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James Nat
PIANO
Partitions à imprimer
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Jazz Piano Concerto No 2 in Ab New York Tour by James Nathaniel Holland
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2 Pianos, 4 mains
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AVANCÉ
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James Nathaniel Holland
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Jazz Piano Concerto No 2 in Ab
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. J...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730240 Composed by James Nathaniel Holland. Contemporary,Folk,Holiday,Jazz,Patriotic. Score. 56 pages. James Nathaniel Holland #442965. Published by James Nathaniel Holland (A0.730240). (Duration: 25 minutes) 2 Pianos, 4 Hands (Revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers. Newly revised (2018) with measure numbers and rehearsal letters that match the full score.YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: https://facebook.com/jamesnathanielholland/ YouTube Channel: https://www.youtube.com/user/composerjnholland
$9.95
New Piano Sonatas 1 2 and 3 James Nathaniel Holland
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jazz
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James Nathaniel Holland
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New Piano Sonatas 1 2 and 3 Ja
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James Nathaniel Holland
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.730176 Composed by James Nathaniel Holland. Contemporary,Jazz. Score. 56 pages. James Nathaniel Holland #442835. Publishe...
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Piano Solo - Level 4 - SKU: A0.730176 Composed by James Nathaniel Holland. Contemporary,Jazz. Score. 56 pages. James Nathaniel Holland #442835. Published by James Nathaniel Holland (A0.730176). New and fresh 21st century piano music. Melodic, sentimental and traditionally based but with modern harmonies and touches of jazz. Enjoyable to play and listen to. Combine and contrast with musical masters of the past. Perfect to include contemporary music into piano your recitals. James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. Born and raised in Indiana, he studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Demo video presentations: Piano Sonata No. 1: https://www.youtube.com/watch?v=JA7UBs7VuvQ Piano Sonata No. 2 The Viennese: https://www.youtube.com/watch?v=bZ6J21Ksxng Piano Sonata No. 3: https://youtu.be/KQyWRVEKDJU.
$8.25
Piano Sonatas, Nos. 1 thru 10, For Solo Piano
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Piano seul
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AVANCÉ
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James Nathaniel Holland
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Piano Sonatas, Nos. 1 thru 10,
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James Nathaniel Holland
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1287109 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. Score. 173 pages. James Nathaniel Holland...
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Piano Solo - Level 5 - SKU: A0.1287109 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. Score. 173 pages. James Nathaniel Holland #878118. Published by James Nathaniel Holland (A0.1287109). FOR SOLO PIANO  A Collection of ten virtuoso piano sonatas from 21st century, American composer James Nathaniel Holland each with various moods, some movements contain some elements of Jazz.  Although contemporary, pieces are accessible and versatile to be used for recitals, restaurants, weddings or events as well as formal concerts.  (License or permission to perform may apply.)  Advanced level ability with some movements Intermediate level.Includes:  Piano Sonata No. 2 “The Viennese,† Piano Sonata No. 3 “Mathematical Energyâ€, Piano No. 4 “Romanze,† Piano Sonata No. 7, “The Joyful,† Piano Sonata No. 8 in Am “Strum und Drang† etc. Each Sonata roughly 20 minutes in length with multiple movements.
$32.65
Piano Concerto No 3 2 Pianos 4 Hands Arrangement by James Nathaniel Holland
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2 Pianos, 4 mains
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AVANCÉ
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James Nathaniel Holland
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Piano Concerto No 3 2 Pianos 4
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James Nathaniel Holland
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730283 Composed by James Nathaniel Holland. Contemporary,Romantic Period. Score. 64 pages. James Nathani...
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2 Pianos,4 Hands,Piano Duet - Level 5 - SKU: A0.730283 Composed by James Nathaniel Holland. Contemporary,Romantic Period. Score. 64 pages. James Nathaniel Holland #2112277. Published by James Nathaniel Holland (A0.730283). Piano Concerto No. 3 Arranged for 2 Pianos 4 Hands Music by James Nathaniel Holland Website: https://www.facebook.com/jamesnathanielholland/ Duration: 22 minutes The third piano concerto of 21st Century American composer James Nathaniel Holland, a very mystical and romantic piece that follows somewhat in the vein of Russian composer Rachmaninoff. YouTube Video Presentation of Piano with Orchestra: https://www.youtube.com/watch?v=juYohREyCBY
$10.95
O Holy Night, (Low Voice Ab) Piano Accompaniment for Performance (Adolphe Adam, arrangement by James
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Piano seul
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Noël
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Adolphe-Charles Adam
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James Nathaniel Holland
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O Holy Night,
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James Nathaniel Holland
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SheetMusicPlus
Piano - SKU: A0.1068394 Composed by Adolphe-Charles Adam. Arranged by James Nathaniel Holland. Christian,Christmas,Romantic Period. Accompaniment. Durat...
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Piano - SKU: A0.1068394 Composed by Adolphe-Charles Adam. Arranged by James Nathaniel Holland. Christian,Christmas,Romantic Period. Accompaniment. Duration 367. James Nathaniel Holland #5713953. Published by James Nathaniel Holland (A0.1068394). Timeless Christmas Carol by Adolphe Adam. arranged here with piano (orchestral version available too) to accompany alto or bass voice performance. Vocal Range Low Voice (Key of Ab) G3 to Eb5 (Alto) or G2 to Eb4 (Bass). Buy the corresponding sheet music in this key for this arrangement. Recording corresponds to sheet music. Either full orchestral score with parts: http://www.sheetmusicplus.com/title/20369910 (parts for alto/chorus) or vocal piano score: http://www.sheetmusicplus.com/title/20368083 (alto) http://www.sheetmusicplus.com/title/20368077 (bass)This is a copyrighted arrangement. Additional performance license or written permission from arranger may be required depending on use and/or venue. Please contact arranger for more information. https://www.facebook.com/jamesnathanielholland/.
$3.99
Sonata No. 1 for Cello and Piano Sonata Allegro and Adagio, Piano Score and Individual Parts
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Piano seul
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James Nathaniel Holland
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Sonata No. 1 for Cello and Pia
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James Nathaniel Holland
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SheetMusicPlus
Instrumental Solo,Piano - SKU: A0.730245 Composed by James Nathaniel Holland. Contemporary,Easter. Score and individual part. 36 pages. James Nathaniel ...
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Instrumental Solo,Piano - SKU: A0.730245 Composed by James Nathaniel Holland. Contemporary,Easter. Score and individual part. 36 pages. James Nathaniel Holland #482807. Published by James Nathaniel Holland (A0.730245). Sonata No. 1 for Cello and Piano, Allegro and Adagio (In one movement) (Duration: 15 min.) by American Composer James Nathaniel Holland. This esoteric piece elevates the cello to high priest of death, of life, of beauty, of happiness and of sadness. An interesting sonata in one movement, it compliments any recital or concerto with the music of today. Piano score and cello part included.
$9.95
Piano Sonata No. 4 in Ab ("Romanze") Piano Sonata No. 5 (With Early Jazz 4th Movement)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Piano Sonata No. 4 in Ab
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James Nathaniel Holland
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.730502 Composed by James Nathaniel Holland. Concert,Contemporary. Score. 33 pages. James Nathaniel Holland #5865193. Publ...
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Piano Solo - Level 4 - SKU: A0.730502 Composed by James Nathaniel Holland. Concert,Contemporary. Score. 33 pages. James Nathaniel Holland #5865193. Published by James Nathaniel Holland (A0.730502). 21st century solo piano sheet music from American composer James Nathaniel Holland. Piano sonata No. 4 in Ab (Romanze) and Piano Sonata No. 5 in F, which has a stride jazz piano last movement. Difficulty: intermediate advanced. Perfect for concert, chamber music, or recital or 21st century music requirement.
$8.25
O Holy Art, Aria for Soprano with Piano Accompaniment, James Nathaniel Holland
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Accompagnement Piano
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AVANCÉ
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James Nathaniel Holland
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O Holy Art, Aria for Soprano w
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Instrumental Solo,Piano - Level 5 - SKU: A0.730447 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and i...
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High Voice,Instrumental Solo,Piano - Level 5 - SKU: A0.730447 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and individual part. 10 pages. James Nathaniel Holland #3530543. Published by James Nathaniel Holland (A0.730447). The title aria for soprano from the moving one act opera, O Holy Art by American composer James Nathaniel Holland (Words and music). Meets opera contemporary aria in English and 21st century. Optional orchestral accompaniment available. Great showpiece for lyric or dramatic soprano.O Holy Art! If symphony or simple tone,How can I be alone?When what you give is more than kind...Range: C4 to Bb5 (D6 segment optional.)Duration: 7 minutesYouTube presentation: Â https://youtu.be/Oe5R0W0UhKc.
$4.95
James Hook : 12 Sonatines, Opus 12 - N° 3 Sonatine en fa - I. Allegro
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Piano seul
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FACILE
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Classique
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James Hook
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12 Sonatines, Opus 12
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Tomplay
Telechargez la partition Piano 12 Sonatines, Opus 12 - N° 3 Sonatine en fa - I. Allegro de Hook. Partition pour Piano seul -- Classique...
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Telechargez la partition Piano 12 Sonatines, Opus 12 - N° 3 Sonatine en fa - I. Allegro de Hook. Partition pour Piano seul -- Classique
3.99€
Sonata Hymnica No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata Hymnica No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50
Sonata Hymnica No. 6
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 6
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James Siddons Music and Writings
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00
Sonatina Opus 36, Number 4 (PNT)
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Piano seul
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Classique
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Muzio Clementi
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Sonatina Opus 36, Number 4
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James Gilbert Music
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SheetMusicPlus
Piano Solo - Composed by Muzio Clementi (1752-1832). Classical Period, Repertoire, General Instructional. 13 pages. Published by James Gilbert Music...
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Piano Solo - Composed by Muzio Clementi (1752-1832). Classical Period, Repertoire, General Instructional. 13 pages. Published by James Gilbert Music
Solo Piano.
Sonatina in F Major by Muzio Clementi.
Newly typeset and adapted for viewing on tablets and when printed
$4.99
BACH: Sonata BWV 1034 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata BWV 1034 for Flut
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jmsgu3
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SheetMusicPlus
Flute & Piano - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by James Guthrie, ASCAP. Baroque ...
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Flute & Piano - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by James Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Technique Training, Recital. Score, Set of Parts, Solo Part. 45 pages. Published by jmsgu3
J. S. BACH: Sonata BWV 1034
Duration: ca. 15:00 Score: 26 pages
I. Adagio ma non tanto
II. Allegro
III. Andante
IV. Allegro
Originally scored for transverse flute & cembalo
Arrangement and figured bass realization by James M. Guthrie
$26.95
BACH: Sonata in Eb BWV 1031 for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata in Eb BWV 1031 fo
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jmsgu3
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SheetMusicPlus
Flute and Piano - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by James Guthrie, ASCAP. Baroque Period,...
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Flute and Piano - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by James Guthrie, ASCAP. Baroque Period, Repertoire, General Instructional, Wedding, Recital. Score, Set of Parts, Solo Part. 38 pages. Published by jmsgu3
BACH: Sonata in Eb BWV 1031, Score: 20 pages, Duration ca. 9:45
in three movements:
1. Allegro moderato
2. Siciliano
3. Allegro
Originally scored for flute and harpsichord
$32.95
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Triste Serenata
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Triste Serenata
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1243124 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Jazz,New...
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Piano - Level 3 - SKU: A0.1243124 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Jazz,New Age. Full Performance. Duration 224. James M Stevens Music ASCAP #838161. Published by James M Stevens Music ASCAP (A0.1243124). This is the piano demonstration performance of Stevens' Triste Serenate..
$1.99
Ukrainian National Anthem for Piano
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Piano Facile
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DÉBUTANT
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Patriotique
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Mykhailo Verbytsky, 1863
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James M
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Ukrainian National Anthem for
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jmsgu3
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1037914 Composed by Mykhailo Verbytsky, 1863. Arranged by James M. Guthrie. Patriotic. Score. 2 pages. Jmsgu3 #642544. Pu...
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Easy Piano - Level 1 - SKU: A0.1037914 Composed by Mykhailo Verbytsky, 1863. Arranged by James M. Guthrie. Patriotic. Score. 2 pages. Jmsgu3 #642544. Published by jmsgu3 (A0.1037914). Ukrainian National Anthem for Piano by James M. GuthrieThe Ukrainian National Anthem is the national anthem of Ukraine. It was adopted in 2003 and is the official anthem of the country. The lyrics were written by Pavlo Chubynsky and the music was composed by Mykhailo Verbytsky.The anthem is based on a poem written by Chubynsky in 1862, which tells of the struggles of the Ukrainian people throughout their history and their determination to remain a free and independent nation. The lyrics are considered to be a powerful expression of Ukrainian national identity and patriotism. The anthem has become a symbol of the Ukrainian people's strength and resilience in the face of adversity. The song is often sung at public events and gatherings in Ukraine, and it is a popular choice for choirs and orchestras to perform.
$20.00
Sonata for Violin and Piano Nights in a French Cafe
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Violon et Piano
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James Nathaniel Holland
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Sonata for Violin and Piano Ni
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James Nathaniel Holland
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SheetMusicPlus
Composed by James Nathaniel Holland. 21st Century, Contemporary Classical, Jazz, European, South American. Score, Solo Part. 42 pages. Published by James Nathan...
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Composed by James Nathaniel Holland. 21st Century, Contemporary Classical, Jazz, European, South American. Score, Solo Part. 42 pages. Published by James Nathaniel Holland (S0.85263). - Score,Solo Part - 21st Century,Contemporary Classical,Jazz,European,South American - James Nathaniel Holland
$9.95
The Storyteller Sonata No. 2 for Cello and Piano
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Violoncelle, Piano
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James Nathaniel Holland
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The Storyteller Sonata No. 2 f
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James Nathaniel Holland
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SheetMusicPlus
Composed by James Nathaniel Holland. 21st Century, Contemporary Classical, Recital. Individual Part, Score. 36 pages. Published by James Nathaniel Holland (S0.1...
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Composed by James Nathaniel Holland. 21st Century, Contemporary Classical, Recital. Individual Part, Score. 36 pages. Published by James Nathaniel Holland (S0.119631). - Individual Part,Score - 21st Century,Contemporary Classical,Recital - James Nathaniel Holland
$8.99
One Nation Under God
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Piano Facile
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DÉBUTANT
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James Shubert
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One Nation Under God
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James W. Shubert
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 1 - SKU: A0.1095262 Composed by James Shubert. Christian,Patriotic,Religious,Sacred. 3 pages. James W. Shubert #699...
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Piano,Voice Duet Piano,Voice - Level 1 - SKU: A0.1095262 Composed by James Shubert. Christian,Patriotic,Religious,Sacred. 3 pages. James W. Shubert #699295. Published by James W. Shubert (A0.1095262). 2 part choral with Piano accompaniment. Easy level. Themes of brotherhood, love, patriotism, and faith run through it. An ideal choice for those Sundays that fall on a National Holiday, or other important date like 9/11 or 12/7.
$1.99
Sonatina in Eb for Piano
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Piano seul
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AVANCÉ
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James Mayhew
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Sonatina in Eb for Piano
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James Mayhew
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.996523 Composed by James Mayhew. Classical,Contemporary,Romantic Period. Score. 17 pages. James Mayhew #6234489. Publishe...
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Piano Solo - Level 5 - SKU: A0.996523 Composed by James Mayhew. Classical,Contemporary,Romantic Period. Score. 17 pages. James Mayhew #6234489. Published by James Mayhew (A0.996523). This is a one-movement sonatina in Eb major (though a sonata might be a better description of its scale) lasting just over 10 minutes. It is Classical/Romantic in style. It begins with with a slow introduction, moving through a number of different ideas, until the exposition starts with the traditional structure of 1st subject, 2nd subject etc. However, the development forgets any trace of the classical themes from the exposition and goes on a whirlwind adventure through a large variety of different themes and passages, many of which are very virtuosic, and some are more modern in style with sections of perhaps phantasmagorical 7th chord shiftings. After a very explosive end to the development, a recapitulation rounds everything off with a return of the more formal and structured 1st and 2nd subjects, as if nothing had happened. The level is very advanced (though most certainly not unplayable!), and should work well performed in concert. .
$7.20
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