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Heitor Villa-Lobos
VIOLONCELLE
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Carillion: 2 Guitar Prelude 3
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Violoncelle
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AVANCÉ
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Contemporain
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Milos Karadaglic
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Inacio Saldanha
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Carillion: 2 Guitar Prelude 3
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Inacio Saldanha
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SheetMusicPlus
Cello Solo - Level 5 - SKU: A0.798124 By Milos Karadaglic. By Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. Individual part. 5 pages. I...
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Cello Solo - Level 5 - SKU: A0.798124 By Milos Karadaglic. By Heitor Villa Lobos. Arranged by Inacio Saldanha. Contemporary. Individual part. 5 pages. Inacio Saldanha #6321391. Published by Inacio Saldanha (A0.798124). Heitor Villa-Lobos (1887-1959) is considered by many to be the greatest classical composer in Latin America. He composed a vast work for diverse instrumental formations, always making clear, through his writing, the various popular musical languages that he had the opportunity to experience.
$10.99
Canções e sambinhas (1996) for cello and piano
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Canções e sambin
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Thomas Oboe Lee
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.869211 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual part. With Sambinha ...
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Cello Solo - Level 4 - SKU: A0.869211 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual part. With Sambinha bachiana ... III. 36 pages. Thomas Oboe Lee #30911. Published by Thomas Oboe Lee (A0.869211). Program note: Canções e Sambinhas is the third of a triptych of compositions written for my friend, the enormously gifted cellist, Andrés DÃaz. The first was Eurydice, a tone poem on the Orpheus myth for cello and orchestra, and the second was La Chimera Fantastica for the DÃaz Trio. Canções e Sambinhas is in four movements. I. Canção de amor ... II. Sambinha bachiana ... III. Valsa lenta ... IV. Mais uma vêz ... Having lived in Brazil during my teen-age years, I inevitably continue to return to the wonderful music of that country for inspiration: the chôros of Ernesto Nazareth, Jacob do Bandolim, Pixinginha, and Heitor Villa-Lobos. The first movement begins with a slow, dark introduction before the love song emerges .... The second movement is a lively samba. As the title indicates, it is a little samba infused with Bach-like counterpoint, although a bit crazier. Villa-Lobos might find this amusing .... The third movement is a slow meditation for the cello on a passacaglia-like theme in the piano. The last movement, Mais uma vêz (meaning One Mo' Time in English), is a samba like the second movement, but it is set more homophonically, more dance-like in character .... The work is dedicated to my wife, Kris, who is an inspiration to my life and work.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/can-es-e-sambinhas-1996-for-cello-and-pianoVideo link: https://youtu.be/X2gFRiypqTA
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Heitor Villa-Lobos
