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Quatuor à cordes: 2 violons, alto, violoncelle
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Back Door
VIOLON
Partitions à imprimer
17 partitions trouvées
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1
Lookin' Out My Back Door
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.791340 By Creedence Clearwater Rev…
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Violin Solo - Level 3 - Digital Download SKU: A0.791340 By Creedence Clearwater Revival. By John Fogerty. Arranged by Sandy Herrault. Rock. 2 pages. Sandy Herrault #6081163. Published by Sandy Herrault (A0.791340). Lookin' Out My Back Door, for Violin, is an arrangement that closely follows the original song. It has runs and flourishes added to the melody to enhance the performance on the violin. This arrangement can be seen performed by Sandy Herrault on Youtube.
$4.99
4.54 €
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Violon
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Creedence Clearwater Revival
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Sandy Herrault
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Lookin' Out My Back Door
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Sandy Herrault
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SheetMusicPlus
Bob Dylan : Knockin' on Heaven's Door
Violon
Téléchargez la partition Violon Knockin' on Heaven's Door de Bob D…
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Téléchargez la partition Violon Knockin' on Heaven's Door de Bob Dylan. Partition pour Violon avec accomp. orchestre -- Pop/rock
5.99 €
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Violon
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Bob Dylan
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Knockin' on Heaven's Door
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Tomplay
Love Is An Open Door
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1229341 By Kris…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1229341 By Kristen Bell & Santino Fontana. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Sherry Lewis. Children,Film/TV,Pop,Wedding. 13 pages. Sherry Lewis Publishing #825247. Published by Sherry Lewis Publishing (A0.1229341). Love Is An Open Door from FrozenSTRING DUO  Intermediate Level for violin and cello Score: YesParts: 2 pagesTime: 2.00If you can't find a title then contact me through https://baysbest.com/contact/ and I'll give you the link back to SMP. Thank you for your order!
$4.99
4.54 €
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Violon, Violoncelle (duo)
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Kristen Bell & Santino Fontana
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Sherry Lewis
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Love Is An Open Door
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Sherry Lewis Publishing
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SheetMusicPlus
Love Is An Open Door
2 Violons (duo)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1039924 By Kristen Bell & S…
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1039924 By Kristen Bell & Santino Fontana. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Tim Crooks. Film/TV,Pop. 14 pages. STR:UK String Arrangements #644798. Published by STR:UK String Arrangements (A0.1039924). Love Is An Open Door, from Disney’s ‘Frozen’, arranged for Violin Duet with Piano by Tim Crooks. This is a fun arrangement of the duet between Anna and Prince Hans, and these roles are taken by Violin 1 and Violin 2 (or Viola, part also included). The level of these parts is approx ABRSM grade 5 (intermediate). There is also a third part for Easy Violin / Viola at Grade 1-2 level, although this is not essential for performance. This download contains: Piano score Violin I (solo) Violin II (solo) Viola (solo - same as Violin II) Easy Violin Easy Viola (same as Easy Violin) About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings.
$6.99
6.36 €
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2 Violons (duo)
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Kristen Bell & Santino Fontana
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Tim Crooks
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Love Is An Open Door
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STR:UK String Arrangements
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SheetMusicPlus
Love Is An Open Door
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1039911 By Krist…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1039911 By Kristen Bell & Santino Fontana. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Tim Crooks. Film/TV,Pop. Score and parts. 12 pages. STR:UK String Arrangements #644783. Published by STR:UK String Arrangements (A0.1039911). Love Is An Open Door, from Disney's 'Frozen', arranged for String Quartet by Tim Crooks. This duet works brilliantly as a string quartet and is great fun to play. This arrangement is suitable for intermediate level groups (ABRSM grade 5+). This download contains Full score and parts. About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings.
$13.99
12.74 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Kristen Bell & Santino Fontana
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Tim Crooks
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Love Is An Open Door
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STR:UK String Arrangements
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SheetMusicPlus
Door : Lied ohne Worte (Romance sans paroles)
Violon
Téléchargez la partition Violon Lied ohne Worte (Romance sans paroles) de Do…
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Téléchargez la partition Violon Lied ohne Worte (Romance sans paroles) de Door. Partition pour Violon avec piano d‘accompagnement -- Classique
2.99 €
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Violon
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Door
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Lied ohne Worte
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Tomplay
Quartet in the rain for string quartet performed by Budapest Scoring (mp3)
Quatuor à cordes: 2 violons, alto, violoncelle
Level 4 - Digital Download SKU: A0.1114067 By Budapest Scoring String Quartet. By D…
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Level 4 - Digital Download SKU: A0.1114067 By Budapest Scoring String Quartet. By David Warin Solomons. Classical,Comedy,Contemporary. Full Performance. Duration 136. David Warin Solomons #715968. Published by David Warin Solomons (A0.1114067). Instrumental quartet based on my choral piece The Choir in the Rain which is a sequence of limericks written and set to music by the composer imagining the scene if a choir were made to sing in the rain, complete with colds, coughs, sneezes and fever. Original limericks: (Introductory words: pitter patter pom etc) Our conductor was trying to train our choir to sing in the rain the music got wet and to our great regret we finally had to refrain So all of us went back indoors and we sang from our poor dripping scores but the audience cheered as we persevered and demanded sev'ral encores It was then that we all started sneezing the basses were coughing and wheezing The altos in harm'ny sniffed not very calmly but the audience thought we were teasing The Sopranos then noticed their dresses were shrinking and causing distresses the buttons they popped and the tenors they hopped as those buttons shot right past their faces It seemed that the choir was dissolving and the room started slowly revolving we'd all caught a cough it near carried us off as the fever we'd got was evolving We finally reached the last ditty in that chilly and rain sodden city oh we're told that in Spain it just rains on the plain but here it soaks both plain and pretty Performed by Violin 1: Csongor Veér Violin 2: Anna Fehér Viola: Péter Kondor Cello: Mátyás Ölveti of Budapest Scoring.
$5.50
5.01 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Budapest Scoring String Quartet
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Quartet in the rain for string quartet performed by Budapest Scoring
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David Warin Solomons
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.28 €
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Trio à Cordes: violon, alto, violoncelle
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
22.76 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
Guthrie: Here We Come A-Wassailing for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1491580 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 13 pages. Jmsgu3 #1068280. Published by jmsgu3 (A0.1491580). Here We Come A-Wassailing is a traditional English Christmas carol with roots that likely extend back to the mid-19th century, if not earlier. The exact authorship of the carol is unknown. The song is associated with the tradition of wassailing, which involves going door-to-door singing in exchange for food and drink. This practice predates Christianity and was part of mid-winter celebrations. The term wassail originates from the Anglo-Saxon greeting waes hael, meaning be in good health. This greeting evolved into a toast, with one person saying was hail and another responding drinc hail while passing around a communal bowl of a drink made from mulled ale or mead, spices, and apples, known as wassail. Wassailing has two primary forms: one that occurs post-Christmas, often associated with Twelfth Night, and another that takes place before Christmas. The latter involves singing carols and sharing wassail from a bowl. At the same time, the former includes rituals to encourage fertility in orchards, such as singing to trees and offering cider-soaked toast. The carol Here We Come A-Wassailing has several variations, including Here We Come A-Caroling and Here We Come A-Christmasing, each with different lyrics but similar themes of merriment and well-wishing for the New Year.
$34.95
31.82 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional
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James M
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Guthrie: Here We Come A-Wassailing for String Quartet
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jmsgu3
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SheetMusicPlus
CASSANDRA'S VISION
Violon et Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704…
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Instrumental Duet Instrumental Duet,Piano,Violin - Digital Download SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
4.55 €
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Violon et Piano
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Morango ... almost a tango, full score
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869118 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99
9.1 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Oboe Lee
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Morango ... almost a tango, full score
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Thomas Oboe Lee
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SheetMusicPlus
SEVEN ANCIENT GREEK TUNES IN SEVEN MODES ΕΠΤΑ ΑΡΧΑΙΑ ΕΛΛΗΝΙΚΑ ΜΟΥΡΗ ΣΕ ΕΠΤΑ ΜΟΝ&T
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1296046 Composed…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1296046 Composed by Trad, Alan Edgar, Euripides. Early Music,Folk,Historic,Traditional. 24 pages. Alan Edgar Ted Moon #886315. Published by Alan Edgar Ted Moon (A0.1296046). ΕΠΤΑ ΑΡΧΑΙΑ ΕΛΛΗÎΙΚΑ ΜΟΥΡΗ ΣΕ ΕΠΤΑ ΜΟÎΤΕΣ για ΚουαÏÏ„Îτο ΕγχόÏδων. The Seikilos epitaph. While you live, shine!. It is engraved on a pillar from the 1st or 2nd century CE. The melody Dorian: the harmony, as in all of these pieces, is mine. Garifolia (Carnation) Do you love me, my Carnation, or are you laughing at me?†“I love you, my Basil, I don’t laugh at youâ€. This song is Phrygian with characteristic 7/8 metre. KαÏπαθιωτικος. Karpathiotikos. About supplying olives. Aeolian.  ΓεÌννηση (Génnisi, Nativity)--a Greek Orthodox chant which may date back to the 4th Century Christ is born today. Mixolydian.Â Î‘Ï€Î¿Ì Ï„Î·Î½ ποÌÏτα (I walk past your door) so you can see me and be glad. I have made this traditional tune Lydian. Orestes  408 BC in Egypt. it is part of a chorus of Euripides’ tragedy. Locrian.  I weep, I weep. Kali chronia (Happy New Year) Beautiful girls have come to bring us a Happy New Year. One sweetly whistles, another sings. Ionian. 10 minutes.
$21.00
19.12 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Trad, Alan Edgar, Euripides
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SEVEN ANCIENT GREEK TUNES IN SEVEN MODES ΕΠΤΑ ΑΡΧΑΙΑ ΕΛΛΗΝΙΚΑ ΜΟΥΡΗ ΣΕ ΕΠΤΑ ΜΟΝ&T
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Alan Edgar Ted Moon
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SheetMusicPlus
Rendered Restless for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1183167 Composed by Gabrielle Liriano. Contemporary. Score and parts. 15 pages. Art Haus Music Publishing #782847. Published by Art Haus Music Publishing (A0.1183167). The character of this piece wakes up dazed, confused, and in a bewildering fog. With a heavy head and dense limbs he struggles through the morning. Like a lagging computer, each task takes many moments to survey before acting upon when suddenly the character remembers the most pressing project is due. Urgency washes over him as he throws his things into a backpack, wrestles with his shoes, and stumbles out the door. He embodies a nervous sprint towards lateness.Instrumentation: Violin I, Violin II, Viola, CelloDuration: Approx. 1 minute and 45 seconds.
$30.00
27.32 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Gabrielle Liriano
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Rendered Restless for String Quartet
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Art Haus Music Publishing
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SheetMusicPlus
Long Gone
Violon
Violin Solo - Level 1 - Digital Download SKU: A0.1097198 Composed by Matt Grogan. C…
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Violin Solo - Level 1 - Digital Download SKU: A0.1097198 Composed by Matt Grogan. Children,Funk,Pop. 1 pages. Matt Grogan #701155. Published by Matt Grogan (A0.1097198). A fun beginner violin melody exploring C major scale and using next door finger patterns in 1st position. Fun to play along with the youtube video backing track.
$5.00
4.55 €
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Violon
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Matt Grogan
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Long Gone
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Matt Grogan
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SheetMusicPlus
Don't Start Now - Pop String Quartet with Rhythm Section parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - Digital Download By Dua Li…
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String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - Digital Download By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 63 pages. Published by ViolinVagabond Music
This unique version of Dua Lipa's "Don't Start Now" was performed by Dallas String Quartet in their latest music video, and is now available to your ensemble as well!<br> <br> "If you don't wanna see me dancing with..." some random person's iPod speaker instead of listening to your amazing string quartet, then Don't Start buying shoddy arrangements from free-gig-whatevers dot com. Instead, make the right choice for your ensemble and invest in high quality charts from real, professional arrangers. What you're getting here is not a 72% accurate transcription of someone's Dua Lipa YouTube piano cover that has been laid out "legibly enough" on 4 staves. This is a tasteful setting of one of the sexiest disco grooves to hit radio since the Beegee's untimely decline, and it highlights all those hip string parts from Dua's original track while adding some original figures to really make this tune pop as an instrumental version.<br> <br> Within the pages of this fantastically funky fresh score, you'll find some simple (but effective) chopping, slapping & extended string techniques to help your ensemble get their groove on, an extendable outro solo where players can stretch their creative legs on a dull gig, and enough sneaky reharminizations to earn an oh-so-satisfying nod of approval from that one guy in the back of the audience who used to be in a jazz band.<br> <br> This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. While this arrangement is more than capable of moving, grooving and soothing with just the string parts, there are a variety of scenarios in which you may find adding some of those "loud" instruments may benefit your ensemble, such as:<br> <br> - Cool collaborations with non-classical musicians.<br> <br> - Making peace and finally finding common ground with those heathens who use frets to play in tune.<br> <br> - Performing at outdoor events... or anywhere where alcohol is served. Small talk doesn't stand a chance against drums!<br> <br> - You just got the stage plot for the gig and are concerned people won't take you seriously if you have less than 7 inputs on your rider.<br> <br> - You carpooled to the wedding with the band, and figured you guys might as well play something together during the reception rather than spend all night starting at the appetizers that you aren't allowed to eat.<br> <br> ... and the list goes on.<br> <br> Help take your ensemble to a new level when expanding your gig repertoire this year. This chart will keep your musicians inspired and your audience's insatiable need to consume brand new music in alternative instrumentations satisfied. To be clear, some practice and/or rehearsal will likely be required, so sight reading is not recommended, but with just a little bit of effort this arrangement will be FUN for your group to play!<br> <br> Performance time - approximately 3:00, longer if you want to vamp the outro<br> <br> Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.This unique version of Dua Lipa's "Don't Start Now" was performed by Dallas String Quartet in their latest music video, and is now available to your ensemble as well!<br> <br> "If you don't wanna see me dancing with..." some random person's iPod speaker instead of listening to your amazing string quartet, then Don't Start buying shoddy arrangements from free-gig-whatevers dot com. Instead, make the right choice for your ensemble and invest in high quality charts from real, professional arrangers. What you're getting here is not a 72% accurate transcription of someone's Dua Lipa YouTube piano cover that has been laid out "legibly enough" on 4 staves. This is a tasteful setting of one of the sexiest disco grooves to hit radio since the Beegee's untimely decline, and it highlights all those hip string parts from Dua's original track while adding some original figures to really make this tune pop as an instrumental version.<br> <br> Within the pages of this fantastically funky fresh score, you'll find some simple (but effective) chopping, slapping & extended string techniques to help your ensemble get their groove on, an extendable outro solo where players can stretch their creative legs on a dull gig, and enough sneaky reharminizations to earn an oh-so-satisfying nod of approval from that one guy in the back of the audience who used to be in a jazz band.<br> <br> This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. While this arrangement is more than capable of moving, grooving and soothing with just the string parts, there are a variety of scenarios in which you may find adding some of those "loud" instruments may benefit your ensemble, such as:<br> <br> - Cool collaborations with non-classical musicians.<br> <br> - Making peace and finally finding common ground with those heathens who use frets to play in tune.<br> <br> - Performing at outdoor events... or anywhere where alcohol is served. Small talk doesn't stand a chance against drums!<br> <br> - You just got the stage plot for the gig and are concerned people won't take you seriously if you have less than 7 inputs on your rider.<br> <br> - You carpooled to the wedding with the band, and figured you guys might as well play something together during the reception rather than spend all night starting at the appetizers that you aren't allowed to eat.<br> <br> ... and the list goes on.<br> <br> Help take your ensemble to a new level when expanding your gig repertoire this year. This chart will keep your musicians inspired and your audience's insatiable need to consume brand new music in alternative instrumentations satisfied. To be clear, some practice and/or rehearsal will likely be required, so sight reading is not recommended, but with just a little bit of effort this arrangement will be FUN for your group to play!<br> <br> Performance time - approximately 3:00, longer if you want to vamp the outro<br> <br> Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$24.99
22.76 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Dua Lipa, Dallas String Quartet
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Kyle Pudenz
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Don't Start Now - Pop String Quartet with Rhythm Section parts
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ViolinVagabond Music
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SheetMusicPlus
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