114586. This book for the Celtic harp encompasses diverse songs and tunes from the British Isles, commonly described as Celtic Music. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance).Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a snapshot in time. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as The Duke of Lorraine's March, Nonesuch, Black and Grey, Virgin Queen, I Will Give My Love an Apple, The Scots Rant, Duke of Grafton's March, Kettle Drum, Nobody's Jig, Spanish Jig, Sidh Beag Agus Sidh Mor, She Rose and Let Me In, Oranges and Lemons, and The Scotish Gigg.