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38 partitions trouvées
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26
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
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Violon, Alto (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
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Violon, Alto (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60
Maggiolata-Hubay-Viola/Organ
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Alto, Orgue
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FACILE
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Jeno Hubay
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Phil Beaman
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Maggiolata-Hubay-Viola/Organ
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Phil Beaman
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Viola - Level 2 - SKU: A0.844672 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,We...
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Instrumental Duet Instrumental Duet,Organ,Viola - Level 2 - SKU: A0.844672 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,Wedding. Score and parts. 4 pages. Phil Beaman #4897203. Published by Phil Beaman (A0.844672). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. Most of the expression markings are my own additions. I have scored it as an Instrumental Solo with an Organ accompaniment but a Piano accompaniment could be easily adapted from this. This arrangement, with an octave and a half solo range, is easy enough to be accessible for most players and its beautiful melody will have you singing and longing for spring. 3 page score, 1 page part5:00 minutes with repeatrecording is Violin and piano version
$5.99
Cantique de Noel; O Holy Night - Violin, Viola and Piano - Eb Major
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Piano Trio: Violon, Alto, Piano
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INTERMÉDIAIRE
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Noël
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Adam, Adolph
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Cantique de Noel; O Holy Night
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Music-Scores.com
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - SKU: A0.721049 Composed by Adam, Adolph. Arranged by Anne L Christopherson GRSM...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - SKU: A0.721049 Composed by Adam, Adolph. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score and parts. 20 pages. Music-Scores.com #3877219. Published by Music-Scores.com (A0.721049). Cantique de Noel, or O Holy Night. Adolph Adam composed this beautiful music to a poem by Placide Cappeau, written to celebrate the renovation of the Church organ in Roquemaure, in Southern France.This arrangement is for Violin, Voila and Piano, and is in Eb major.Playing time 6 minutes.Arranged by Anne Christopherson at https://www.music-scores.com
$5.95
Eine Kleine Nachtmusik for 2 Violins, Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Cadenza Editions
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Eine Kleine Nachtmusik for 2 V
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Cadenza Editions
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SheetMusicPlus
Large Ensemble Cello,Guitar,Harpsichord,Organ,Piano,Viola,Violin,Voice - Level 4 - SKU: A0.570272 Composed by Wolfgang Amadeus Mozart. Arranged by Caden...
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Large Ensemble Cello,Guitar,Harpsichord,Organ,Piano,Viola,Violin,Voice - Level 4 - SKU: A0.570272 Composed by Wolfgang Amadeus Mozart. Arranged by Cadenza Editions. Classical,Graduation,Holiday,Wedding. Score and parts. 31 pages. Cadenza Editions #4767321. Published by Cadenza Editions (A0.570272). Eine Kleine Nachtmusik for 2 Violins, Viola and Piano1st mov. - Allegro.
$6.99
Johann Sebastian Bach - Violin Partita No. 3 in E Major _Preludio_ (Viola Version)
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Alto seul
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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ANDRE LAITANO
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Johann Sebastian Bach - Violin
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ANDRÃ? DOS SANTOS
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SheetMusicPlus
Small Ensemble Harpsichord,Organ,Piano,Viola,Voice - Level 1 - SKU: A0.707236 Composed by Johann Sebastian Bach. Arranged by ANDRE LAITANO. Concert,Grad...
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Small Ensemble Harpsichord,Organ,Piano,Viola,Voice - Level 1 - SKU: A0.707236 Composed by Johann Sebastian Bach. Arranged by ANDRE LAITANO. Concert,Graduation,Instructional,Standards,Wedding. Score and parts. 11 pages. ANDRÃ? DOS SANTOS #6675105. Published by ANDRÃ? DOS SANTOS (A0.707236). See other scores on this link: https://www.sheetmusicplus.com/publishers/andr-laitano-sheet-music/3015572 .
$4.00
Adagio in a minor for Organ BWV 564
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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D Oppenheim
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Adagio in a minor for Organ BW
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Dan Oppenheim
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SheetMusicPlus
By Johann Sebastian Bach (1685-1750). Arranged by D Oppenheim. For Violin, Viola, Cello, String Quartet. Baroque Period, Classical Period. Intermediate. Set of ...
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By Johann Sebastian Bach (1685-1750). Arranged by D Oppenheim. For Violin, Viola, Cello, String Quartet. Baroque Period, Classical Period. Intermediate. Set of Parts, Score. Dan Oppenheim #bwv0564-2_4t. Published by Dan Oppenheim
$4.99
Last Night
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Violon, Alto (duo)
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FACILE
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Morgan Wallen
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Henrique Oliveira
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Last Night
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Henrique Oliveira
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 2 - SKU: A0.1255941 By Morgan Wallen. By Morgan Wallen. Arranged by Henrique Oliveira. 21st Century,Chamber,Pop. ...
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Instrumental Duet,Viola,Violin - Level 2 - SKU: A0.1255941 By Morgan Wallen. By Morgan Wallen. Arranged by Henrique Oliveira. 21st Century,Chamber,Pop. 11 pages. Henrique Oliveira #849416. Published by Henrique Oliveira (A0.1255941). Arrangement of Last Night by Morgan Wallen for violin and viola, perfect to play among your friends, students or family. The PDF file is instantly available with the individual parts and the full score. For more arrangements like this, please make sure to check out my page.
$4.99
Brother James's Air
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Alto, Orgue
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christian contemporain
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Evelyn R
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Evelyn Larter Music
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Brother James's Air
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Evelyn R Larter
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Viola - Level 4 - SKU: A0.749882 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christi...
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Instrumental Duet Instrumental Duet,Organ,Viola - Level 4 - SKU: A0.749882 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Concert,Sacred. Score and parts. 7 pages. Evelyn R Larter #6265811. Published by Evelyn R Larter (A0.749882). This lovely melody, associated with the Twenty-third Psalm, can be used at any time of the year for church preludes and offertories, and for recitals. Also available for violin and for cello. For more information on my music please visit www.evelynlartermusic.com, or my Facebook page for Evelyn Larter Music. Feedback always welcome.
$6.99
Pachelbel: Canon for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Viola &am
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.548460 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score...
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Piano,Viola - Level 3 - SKU: A0.548460 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3385399. Published by jmsgu3 (A0.548460). The famous Pachelbel Canon arranged for viola & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
Pachelbel: Canon in D for Solo Viola
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Alto (partie séparée)
#
INTERMÉDIAIRE
#
Classique
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Johann Pachelbel
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James M
#
Pachelbel: Canon in D for Solo
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jmsgu3
#
SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.552083 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Individual pa...
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Viola Solo - Level 3 - SKU: A0.552083 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Individual part. 2 pages. Jmsgu3 #6116381. Published by jmsgu3 (A0.552083). The famous wedding classic arranged for Solo Viola.Duration: 2:12Score: 2 pages. The famous Pachelbel Canon arranged for Solo Viola. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
Bach: Wachet auf for Viola & Piano
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Alto, Piano
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FACILE
#
Classique
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Viola &am
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Saint-Saens: The Swan for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Hist...
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Piano,Viola - Level 3 - SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95
The Swan (Le Cygne) by Saint-Saens - Viola and Piano (Full Score and Parts)
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1179160 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Children,Instructional,...
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Piano,Viola - Level 3 - SKU: A0.1179160 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Children,Instructional,Romantic Period. Score and part. 11 pages. Sheet Music To Play Editions #779132. Published by Sheet Music To Play Editions (A0.1179160). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Viola and Piano. With Full Score and Individual Parts. Enjoy it!Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
The Swan (Le Cygne) by Saint-Saens - Viola and Piano (Individual Parts)
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1222963 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Peri...
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Piano,Viola - Level 3 - SKU: A0.1222963 Composed by Camille Saint-Saens. Arranged by César Madeira. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 6 pages. Sheet Music To Play Editions #819165. Published by Sheet Music To Play Editions (A0.1222963). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Viola and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$4.99
The Swan (Le Cygne) by Saint-Saens - Viola and Piano (Full Score)
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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César Madeira
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The Swan
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1222970 Composed by Camille Saint-Saens. Arranged by César Madeira. Children,Classical,Film/TV,Multicultural,Romantic...
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Piano,Viola - Level 3 - SKU: A0.1222970 Composed by Camille Saint-Saens. Arranged by César Madeira. Children,Classical,Film/TV,Multicultural,Romantic Period,World. Score and part. 6 pages. Sheet Music To Play Editions #819169. Published by Sheet Music To Play Editions (A0.1222970). The Swan (Le Cygne) 13º movement from The Carnival of the Animals Suite. Arrangement for Viola and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Camille Saint-Saens (1835 - 1921) was a French composer, pianist and organist. He was one of the greatest composers of his day. He composed lots of music of different kinds. Among his best works are his Symphony no 3 (with organ) , Piano Concerto no 2, Violin Concerto no 3, Cello Concerto no 1, the opera Samson and Delilah and the Danse Macabre. His most popular work, however, is the Carnival of the Animals. Saint-Saens hated being thought of as the composer of the Carnival of the Animals. He said he had only written it for a bit of fun and he did not want anyone to perform it. Today it still remains one of the most popular pieces for children.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$4.99
Allegro (from "Concerto for Four Claviers") (G min) (Viola Quintet)
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Ensemble d'Altos
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 5 - SKU: A0.813408 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructi...
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String Ensemble,String Quintet Viola - Level 5 - SKU: A0.813408 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 45 pages. Regis Bookshar #6209851. Published by Regis Bookshar (A0.813408). Viola Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Viola Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (45 pages). In addition to this version for 5 Violas, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (A min) (Viola Quintet)
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Ensemble d'Altos
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 5 - SKU: A0.813383 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructi...
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String Ensemble,String Quintet Viola - Level 5 - SKU: A0.813383 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 45 pages. Regis Bookshar #6209773. Published by Regis Bookshar (A0.813383). Viola Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Viola Quintet, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (45 pages). In addition to this version for 5 Violas, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Canon, Duet for Viola & Harp
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Alto et Harpe
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INTERMÉDIAIRE
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Classique
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Johann Pachelbel
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Serena O'Meara
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Canon, Duet for Viola & Ha
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O'Meara Music
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Viola - Level 3 - SKU: A0.1200751 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,C...
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Instrumental Duet Harp,Instrumental Duet,Viola - Level 3 - SKU: A0.1200751 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 18 pages. O'Meara Music #799444. Published by O'Meara Music (A0.1200751). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts.
$11.00
Silent Night--viola duet
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Noël
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Joseph Mohr, Franz Gruber
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Beka Wilson
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Silent Night--viola duet
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Beka Wilson
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 4 - SKU: A0.786761 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christi...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 4 - SKU: A0.786761 Composed by Joseph Mohr, Franz Gruber. Arranged by Beka Wilson. Christian,Christmas,Sacred. Score and parts. 6 pages. Beka Wilson #6431075. Published by Beka Wilson (A0.786761). A gorgeous, thoughtful rendition of a Christmas classic. Silent Night is said to have been composed by a priest and an organist in Austria on a Christmas Eve, making this a perfect piece to play at a party, recital, or a church service surrounding the holidays.Length: around 2.5 minutes--6 pages (includes score and parts)Level: intermediate for most instruments, advanced intermediate for violin/viola/cello due to pizzicato and/or double stops. Versions with the harp part have no sudden lever changes and a 6-measure rest for the harp near the key change. This arrangement is available as a trio for:flute/flute/harpviolin/violin/harpviola/viola/harpcello/cello/harp;As a duet (with piano accompaniment) for: two flutes/oboestwo B flat instruments (clarinet, trumpet, tenor sax, etc)two alto saxestwo F hornstwo bass clef C instruments (bassoon, trombone, etc)two violinstwo violastwo cellos.
$9.99
The Pride of Occitania for Cello (or Viola) and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Hans-Andre Stamm
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The Pride of Occitania for Cel
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Hans-Andre Stamm
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 4 - SKU: A0.853150 Composed by Hans-Andre Stamm. 20th Century,Celtic,Concert,World. ...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 4 - SKU: A0.853150 Composed by Hans-Andre Stamm. 20th Century,Celtic,Concert,World. Score and parts. 10 pages. Hans-Andre Stamm #3488685. Published by Hans-Andre Stamm (A0.853150). The piece is the 2nd mvmt of a 2 part Suite for violin and organ, the 1st mvmt being Romance (also available). The piece is the 2nd mvmt of a 2 part Suite for violin and organ, the 1st mvmt being Romance (also available). With its combination of chasing tremolos with melody lines it is inspired by visits of the Pays cathare in South West France, which in medieval times was part of Occitania, which still holds a rich spiritual heritage which tells from the Gnostic movement of the Cathars, from troubabours, minnesong and the long power struggle to defend the freedom ot this region, which was finally absorbed by the French king. An alternative viola part is included.Listen to the version with violin on Youtube: www.youtube.com/watch?v=Bi6j84xgGBU
$8.95
Romance for Violoncello (Viola) and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Contemporain
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Hans-Andre Stamm
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Romance for Violoncello
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Hans-Andre Stamm
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SheetMusicPlus
Small Ensemble Cello,Piano,Viola - Level 3 - SKU: A0.853122 Composed by Hans-Andre Stamm. 20th Century. Score and parts. 10 pages. Hans-Andre Stamm #348...
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Small Ensemble Cello,Piano,Viola - Level 3 - SKU: A0.853122 Composed by Hans-Andre Stamm. 20th Century. Score and parts. 10 pages. Hans-Andre Stamm #3484291. Published by Hans-Andre Stamm (A0.853122). The wide-stretched melody lines of this dreamy piece are linked by modal melody lines of the organ, reminding of Gregorian chant. They lend the piece a slightly archaic character. Duration ca. 2.35 min.Listen to the version with violin and organ on Youtube: www.youtube.com/watch?v=XjrR80-BfSA
$4.95
Amazing Grace (viola solo and piano) - Score & parts
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Alto, Piano
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INTERMÉDIAIRE
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Anthony Giamanco
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Amazing Grace
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Whole Tone Press
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.773774 Arranged by Anthony Giamanco. Christian,Concert,Contemporary,Sacred,Standards. Score and part. 11 pages. Whole To...
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Piano,Viola - Level 3 - SKU: A0.773774 Arranged by Anthony Giamanco. Christian,Concert,Contemporary,Sacred,Standards. Score and part. 11 pages. Whole Tone Press #5298911. Published by Whole Tone Press (A0.773774). Amazing Grace is beautifully arranged for viola solo and piano. The viola has the melody throughout with slight variations, playable by an intermediate level violinist. The captivating piano accompaniment creates a distinctive mood with unexpected harmonies that give new life to the beloved hymn. A wonderful addition to the sacred repertoire for solo instrument and piano, this piece will make a lasting impression on your congregation or concert audience. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, and on YouTube. Contact info: tony@shalomlife.org.
$4.99
Pas de Deux from The Satyricon Ballet Viola and Piano
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Alto (partie séparée)
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INTERMÉDIAIRE
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James Nathaniel Holland
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Pas de Deux from The Satyricon
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James Nathaniel Holland
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.730261 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Sacred,Wedding. Individual part. 5 pages. James Nat...
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Viola Solo - Level 3 - SKU: A0.730261 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Sacred,Wedding. Individual part. 5 pages. James Nathaniel Holland #1910761. Published by James Nathaniel Holland (A0.730261). Arranged for Viola solo and Orchestra Reduction Piano Accompaniment (Duration: 5:12) Enjoy playing this beautiful Pas de Deux from James Nathaniel Holland's ballet The Satyricon Meditative and relaxing, a nice addition to cafe music repertoire, weddings and special music for religious services. Originally written for viola, violin and orchestra. Piano full score and part included. James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$3.95
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