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ALTO
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8 partitions trouvées
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1
The Holberg Suite: Viola
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Alto (partie séparée)
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Classique
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Edvard Grieg
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Victor Lopez
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Festival.
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The Holberg Suite: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017337_VA1 Viola. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 3 pages. Alfr...
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Full Orchestra - SKU: AX.00-PC-0017337_VA1 Viola. Composed by Edvard Grieg. Arranged by Victor Lopez. Masterwork Arrangement. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017337_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017337_VA1). UPC: 038081517452.With string parts as close to the original as possible, this full orchestra arrangement of two movements from Grieg's Holberg Suite is a gem! It may be performed by string or full orchestra, and, for ultimate flexibility, each movement can be performed alone. Featuring the Sarabande and Gavotte, careful attention has been paid to maintain the original intentions of the composer in this piece. Minimal accommodations were made by arranger Victor LA3pez to provide a more educationally-sound experience for the players. (8:10)Concert/Contest; Festival.
$3.00
Partita No. 3 in E major, BWV 1006 transcribed for Solo Viola in A major
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Alto (partie séparée)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Dr
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Partita No. 3 in E major, BWV
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Gilbert Sak
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SheetMusicPlus
Viola Solo - Level 5 - SKU: A0.1218321 Composed by Johann Sebastian Bach. Arranged by Dr. Gilbert Sak. Baroque,Classical,Early Music. Individual part. 1...
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Viola Solo - Level 5 - SKU: A0.1218321 Composed by Johann Sebastian Bach. Arranged by Dr. Gilbert Sak. Baroque,Classical,Early Music. Individual part. 13 pages. Gilbert Sak #814787. Published by Gilbert Sak (A0.1218321). This current viola version is based on careful (re-)examination of the facsimile of Bach's autograph manuscript. Fingerings and bowings are provided by Dr. Gilbert Sak, with consideration of being faithful to Bach's intentions. It also bears annotations regarding performance directions and discrepancies among other editions. All editorial markings are clearly notated. It is a well typeset edition for the discerning players and teachers who care for authentic style and well-informed performance practice.
$6.99
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
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Violon, Alto (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
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Violon, Alto (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
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Alto seul
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride ...
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Viola Solo - Level 3 - SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Arpeggione Sonata by Schubert (mvt 1) - for Viola Duet
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2 Altos (duo)
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AVANCÉ
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Classique
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Franz Schubert
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K
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Arpeggione Sonata by Schubert
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Vlazville Music-Digital
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SheetMusicPlus
Viola Duet Viola - Level 5 - SKU: A0.737338 Composed by Franz Schubert. Arranged by K. Wreede. Concert,Romantic Period,Standards. Score. 18 pages. Vlazv...
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Viola Duet Viola - Level 5 - SKU: A0.737338 Composed by Franz Schubert. Arranged by K. Wreede. Concert,Romantic Period,Standards. Score. 18 pages. Vlazville Music-Digital #5803233. Published by Vlazville Music-Digital (A0.737338). Are you learning or teaching the Arpeggione Sonata on viola with no pianist in sight? Want to learn better how the piano and viola parts connect and work together? Playing it on a recital? Got a viola buddy you want to practice with? You know how we violists like to do things together. Here's a chance to play the Arpeggione Sonata (movement 1) in a whole new way. Not sure what Schubert would think, but it's really fun and challenging for both parts. I think it honors the intent of the original pretty well, too. Feel free to transfer fingerings and bowings from your own solo part. There are just a few changes in the viola 1 part that flesh out the lines for duet purposes, but you should recognize it. Have fun! .
$9.99
Hamlet Echoes
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having Hamlet sing in a female
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Christian Jost
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Hamlet Echoes
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Schott Music - Digital
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SheetMusicPlus
Soprano, viola and piano - SKU: S9.Q19865 For soprano, viola and piano. Composed by Christian Jost. This edition: score and parts. Downloadable, ...
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Soprano, viola and piano - SKU: S9.Q19865 For soprano, viola and piano. Composed by Christian Jost. This edition: score and parts. Downloadable, Score and parts. Duration 10 minutes. Schott Music - Digital #Q19865. Published by Schott Music - Digital (S9.Q19865). English • German.'Hamlet-Echos' comes from the full-length opera 'Hamlet' in which Christian Jost interprets Shakespeare's tragedy as 'story of a surreal journey inward'. By having Hamlet sing in a female voice, Jost emphasizes the universal validity of this statement. The intentional bilingualism stands for Hamlet's inner dialogue in which the viola part joins commentating.
$34.99
Christmas Lights
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Coldplay
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Gary D
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Christmas Lights
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DR GARY D BELSHAW
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.796709 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP...
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Piano,Viola - Level 4 - SKU: A0.796709 By Coldplay. By Chris Martin, Guy Berryman, Jonny Buckland, and Will Champion. Arranged by Gary D. Belshaw (ASCAP). Rock. Score and part. 14 pages. DR GARY D BELSHAW #3663727. Published by DR GARY D BELSHAW (A0.796709). 2018 Holiday Contest Entry.This arrangement for Solo Viola is in the original key of G Major.What could be more in the holiday spirit than this Coldplay song about someone who can't believe she's gone? Get yourself into the true holiday spirit, celebrating those Christmas lights. Bring this music to any holiday social or civic event, recital, or concert. Explore the whole range of the instrument, and of the season. Make the most of your own sense of good phrasing and articulation. Use tempo markings freely and exaggerate any and all elements so as to increase expressiveness. The lyrics are included to help you with communicating the song's intent.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us.
$6.99
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