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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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10932
PIANO & CLAVIERS
Piano, Voix
25097
Piano seul
11971
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4003
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476
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407
Piano Trio: piano, violon, violoncelle
292
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240
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192
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149
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140
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125
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64
Piano grosses notes
26
1 Piano, 6 mains
21
Clavier
13
Orgue, Piano (duo)
9
2 Pianos, 8 mains
6
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103
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47
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90
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81
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39
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30
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13
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8
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2
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2227
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1099
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956
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835
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488
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433
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169
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97
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48
Flûte, Violoncelle, Piano (trio)
45
Saxophone et Piano
37
2 Flûtes traversières, Piano
32
2 Clarinettes, Piano
31
Flûte à Bec, Piano
24
Clarinette, Violoncelle, Piano (trio)
20
Clarinette, Basson, Piano (trio)
19
Piccolo, Piano
12
Harmonica, Piano
7
2 Flûtes à bec, Piano
4
Flûte, Guitare, Piano
2
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CUIVRES
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675
Trombone et Piano
668
Cor et Piano
526
Tuba et Piano
274
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205
Trombone basse et Piano
21
2 Trompettes, Clavier (piano ou orgue)
11
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3448
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2752
Violoncelle, Piano
1879
Alto, Piano
1160
Contrebasse, Piano (duo)
258
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59
2 Violons, Piano
57
2 Violoncelles, Piano
22
Harpe et Piano
6
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PERCUSSIONS & ORCHESTRES
Vibraphone (partie séparée)
23
Piano et Orchestre
11
AUTRES
Vous avez sélectionné:
Romantic
PIANO
Piano, Voix
Partitions à imprimer
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9976
The Knight From Palestine. A Romantic Ballad
Piano, Voix
Piano and voice - Digital Download SKU: LV.17711 Composed by John H. Hewitt. Armor,…
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Piano and voice - Digital Download SKU: LV.17711 Composed by John H. Hewitt. Armor, Horseback riding, Spears, Campaigns & battles, War, Courtship & love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17711). The Knight From Palestine. A Romantic Ballad. Written, Composed by John H. Hewitt. Published [n.d.] by Geo. Willig, Jr., No.149 Market St. in Baltimore. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Armor, Horseback riding, Spears, Campaigns & battles, War, Courtship & love. First line reads Blow warder blow thy brazen horn, the champion of the cross is near.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.46 €
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Piano, Voix
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John H
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The Knight From Palestine. A Romantic Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
"Romantic Piano Music Collection"-Volume 1
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634197 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634197 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 14 pages. F & N Enterprise #3537387. Published by F & N Enterprise (A0.634197). An excellent arrangement of Romantic Piano Music Collection-Volume 1. (5 Original Piano Pieces)
$5.99
5.46 €
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Piano, Voix
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Fishel Pustilnik
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Fishel Pustilnik
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"Romantic Piano Music Collection"-Volume 1
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F & N Enterprise
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SheetMusicPlus
"Romantic Piano Music Collection"-Volume 3
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634199 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634199 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 13 pages. F & N Enterprise #3537677. Published by F & N Enterprise (A0.634199). An excellent arrangement of Romantic Piano Music Collection-Volume 3. (5 Original Piano Pieces)
$5.99
5.46 €
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Piano, Voix
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Fishel Pustilnik
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Fishel Pustilnik
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"Romantic Piano Music Collection"-Volume 3
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F & N Enterprise
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SheetMusicPlus
"Romantic Piano Music Collection"-Volume 2
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634198 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634198 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 12 pages. F & N Enterprise #3537475. Published by F & N Enterprise (A0.634198). An excellent arrangement of Romantic Piano Music Collection-Volume 2. (5 Original Piano Pieces)
$5.99
5.46 €
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Piano, Voix
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Fishel Pustilnik
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Fishel Pustilnik
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"Romantic Piano Music Collection"-Volume 2
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F & N Enterprise
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SheetMusicPlus
"Romantic Piano Music Collection"-Volume 5
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634201 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634201 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 14 pages. F & N Enterprise #3538083. Published by F & N Enterprise (A0.634201). An excellent arrangement of Romantic Piano Music Collection-Volume 5. (5 Original Piano Pieces)
$5.99
5.46 €
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Piano, Voix
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Fishel Pustilnik
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Fishel Pustilnik
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"Romantic Piano Music Collection"-Volume 5
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F & N Enterprise
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SheetMusicPlus
"Romantic Piano Music Collection"-Volume 4
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634200 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634200 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 11 pages. F & N Enterprise #3538053. Published by F & N Enterprise (A0.634200). An excellent arrangement of Romantic Piano Music Collection-Volume 4. (5 Original Piano Pieces)
$5.99
5.46 €
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Piano, Voix
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Fishel Pustilnik
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Fishel Pustilnik
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"Romantic Piano Music Collection"-Volume 4
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F & N Enterprise
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SheetMusicPlus
"Romantic Piano Music Collection"-Volume 7
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634203 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634203 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 13 pages. F & N Enterprise #3538281. Published by F & N Enterprise (A0.634203). An excellent arrangement of Romantic Piano Music Collection-Volume 7. (5 Original Piano Pieces)
$5.99
5.46 €
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Piano, Voix
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Fishel Pustilnik
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Fishel Pustilnik
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"Romantic Piano Music Collection"-Volume 7
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F & N Enterprise
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SheetMusicPlus
"Romantic Piano Music Collection"-Volume 8
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634204 Composed by Fishel Pu…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.634204 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Concert,Film/TV,Jazz,Pop. Score. 12 pages. F & N Enterprise #3538603. Published by F & N Enterprise (A0.634204). An excellent arrangement of Romantic Piano Music Collection-Volume 8. (5 Original Piano Pieces)
$5.99
5.46 €
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Piano, Voix
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Fishel Pustilnik
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Fishel Pustilnik
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"Romantic Piano Music Collection"-Volume 8
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F & N Enterprise
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SheetMusicPlus
Isn't It Romantic?
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794139 By Shirley Horn. By R…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794139 By Shirley Horn. By Richard Rodgers. Arranged by Dave Gingras, John E. Dosher. Jazz,Pop. Score. 2 pages. DAVID LEE GINGRAS #6635937. Published by DAVID LEE GINGRAS (A0.794139). Isn't It Romantic? is a popular song and part of the Great American Songbook. The music was composed by Richard Rodgers, with lyrics by Lorenz Hart. It has a 32-bar chorus in A–B–A–C form. Alec Wilder, in his book American Popular Song: The Great Innovators 1900–1950, calls it a perfect song. This version features a root-based chord-blocking that John and I have used in a number of our arrangements, but aside from a couple of left-hand fills we've stayed very true to the original melody.
$4.99
4.55 €
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Piano, Voix
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Shirley Horn
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Dave Gingras, John E
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Isn't It Romantic?
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DAVID LEE GINGRAS
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SheetMusicPlus
Romantica
Piano, Voix
Digital Download SKU: HX.365691 By Demis Roussos. Pop,Standards. Piano/Vocal/Guitar…
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Digital Download SKU: HX.365691 By Demis Roussos. Pop,Standards. Piano/Vocal/Guitar (Piano Accompaniment). 3 pages. Published by Hal Leonard Europe (HX.365691).
$4.99
4.55 €
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Piano, Voix
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Demis Roussos
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Romantica
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Hal Leonard Europe
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SheetMusicPlus
Kiss the Old Romantic Goodbye
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.896315 Composed by Doug Howe…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.896315 Composed by Doug Howell. Pop. Score. 4 pages. Creative Measures #4319615. Published by Creative Measures (A0.896315). This one goes out to everyone having a blue Valentine’s Day this year. In my life I’ve had about as many blue ones as red ones. When I wrote this song, I thought I’d never give my heart away again. Thank goodness I did.
$1.99
1.81 €
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Piano, Voix
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Doug Howell
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Kiss the Old Romantic Goodbye
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Creative Measures
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SheetMusicPlus
Die Bayernhymne/ The Anthem of Bavaria (Romantic Ver.)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1103293 Composed by Konrad M…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1103293 Composed by Konrad Max Kunz Michael Öchsner. Arranged by Diana Bar. 19th Century,Folk. Score. 3 pages. Diana Bar #706560. Published by Diana Bar (A0.1103293). The Bayernhymne (The Anthem of Bavaria) is the official anthem of the Free State of Bavaria. The melody of the song was written by Max Kunz in 1835. The text for the original first three stanzas war written by Michael Öchsner. The first Songperformance was on Dezember 15, 1860. It was officially recognised as the national anthem of Bavaria in 1946. I hope, you like my arrangement of it.
$6.49
5.92 €
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Piano, Voix
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Konrad Max Kunz Michael Öchsner
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Diana Bar
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Die Bayernhymne/ The Anthem of Bavaria
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Diana Bar
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SheetMusicPlus
The "I LOVE YOU" Song - (Romantic for Solo Voice with Piano - Lead Sheet with words and chords incl
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.617487 Composed by Gary Lani…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.617487 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Concert,Holiday,Love,Wedding. Score. 9 pages. The Lanier Company #5319949. Published by The Lanier Company (A0.617487). The I LOVE YOU Song is for Voice with Piano Accompaniment. This is actually a true story that can be sung by a male or female soloist. It is perfect for weddings, anniversary celebrations, concerts, church settings or any place where God's kind of love for man and woman is the desire (8 pages).
$6.99
6.37 €
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Piano, Voix
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Gary Lanier
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Gary Lanier
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The "I LOVE YOU" Song -
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The Lanier Company
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SheetMusicPlus
Isn't It Romantic?
Piano, Voix
(Soprano) - Interactive Download SKU: HX.444106 By Rodgers and Hart. Edited by Rich…
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(Soprano) - Interactive Download SKU: HX.444106 By Rodgers and Hart. Edited by Richard Walters. This edition: Interactive Download. Jazz,Pop,Standards. Piano Vocal. 5 pages. Published by Hal Leonard - Digital (HX.444106).
$4.99
4.55 €
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Piano, Voix
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Rodgers and Hart
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Isn't It Romantic?
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Hal Leonard - Digital
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SheetMusicPlus
Isn't It Romantic?
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794141 By Shirley Horn. By R…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794141 By Shirley Horn. By Richard Rodgers. Arranged by Dave Gingras, John E. Dosher. Jazz,Pop. Score. 2 pages. DAVID LEE GINGRAS #6642145. Published by DAVID LEE GINGRAS (A0.794141). A jazzier version of our previous arrangement of this classic ballad from 1932 - we hope you like it, too!
$4.99
4.55 €
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Piano, Voix
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Shirley Horn
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Dave Gingras, John E
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Isn't It Romantic?
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DAVID LEE GINGRAS
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SheetMusicPlus
Collection: 12 Golden Age Love Songs for Classic Romantics by Various Artists - Piano/Vocal/Chords
Piano, Voix
Musicnotes 12 Golden Age Love Songs for Classic Romantics by Various Artists Sheet Music D…
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Musicnotes 12 Golden Age Love Songs for Classic Romantics by Various Artists Sheet Music Download arranged in Piano/Vocal/Chords format. --
$24.99
22.79 €
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Piano, Voix
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Piano/Vocal/Chords
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Musicnotes
On The Sand
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842074 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842074 Composed by Andrew Mc Donald. Country,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3885363. Published by Andrew Mc Donald (Macka Records) (A0.842074). On The Sand is a song about sitting on the beach as the sun goes down and falling in love with that special someone. How wonderful it is to romance by the light of the moon. This is a love ballad for all you romantics out there.
$4.99
4.55 €
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Piano, Voix
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Andrew Mc Donald
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On The Sand
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Andrew Mc Donald
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SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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