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Vous avez sélectionné:
Force Of Nature
VIOLON
Partitions à imprimer
7 partitions trouvées
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1
Three Impressions of Northern Arizona Violin Version
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Violon et Piano
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Judith Cloud
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panose-1:2 4 5 3 5 4 6 3 2 4
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Three Impressions of Northern
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Judith Cloud
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SheetMusicPlus
Piano,Violin - SKU: A0.981188 Composed by Judith Cloud (b. 1954). 20th Century,Contemporary,World. 32 pages. Judith Cloud #4621701. Published by Judith ...
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Piano,Violin - SKU: A0.981188 Composed by Judith Cloud (b. 1954). 20th Century,Contemporary,World. 32 pages. Judith Cloud #4621701. Published by Judith Cloud (A0.981188). <!-- /* Font Definitions */ @font-face {font-family:Cambria; panose-1:2 4 5 3 5 4 6 3 2 4; mso-font-charset:0; mso-generic-font-family:auto; mso-font-pitch:variable; mso-font-signature:3 0 0 0 1 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal {mso-style-parent:; margin:0in; margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:12.0pt; font-family:Times New Roman; mso-ascii-font-family:Cambria; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:Cambria; mso-fareast-theme-font:minor-latin; mso-hansi-font-family:Cambria; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Times New Roman; mso-bidi-theme-font:minor-bidi;} @page Section1 {size:8.5in 11.0in; margin:1.0in 1.25in 1.0in 1.25in; mso-header-margin:.5in; mso-footer-margin:.5in; mso-paper-source:0;} div.Section1 {page:Section1;} --> Program notes: Three Impressions of Northern Arizona for flute (or violin) and piano The three movements of this piece were composed in the summer of 2007 for Emily McKay, flute and Rita Borden, piano. I chose places and themes that were compelling for me for a variety of reasons. The first movement, Wupatki, is based on the feeling of expanse and solitude I experience when I am visiting this ancient pueblo and the stunning vistas of the Painted Desert. The Song of Friendship, a charming and simple tune was introduced to me by Gary Gorman, a Native American student of mine in the early 1990’s. I fashioned a simple arrangement and composed some original tunes to accompany it. This movement is dedicated to my colleague, clarinetist Michael Sullivan, who was dying from a rare form of cancer during the days I was finishing this movement. The day I finished the piece, I realized that it needed to end as if it never had a chance to finish, much like Michael’s life that was so tragically cut short. Quite by chance, the music ends at bar 43-the exact number of years of Michael’s brief life. Wind, title of the third movement, was composed to give musical interpretation to this element of relentless fury we experience during several months out of the year in this region. It springs up then dies down, only to resurface with more force and resilience.
$15.00
String Quartet No.1
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nick Elliott
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String Quartet No.1
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Nick Elliott
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.997516 Composed by Nick Elliott. Contemporary. Score and parts. 25 pages. Nick Elliott #5791563. Publi...
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String Quartet String Quartet - Level 4 - SKU: A0.997516 Composed by Nick Elliott. Contemporary. Score and parts. 25 pages. Nick Elliott #5791563. Published by Nick Elliott (A0.997516). First Movement:In many ways this first movement can be summed up in one word: introspective. It is also a piece that reflects on landscapes of nature. A slow movement, it is essentially written around one main motif that is the driving force behind the movement. This motif becomes longer in the second movement eventually becoming the theme of the string quartet serving as a device to unify all of the movements.Second MovementThis movement is faster than the first, the melodies more fragmentary, more rhythmically driven. It is less introspective and more extroverted and restless. Exploring and expanding on the harmony of the first movement by exploring sound clusters, secundal and quartal harmony, while also playing with tonality more than the first movement did. The idea of rhythmic cells are also briefly explored inspired by Aleatoric music. The movement ends with the serene sound of the first violin in solo combining all three motifs to reveal the theme of the string quartet.The idea of thematic unity is a concept that is explored heavily with this string quartet and will be explored even more in the third and fourth movements.
$11.75
Storm Bay Shanty
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Celtique/Irlandais
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Fiona Hickie
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Storm Bay Shanty
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Fiona Alice Hickie
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.737931 Composed by Fiona Hickie. Celtic,Folk,Irish,Multicultural,World. Score and p...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.737931 Composed by Fiona Hickie. Celtic,Folk,Irish,Multicultural,World. Score and parts. 12 pages. Fiona Alice Hickie #3468608. Published by Fiona Alice Hickie (A0.737931). This piece is a tribute to the many naval explorers and their crews that sailed in the stormy, 'Storm Bay ' seas.History and Inspiration: Storm Bay Shanty Storm Bay is the opening of the river leading to Hobart, Tasmania’s capital city. It was named by Abel Tasman on the 30th November 1642, when a storm forced his ship out to sea before he could anchor there. He did return there in later days. Throughout its history it has seen indigenous people in their canoes and famous explorers such as Abel Tasman, Marc-Joseph Marion du Fresne , Bruni d'Entrecasteaux, William Bligh, Matthew Flinders, James Kelly and James Cook sail its waves. In colonial times whalers could also be seen trying to make their fortune. In more recent times local sailors, including those in the Sydney to Hobart Yacht Race try and win over one of nature’s more challenging waterways. This piece is a tribute to them, and the songs that would have been sung by sailors in the bygone era.
$12.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
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Violon
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjam...
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Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
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Violon
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjam...
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Violin Solo - Level 5 - SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Dances in Six-Eight
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Violon, Violoncelle (duo)
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FACILE
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Traditional
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Edna J
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Dances in Six-Eight
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Bloom Musicnotes
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.836163 Composed by Traditional. Arranged by Edna J. Bloom. Instructional,World. Sco...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.836163 Composed by Traditional. Arranged by Edna J. Bloom. Instructional,World. Score and parts. 5 pages. Bloom Musicnotes #3690727. Published by Bloom Musicnotes (A0.836163). Part of the Compound Meter Project, Dances in Six-Eight begins with simple 8th notes. It progresses through the basic rhythm combinations used in the six-eight time signature, ending with an example using both duple and triple groupings. There are six attractive dance melodies presented in both all treble and all bass formats. This document will be a handy tool to introduce and reinforce compound meter in both classroom and private instruction. .
$2.99
Promise Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Beverley Craven
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Spence Bundy
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Promise Me
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Spencer Bundy
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.837903 By Beverley Craven. By Beverley Craven. Arranged by Spence Bundy. Contemporary. Score and parts...
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String Quartet String Quartet - Level 3 - SKU: A0.837903 By Beverley Craven. By Beverley Craven. Arranged by Spence Bundy. Contemporary. Score and parts. 17 pages. Spencer Bundy #6360041. Published by Spencer Bundy (A0.837903). Beverley Cravens signature tune has been covered many times strangely never making it to No.1. It came out in 1990 but it wasn't until the following April of 1991 it peaked at No.3 in the British charts. It was one of the most requested songs on the British Forces Broadcasting Service during the Gulf conflict and remains a very important song to many.
$12.99
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Force Of Nature
