This methodis for fourth Year students Musical.


It coversthe bulk of the acquisitions requested for
fourth year of Formation and will make them discover all the language
Musical they need to play theirinstrument.


Each lessonincludes:


- Readingnotes horizontal and vertical
- Reading rhythm by the directory
- Rhythm struck hands together one voice two voice
- Singing
- Theory
- Melodic dictation
- Rhythmic Dictation

Vocal training simply
traditional baroque and classical european chant

Vocal training simply
traditional baroque and classical european chant

This methodis for third Year students Musical.


It coversthe bulk of the acquisitions requested for
third year of Formation and will make them discover all the language
Musical they need to play theirinstrument.


Each lessonincludes:


- Horizontal and vertical readingnotes
- Reading by the directory
- Reading rhythm
- Rhythm struck hands together one voice and two voice
- Rhythm struck and read by the directory
- Singing
- Theory
- Melodic dictation
- Rhythmic Dictation

Exercises for Developing Jazz Improvisation Volume II

This method book covers a further 2 techniques to help the developing jazz player expand their jazz skills. These can also be purchased individually:

Examining Diminished Scales

This section looks at Whole/Half and Half/Whole step diminished scales. It includes ascending/descending broken chord exercises plus scale patterns for both Whole/Half and Half/Whole step diminished scales. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the exercises.

Triad Pairs and Hexatonic Scales

This section focuses on 4 common triad pairs and their related hexatonic scales - 2 major triads a whole step apart, 2 major triads a tritone apart, major/augmented triads a whole step apart and 2 minor triads a whole step apart. There are exercises and patterns for each triad pair/hexatonic scale plus suggested chord applications for each. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the practice exercises and sample solos.

Although originally created for sax students, all books have now been adapted for C, Bb, Eb and Bass Clef instruments.

ISBN 9781609748708.

A thorough, easily understood workbook of basic music fundamentals. Includes many examples and exercises, as well as an excellent section on harmony. Designed for individual group study. A good supplement to any basic method and a valuable text for any music student.

ISBN 9781609748708.

A thorough, easily understood workbook of basic music fundamentals. Includes many examples and exercises, as well as an excellent section on harmony. Designed for individual group study. A good supplement to any basic method and a valuable text for any music student.

ISBN 9781609742409. In this book Mike Perlowin combines the practical experience of being a working musician in the fields of rock, blues, country, RandB, reggae, and bluegrass with the theoretical knowledge of an academic background to explain music theory in terms that any moderately accomplished musician can understand. Starting with the most basic of lessons, Perlowin clearly and concisely explains the tonal relationships between notes and how they form different types of scales and chords. Instead of using examples from unfamiliar classical music, this book uses well known tunes like Mary had a Little Lamb or Silent Night to illustrate theoretical principles. Rather than offering information on how to play a specific instrument, this book is designed for people who already play proficiently but don't understand music's underlying theoretical principles. Although the book is relatively short, it contains the equivalent of a year's worth of college level material, all made accessible to the average musician desiring a better understanding of music theory.