An arrangement of the timeless classic song that combines the rich harmonic palette of the jazz idiom with some keyboard techniques of the 19th century romantic composers. Performance duration is about 3 minutes 45 seconds, and a performance can be viewed at youtube.com/c/rupertaustin/videos.

A six bar introduction hints at the bridge of the song before the first two verses are presented; the first with chordal writing and the second introducing some left hand arpeggios. The first appearance of the bridge stays close to the original. This is followed by two more verses where the right hand takes flight with figurations that at first outline the famous melody, before the roulades of notes lose sight of the melody and instead weave around the harmonic changes. At bar 48 the bridge reappears with the melody incorporated into a right hand figuration inspired by passages from a Chopin etude (Op. 25, No. 11). However, the much slower tempo makes this section far more approachable than Chopin's fearsome etude. At bar 56 an earlier version of the verse is repeated, which then leads to the close.

A flexible tempo should be used, with generous rubato in appropriate places. In particular, bar 41 should not sound rushed and tempo can be held back significantly here. Fingering suggestions are given in many places, but these will not suit all hands. The closest attention to fingering is required in bars 48-49 and 52-54. The dynamic markings should be viewed as a rough guide and the performer is encouraged to find their own interpretation.

An arrangement of the beautiful Gershwin song, that unusually appeared in two different Broadway productions: Treasure Girl from 1928 and Strike Up The Band from 1930. Performance duration is about 4 minutes 45 seconds, and a performance can be viewed at youtube.com/c/rupertaustin/videos.

The verse is presented in the first 16 bars, where much freedom of tempo should be used. The chorus is then presented three times, with the second version (bars 34 to 50) using more florid keyboard writing and requiring a slightly slower and freer tempo than the first (bars 17 to 33) and third (bars 51 to 70) versions.

Some fingering suggestions have been included.

Item Number: H0.507253-SC000017506

Here?s how to play ?A Million Dreams? from ?The Greatest Showman? on piano!

With this piano sheet music, you can play the whole song - it?s a beautiful and accurate piano arrangement of ?A Million Dreams? in the song?s original key, it?s not too hard to play and sounds fantastic!

The whole melody is included in the piano arrangement, so it sounds great if it?s just performed instrumentally.

But of course, you can also use these piano sheets to accompany singers, or sing along yourself!

These piano sheets come with the song?s full lyrics and chords.

"A Million Dreams" is a song from the 2017 musical drama "The Greatest Showman" starring Hugh Jackman and Zac Efron. The film tells the story of P. T. Barnum, who founded the "Barnum and Bailey Circus" in 1871.

"A Million Dreams" was written by Benj Pasek and Justin Paul, and performed by members of the film's cast, including Ziv Zaifman, Hugh Jackman and Michelle Williams.

Here's how to play "Over the Rainbow" on piano!

With this piano sheet music, you can play "Over the Rainbow" in a beautiful arrangement, with just the right amount of jazzy chords and "blue notes".

The full melody of the song is included in the piano part, so it sounds great when it's just played as an instrumental version. But of course, you can use these sheets to accompany singers, or sing along yourself as well!

The full lyrics to "Over the Rainbow" are included in these piano sheets, too.

If you like this arrangement, I'd appreciate your review!

The famous ballad "Over the Rainbow" was composed by Harold Arlen for the 1939 film "The Wizard of Oz" starring Judy Garland (as Dorothy Gale), Frank Morgan abd Ray Bolger.

The film is certainly one of Judy Garland's most famous works, and her performance of "Over the Rainbow" is one of the reasons!
"Over the Rainbow" won an Academy Award for "Best Original Song" in 1940.

An arrangement of Gershwin's famous melody for solo piano, using both jazz ballad and up-tempo bebop jazz styles. Performance duration is about 4 minutes 45 seconds, and a performance can be viewed at youtube.com/c/rupertaustin/videos.

The arrangement begins in a slow moody jazz ballad style with a four bar introduction and two presentations of the 16 bar melody; with the second (from bar 21) exploring aspects of the melody in improvisatory syle. The performer can optionally omit the extensive up-tempo section that follows, and jump from end of bar 34 to bar 136, providing a fairly brief ballad performance. Alternatively the tempo picks up at bar 35 and six up-tempo improvisatory explorations of the melody, with much use of syncopation, are given (double bar lines marking beginning of each of the six sections). This is followed by a slowing of the tempo from bar 134 and a quiet close of the piece. Swinging quavers should be used between bars 35 and 135, with the final two bars returning to straight quavers.

This is a clear and accurate transcription of "Mia and Sebastian's Theme" by Justin Hurwitz.
A beautiful piano piece from the soundtrack to the 2016 film "La La Land" (starring Ryan Gosling and Emma Stone).