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VIOLON
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What\\\'s Up
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TRI ET FILTRES
TRI ET FILTRES
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Vous avez sélectionné:
What\\\'s Up
VIOLON
Partitions à imprimer
95 partitions trouvées
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What's Up
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Quatuor à cordes: 2 violons, alto, violoncelle
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4 Non Blondes
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Emily Bennett
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What's Up
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Emily Bennett
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1180703 By 4 Non Blondes. By Linda Perry. Arranged by Emily Bennett. 20th Century,Pop,Rock. Score and parts. 21 ...
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String Quartet String Quartet - SKU: A0.1180703 By 4 Non Blondes. By Linda Perry. Arranged by Emily Bennett. 20th Century,Pop,Rock. Score and parts. 21 pages. Emily Bennett #780586. Published by Emily Bennett (A0.1180703). String Quartet arrangement of 4 Non Blondes' 'What's Up'. Great for gigging quartets, functions and weddings.
$12.99
U Know What's Up
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Violon
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FACILE
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Pop musique
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Billie Eilish and Finneas O'Co
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Wesley S
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U Know What's Up
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Wesley S. Silva
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.1022447 Composed by Billie Eilish and Finneas O'Connell. Arranged by Wesley S. SIlva. Broadway,Film/TV,Hip-Hop,Musical/S...
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Violin Solo - Level 2 - SKU: A0.1022447 Composed by Billie Eilish and Finneas O'Connell. Arranged by Wesley S. SIlva. Broadway,Film/TV,Hip-Hop,Musical/Show,Pop,R & B. 2 pages. Wesley S. Silva #627928. Published by Wesley S. Silva (A0.1022447). Sheet music for violin.
$4.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
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Violon
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjam...
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Violin Solo - Level 5 - SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
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Violon
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjam...
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Violin Solo - Level 5 - SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
CASSANDRA'S VISION
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Violon et Piano
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Contemporain
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #574289...
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Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
This Is What Falling In Love Feels Like
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jvke
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Sarah Cellobat Chaffee
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This Is What Falling In Love F
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1461717 By Jvke. By Jacob Lawson and Zachary Lawson. Arranged by Sarah Cellobat Chaffee. Contemporary...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1461717 By Jvke. By Jacob Lawson and Zachary Lawson. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Singer/Songwriter,Wedding. 10 pages. Sarah Cellobat Chaffee #1040465. Published by Sarah Cellobat Chaffee (A0.1461717). *INSTRUMENTATION: VIOLIN, VIOLA, CELLO*Jacob Dodge Lawson, better known to fans around the world as JVKE, is a singer-songwriter and pianist who began releasing his self-produced music while stuck at home during pandemic lockdowns. Audiences around the world were soon captivated by his ethereal voice, unconventional song constructions, and virtuosic piano skills; his song Golden Hour became his first Billboard hit and kickstarted his career as a touring and award-winning artist. Along with Golden Hour, his debut EP included another breakthrough hit, This Is What Falling In Love Feels Like, which has also become a widely played and platinum-certified song. So it's no wonder people have been requesting it for strings! This Cellobat arrangement for your violin/viola/cello trio was originally written for a wedding ceremony, but it will also be great for prelude, cocktail hour, receptions, parties, and more. Maintaining the quirky energy, wall-of-sound approach, and signature string lines of the original, this one is sure to be lots of fun to play! Rated advanced-intermediate for a few tricky rhythms, tempo changes, and a few high notes in the violin part (up to 5th position); this won't be too difficult to put together, but will probably warrant a run-through before performing.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$14.99
EVE'S PARADISE LOST Soprano song with string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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alan Edgar and John Milton
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EVE'S PARADISE LOST Soprano so
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Alan Edgar Ted Moon
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1134460 Composed by alan Edgar and John Milton. 20th Century,Chamber,Christian,Reli...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1134460 Composed by alan Edgar and John Milton. 20th Century,Chamber,Christian,Religious. 30 pages. Alan Edgar Ted Moon #734553. Published by Alan Edgar Ted Moon (A0.1134460). EVE’S PARADISE LOST Soprano (C up to G#), with string quartet. Vocal score included. Also available with reed quartet: oboes, clarinet, bassoon. Paradise Lost by The English poet John Milton is an epic occupying twelve books. It retells the tale of the Fall of Mankind – the moment when Adam and Eve were enticed by Satan to eat the forbidden fruit from the Tree of Knowledge, and as a result were banished from the Garden of Eden. Milton gives far more detail than Genesis. The song presents the story from Eve’s point of view. I edited the passages for scansion and to suit a modern ear, and ended up with lyrics that fall into three sections: Eve's feelings of shame and guilt, her overhearing the sentence, and her realisation of what she will lose. Octatonic and pentatonic modes. Many quartals. Intermediate. 6 minutes.
$21.00
What A Wonderful World
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Violon et Piano
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INTERMÉDIAIRE
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Jazz
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Louis Armstrong With Kenny G
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Joseph Hasper
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What A Wonderful World
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Joseph Hasper
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.734815 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Joseph Hasper. Jazz. 10 pages...
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Piano,Violin - Level 3 - SKU: A0.734815 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Joseph Hasper. Jazz. 10 pages. Joseph Hasper #3557801. Published by Joseph Hasper (A0.734815). Perfect for weddings or recitals, this is a sensitive, thoughtful treatment of the beloved Louis Armstrong standard for solo violin with just a hint of jazz and gospel. Violin and piano parts are modest: violin plays up to D (above the staff).Key of F major. 68 measures, 4'15 duration. Includes a full score and set of parts.What a Wonderful World was recorded by Louis Armstrong which topped the pop charts in 1967 in the United Kingdom. Armstrong's recording was inducted in the Grammy Hall of Fame in 1999.
$12.99
What A Wonderful World
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jazz
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Louis Armstrong With Kenny G
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Adam White
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What A Wonderful World
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Adam Michael White
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.942691 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arran...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.942691 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Adam White. Jazz. Score and parts. 9 pages. Adam Michael White #6525825. Published by Adam Michael White (A0.942691). Here is my updated arrangement of Louis Armstrong's What a Wonderful World for string quartet. After having the privilege of getting a string quartet to play the previous version for me, I came to realize that I did not like it and removed it from this website until I could write a better arrangement. Of the changes that I made, I split up the melody amongst the whole quartet instead of just giving it to the cello, and I changed various voicings, registers, and accompanying rhythms to make it more involved and enjoyable for the performers. However, I would still rate this arrangement for intermediate performers at the very least since there are passages in most of the parts that have the performers playing in the third position. The format of the download is one pdf consisting of the score and parts. I hope you enjoy this arrangement, and happy playing!
$12.99
What Child is This?/Greensleeves--violin solo
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Violon et Piano
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INTERMÉDIAIRE
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Noël
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W
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Beka Wilson
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What Child is This?/Greensleev
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Beka Wilson
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.786450 Composed by W. Chatterton Dix, old English ballad. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred. 4 p...
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Piano,Violin - Level 3 - SKU: A0.786450 Composed by W. Chatterton Dix, old English ballad. Arranged by Beka Wilson. Christian,Christmas,Folk,Sacred. 4 pages. Beka Wilson #6036667. Published by Beka Wilson (A0.786450). This plaintive Christmas ballad has been a favorite for years. This solo arrangement would be perfect for a Christmas recital or a special music piece for church or school.4 pages, includes piano score and separate solo part.Performance time is approximately 2:20 at 100 bpm. Want this arrangement for another instrument? It’s also available for flute, oboe, clarinet, bassoon, alto sax, tenor sax, horn, trumpet, trombone, viola, or cello on Sheet Music Plus. If you would like this arrangement in another key or for an instrument not listed, shoot me an email at bekmars10@gmail.com and I can get a custom arrangement up for sale for you.
$6.99
I Won't Give Up
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Jason Mraz
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Hollis Hammonds
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I Won't Give Up
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Hollis Roberts
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.915850 By Jason Mraz. By Jason Mraz and Michael Natter. Arranged by Hollis Hammonds. Pop,Rock. 2 pages. Hollis Roberts #...
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Violin Solo - Level 4 - SKU: A0.915850 By Jason Mraz. By Jason Mraz and Michael Natter. Arranged by Hollis Hammonds. Pop,Rock. 2 pages. Hollis Roberts #4323283. Published by Hollis Roberts (A0.915850). This arrangement is ideal for weddings, parties, busking, or any event in which you want to shine as a solo violinist! It's written at an intermediate/advanced level and really takes advantage of what the violin is capable of by moving from explosive chords in the chorus to an intimate pizzicato ending. A few fingering suggestions are included in the part.
$5.99
America's Favorite Christmas Carols - Strings
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Noël
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Various
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America's Favorite Christmas C
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise and Worship,...
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise and Worship, General Worship, Christmas. Score, Set of Parts. 79 pages. Published by Colin Kirkpatrick Publications
These arrangements of favorite Christmas carols are sure to brighten up your next Christmas event. They include full four-part instrumental scores plus parts for 1st violin, 2nd violin, viola and cello/double bass. Most of the carols can be played in first position, but for a brighter sound, ask your more experienced violinists to play an octave higher. The double bass is optional because it uses the cello part. The arrangements can be used with string quartet, string quintet or string ensemble. There?s also an optional but useful simplified keyboard part intended for less experienced keyboard players. It could be used as the basis of an accompaniment which means that you can use the arrangements as solos, duets or trios.
Please note that because the arrangements are in string-friendly keys, they?re not compatible with the brass and wind collections of the same name. The scores and all the parts are contained in a single 79-page PDF file. This collection includes the following favorite carols: Angels We Have Heard On High (Gloria); Lo, How a Rose E?er Blooming (Es ist ein Ros entsprungen); O Come, O Come Emmanuel (Veni Emmanuel); The First Noel; Ding Dong! Merrily on High (Bransle de l?Officiel); O Come All Ye Faithful (Adeste Fidelis); Hark! The Herald Angels Sing (Mendelssohn); Go Tell It on the Mountain; O Little Town of Bethlehem (St. Louis); O Holy Night (Cantique de Nol); Silent Night (Stille Nacht); Away in a Manger (Mueller); Joy to the World (Antioch); O Christmas Tree (Tannenbaum); We Three Kings (Kings of Orient); I Heard the Bells on Christmas Day (Waltham); What Child is This? (Greensleeves); God Rest You Merry, Gentlemen; Good King Wenceslas (Tempus Adest Floridum) and We Wish You a Merry Christmas.
$15.99
What's Up at the Symphony? (Bugs Bunny's Greatest Hits): 1st Violin
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Violon (partie séparée)
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Methodes
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Jerry Brubaker
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What's Up at the Symphony
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Arranged by Jerry Brubaker. For Full Orchestra. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music ...
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Arranged by Jerry Brubaker. For Full Orchestra. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Pq2 ... (2014) for piano and string quartet, violin 1 part
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869305 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869305 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50809. Published by Thomas Oboe Lee (A0.869305). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
Pq2 ... (2014) for piano and string quartet, viola part
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #50811. Published by Thomas Oboe Lee (A0.869307). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
Pq2 ... (2014) for piano and string quartet, cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869304 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score...
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String Quartet String Quartet - Level 4 - SKU: A0.869304 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50815. Published by Thomas Oboe Lee (A0.869304). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
Ninja: 1st Violin
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Violon (partie séparée)
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Methodes
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Richard Meyer
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Festival.
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Ninja: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017345_VN1 1st Violin. Composed by Richard Meyer. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Mu...
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String Orchestra - SKU: AX.00-PC-0017345_VN1 1st Violin. Composed by Richard Meyer. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017345_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017345_VN1). UPC: 038081520117.There's a ninja on the loose and he's sneaking through the orchestra. But not for long! Your students will love making up storylines for what happens next in this colorful Asian-flavored piece that uses only the notes of the D Major scale. There are plenty of great teaching opportunities here for your first-year students, including pizzicato, accents, crescendos, and melody/accompaniment balance. Fun for everyone! (2:15)Concert/Contest; Festival.
$5.99
Ninja: 2nd Violin
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Violon (partie séparée)
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Methodes
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Richard Meyer
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Festival.
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Ninja: 2nd Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0017345_VN2 2nd Violin. Composed by Richard Meyer. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Mu...
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String Orchestra - SKU: AX.00-PC-0017345_VN2 2nd Violin. Composed by Richard Meyer. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017345_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017345_VN2). UPC: 038081520117.There's a ninja on the loose and he's sneaking through the orchestra. But not for long! Your students will love making up storylines for what happens next in this colorful Asian-flavored piece that uses only the notes of the D Major scale. There are plenty of great teaching opportunities here for your first-year students, including pizzicato, accents, crescendos, and melody/accompaniment balance. Fun for everyone! (2:15)Concert/Contest; Festival.
$5.99
Jingle Basses: 1st Violin
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Violon (partie séparée)
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INTERMÉDIAIRE
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Methodes
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Bob Phillips
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Jingle Basses: 1st Violin
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0015988_VN1 1st Violin. Arranged by Bob Phillips. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Mus...
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String Orchestra - SKU: AX.00-PC-0015988_VN1 1st Violin. Arranged by Bob Phillips. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015988_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015988_VN1). UPC: 038081459738.Cute, fun, and a true grade 1 bass feature! What more could you want? Encourage the bass players by showing them off. The bass parts are very simple, but the basses also play jingle bells in a surprise twist at the end of the piece. Brainstorm ideas to dress this piece up. Some suggestions are to put Santa hats on the bass players or the scroll of the basses. You could even put Christmas lights or stockings on the bass or stands. Bring the bass players up front. Have some bells on each bass stand where the audience can't see them. Then, when the time is right, the bassists pull out the bells and jingle away! Correlates to Sound Innovations Book 1, Level 3.Section Feature.
$5.99
A Christmas medley for Violin quartet
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Quatuor à cordes: 4 violons
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INTERMÉDIAIRE
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Noël
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Traditional
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Darren Lloyd
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A Christmas medley for Violin
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Darren Lloyd
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SheetMusicPlus
String Quartet String Quartet,Violin - Level 3 - SKU: A0.1505351 By Traditional. By Traditional. Arranged by Darren Lloyd. Christmas. 21 pages. Darren L...
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String Quartet String Quartet,Violin - Level 3 - SKU: A0.1505351 By Traditional. By Traditional. Arranged by Darren Lloyd. Christmas. 21 pages. Darren Lloyd #1080736. Published by Darren Lloyd (A0.1505351). A Christmas Medley for Violin Quartet - Sheet Music Get into the festive spirit with this beautiful Christmas medley arranged for violin quartet! Perfect for intermediate players, this arrangement brings together classic holiday favorites in a harmonious blend that’s sure to light up your performances this season.What's included:PDF of score and individual parts for 4 violins - The melody changes throughout the arrangement to keep engagement high!A mix of beloved Christmas carolsIdeal for intermediate violinistsLush harmonies and engaging melodiesWhether you're preparing for a recital, church service, or holiday concert, this medley will bring the warmth and joy of the season to any event.
$9.99
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Wrecking Ball
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Pop musique
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Miley Cyrus
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Kyle Pudenz
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan ...
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String Quartet String Quartet - Level 5 - SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99
Kommos (Lamentation) / "When the World Moved On" - Violin II
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjam...
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Violin Solo - Level 4 - SKU: A0.1018956 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078707. Published by Benjamin Sajo (A0.1018956). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Violin I
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Saj...
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Violin Solo - Level 4 - SKU: A0.1018955 Composed by Benjamin Sajo. 20th Century,Contemporary. 2 pages. Benjamin Sajo #6078701. Published by Benjamin Sajo (A0.1018955). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
18 Gospel Hymns Vol.2 for Solo Violin and Piano
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Violon et Piano
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FACILE
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Musique Sacrée
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Gospel Spirituel
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Various
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David McKeown
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18 Gospel Hymns Vol.2 for Solo
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David McKeown
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.592609 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. 49 pages. Da...
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Piano,Violin - Level 2 - SKU: A0.592609 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. 49 pages. David McKeown #6404427. Published by David McKeown (A0.592609). 18 Easy Gospel Hymns Vol.2 for Solo Violin and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Violin and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49
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