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Vous avez sélectionné:
R Opera
ALTO
Partitions à imprimer
3 partitions trouvées
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Trois pièces : Andante, Sérénade et Chant Serbe
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Scor...
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Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
I Dreamt That I Dwelt in Marble Halls
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Michael W
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Andrew R
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I Dreamt That I Dwelt in Marbl
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GuarrineMusic
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.786003 Composed by Michael W. Balfe and Alfred Bunn. Arranged by Andrew R. Guarrine. Romantic Period. Score and part. 5 ...
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Piano,Viola - Level 3 - SKU: A0.786003 Composed by Michael W. Balfe and Alfred Bunn. Arranged by Andrew R. Guarrine. Romantic Period. Score and part. 5 pages. GuarrineMusic #6073059. Published by GuarrineMusic (A0.786003). I Dreamt That I Dwelt in Marble Halls I found this in a songbook from the early 1900’s and adapted it viola solo and piano. It is an aria from the 1843 English Romantic opera The Bohemian Girl. It is in 3/4 and in the key of Eb with a few melodic ornaments and the highest note is a G. It also contains very few dynamic markings. (express yourself!!) Very playable by players that know how to shift. Grade 2+ Eb major
$6.95
Germaine Tailleferre - Divertissement for viols
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Alto (partie séparée)
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INTERMÉDIAIRE
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Germaine Tailleferre
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Germaine Tailleferre - Diverti
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Musik Fabrik Music Publishing
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.776022 Composed by Germaine Tailleferre. 20th Century,Classical,Instructional,Standards. Individual part. 11 pages. Musik...
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Viola Solo - Level 3 - SKU: A0.776022 Composed by Germaine Tailleferre. 20th Century,Classical,Instructional,Standards. Individual part. 11 pages. Musik Fabrik Music Publishing #2036617. Published by Musik Fabrik Music Publishing (A0.776022). In 1935, Germaine Tailleferre was asked to write the stage music for Jean Sarment's play Madame Quinze which was produced by the Comédie Française. The play was about Madame de Pompadour and Louis XV and also featured the Société de la Musique Ancienne (Henri Casadesus playing the viola d'amour, Marius Casadesus on the quinton, Régina Patorni-Casadesus playing the harpsichord, Lucette Casadesus at the viola de gamba, Maurice Devilliers at the bass viol). The production was reprised by the Comédie Française in 1950, this time at the Odéon theatre and Tailleferre revised her score at that time. This short piece for four viols in present in the 1935 manuscript at the Paris Opera Library. It was also performed during the 1950 reprise, according to materials located at the Library of the Comédie Française.
$11.64
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