Carolan tunes arranged for harp and one or two melody instruments. Full and interesting harp accompaniments that support the melody instruments, making these great for performing. This unique collection is arranged in period style with the harmonies, ornaments and variations as they might have been played in Dublin taverns and Irish country houses around 1800. The original 1796 version of Carolan?s Concerto is included in both solo harp versions as well as concerto form. The range of pieces include ancient modal harp airs (Bridget Cruise, First Air) to the elegant High Baroque (Mrs. Judge) to lively planxties as jigs and hornpipes (Planxty George Brabazons). The arrangements can be heard on Ensemble Musica Humana?s CD: Turlough O?Carolan- A Life in Song, performed on flute, whistle, recorder, uilleann pipes and harp. Flute and recorder parts are by EMH performers Lidia Chang and Laura Osterlund.

Harp & Flute, Recorder or Whistle: Carolan?s Concerto, Planxty Burke, Dr. John Stafford (Carolan?s Receipt), Planxty O?Rourke, Bridget Cruise, First Air, Sheebeg and Sheemore, Mrs. Judge, Eleanor Plunkett, Bridget Cruise, Third Air, Fanny Power

Flute & Whistle Duo: George Brabazon First & Second Airs,

Harp Solos: Hewlett (?Hulets Health? from Bunting, 1809), Carolan?s Concerto (from Bunting, 1796)

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The Huron Carol, set for voice and harp, is also suitable for melody instrument, such as flute or recorder, with harp or piano accompaniment. This arrangement works also for two harps, with the easier Harp 1 part on the melody and Harp 2 on the more complex accompaniment. The accompaniment is set for one verse in the original Huron language, two verses in French and three verses in English. The Huron Carol, Jesous Ahatonhia, is the first Canadian Christmas carol and possibly the first of the New World. The words in the Huron language are believed to have been written by Father Jean de Brebeuf, a Jesuit missionary who lived among the Hurons from 1626 to 1649.