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Debussy: Arabesque 1 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.551626 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.551626 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and individual part. 22 pages. Jmsgu3 #5325587. Published by jmsgu3 (A0.551626). Claude Debussy: Arabesque 1, Duration: ca. 3:30. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
30.83 €
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 1 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Sixteen Tons
C Instrument - Level 4 - Digital Download SKU: A0.1417391 Composed by Alan Galbrait…
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C Instrument - Level 4 - Digital Download SKU: A0.1417391 Composed by Alan Galbraith, Andrew Mckay, Benny Trowell, and Mark Matthews. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #998938. Published by John Fries (A0.1417391). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Sixteen Tons is a song written by Merle Travis about a coal miner, based on life in the mines of Muhlenberg County, Kentucky. The line another day older and deeper in debt from the chorus came from a letter written by Travis's brother John. This and the line I owe my soul to the company store are a reference to the trucking system and to debt bondage. Under this scrip system, workers were not paid cash; rather they were paid with non-transferable credit vouchers that could be exchanged only for goods sold at the company store. This made it impossible for workers to store up cash savings.
$3.99
3.73 €
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Alan Galbraith, Andrew Mckay, Benny Trowell, and Mark Matthews
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John Fries
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Sixteen Tons
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John Fries
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SheetMusicPlus
America The Beautiful, Vocal Duet
Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.76…
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.763299 Composed by Samuel A Ward. Arranged by Nigel Williams. Folk,Holiday,Patriotic. Score and parts. 15 pages. Nigel Williams #4270585. Published by Nigel Williams (A0.763299). America The beautiful, (Materna), arranged for mezzo soprano and high baritone soloists with keyboard, trumpet in Bb and side drum. Music theater voices would suit this arrangement particularly well, the soprano sings the first verse, the baritone the second, with both voices combining in harmony for the last verse. Due to the instrumentation employed this arrangement will sound well in an outside arena such as a stadium as well as inside the concert hall or church as all the performers can be miked and routed through the sound system to achieve optimal balance. America The Beautiful is Ideal for senior high school and college performances as well as church services. The performance duration is two and a half minutes and the full score has all the individual parts attached. To see more of my patriotic music on SMP, check out my choral arrangements of Amazing Grace (SATB) with Trumpet (The Last Post) and Blessed Assurance (SATB and TTBB) with Trumpet (The Last Post). .
$5.99
5.6 €
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Samuel A Ward
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Nigel Williams
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America The Beautiful, Vocal Duet
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Nigel Williams
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.83 €
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
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