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Heinrich-Bach
ALTO
Quatuor à cordes: 2 violons, alto, violoncelle
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3 partitions trouvées
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Bist du bei mir (String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Gottfried Heinrich Stolzel
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Phillip Arthur Simmons
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Bist du bei mir
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PAS Music Studio Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1153741 Composed by Gottfried Heinrich Stolzel. Arranged by Phillip Arthur Simmons....
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1153741 Composed by Gottfried Heinrich Stolzel. Arranged by Phillip Arthur Simmons. Chamber,Classical,Sacred,Standards,Wedding. 14 pages. PAS Music Studio Publishing #754006. Published by PAS Music Studio Publishing (A0.1153741). This beautifully melodic aria is most commonly known as having appeared in J. S. Bach's 'Notenbüchlein für Anna Magdalena Bach,' but is originally found in the opera 'Diomedes' by Gottfried Heinrich Stölzel. This arrangement of 'Bist du bei mir' is for String Quartet.
$7.95
Luther: Out of the Depths for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 1 - SKU: A0.548729 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards....
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String Quartet String Quartet - Level 1 - SKU: A0.548729 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412115. Published by jmsgu3 (A0.548729). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. parts: 1 pg. Bowings included. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$42.95
BACH: Bist du bei mir BWV 508 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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BACH: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.552080 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Instructional,Standard...
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String Quartet String Quartet - Level 3 - SKU: A0.552080 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 10 pages. Jmsgu3 #6113257. Published by jmsgu3 (A0.552080). Bist du bei mir (BWV 508) is a well-known aria, often attributed to Johann Sebastian Bach, but it was composed by Gottfried Heinrich Stölzel. It is part of the second Little Notebook for Anna Magdalena Bach, which Bach gave to his wife as a gift. The aria is a simple song of gratitude, trust, and faith, and it has become popular, being regularly requested at weddings. Despite not being composed by Bach, it holds significance in the context of the music associated with the Bach family.Bist du bei mir is often requested at modern weddings due to its uplifting melody and themes of gratitude, trust, and faith. It has become an iconic love song and a popular choice for wedding ceremonies. Its inclusion in the second Little Notebook for Anna Magdalena Bach provides insight into the musical tastes of the Bach family, adding to its significance in modern weddings.
$42.95
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