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One More Night
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One More Night
EUPHONIUM
Partitions à imprimer
6 partitions trouvées
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1
Cockles And Mussels (Molly Malone)
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Quintette de Cuivres: autres combinaisons
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DÉBUTANT
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Folklorique/Traditionel
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John Lizamore Venter
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Cockles And Mussels
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Peet du Toit
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Tuba - Level 1 - SKU: A0.1377777 Composed by John Lizamore Venter. Arranged by Edmund Forman (Arranger) Peet du Toit ...
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Brass Quintet Euphonium,Flugelhorn,Tuba - Level 1 - SKU: A0.1377777 Composed by John Lizamore Venter. Arranged by Edmund Forman (Arranger) Peet du Toit (Orchestrator). Folk. 7 pages. Peet du Toit #962372. Published by Peet du Toit (A0.1377777). Molly Malone (also known as Cockles and Mussels or In Dublin's Fair City) is a popular song set in Dublin, Ireland, which has become its unofficial anthem.The Molly Malone statue in Grafton Street was unveiled by then Lord Mayor of Dublin, Alderman Ben Briscoe, during the 1988 Dublin Millennium celebrations, when 13 June was declared to be Molly Malone Day. The statue was presented to the city by Jury's Hotel Group to mark the Millennium.On 18 July 2014, the statue was relocated to Suffolk Street, in front of the Tourist Information Office, to make way for Luas track-laying work to be completed at the old location.The song tells the fictional tale of a fishwife who plied her trade on the streets of Dublin and died young, of a fever. In the late 20th century a legend grew up that there was a historical Molly, who lived in the 17th century. She is typically represented as a hawker by day and part-time sex-worker by night. In contrast she has also been portrayed as one of the few chaste female street-hawkers of her day.There is no evidence that the song is based on a real woman, of the 17th century or any other time. The name Molly originated as a familiar version of the names Mary and Margaret. While many such Molly Malones were born in Dublin over the centuries, no evidence connects any of them to the events in the song. Nevertheless, the Dublin Millennium Commission in 1988 endorsed claims made for a Mary Malone who died on 13 June 1699, and proclaimed 13 June to be Molly Malone Day.A variant, Cockles and Mussels, with some different lyrics, appeared in Students' Songs: Comprising the Newest and Most Popular College Songs As Now Sung at Harvard, Yale, Columbia, ... Union, etc in 1884.
$13.00
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Can You Feel The Love Tonight
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Euphonium, Piano (duo)
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FACILE
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Elton John
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Harry Walker
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Can You Feel The Love Tonight
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SCORE EDITIONS
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1471292 By Elton John. By Elton John and Tim Rice. Arranged by Harry Walker. Broadway,Chamber,Children,Film/TV,Music...
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Euphonium,Piano - Level 2 - SKU: A0.1471292 By Elton John. By Elton John and Tim Rice. Arranged by Harry Walker. Broadway,Chamber,Children,Film/TV,Musical/Show,Pop. Score and part. 9 pages. SCORE EDITIONS #1048953. Published by SCORE EDITIONS (A0.1471292). Can You Feel the Love Tonight is a song composed by Elton John with lyrics by Tim Rice, featured in Disney's animated film The Lion King (1994). The song captures a pivotal moment in the movie, reflecting themes of love, unity, and harmony. It has become one of Elton John’s most beloved ballads and a timeless classic in both pop and film music. Can You Feel the Love Tonight is more than just a song from a movie; it is a celebration of love and connection. Its ability to convey deep emotions through its melody and lyrics has made it a beloved classic. The song’s impact on popular culture and its enduring legacy highlight the genius of Elton John and Tim Rice, and their contribution to the magical world of The Lion King. In this version, the composition was arranged for Euphonium BC and Piano by Harry Walker.
$5.99
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  ÂÂ
$26.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
15 Euphonium and Tuba Duets for Fun (popular classics) - various levels
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Euphonium, Tuba (duo)
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INTERMÉDIAIRE
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Classique
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Newton, Meacham, Handel, Deli
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Austin Ralphson
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15 Euphonium and Tuba Duets fo
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Austin Ralphson
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SheetMusicPlus
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino. Arranged by Austin Ralphson. Baroque Period, Jazz, Repertoire, Wedding, Re...
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Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino. Arranged by Austin Ralphson. Baroque Period, Jazz, Repertoire, Wedding, Recital. Score. 62 pages. Published by Austin Ralphson
This is a book of popular pieces arranged for duet. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional Welsh melodies and baroque classics and other popular pieces. Music is provided in B flat treble and concert pitch bass clefs. This is the full list: 1. All Through The Night (Welsh trad.) 2. Amazing Grace (Newton) 3. American Patrol (Meacham) 4. David of the White Rock (Welsh trad.) 5. Fanfare from ?Water Music? (Handel) 6. Happy Birthday 7. Largo from ?Xerxes? (Handel) 8. Myfanwy (Welsh trad.) 9. Pizzicati from ?Sylvia? (Delibes) 10. Prelude in C (Bach) 11. La Réjouissance from ?Music for the Royal Fireworks? (Handel) 12. Rondo from ?Abdelazer? (Purcell) 13. Scherzo from Symphony No. 2 (Beethoven) 14. Suo Gan (Welsh trad.) 15. Concerto for Mandolin and Strings (Ugolino) Volume 2 is now also available - search for "15 More Duets" - and also a multipack containing both volumes at a reduced price - search for "Complete Book of 30 Duets"
$16.99
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One More Night
