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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Flute alto et Piano
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The Promised Land (On Jordan's Stormy Banks) Alto Sax
Saxophone Alto et Piano
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by American …
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Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by American Folk Hymn. Arranged by Michael Ware. Christian, Praise & Worship, General Worship, Funeral, Recital. Score, Solo Part. 9 pages. Published by MusicWare Press
The Promised Land is Michael Ware's instrumental solo arrangement of the American Folk Hymn, On Jordan's Stormy Banks. It is available in versions for Flute, Oboe, Clarinet, Soprano Sax, and Alto Sax. Remind the listener that their hope is not in this world but beyond the Jordan in a land that God has promised.
$6.99
6.28 €
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Saxophone Alto et Piano
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American Folk Hymn
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Michael Ware
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The Promised Land
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MusicWare Press
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SheetMusicPlus
Sacred Realms - Alto Flute & Piano
Flûte traversière et Piano
Piano Solo, Flute, Alto Flute Solo - Intermediate - Digital Download Composed by Jame…
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Piano Solo, Flute, Alto Flute Solo - Intermediate - Digital Download Composed by James Michael Stevens. Arranged by James Michael Stevens. Post- Romantic, Neo-Classical, Sacred, Wedding, New Age. Sheet Music Single. 8 pages. Published by James M Stevens Music ASCAP
Written July 8, 2021, this is an original alto flute and piano composition in a sacred and meditative style in the key of B flat major. There is a separate alto flute part in the score and the piano part as seen can serve as an independent solo. The accompaniment as heard is available under "Sacred Realms Piano Track."<br> <br> James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$7.99
7.18 €
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Flûte traversière et Piano
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James Michael Stevens
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James Michael Stevens
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Sacred Realms - Alto Flute & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Solos for Alto Flute Book 1
Flûte traversière et Piano
Alto Flute and Piano - Intermediate-Advanced - Digital Download Composed by Various. …
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Alto Flute and Piano - Intermediate-Advanced - Digital Download Composed by Various. Arranged by Robert Rainford. Score and parts. 42 pages. Forton Music - Digital #FM056. Published by Forton Music - Digital
ISBN 9790708085553.<br> <br> Popular works arranged for Alto Flute and Piano. Handel - Every Valley from The Messiah , Mozart - Voi, che sapete, Bach/Gounod - Ave Maria, Dvorak - Humoreske, Saint-Saens - Le Cygne, Elgar - Salut D'amour, Debussy - La fille aux cheveux de lin.
$12.95
11.64 €
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Flûte traversière et Piano
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Various
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Solos for Alto Flute Book 1
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SheetMusicPlus
Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Alto Sax & Piano
Saxophone Alto et Piano
Alto Sax & Piano - Intermediate - Digital Download Composed by Peter Ilyich Tch…
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Alto Sax & Piano - Intermediate - Digital Download Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by James M. Guthrie, ASCAP. Romantic Period, Repertoire, Christmas, Fairy Tales, Recital. Score, Set of Parts. 16 pages. Published by jmsgu3
Duration: ca. 2:10. Score: 9 pages. 77 measures in 2/4. Solo part: 2 pages, Piano part: 4 pages. A favorite Christmas selection from the Nutcracker Suite.
$32.95
29.62 €
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Saxophone Alto et Piano
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Flutes from Nutcracker Suite for Alto Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach - Minuet in D Minor, BWV Anh. 132 (flute & piano)
Flûte traversière et Piano
Piano Accompaniment, Flute - Intermediate - Digital Download Composed by Johann Sebas…
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Piano Accompaniment, Flute - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by David Kocijan. Baroque Period, Jazz, Pop. Score, Set of Parts, Solo Part. 4 pages. Published by David Kocijan
Flute & Piano transcription.<br> Sheet music available for Violin, Viola, Flute, Clarinet, Soprano, Alto and Tenor Saxophone accompanied by a Piano.<br> Backing track available!<br> https://dav987987.wixsite.com/davidkocijan
$9.99
8.98 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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David Kocijan
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Bach - Minuet in D Minor, BWV Anh. 132
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David Kocijan
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SheetMusicPlus
Bach - Minuet in D Minor, BWV Anh. 132 (alto sax & piano)
Saxophone Alto et Piano
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Johann Se…
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Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by David Kocijan. Baroque Period, Jazz, Smooth Jazz, Pop. Score, Set of Parts, Solo Part. 4 pages. Published by David Kocijan
Alto sax & Piano transcription.<br> Sheet music available for Violin, Viola, Flute, Clarinet, Soprano, Alto and Tenor Saxophone accompanied by a Piano.<br> Backing track available!<br> https://dav987987.wixsite.com/davidkocijan
$9.99
8.98 €
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Saxophone Alto et Piano
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Johann Sebastian Bach
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David Kocijan
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Bach - Minuet in D Minor, BWV Anh. 132
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SheetMusicPlus
The Promised Land (On Jordan's Stormy Banks) Flute
Flûte traversière et Piano
Piano Accompaniment, Flute - Intermediate - Digital Download Composed by American Fol…
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Piano Accompaniment, Flute - Intermediate - Digital Download Composed by American Folk Hymn. Arranged by Michael Ware. Christian, Praise & Worship, General Worship, Funeral, Recital. Score, Solo Part. 9 pages. Published by MusicWare Press
The Promised Land is Michael Ware's instrumental solo arrangement of the American Folk Hymn, On Jordan's Stormy Banks. It is available in versions for Flute, Oboe, Clarinet, Soprano Sax, and Alto Sax. Remind the listener that their hope is not in this world but beyond the Jordan in a land that God has promised.
$6.99
6.28 €
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Flûte traversière et Piano
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American Folk Hymn
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Michael Ware
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The Promised Land
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MusicWare Press
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SheetMusicPlus
Memories by Maroon 5 (piano & violin)
Violon et Piano
Piano Accompaniment, Violin - Intermediate - Digital Download By Maroon 5. Arranged b…
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Piano Accompaniment, Violin - Intermediate - Digital Download By Maroon 5. Arranged by David Kocijan. Score, Set of Parts, Solo Part. 8 pages. Published by David Kocijan
Piano & violin transcription.<br> Sheet music available for Violin, Viola, Flute, Clarinet, Soprano, Alto and Tenor Saxophone accompanied by a Piano.<br> Backing track available!<br> https://www.facebook.com/davidkocijan
$9.99
8.98 €
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Violon et Piano
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Maroon 5
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David Kocijan
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Memories by Maroon 5
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David Kocijan
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SheetMusicPlus
Encanto - Dos Oruguitas (Trio Piano, Viola and Flute)
Flûte, Alto et Piano
By Lin-Manuel Miranda. Arranged by André Laitano. Lead Sheet, Octavo, Piano R…
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By Lin-Manuel Miranda. Arranged by André Laitano. Lead Sheet, Octavo, Piano Reduction, Score, Set of Parts, Sheet Music Single, Solo Part. 15 pages. Published by ANDRÉ LAITANO
$12.99
11.68 €
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Flûte, Alto et Piano
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Lin-Manuel Miranda
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André Laitano
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Laitano
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Encanto - Dos Oruguitas
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SheetMusicPlus
How Beautiful (Is the Love Between the Two of Us) - Alto duet, flute and piano
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1074515 Composed by C…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1074515 Composed by Connie Boss. Wedding. Score. 5 pages. Connie Boss #678807. Published by Connie Boss (A0.1074515). This is an original song for a vocal duet, flute and piano that could be played at weddings/engagements/anniversaries. The lyrics are included and work well for a singer to sing along. has a pretty harmony and moving parts. Questions or requests email cdboss@cvalley.net Lyrics below: How Beautiful (Is the Love Between the Two of Us) Refrain: How beautiful – How beautiful is your love for me How beautiful – How beautiful is my love for you How beautiful – How beautiful is the love between the two of us Is the love that we trust Verse 1: It’s like the fresh air after it rains It’s like the flowers blooming in the Spring It’s like the sound of voices when they sing When our hearts are beating….in synch Refrain: Verse 2: It’s the moment when we both knew I said I love you and you said it too That special feeling that our love was true Our wedding day when we said… “I do†Outro: How beautiful……. How beautiful…….
$5.99
5.38 €
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Piano, Voix et Guitare
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Connie Boss
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How Beautiful
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Connie Boss
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SheetMusicPlus
You Are Amazing - solo, flute and piano
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801712 Composed by Co…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801712 Composed by Connie Boss. Contemporary,Praise & Worship. Score. 4 pages. Connie Boss #6442347. Published by Connie Boss (A0.801712). I was inspired by the lyrics of Amazing Grace by John Newton to write this original song. It reflects on how Amazing God is and what his Grace has done for us. It is for solo (alto range) flute and piano. cdboss@cvalley.netLyrics:You Are Amazing by Connie Boss Intro: Verse 1 It is amazing how your grace has set me free You are amazing, you gave your life for me Refrain: Amazing Grace – How sweet the sound I once was lost, but now I am found I once was blind, but now I see You are amazing, your grace has set me free You are amazing – your Grace I have received You are amazing – forever now I see You are amazing – my fears they are relieved You are amazing – for now I do believe Verse 2 It is amazing how you saved me with your Grace You are amazing, how I long to see your face Refrain: Ending: You are amazing You are amazing You are amazing You are amazing You are amazing Lord!
$5.00
4.49 €
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Piano, Voix et Guitare
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Connie Boss
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You Are Amazing - solo, flute and piano
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Connie Boss
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SheetMusicPlus
Le Bouquet (Jacques Prévert) for alto and guitar
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1378788 Composed by D…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1378788 Composed by David Warin Solomons. Contemporary,Folk. Score. 7 pages. David Warin Solomons #963496. Published by David Warin Solomons (A0.1378788). This gentle and romantic piece is inspired by Prévert's poem Le Bouquet. Que faites-vous là petite filleAvec ces fleurs fraîchement coupées?Que faites-vous là jeune filleAvec ces fleurs ces fleurs séchées?Que faites-vous là jolie femmeAvec ces fleurs qui se fanent?Que faites-vous là vieille femmeAvec ces fleurs qui meurent?J'attends le vainqueurWhat are you doing there, little girl,With those freshly cut flowers?What are you doing there, young girl,With those dried flowers?What are you doing there, pretty woman,With those faded flowers?What are you doing there, old woman,With those dying flowers?I'm waiting for the victorious oneThe sound sample is an electronic preview with the voice part played on alto flute sample.The pdf file contains score and separate guitar part.The video shows a version with added recorder part.
$6.00
5.39 €
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Piano, Voix et Guitare
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David Warin Solomons
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Le Bouquet
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David Warin Solomons
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SheetMusicPlus
Sicilienne from Pelleas et Melisande for Piano Quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quartet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.723146 Composed by Gabriel Faure. Arranged by Joel Jacklich (ASCAP). Romantic Period. Score and parts. 20 pages. Joel Jacklich #4793757. Published by Joel Jacklich (A0.723146). The famous Sicilienne from Gabriel Faure's Suite from Pelleas et Melisande (originally for flute, harp, and orchesra) is here arranged for piano quartet (violin, viola, cello, and piano).
$12.99
11.68 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Gabriel Faure
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Joel Jacklich (ASCAP)
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Sicilienne from Pelleas et Melisande for Piano Quartet
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Joel Jacklich
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SheetMusicPlus
Adagio No 1, My Salvation from An Adagio Suite for Solo Low (Bass clef) Voice and Piano
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.730399 Composed by Ja…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.730399 Composed by James Nathaniel Holland. Contemporary. Score. 20 pages. James Nathaniel Holland #3077775. Published by James Nathaniel Holland (A0.730399). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This beautiful piece arranged for low voice (Bass (Key of D, Range: G to D), piano (or harp or organ) and additional instrumental duets (Treble instruments in C (flute, oboe, viola or violin), Treble instruments in Bb (clarinet, trumpet, tenor saxophone), alto/bass instruments in C (cello, bassoon, trombone), bass instruments in C (cello, bassoon, trombone) or in F (horn or English horn) or viola part is adapted from the ballet the Wind in the Willows. This piece is perfect for funerals, graduations, or any solemn occasions. Text is non-religious, but expresses universal sentiments of one's helping others and impermanence. The sample here is presented with voice, piano and solo violin.Text:Those roads I have trodd'nAnd the faces I have known,If I've left a bit of good,That is my salvation.
$5.95
5.35 €
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Piano, Voix et Guitare
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James Nathaniel Holland
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Adagio No 1, My Salvation from An Adagio Suite for Solo Low
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James Nathaniel Holland
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SheetMusicPlus
Song For Baba for Alto Flute and Piano
Flûte traversière et Piano
Arranged by Lisa Ochoco. Score, Solo Part. 9 pages. Published by Lisa Ochoco
Arranged by Lisa Ochoco. Score, Solo Part. 9 pages. Published by Lisa Ochoco
$12.00
10.79 €
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Flûte traversière et Piano
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Lisa Ochoco
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Song For Baba for Alto Flute and Piano
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Lisa Ochoco
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SheetMusicPlus
The Promised Land (On Jordan's Stormy Banks) Soprano Sax
Saxophone Soprano et Piano
Piano Accompaniment, Soprano Sax - Intermediate - Digital Download Composed by Americ…
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Piano Accompaniment, Soprano Sax - Intermediate - Digital Download Composed by American Folk Hymn. Arranged by Michael Ware. Christian, Sacred, General Worship, Funeral, Recital. Score, Solo Part. 9 pages. Published by MusicWare Press
The Promised Land is Michael Ware's instrumental solo arrangement of the American Folk Hymn, On Jordan's Stormy Banks. It is available in versions for Flute, Oboe, Clarinet, Soprano Sax, and Alto Sax. Remind the listener that their hope is not in this world but beyond the Jordan in a land that God has promised.
$6.99
6.28 €
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Saxophone Soprano et Piano
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American Folk Hymn
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Michael Ware
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The Promised Land
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MusicWare Press
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SheetMusicPlus
3 Songs from Schwanengesang by Franz Schubert
Flûte traversière et Piano
Altoflute and piano - Digital Download Composed by Franz Schubert (1797-1828). Arrang…
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Altoflute and piano - Digital Download Composed by Franz Schubert (1797-1828). Arranged by Theobald Boehm. This edition: Sheet music. Downloadable. Duration 9 minutes. Musikverlag Zimmermann #Q47039. Published by Musikverlag Zimmermann
German - English - French.<br> <br> Auf der Suche nach einem Instrument, das dem Bedurfnis tiefer, kraftiger und sogleich sonorer Flotentone entsprach, .erschuf der geniale Flotenbauer Theobald Bohm 1858 die erste Altflote. Fur dieses neue Instrument musste nun Literatur her, und so machte sich Bohm an die Bearbeitung verschiedener bekannter klassischer Werke (siehe auch Th. Bohm: Die Bearbeitungen mit Altflote, ZM 33880). Bei der Bearbeitung der drei Lieder aus dem Schwanengesang D 957 (Standchen, Das Fischermadchen und Am Meer) von Franz Schubert hat sich Bohm an den popularen Schubert-Liedbearbeitungen fur Flote und Klavier von Leopold Jansa (1795 - 1875) orientiert, die er zum Teil ubernimmt, zum Teil aber auch in seinem eigenen Stil und Altfloten-gerecht abwandelt. Die Ausgabe stellt eine schone Bereicherung des raren Altflote-Repertoires dar.
$13.99
12.58 €
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Flûte traversière et Piano
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Franz Schubert (1797-1828)
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Theobald Boehm
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3 Songs from Schwanengesang by Franz Schubert
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Musikverlag Zimmermann
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
21.57 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Wellerman sea shanty - epic Bigband
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.851136 Composed by Tr…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.851136 Composed by Traditional. Arranged by Sophia Transistor. Jazz,Ragtime,World. Score. 49 pages. Sophia Transistor #6463869. Published by Sophia Transistor (A0.851136). This Bigband Arrangement is part of the NDR Bigband Composition & Arrangement Contest.The Wellerman sea shanty (soon may the wellerman come) is an ear catching tune and the best part: It's public domain! Therefor it went viral in early 2021 on TikTok and YouTube.This Big Band Arrangement features:- full score in landscape modeset of parts in DIN A4:- Alto Sax 1 (with instrument change to flute)- Alto Sax 2- Tenor Sax 1- Tenor Sax 2- Bari Sax- Trumpet 1- Trumpet 2- Trumpet 3- Trumpet 4- Trombone 1- Trombone 2- Trombone 3- Trombone 4- Guitar- Piano Keys- Bass- Drums- Steel Drum (Percussion)Jazz Solos are set for trumpet 2 and trombone 2.The unique instrument Steel Drum was added to achieve a caribbean flair.It can be played by the percussionist or the band leader.If a steel drum is not available, please consider using a xylophone, marimba or any kind of glockenspiel.The genre (stil) is set to funk (no swing) to find some remembrance to the traditional Bigband Arrangement of John Brown's Other Body.In addition a part is added, that introduces some electro swing moves as the one in Louis Primas Sing Sing Sing. The last crossreference can be made to the computer game music of The Course of Monkey Island, because the Pirate atmosphere meets ups with a sea shanty.If you have any comments, please contact me, I would be very happy if this arrangement will be played by any kind of Big Band.YouTube Play Along: https://youtu.be/eSaqtmG2E0k
$42.00
37.76 €
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Piano, Voix et Guitare
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Traditional
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Sophia Transistor
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Arrangement Contest
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Wellerman sea shanty - epic Bigband
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Sophia Transistor
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SheetMusicPlus
Invitation to the Journey for alto flute and piano
Flûte traversière et Piano
Composed by David Warin Solomons (1953-). For alto flute and piano. 21st Century,20th Cent…
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Composed by David Warin Solomons (1953-). For alto flute and piano. 21st Century,20th Century. Intermediate. Score. 11 pages. Published by David Warin Solomons
$10.00
8.99 €
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Flûte traversière et Piano
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David Warin Solomons
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Invitation to the Journey for alto flute and piano
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David Warin Solomons
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SheetMusicPlus
Romance in D-Flat for Alto Flute and Piano
Flûte traversière et Piano
Composed by Emily Gray. For Piano, Alto Flute. 21st Century. Early Intermediate. , Score. …
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Composed by Emily Gray. For Piano, Alto Flute. 21st Century. Early Intermediate. , Score. Published by Emily Gray
$9.99
8.98 €
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Flûte traversière et Piano
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Emily Gray
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Romance in D-Flat for Alto Flute and Piano
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Emily Gray
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SheetMusicPlus
Faith of Our Fathers--vocal solo (bass clef)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.786623 Composed by Fr…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.786623 Composed by Frederick William Faber, Henri F. Hemy, and J. G. Walton. Arranged by Beka Wilson. Christian,Holiday,Patriotic,Sacred. Score. 8 pages. Beka Wilson #6329125. Published by Beka Wilson (A0.786623). This is an intermediate-level arrangement of a beloved hymn--perfect for a church offertory or prelude. It could also be an occasion song for Father's Day, Independence Day, Memorial Day, or Veterans Day. This arrangement is available as a solo for voice, piano, flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available for SATB choir.Length: 3-3.5 minutesLevel: intermediate for most instruments8 pages (includes score and separate vocal part)Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.28 €
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Piano, Voix et Guitare
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Frederick William Faber, Henri F
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Beka Wilson
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Faith of Our Fathers--vocal solo
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Beka Wilson
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SheetMusicPlus
God Rest Ye Merry Gentlemen--vocal solo (treble clef) with harp accompaniment
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.786724 Composed by Tr…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.786724 Composed by Traditional. Arranged by Beka Wilson. Christian,Christmas,Gospel,Sacred. Score. 6 pages. Beka Wilson #6408743. Published by Beka Wilson (A0.786724). As one of the oldest Christmas carols around, God Rest Ye Merry Gentlemen is instantly recognizable and a perfect addition for a Christmas gig, recital, or church service.Length: around 4 minutes6 pages (includes score and separate vocal part)This arrangement is available as a solo for voice (piano or harp accompaniment), flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, viola, and cello. It is also available as a duet for two harps, flute/harp, violin/harp, viola/harp, and cello/harp.Want this arrangement in a different key or for a different set of instruments? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you.
$6.99
6.28 €
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Piano, Voix et Guitare
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Traditional
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Beka Wilson
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God Rest Ye Merry Gentlemen--vocal solo
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Beka Wilson
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SheetMusicPlus
Perfect
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.520596 By Ed Sheeran.…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.520596 By Ed Sheeran. By Ed Sheeran. Arranged by Miranda Wong. Pop. Score. 8 pages. Miranda Wong #3560013. Published by Miranda Wong (A0.520596). Greatest Hits & Most Popular Song of Ed Sheeran.Most Popular & Happy Wedding Song. Complete Musical Form. 2 Pages for each Key. Lead Sheet in Ab Key. For Violin Solo or Piano Accompaniment for Tenor, Alto Saxophone etc.With Chords. Lead Sheet in Bb Key for For Bb Instrument - Oboe, Flute, Violin, Clarinet, Soprano Saxophone, Tenor Saxophone or Trumpet Solo. Lead Sheet in F Key for For Eb Instrument - Alto Saxophone or Baritone Saxophone. Lead Sheet in C Key. For French Horn Solo.
$13.98
12.57 €
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Piano, Voix et Guitare
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Ed Sheeran
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Miranda Wong
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Perfect
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Miranda Wong
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SheetMusicPlus
Lullaby Of Birdland
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.909676 Composed by Ge…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.909676 Composed by George Shearing. Arranged by Sophie Smith. Jazz. Score. 10 pages. Sophie Smith #4324133. Published by Sophie Smith (A0.909676). Lullaby of Birdland (Ella Fitzgerald) in D Minor (1 flat).Instruments Include:VoiceChordsHard Violin Intermediate ViolinEasy ViolinEasy CelloHard FluteIntermediate/Easy FluteHard Bb ClarinetEasy Alto SaxHard Bass GuitarHard TrumpetEasy French HornHard Melody Keys.
$12.99
11.68 €
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Piano, Voix et Guitare
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George Shearing
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Sophie Smith
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Lullaby Of Birdland
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Sophie Smith
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SheetMusicPlus
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