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Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
Alto seul
Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. I…
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Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.53 €
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Alto seul
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
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Slide Ride
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SheetMusicPlus
The Loneliest
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1176333 By Maneskin. By James Abra…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1176333 By Maneskin. By James Abrahart, Jason Evigan, Sarah Hudson, and Uzoechi Emenike. Arranged by Wendy Hellmann. Pop,Rock. Score and part. 13 pages. Gwendolyn Hellmann #776456. Published by Gwendolyn Hellmann (A0.1176333). This arrangement of the powerful ballad The Loneliest by Maneskin is for solo viola and piano. It is written in the comfortable key of D Major and has an emphasis on bowing and phrasing. The viola shifts between first and third position and alternates between alto and treble clef. From a teaching perspective, this is a great piece to reinforce treble clef reading since those sections are just one octave higher than the alto clef sections. The piano part is a true accompaniment and does not double the viola melody, building in intensity throughout the song. Â The PDF download contains both a full score and a set of individual parts - Viola and Piano.
$5.99
5.43 €
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Alto, Piano
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Maneskin
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Wendy Hellmann
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The Loneliest
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Gwendolyn Hellmann
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SheetMusicPlus
Penitent Thief, The (for viola and piano)
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterr…
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
22.66 €
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Alto, Piano
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Penitent Thief, The
Alto et Harpe
Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.103…
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Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
22.66 €
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Alto et Harpe
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
There is Power in the Blood, Gospel Hymn for Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.593357 Composed by Lewis Edgar Jon…
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Piano,Viola - Level 2 - Digital Download SKU: A0.593357 Composed by Lewis Edgar Jones. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6418463. Published by David McKeown (A0.593357). There is Power in the Blood is a beautiful hymn arranged here for Solo Viola and Piano.There is Power in the Blood was written by Lewis Edgar Jones in 1899, one of 200 published hymns by this prolific writer.
$2.49
2.26 €
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Alto, Piano
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Lewis Edgar Jones
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David McKeown
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There is Power in the Blood, Gospel Hymn for Viola and Piano
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David McKeown
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SheetMusicPlus
Adagio Sostenuto from "Piano Concerto No. 2" for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1218030 Composed by Sergei Rachman…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1218030 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #814553. Published by Diego Marani (A0.1218030). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for viola with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
9.06 €
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Alto, Piano
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Sergei Rachmaninoff
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Diego Marani
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Adagio Sostenuto from "Piano Concerto No. 2" for Viola and Piano
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Diego Marani
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SheetMusicPlus
Sonata in a Simple Scale for Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Matter…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
7.25 €
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Alto, Piano
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Daniell Mattern
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Sonata in a Simple Scale for Viola and Piano
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Daniell Mattern
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SheetMusicPlus
Franz Schubert: Sonata in A minor "Arpeggione" for viola & piano
Alto, Piano
Instantly downloadable sheet music by Franz Schubert for viola & piano of HIGH skill l…
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Instantly downloadable sheet music by Franz Schubert for viola & piano of HIGH skill level. Contents: d.821, d821, d 821, arpeggione, sonata arpeggione / classical
$6.99
6.34 €
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Alto, Piano
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Franz Schubert
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Virtualsheetmusic
Away in a Manger (G) (Viola Quintet)
Ensemble d'Altos
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.814019 Co…
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.814019 Composed by James R. Murray. Arranged by Regis Bookshar. Christian,Christmas,Concert,Instructional,Standards. Score and parts. 10 pages. Regis Bookshar #6658497. Published by Regis Bookshar (A0.814019). Viola Quintet - Intermediate - Digital Download. This arrangement of Away in a Manger, would be a fine addition to any music library and could be performed for Christmas concerts, recitals and church services. It is equally suitable for junior and senior high school students, and, depending on their ability, even younger students, too. Included are a score and a complete set of parts (10 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Away in a Manger is one of the most popular Christmas carols and there are a number of musical settings of it. The most popular musical setting of it in the United States is the tune commonly known as Mueller. It was composed by James R. Murray and was first published under the name Luther's Cradle Hymn, in his collection Dainty Songs for Little Lads and Lasses, in 1887. It was intended for use in kindergarten, school and home.In this selection, Regis Bookshar has arranged three verses of this popular Christmas carol for a Viola Quintet. The first verse is a traditional setting of the tune while the second verse has a more complex accompaniment. The third verse also includes a descant. Between the second and third verses, he has included a short interlude. In addition to this arrangement for a Viola Quintet, there are also other Quintet arrangements of Away in a Manger for a variety of instrumental ensembles, as well as quite a few other Christmas selections, readily available for purchase. Please take the time to look for other versions of this composition and other selections. You may find something else that may also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Away in a Manger will continue to entertain both performers and audiences alike for years to come.
$8.00
7.25 €
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Ensemble d'Altos
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James R
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Regis Bookshar
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Away in a Manger
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Regis Bookshar
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SheetMusicPlus
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
Violon, Alto (duo)
Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402227 Compose…
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Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60
11.42 €
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Violon, Alto (duo)
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
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ACORDO Sheet Music
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SheetMusicPlus
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
Violon, Alto (duo)
Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402228 Compose…
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Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60
11.42 €
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Violon, Alto (duo)
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
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ACORDO Sheet Music
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SheetMusicPlus
Canon in D (Pachelbel) (D) (Viola Quintet)
Ensemble d'Altos
String Ensemble,String Quintet Viola - Level 4 - Digital Download SKU: A0.813477 Co…
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String Ensemble,String Quintet Viola - Level 4 - Digital Download SKU: A0.813477 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Concert,Standards,Wedding,World. Score and parts. 27 pages. Regis Bookshar #6264897. Published by Regis Bookshar (A0.813477). Canon in D (Pachelbel) (D) (Viola Quintet) - Advanced/Intermediate - Digital Download. This selection, Johann Pachelbel's celebrated Canon in D, is perhaps the most famous canon ever written and has been one of my favorite compositions to arrange. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon in D, was originally written in the key of D Major and was scored for three violins arranged in canon, accompanied by a basso continuo which repeats the same harmonic progression throughout the entire piece. The common musical term for this is ostinato or ground bass. Regis Bookshar has now arranged this music for a Viola Quintet. Three Violas play the melody in canon while the ostinato accompaniment is played by the other two Violas. This arrangement is suitable for high school and college students but could also be performed by professional performers. It is perfect for concerts and church services, especially for Weddings, but could be performed for any occasion. Included are a score and a complete set of parts (27 pages). This version is written in the key of D Major, as is the original version, but, if you prefer, another version, written in the key of Bb Major is also available. Other versions of Pachelbel's Canon in D have also been arranged by Regis Bookshar and are available for a wide variety of instrumental Quintets and Octets, in both the keys of D Major and Bb Major. I think that String players would probably prefer to play the versions in the key of D Major while the Brass and Woodwind musicians might prefer to play the Bb Major versions. I hope you take the time to compare the different versions to find the right version for you. To help you decide which version, or versions, you may want to choose, I have included several musical samples for you to listen to and to hear what these arrangements may sound like and so that you may compare the various arrangements. Also, just to let you know, the Octets written in the key of Bb Major have full-length recordings while the Octets in D Major and all Quintets have only the first 25 measures, or so, available to hear. Please feel free to search for other arrangements by Regis Bookshar which are also available. There are quite a few other arrangements in a variety of styles and I'm certain you will find something else which might interest you as well. Please keep checking because I plan to continue to add new arrangements as often as I can. I'm certain that this exciting arrangement of Pachelbel's Canon in D will be a challenge to some performers but will continue to entertain both performers and audiences alike for years to come.
$20.00
18.13 €
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Ensemble d'Altos
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Johann Pachelbel
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Regis Bookshar
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Canon in D
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Regis Bookshar
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SheetMusicPlus
A Night In Tunisia
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizz…
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Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.15 €
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Alto, Piano
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Im schönsten Wiesengrunde for violin, viola and piano
Alto, Piano
Piano Trio,String Ensemble Viola,Violin - Level 3 - Digital Download SKU: A0.576809…
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Piano Trio,String Ensemble Viola,Violin - Level 3 - Digital Download SKU: A0.576809 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 5 pages. David Warin Solomons #436601. Published by David Warin Solomons (A0.576809). This is one of several instrumental duo arrangements of the German folk song Im schönsten Wiesengrunde in which the melody instruments take turns to play the tune and the countermelodies. The piano accompaniment is basically classical but becomes a little more adventurous (with false relations etc) as the music progresses. The sound sample is an electronic preview. The pdf file contains score and parts Versions with guitar accompaniment and with guitar chord names are also available.
$5.00
4.53 €
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Alto, Piano
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Traditional
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David Warin Solomons
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Im schönsten Wiesengrunde for violin, viola and piano
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David Warin Solomons
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SheetMusicPlus
Rolling In The Deep
Alto seul
Viola Solo - Level 2 - Digital Download SKU: A0.1446612 By Adele. By Adele Adkins a…
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Viola Solo - Level 2 - Digital Download SKU: A0.1446612 By Adele. By Adele Adkins and Paul Epworth. Arranged by Erik B. Costa. 21st Century,Contemporary,Pop. Individual part. 3 pages. Erik Brandão #1026374. Published by Erik Brandão (A0.1446612). PLAY THE SONG ROLLING IN THE DEEP ON THE VIOLA!Rolling in the Deep is a song by British singer Adele, released in 2010 as part of her album “21.” This song became a major commercial and critical success, solidifying Adele as one of the most distinctive voices of her generation.Meaning and Emotions: The song is an emotional powerhouse, capturing the pain, betrayal, and resilience that often accompany the end of a romantic relationship. Adele’s powerful vocals convey a mix of anger, heartache, and determination. The phrase “rolling in the deep” suggests being immersed in something profound and intense, whether it’s love or the pain of loss. Adele’s heart is still burning (“fire starting in my heart”) despite the darkness of the breakup. The repetition of “You’re gonna wish you never had met me” serves as both a warning and a curse, implying regret for the ex-lover’s actions.
$9.00
8.16 €
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Alto seul
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Adele
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Erik B
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Rolling In The Deep
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Erik Brandão
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SheetMusicPlus
He's Got The Whole World in His Hands, Gospel Song for Viola Duet
2 Altos (duo)
Viola Duet Viola - Level 4 - Digital Download SKU: A0.590134 Composed by Traditiona…
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Viola Duet Viola - Level 4 - Digital Download SKU: A0.590134 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 4 pages. David McKeown #6168403. Published by David McKeown (A0.590134). He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for two Violas. He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.62 €
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2 Altos (duo)
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Traditional
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David McKeown
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He's Got The Whole World in His Hands, Gospel Song for Viola Duet
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David McKeown
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SheetMusicPlus
Aria: 'Mon coeur s'ouvre à ta voix' from Samson et Dalila, Op. 47 in G Major (for Viola & Piano)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1216985 Composed by Saint-Saëns…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1216985 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813513. Published by ACORDO Sheet Music (A0.1216985). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.
$7.20
6.53 €
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Alto, Piano
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Saint-Saëns, Camille
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Kamada, Mikio
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Aria: 'Mon coeur s'ouvre à ta voix' from Samson et Dalila, Op. 47 in G Major
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ACORDO Sheet Music
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SheetMusicPlus
Walking In The Air
2 Altos (duo)
Viola Duet Viola - Level 3 - Digital Download SKU: A0.587342 Composed by Howard Bla…
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.587342 Composed by Howard Blake. Arranged by David McKeown. 20th Century,Christmas,Film/TV,Holiday. Score. 4 pages. David McKeown #3133045. Published by David McKeown (A0.587342). Walking in the Air is the flying theme from the animated film, The Snowman. Written by Howard Blake for the film in 1982, a new version sung by Aled Jones, was a top 5 hit in the UK in 1985. It has been a permanent fixture on Christmas playlists ever since. This version is arranged as a duet for two Violas. Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. The rhythms are straightforward though there are extended quaver passages at medium tempo. The overall performance time is around two and a half minutes. The short audio sample is from the Clarinet and Alto Saxophone version while the full length performance on the youtube link is the Clarinet duet. Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.43 €
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2 Altos (duo)
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Howard Blake
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David McKeown
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Walking In The Air
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David McKeown
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SheetMusicPlus
Ghost in the Graveyard
2 Altos (duo)
Viola Duet Viola - Level 3 - Digital Download SKU: A0.967854 Composed by Lawrence H…
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.967854 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score. 5 pages. Lawrence H Underwood #6248683. Published by Lawrence H Underwood (A0.967854). All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass.
$4.99
4.52 €
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2 Altos (duo)
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Lawrence H
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Ghost in the Graveyard
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Lawrence H Underwood
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SheetMusicPlus
Tripping in the Dark
2 Altos (duo)
Viola Duet Viola - Level 3 - Digital Download SKU: A0.968070 Composed by Lawrence H…
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.968070 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score. 5 pages. Lawrence H Underwood #6254639. Published by Lawrence H Underwood (A0.968070). All the pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals.Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone - treble clef), trombone, euphonium/baritone - bass clef, tuba, mallet percussion, violin, viola, cello, and bass.
$4.99
4.52 €
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2 Altos (duo)
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Lawrence H
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Tripping in the Dark
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Lawrence H Underwood
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SheetMusicPlus
Storm Clouds Rolling In
Trio à cordes: 3 altos
String Ensemble,String Trio Viola - Level 3 - Digital Download SKU: A0.968280 Compo…
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String Ensemble,String Trio Viola - Level 3 - Digital Download SKU: A0.968280 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 8 pages. Lawrence H Underwood #6255449. Published by Lawrence H Underwood (A0.968280). All the pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals.Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone - treble clef), trombone, euphonium/baritone - bass clef, tuba, mallet percussion, violin, viola, cello, and bass.
$5.99
5.43 €
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Trio à cordes: 3 altos
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Lawrence H
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Storm Clouds Rolling In
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Lawrence H Underwood
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SheetMusicPlus
Away In A Manger: for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548482 Composed by Mueller. Arrang…
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Piano,Viola - Level 1 - Digital Download SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386547. Published by jmsgu3 (A0.548482). Traditional Christmas song arranged for Viola & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent accompaniment uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
22.62 €
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Alto, Piano
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the 1880’s the cradle song was being performed in church
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Mueller
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James M
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Piano
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Away In A Manger: for Viola & Piano
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jmsgu3
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SheetMusicPlus
Concerto in B Minor in the Style of Handel, Arranged for Three Violas
Trio à cordes: 3 altos
String Ensemble,String Trio Viola - Level 3 - Digital Download SKU: A0.859958 Compo…
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String Ensemble,String Trio Viola - Level 3 - Digital Download SKU: A0.859958 Composed by Henri Casadesus. Arranged by Steven Kruse. 20th Century,Baroque,Standards. Score and parts. 61 pages. String Play for All #6382253. Published by String Play for All (A0.859958). Your students will love playing this new arrangement for three violas of one of the most prominentt concertos every violist studies. Even though research has shown that Handel did not compose this work, this concerto by Henri Casadesus has remained a staple in the viola repertoire. Very few students have the opportunity to perform the work with orchestra. Keyboard accompaniment provides the melodic lines and harmonies, but it is not the same feeling as performing with a string ensemble. Hearing the individual parts adds to the ensemble experience. This arrangement for three violas is designed to provide this ensemble experience. It is intended for three students all working on the this concerto by Casadesus. The Viola I part is the solo viola part as it appears in the original, with bowings, fingerings and cadenzas provided by the arranger. The Viola I part also plays in the tutti sections as needed. The Viola II part consists mostly of the melody in the orchestra tutti sections, as well as harmonizing lines with the Viola I part. The Viola III part provides the bass line and includes melodic lines as well. By learning and playing all three parts, students become familiar with how the solo part relates to the orchestra. Students learn to listen more carefully to the orchestra lines, developing a better sense of ensemble. By playing all parts, students develop a more complete sense of the concerto. College students and professionals will also have fun with these arrangements, a new approach to teaching this Concerto!
$12.95
11.74 €
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Trio à cordes: 3 altos
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learning and playing all three parts, students become familiar with how the solo part relates to the orchestra
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Henri Casadesus
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Steven Kruse
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Concerto in B Minor in the Style of Handel, Arranged for Three Violas
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String Play for All
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SheetMusicPlus
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