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Crtitères actifs :
Schumann
EUPHONIUM
Partitions à imprimer
15 partitions trouvées
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1
Schumann: Träumerei Op. 15 No. 7 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Robert Schumann
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James M
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Schumann: Träumerei Op. 1
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550193 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Sc...
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Euphonium,Piano - Level 3 - SKU: A0.550193 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Score and part. 5 pages. Jmsgu3 #4598383. Published by jmsgu3 (A0.550193). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore.
$24.95
Schumann: Träumerei Op. 15 No. 7 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Robert Schumann
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James M
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Schumann: Träumerei Op. 1
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550192 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Sc...
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Euphonium,Piano - Level 3 - SKU: A0.550192 Composed by Robert Schumann. Arranged by James M. Guthrie. Concert,Holiday,Love,Romantic Period,Standards. Score and part. 5 pages. Jmsgu3 #4598379. Published by jmsgu3 (A0.550192). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà Duration ca. 2:38 An unexpected and welcome recital encore.
$24.95
Schumann : Album pour la jeunesse, Opus 68, Livre I - N° 3 En fredonnant
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Euphonium
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DÉBUTANT
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Classique
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Schumann
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Album pour la jeunesse, Opus 6
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Tomplay
Telechargez la partition Euphonium Album pour la jeunesse, Opus 68, Livre I - N° 3 En fredonnant de Schumann (Robert). Partition pour Euphonium avec piano d...
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Telechargez la partition Euphonium Album pour la jeunesse, Opus 68, Livre I - N° 3 En fredonnant de Schumann (Robert). Partition pour Euphonium avec piano d'accompagnement -- Classique
2.99€
Schumann : Album pour la jeunesse, Opus 68, Livre I - N° 3 En fredonnant - Version transposée
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Euphonium
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DÉBUTANT
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Classique
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Schumann
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Album pour la jeunesse, Opus 6
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Tomplay
Telechargez la partition Euphonium Album pour la jeunesse, Opus 68, Livre I - N° 3 En fredonnant - Version transposee de Schumann (Robert). Partition pour E...
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Telechargez la partition Euphonium Album pour la jeunesse, Opus 68, Livre I - N° 3 En fredonnant - Version transposee de Schumann (Robert). Partition pour Euphonium avec piano d'accompagnement -- Classique
2.99€
Scenes From Childhood (Kinderscenen) for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Robert Schumann
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Ralph Sauer
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Piano by Ralph Sauer.
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Scenes From Childhood
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792477 Composed by Robert Schumann. Arranged by Ralph Sauer. 20th Century,Concert,Romantic Period. Score and part. 3...
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Euphonium,Piano - Level 5 - SKU: A0.792477 Composed by Robert Schumann. Arranged by Ralph Sauer. 20th Century,Concert,Romantic Period. Score and part. 32 pages. Gordon Cherry #4988213. Published by Gordon Cherry (A0.792477). Scenes From Childhood (Kinderscenen), Opus 15 is a set of 13 pieces of music that Schumann wrote for Piano in 1838. They are his reminiscences of childhood and have been beautifully scored for Euphonium & Piano by Ralph Sauer. The most well known of the movements is Tråumerei (Dreaming) and has been used in movies to portray love scenes because of its tenderness and beauty. The music is appropriate for advanced performers and the collection contains close to 20 minutes of some very sublime and poetic music. Any of these pieces can be inserted into a recital program.
$22.50
Three Romances for Euphonium and Piano, Opus 94
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Robert Schumann
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Sauer, Ralph
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Three Romances for Euphonium a
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.810756 Composed by Robert Schumann. Arranged by Sauer, Ralph. Romantic Period. Score and part. 32 pages. Gordon Cher...
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Euphonium,Piano - Level 5 - SKU: A0.810756 Composed by Robert Schumann. Arranged by Sauer, Ralph. Romantic Period. Score and part. 32 pages. Gordon Cherry #2869113. Published by Gordon Cherry (A0.810756). Schumann's Three Romances for Euphonium & Piano, Opus 94, are an example of the highest level of poetic lyricism in the Romantic style. Originally for Oboe, Ralph Sauer has done a superb job in transcribing these three movements of about 12 minutes in length total. For moderately advanced performers, this work can be a major piece on your recital or concert. Parts are supplied for bass and treble clef readers.
$17.50
Intermezzo
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Euphonium, Piano (duo)
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Robert Schumann
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Timofei Dokshitser
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Intermezzo
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 2 - SKU: R0.46690 From Carnival Scenes from Vienna Op. 26. Composed by Robert Schumann. Arranged by Timofei Dokshitser....
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Euphonium & Piano - Grade 2 - SKU: R0.46690 From Carnival Scenes from Vienna Op. 26. Composed by Robert Schumann. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 9 pages. Duration 1'53. Editions Marc Reift - Digital #46690. Published by Editions Marc Reift - Digital (R0.46690).
$11.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Sonata No. 2, Op. 120 for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Johannes Brahms
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Ralph Sauer
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Sonata No. 2, Op. 120 for Euph
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.820255 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 36 pages. Go...
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Euphonium,Piano - Level 5 - SKU: A0.820255 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 36 pages. Gordon Cherry #426769. Published by Gordon Cherry (A0.820255). Ralph Sauer has transcribed the beautiful Brahms (Clarinet) Sonata No. 2, Op. 120 for Euphonium and Piano. This major work of over 21 minutes in length is suitable for advanced performers. The Sonata No. 2 Op. 120 is a late work that was composed along with Sonata No. 1 in 1894. The work is in 3 movements: Allegro amabile, Allegro appassionato and Andante con moto. Soon after completing the composition, Brahms got together with Richard Mühlfeld for whom the solo was written and they performed both Sonatas with a private audience from Clara Schumann. Sonata No. 2 is a work of unimaginable beauty and will become a part of the Euphonium repertoire. If you've ever wanted to play a marvelous solo piece by the great Johannes Brahms, this is it!!!
$32.50
Sonata No. 1, Op. 120 for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Classique
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Johannes Brahms
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Ralph Sauer
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Sonata No. 1, Op. 120 for Euph
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792822 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherr...
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Euphonium,Piano - Level 5 - SKU: A0.792822 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #6687745. Published by Gordon Cherry (A0.792822). Ralph Sauer has transcribed the beautiful Brahms (Clarinet) Sonata No. 1, Op. 120 for Euphonium and Piano. This major work of over 23 minutes in length is suitable for advanced players.The Sonata No. 1 Op. 120 is a late work that was composed along with Sonata No. 2 in 1894. The work is in 4 movements: Allegro appassionato, Andante un poco adagio, Allegretto grazioso and Vivace. Soon after completing the composition, Brahms got together with Richard Mühlfeld for whom the solo was written and together they performed the Sonata with a private audience from Clara Schumann.This work is one of unimaginable beauty and will become a part of the Euphonium repertoire.If you've ever wanted to play a marvelous solo piece by the great Johannes Brahms, this is it!!!
$32.50
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Sullivan: The Lost Chord for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for E
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 4 - SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
Six Album Leaves from Op. 51 for Euphonium & Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Gliere, Reinhold
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Sauer, Ralph
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Six Album Leaves from Op. 51 f
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.810831 Composed by Gliere, Reinhold. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 28 page...
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Euphonium,Piano - Level 5 - SKU: A0.810831 Composed by Gliere, Reinhold. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 28 pages. Gordon Cherry #3421025. Published by Gordon Cherry (A0.810831). Gliere's beautiful character pieces, Six Album Leaves from Op. 51 are from a larger collection of twelve originally written for Cello and Piano in 1911 while the composer was living in Berlin. The composer most likely was inspired by Schumann’s versions which were unknown in Russia. The pieces are full of eastern sounding melodies and exploit the singing nature of the Euphonium. Mr. Sauer has brilliantly arranged six of these for advanced performers in bass clef.
$20.00
10 Romantic Pieces - Trombone or Euphonium Duet
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Trompette, Euphonium (duo)
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FACILE
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Classique
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Anton Rubinstein, Antonin Dv
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Francesco Leone
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10 Romantic Pieces - Trombone
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Glissato Edizioni Musicali
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SheetMusicPlus
Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, and Modest Petrovich Mussorgsky. Arranged by Francesco Leone. C...
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Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, and Modest Petrovich Mussorgsky. Arranged by Francesco Leone. Concert,Instructional,Romantic Period,Standards. Score and parts. 53 pages. Glissato Edizioni Musicali #6604273. Published by Glissato Edizioni Musicali
10 Easy Romantic Pieces arranged for Trombone or Euphonium Duet (scored in 4 different keys).
contents titles: 1. Largo from "New World Simphony" ? A. Dvork 2. Theme from "Le Streghe" - N.Paganini 3. Melody ? A. Rubinstein 4. Soldier March ? R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvork
7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane lake" P.I.Tchaikovsky
$11.99
Reverie on a Theme of Robert Schumann
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Euphonium
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Hilfiger
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Reverie on a Theme of Robert S
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BrassWorks4 - Digital
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SheetMusicPlus
By Hilfiger. For Euphonium Solo (trombone or euphonium with piano). Solo part and piano score. Published by BrassWorks4 - Digital ...
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By Hilfiger. For Euphonium Solo (trombone or euphonium with piano). Solo part and piano score. Published by BrassWorks4 - Digital
$14.00
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