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ZATTEN Concerto for Trumpet with Piano accompaniment
Trompette, Piano
Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Petrich, Roger. …
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Piano Accompaniment, Trumpet - Advanced - Digital Download Composed by Petrich, Roger. 21st Century. Piano Reduction, Solo Part. 24 pages. Published by Cherry Classics Music
Zatten was commissioned in 2005 by Trumpeter Paul Neebe during the composer's vacation to do ancestral research in the town of Zatten, currently part of Poland.<br> <br> Roger Petrich writes the following about his Zatten Concerto for Trumpet:<br> <br> "The 'DNA' of this compostion tracks back to my great-grandfather and the tiny Plattdeutsch village where he was born. Zatten, [then] located in the eastern part of Berlin/Brandenburg is in an area of forest and small farms dating back to the 1600's. My grandfather R. T. Petrich, whose initials I bear, was six years old when he, along with his parents, sister, and older brother left Prussia to start a new life in the USA.<br> <br> My own childhood memories include many visits to the family homestead in Dakota Territory, where I used to play in the barn which hosted many summer dances. The Dakota sky was vast by day, and nights could become magical with the addition of the Northern Lights. Though not a professional musician, my father kept up his trumpet playing all his life. In a special way it was his "voice" - a sound that deeply imprinted all my growing up years. All of this is mixed together in my Zatten Concerto"<br> <br> The Zatten Concerto is in three movements, the two outer movements faster and the middle is a Largo. This work is written for Trumpet in C and is appropriate for advanced performers.<br> <br> The title Zatten (the name of the small village in Germany where his family was located before immigrating to the USA) is spelled out in Morse Code in the very opening eight bars of the work. The Concerto is originally written for Trumpet and String Orchestra, this version using a reduction for Piano.
$30.00
27.71 €
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Trompette, Piano
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Petrich, Roger
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ZATTEN Concerto for Trumpet with Piano accompaniment
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Cherry Classics Music
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Bach - Brandenburg Concerto No.2 in F major BWV 1047 - Piano Version
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1313832 By Santino Cara. By Johann …
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Piano Solo - Level 5 - Digital Download SKU: A0.1313832 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 20 pages. Santino Cara #902553. Published by Santino Cara (A0.1313832). Complete score of the Brandenburg Concerto No.2 in F major BWV 1047. Composed by Johann Sebastian Bach before 1721 for Trumpet, recorder, oboe, concerted violin, violins 1 and 2 ripieni, viola, cello and harpsichord. Transcribed for Piano solo in Rome in 2023 by Santino Cara.3 Movements: 1. Moderato, 2. Andante moderato, 3. Allegro assaiSources: The six Brandenburg concerts were presented by Bach in 1721 in a collection for Christian Ludwig, Margrave of Brandenburg-Schwedt and dedicated to him. It is therefore assumed that they were composed before that date.Other piano works by Bach and baroque and classical composers
$16.40
15.15 €
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Piano seul
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Santino Cara
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Johann Sebastian Bach before 1721 for
Trumpet, recorder, oboe, concerted violin, violins 1 and 2 ripieni, viola, cello and harpsichord
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Santino Cara
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Bach - Brandenburg Concerto No.2 in F major BWV 1047 - Piano Version
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Santino Cara
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SheetMusicPlus
Concerto
Trumpet in Bb, bassoon and string orchestra - Digital Download SKU: S9.Q2247 For…
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Trumpet in Bb, bassoon and string orchestra - Digital Download SKU: S9.Q2247 For Trumpet, Bassoon and String Orchestra. Composed by Paul Hindemith. This edition: piano reduction with solo parts. Concerto - contemporary music. Downloadable, Piano reduction with solo parts. Duration 17 minutes. Schott Music - Digital #Q2247. Published by Schott Music - Digital (S9.Q2247). Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$33.99
31.4 €
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Paul Hindemith
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Trumpet Concerto
Alto Saxophone,Instrumental Solo,Piano,Trumpet - Level 5 - Interactive Download SKU: A0…
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Alto Saxophone,Instrumental Solo,Piano,Trumpet - Level 5 - Interactive Download SKU: A0.1277158 Composed by Franz Joseph Haydn. Arranged by Russell E Dobda. This edition: Interactive Download. Classical. Individual part. 23 pages. Duration 266. Russell Dobda #734xjKtf7jN3sYL13ZvXvb. Published by Russell Dobda (A0.1277158). Key: Eb major.For Trumpet or Alto Sax and Piano.
$4.99
4.61 €
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Franz Joseph Haydn
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Russell E Dobda
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Trumpet Concerto
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Russell Dobda
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SheetMusicPlus
Haydn : Concerto pour trompette en mi bémol majeur - II. Andante (piano d'accompagnement)
Piano seul
Téléchargez la partition Piano Concerto pour trompette en mi bémol ma…
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Téléchargez la partition Piano Concerto pour trompette en mi bémol majeur - II. Andante (piano d'accompagnement) de Haydn. Partition pour Piano d‘accompagnement -- Classique
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Piano seul
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Haydn
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Concerto pour trompette en mi
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Tomplay
Neruda : Concerto pour trompette en mi bémol majeur - I. Allegro
Piano seul
Téléchargez la partition Piano Concerto pour trompette en mi bémol ma…
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Téléchargez la partition Piano Concerto pour trompette en mi bémol majeur - I. Allegro de Neruda. Partition pour Duo -- Classique
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Piano seul
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Neruda
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Concerto pour trompette en mi
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Tomplay
Neruda : Concerto pour trompette en mi bémol majeur - III. Vivace
Piano seul
Téléchargez la partition Piano Concerto pour trompette en mi bémol ma…
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Téléchargez la partition Piano Concerto pour trompette en mi bémol majeur - III. Vivace de Neruda. Partition pour Duo -- Classique
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Piano seul
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Neruda
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Concerto pour trompette en mi
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Tomplay
Neruda : Concerto pour trompette en mi bémol majeur - II. Largo
Piano seul
Téléchargez la partition Piano Concerto pour trompette en mi bémol ma…
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Téléchargez la partition Piano Concerto pour trompette en mi bémol majeur - II. Largo de Neruda. Partition pour Duo -- Classique
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Piano seul
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Neruda
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Concerto pour trompette en mi
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Tomplay
Trumpet Concerto 2nd Movement - Haydn (Easy Piano)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1402289 By Franz Joseph Haydn. By F…
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Piano Solo - Level 2 - Digital Download SKU: A0.1402289 By Franz Joseph Haydn. By Franz Joseph Haydn. Arranged by PianoForEveryone. Classical. Score. 3 pages. PianoForEveryone #985497. Published by PianoForEveryone (A0.1402289). An easy piano arrangement of the second movement (Andante) of Haydn's 'Trumpet Concerto.' The key has been transposed to simplify, and the voicing reduced whilst still retaining the melody. About the arranger: I have been playing and teaching piano for over 20 years, and hold a degree in music from Oxford University. I'm on a mission to make piano accessible to everyone who wants to enjoy the beauty of playing.
$1.99
1.84 €
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Piano seul
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Franz Joseph Haydn
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PianoForEveryone
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Trumpet Concerto 2nd Movement - Haydn
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PianoForEveryone
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SheetMusicPlus
Ballade for Piano and Orchestra No.1
Piano et Orchestre
Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,…
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Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1069109 Composed by Joseph Hull. Contemporary. Full Performance. Duration 47. Genesis #3014325. Published by Genesis (A0.1069109). This work was begun in 2003. Since that time it has undergone a number of revisions, culminating in its final form in 2016. It has three movements labeled: 1. Andante con moto 2. Allegro 3. Un poco allegretto. I do not think of this as a concerto but a freely expressed piece tied to no particular form. The piano is dominant throughout providing ample opportunity for virtuosity. A full orchestra is employed .
$3.99
3.69 €
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Piano et Orchestre
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Joseph Hull
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Ballade for Piano and Orchestra No.1
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Genesis
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SheetMusicPlus
Trumpet Concerto in E-flat Major (EASY PIANO) III. Allegro (Hob. VIIe:1) [Joseph Haydn]
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1272729 By Franz Joseph Haydn. By F…
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Easy Piano - Level 2 - Digital Download SKU: A0.1272729 By Franz Joseph Haydn. By Franz Joseph Haydn. Arranged by Darek. Classical. Score. 3 pages. Darek #864922. Published by Darek (A0.1272729). Trumpet Concerto in E-flat Major (EASY PIANO) III. Allegro (Hob. VIIe:1) [Joseph Haydn]Simplified arrangement for pianists of Trumpet Concerto in E-flat Major III. Allegro (Hob. VIIe:1) | Trumpet Concerto in Eb Major by Joseph Haydn. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Period. Included: Fingering, Dynamics, Articulations and video YouTube tutorial. Step into the enchanting world of classical music with my meticulously crafted collection of easy piano sheet music tailored for beginner pianists. Embark on a musical journey as you explore the timeless beauty of Trumpet Concerto in E-flat Major III. Allegro (Hob. VIIe:1) by Joseph Haydn. Immerse yourself in the majestic melodies of this iconic concerto from the classical era. My sheet music package offers a delightful learning experience with fingering, articulation, and detailed dynamics markings, empowering you to express the music with finesse. To enhance your progress, I've included a valuable YouTube tutorial video, providing expert guidance and insights, so you can master this exquisite concerto with ease. Whether you're a novice pianist seeking a fulfilling challenge or an enthusiast eager to add a timeless piece to your repertoire, this easy-level arrangement is perfect for all piano aficionados. Embrace the magic of Haydn's genius as you create a symphony of your own, and let the captivating melodies resonate through your soul. Keywords: easy piano sheet music, beginner pianists, Trumpet Concerto, E-flat Major, Allegro, Hob. VIIe:1, Joseph Haydn, classical era, fingering, articulation, dynamics, YouTube tutorial, piano, notes, music, musicians, song, concerto, majestic, classical music, genius, harmonious, repertoire, melodies.
$4.00
3.7 €
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Piano Facile
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Franz Joseph Haydn
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Darek
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Trumpet Concerto in E-flat Major
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Darek
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SheetMusicPlus
An American in Valencia - Trumpet Solo with Band (piano reduction)
Trompette, Piano
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Rep…
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published by Musica Nova USA
An American in Valencia was commissioned by the United States Army Band “Pershing’s Own” in Washington, DC in 1999. The Premiere Performance was May 22, 1999 at the Casa de Cultura in L’Alcudia (Valencia), Spain by Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English, Principal Trumpet the U. S. Army Band "Pershing's Own" as was the soloist.<br> <br> The piece is in three movements in a Spanish style suggesting the grand gesture of Bull fighting.The trumpet soloist portrays a toreador with the splendor of the corrida. The first movement represents theentrance of the toreador with all of the fanfare and showmanship as he bows to the audience. The second movement is a love song in a waltz tempo. The third movement starts with the raging bull coming out ofit’s corral, ready for the fight. The trumpet soloist is able to contain the bull with dashing melodic figures and a cadenza leading to the final bow in victory.<br> <br> An American in Valencia was awarded Finalist in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. It is recorded on Mark Records with Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English is the soloist.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize.<br> <br> He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.48 €
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Trompette, Piano
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Gregory Fritze
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An American in Valencia - Trumpet Solo with Band
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Musica Nova USA
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, C t
Piano seul
Piano,Trumpet - Level 5 - Digital Download SKU: A0.533718 Composed by Carson Cooman…
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Piano,Trumpet - Level 5 - Digital Download SKU: A0.533718 Composed by Carson Cooman. Contemporary. Score and part. 2 pages. Musik Fabrik Music Publishing #3041123. Published by Musik Fabrik Music Publishing (A0.533718). This is the first C trumpet part for this work by Carson Cooman.
$3.99
3.69 €
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Piano seul
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Haydn Trumpet Concerto Mvt 3
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.905752 Composed by Franz Joseph Hay…
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Piano Solo - Level 4 - Digital Download SKU: A0.905752 Composed by Franz Joseph Haydn. Arranged by Jerremy Fender. Contemporary. Score. 7 pages. Jerremy Fender #5370837. Published by Jerremy Fender (A0.905752). Check out this arrangement combining the solo and orchestra parts into two piano hands. Not for the faint of heart.
$8.95
8.27 €
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Piano seul
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Franz Joseph Haydn
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Jerremy Fender
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Haydn Trumpet Concerto Mvt 3
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Jerremy Fender
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SheetMusicPlus
Haydn Trumpet Concerto Mvt 1
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.905749 Composed by Franz Joseph Hay…
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Piano Solo - Level 5 - Digital Download SKU: A0.905749 Composed by Franz Joseph Haydn. Arranged by Jerremy Fender. Contemporary. Score. 7 pages. Jerremy Fender #5370827. Published by Jerremy Fender (A0.905749). Check out this awesome arrangement, but beware! It is not for the faint of heart; combining the solo and orchestra parts into two piano hands.
$8.95
8.27 €
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Piano seul
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Franz Joseph Haydn
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Jerremy Fender
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Haydn Trumpet Concerto Mvt 1
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Jerremy Fender
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SheetMusicPlus
Haydn Trumpet Concerto mov't III, theme one
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1322722 Composed by Franz Joseph Ha…
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Piano Solo - Level 2 - Digital Download SKU: A0.1322722 Composed by Franz Joseph Haydn. Arranged by Paul Taylor. Classical. Score. 3 pages. Paul Taylor #911010. Published by Paul Taylor (A0.1322722). This piano solo based on Hadyn's theme has an optimistic and jolly character. It is presented in the key of C and then in the original key of E-flat. One of my high school students just couldn't handle three flats, so I transposed the piece into C at his request:). Also, most students are a little confused by the concept of transposition and this presentation could help alleviate this issue for many students.
$1.99
1.84 €
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Piano seul
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Franz Joseph Haydn
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Paul Taylor
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Haydn Trumpet Concerto mov't III, theme one
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Paul Taylor
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SheetMusicPlus
Concerto In F (For Piano & Orchestra) (excerpt)
Piano seul
Interactive Download SKU: HX.475700 Composed by George Gershwin. Arranged by Brenda…
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Interactive Download SKU: HX.475700 Composed by George Gershwin. Arranged by Brendan Fox. This edition: Interactive Download. Classical,Standards. Trumpet and Piano. 5 pages. Published by Hal Leonard - Digital (HX.475700).
$4.99
4.61 €
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Piano seul
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George Gershwin
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Brendan Fox
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Concerto In F
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Hal Leonard - Digital
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SheetMusicPlus
Violin Concerto No. 2 (for trumpet)
Trompette, Piano
Composed by Nicolo Paganini (1782-1840). Arranged by Alex Wilson. For Trumpet,Piano. Roman…
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Composed by Nicolo Paganini (1782-1840). Arranged by Alex Wilson. For Trumpet,Piano. Romantic Period. Advanced. Score,Solo Part. 59 pages. Published by Alexander Wilson
$20.00
18.48 €
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Trompette, Piano
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Nicolo Paganini
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Alex Wilson
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Violin Concerto No. 2
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Alexander Wilson
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SheetMusicPlus
Con-Tse-To
Saxophone Alto et Piano
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, …
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, Bebop. Piano Reduction, Solo Part. 44 pages. Published by Musica Nova USA
Con-Tse-To – a Concerto for Alto Saxophone and Concert Band was composed in 2013 at the request of Kenneth Tse. It is in three movements – 1. Pasodoble Melanie, 2. Lamento and 3. Danza Jubiloso. First performance was July 14, 2013 for the Hong Kong International Saxophone Symposium at the Hong Kong Academy for Performing Arts. Hong Kong Chamber Wind Philharmonic; Victor Tam, Conductor; Kenneth Tse, Saxophone Soloist.<br> <br> The first movement – Pasodoble Melanie, is in the traditional form of the march in Spain knownas the Pasodoble. It has a beginning theme in traditional march style using Spanish flavor harmoniesand melodies. As the Spanish pasodoble is in the same form as American marches, the second theme isthe “Trio” section. In the Spanish pasodoble, it is customary to have the first presentation of this secondtheme played extremely softly in the clarinets. It is also common during the repeat of the Trio to have a soloist such as a piccolo displaying an obligato of great virtuosic melodies in counterpoint to the clarinets. I felt this would be a very appropriate place for an alto saxophone obligato. In this pasodoble the thirdpresentation of the Trio is shortened to allow for the first cadenza. Since I met Kenneth Tse for the first time in Buñol (Valencia), Spain, I thought it would be very appropriate to use this traditional form for the firstmovement for his concerto. It is a Spanish custom for a composer to give a pasodoble composition as a gift such as to a musician or politician and the title of the piece often references the name of recipient’s wife. Kenneth Tse’s wife’s name is Melanie so this movement is dedicated to her.<br> <br> The second movement – Lamento was adapted from a melody of mine “El año del Trumpetista” originally composed in 2010. I thought the beautiful sound of Dr. Tse’s saxophone playing would be very complimentary for this melody.<br> <br> The third movement – Danza Jubiloso is in allegro tempo with the first theme based on leaps of afourth and an octave in duple meter. The second theme is mostly in 7/8 meter. There is also a bit of a jazz element of harmonies and the added instruments of a drum set and jazz double bass in pizzicato.<br> <br> Con-Tse-To was awarded Finalist category in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. The full band instrumentation is available on Musica Nova USA.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamberensembles and soloists. He has won over fifty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.<br> <br> He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.<br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.<br> <br> The piano transcription was done by Derek Remeš.
$20.00
18.48 €
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Saxophone Alto et Piano
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Gregory Fritze
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Con-Tse-To
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Musica Nova USA
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SheetMusicPlus
BEST OF BAROQUE MUSIC (50 TUNES) - Collection [EASY PIANO]
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1327635 By Antonio Vivaldi, Francoi…
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Easy Piano - Level 2 - Digital Download SKU: A0.1327635 By Antonio Vivaldi, Francois Couperin, Georg Philipp Telemann, George Frideric Handel, Giuseppe Tartini, Henry Purcell, Jean-Baptiste Lully, Jean-Philippe Rameau, Jeremiah Clarke, Johann Pachelbel, Johann Sebastian Bach, Louis-Claude Daquin, and etc. By Antonio Vivaldi, Francois Couperin, Georg Philipp Telemann, George Frideric Handel, Giuseppe Tartini, Henry Purcell, Jean-Baptiste Lully, Jean-Philippe Rameau, Jeremiah Clarke, Johann Pachelbel, Johann Sebastian Bach, Louis-Claude Daquin, and etc. Arranged by Darek. Baroque,Christmas,Classical,Early Music,Religious. Score. 124 pages. Darek #915679. Published by Darek (A0.1327635). BEST OF BAROQUE MUSIC (50 TUNES) - Sheet Music Collection [EASY PIANO]Sheet Music for Piano or Keyboard in Easy Arrangements for beginner pianists. 50 Most Famous Pieces of Baroque Era for Beginner Pianists. Compositions by such composers as Johann Sebastian Bach, George Frideric Handel, Antonio Vivaldi, Johann Pachelbel, Jean-Philippe Rameau, Georg Philipp Telemann, Louis-Claude Daquin, Francois Couperin, Jean-Baptiste Lully, Henry Purcell, Pietro Domenico Paradisi, Jeremiah Clarke and Giuseppe Tartini. Easy sheet music | Baroque | Classical Music | Easy Sheet Music Collection | Piano | Keyboard | Grand Piano | Easy version for pianists | Beginner Version | Easy Piano Sheet Music | Arrangement for BeginnersIncluded: Articulation, Dynamics, Fingering and a simplified Youtube tutorial. Song List:1. Air on the G String [Bach]2. Arrival of the Queen Sheba [Handel]3. Autumn from The Four Seasons [Vivaldi]4. Ave Maria [Bach, Gounod]5. Badinerie [Bach]6. Bourrée in E Minor [Bach]7. Brandenburg Concerto [Bach]8. Canon in D [Pachelbel]9. Cantata [Bach]10.  Cello Suite [Bach]11.  Chaconne in F Minor [Pachelbel]12.  Concerto for 2 Mandolins [Vivaldi]13.  Concerto for 4 Violins [Vivaldi]14.  Concerto for Lute [Vivaldi]15.  Concerto for Strings [Vivaldi]16.  Da tempeste il legno infranto [Handel]17.  Dance of the Savages [Rameau]18.  Fantasia in G Minor [Telemann]19.  Gloria in D [Vivaldi]20.  Goldberg Variations [Bach]21.  Hallelujah Chorus [Handel]22.  Invention No. 1 [Bach]23.  Italian Concerto [Bach]24.  Joy to the World [Handel]25.  La Stravaganza [Vivaldi]26.  Largo from Xerxes [Handel]27.  Lascia Ch'io Pianga [Handel]28.  Le Coucou [Daquin]29.  Les Barricades Mystérieuses [Couperin]30.  Let the Bright Seraphim [Handel]31.  Marche pour la Cérémonie des Turcs [Lully]32.  Minuet in G Major [Bach]33.  Minuet in G Minor [Handel]34.  Musette in D [Bach]35.  Music for the Royal Fireworks [Handel]36.  Passacaglia [Handel, Halvorsen]37.  Prelude in C [Bach]38.  Rondo [Purcell]39.  Sarabande [Handel]40.  Spring from The Four Seasons [Vivaldi]41.  Summer from The Four Seasons [Vivaldi]42.  The Harmonious Blacksmith [Handel]43.  Thine Be the Glory [Handel]44.  Toccata [Paradisi]45.  Toccata and Fugue [Bach]46.  Trumpet Voluntary [Clarke]47.  Violin Sonata in G Minor [Tartini]48.  Water Music Suite [Handel]49.  Winter from The Four Seasons [Vivaldi]50.  Zadok the Priest [Handel]Johann Sebastian Bach: https://www.youtube.com/watch?v=QyjC4CS_CeUGeorge Frideric Handel: https://www.youtube.com/watch?v=pPeWOKHwjn8Antonio Vivaldi: https://www.youtube.com/watch?v=CKui4BWKG2MOther Composers: https://www.youtube.com/watch?v=4A0E6YpoV80.
$30.00
27.71 €
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Piano Facile
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Antonio Vivaldi, Francois Couperin, Georg Philipp Telemann, George Frideric Handel, Giuseppe Tartini, Henry Purcell, Jean-Baptiste Lully, Jean-Philippe Rameau, Jeremiah Clarke, Johann Pachelbel, Johann Sebastian Bach, Louis-Claude Daquin, and etc
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Darek
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BEST OF BAROQUE MUSIC
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Darek
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SheetMusicPlus
Tempus Fugit (Accompaniment Track)
Piano seul
Piano - Digital Download SKU: A0.1052669 Composed by Stephen DeCesare. Broadway,Con…
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Piano - Digital Download SKU: A0.1052669 Composed by Stephen DeCesare. Broadway,Concert,Contemporary,Folk,Musical/Show. Accompaniment. Duration 140. Exultet Music #6190817. Published by Exultet Music (A0.1052669). An energetic piece scored for a Bb-Trumpet solo and Piano. This is the first movement of a three-part concerto: The Seaward Concerto (for Bb-Trumpet and French Horn) which is also available on this site. Accessible and appropriate for any school or concert setting.
$3.99
3.69 €
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Piano seul
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Stephen DeCesare
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Tempus Fugit
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Exultet Music
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SheetMusicPlus
Time Well Spent (Accompaniment Track)
Piano seul
Piano - Digital Download SKU: A0.1052671 Composed by Stephen DeCesare. Broadway,Con…
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Piano - Digital Download SKU: A0.1052671 Composed by Stephen DeCesare. Broadway,Concert,Contemporary,Folk,Musical/Show. Accompaniment. Duration 107. Exultet Music #6191169. Published by Exultet Music (A0.1052671). A happy piece that is scored as a duet for a Bb-Trumpet and French Horn solo with Piano accompaniment. This is the third movement of a three-part concerto: The Seaward Concerto (for Bb-Trumpet and French Horn) which is also available on this site. Accessible and appropriate for any school or concert setting.
$3.99
3.69 €
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Piano seul
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Stephen DeCesare
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Time Well Spent
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Exultet Music
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SheetMusicPlus
Do Nothing Till You Hear From Me
Ligne De Mélodie, (Paroles) et Accords
C Instrument - Level 4 - Digital Download SKU: A0.499833 By Mickki Brown. By Paul S…
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C Instrument - Level 4 - Digital Download SKU: A0.499833 By Mickki Brown. By Paul Sutin. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113105. Published by John Fries (A0.499833). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Â You can also type John Fries in the searchbar to see all I have to offer. Do Nothing till You Hear from Me (also written as Do Nothin' Til You Hear from Me) is a song with music by Duke Ellington and lyrics by Bob Russell. It originated as a 1940 instrumental (Concerto for Cootie) that was designed to highlight the playing of Ellington's lead trumpeter, Cootie Williams. Russell's words were added later. In 1944. Ellington's own recording of the song was a number one hit R&B chart for eight non-consecutive weeks and number six on the pop chart.
$3.99
3.69 €
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Ligne De Mélodie, (Paroles) et Accords
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Mickki Brown
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John Fries
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Do Nothing Till You Hear From Me
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John Fries
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SheetMusicPlus
Biding My Time (Accompaniment Track)
Piano seul
Piano - Digital Download SKU: A0.1052670 Composed by Stephen DeCesare. Broadway,Con…
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Piano - Digital Download SKU: A0.1052670 Composed by Stephen DeCesare. Broadway,Concert,Contemporary,Jazz,Musical/Show. Accompaniment. Duration 158. Exultet Music #6191069. Published by Exultet Music (A0.1052670). A sultry jazz piece that is scored for a French Horn solo and Piano. This is the second movement of The Seaward Concerto (for Bb-Trumpet and French Horn) which is available on this site. Accessible and appropriate for any school or concert setting.
$3.99
3.69 €
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Piano seul
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Stephen DeCesare
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Biding My Time
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Exultet Music
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SheetMusicPlus
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