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VIOLON
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--INSTRUMENTS--
ACCORDEON
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AUTRES INSTRU…
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BUGLE
CHANT - CHORA…
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CITHARE
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COR
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DOBRO - GUIT.…
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VIOLE DE GAMB…
VIOLON
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XYLOPHONE
Counterpoint
Piano & claviers
Piano Trio: piano, violon, violoncelle
8
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Voix
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Quatuor à cordes: 2 violons, alto, violoncelle
107
Trio à Cordes: violon, alto, violoncelle
28
Violon, Violoncelle (duo)
26
Violon et Piano
24
Violon (partie séparée)
12
Violon
12
2 Violons (duo)
10
Violon, Alto (duo)
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse, Piano (duo)
6
Ensemble de Violons
3
Violon, Basson (duo)
2
Trio à cordes: 3 violins
1
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--INSTRUMENTS--
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ALTO
AUTOHARPE
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BASSE
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BATTERIE
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CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE TRAVERSI…
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MANDOLINE
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OPERA
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Counterpoint
VIOLON
Partitions à imprimer
252 partitions trouvées
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Counterpoint Invariable
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Trio à cordes: 3 violins
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AVANCÉ
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Contemporain
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Sarah Wallin Huff
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Counterpoint Invariable
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Novel Soundtrax
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 5 - SKU: A0.800316 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 47 pages. Novel Soundtrax #3...
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String Ensemble,String Trio Violin - Level 5 - SKU: A0.800316 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 47 pages. Novel Soundtrax #32443. Published by Novel Soundtrax (A0.800316). Appears on Soul of the Machine by Navona Records. Completed in 2011, this complex and experimental work for violin trio consists of three movements: I. Intervallic Structure (Andante con moto) II. Tone and Color (Meno mosso) III. Urban Rhythm (Allegro ma non troppo) Based upon a strict and unvarying formula of patterns that are passed equally between the three violin parts, all three movements utilize this same precise structure of A, B, C, and Ostinato phrases. Each movement, however, while based upon the same formulaic set of patterns, vary by the material of the four phrases themselves; the phrases’ material is each based upon very different scales, depending on the particular movement’s character. Counterpoint Invariable is a successful thought-experiment, turned to driving and evocative emotional artwork, highlighting Wallin Huff's ongoing fascination with the logic of mechanical structure giving way to outward beauty. It is a true, fulfilling reward to perform and explore this work in its entirety.
$18.00
Little Counterpoint - a string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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John Wilks
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John Wilks
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Little Counterpoint - a string
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John WIlks
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SheetMusicPlus
String Quartet String Quartet - Level 1 - SKU: A0.983211 Composed by John Wilks. Arranged by John Wilks. Baroque,Contemporary. Score and parts. 7 pages....
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String Quartet String Quartet - Level 1 - SKU: A0.983211 Composed by John Wilks. Arranged by John Wilks. Baroque,Contemporary. Score and parts. 7 pages. John WIlks #2845543. Published by John WIlks (A0.983211). Very simple counterpoint arranged for a string quartet
$3.99
Little Counterpoint (arranged for a string quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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Contemporain
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John Wilks
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John Wilks
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on
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Little Counterpoint
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John WIlks
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SheetMusicPlus
String Quartet String Quartet - Level 1 - SKU: A0.983209 Composed by John Wilks. Arranged by John Wilks. Contemporary. Score and parts. 7 pages. John WI...
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String Quartet String Quartet - Level 1 - SKU: A0.983209 Composed by John Wilks. Arranged by John Wilks. Contemporary. Score and parts. 7 pages. John WIlks #2837173. Published by John WIlks (A0.983209). Little and simple counterpoint 2.5 minutes piece arranged for string quartet. Copyright Registered: John Wilks 2016 on https://apraamcos.com.au, ID GW50221949
$4.50
Little counterpoint for piano and double bass
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Contrebasse, Piano (duo)
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DÉBUTANT
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John Wilks
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John Wilks
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Little counterpoint for piano
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John WIlks
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 1 - SKU: A0.983213 Composed by John Wilks. Arranged by John Wilks. Baroque,Contemporary. Score and part. 5 pages. ...
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Double Bass,Piano,String Bass - Level 1 - SKU: A0.983213 Composed by John Wilks. Arranged by John Wilks. Baroque,Contemporary. Score and part. 5 pages. John WIlks #2845559. Published by John WIlks (A0.983213). Little and simple baroque-like piece arranged for piano and double bass
$3.99
Counterpoint in C Major
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Mitch Boucher
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Counterpoint in C Major
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Mitch Boucher
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SheetMusicPlus
Large Ensemble Clarinet,English Horn,Flute,Harpsichord,Oboe,Organ,Piano,Violin - Level 4 - SKU: A0.990433 Composed by Mitch Boucher. Baroque,Instruction...
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Large Ensemble Clarinet,English Horn,Flute,Harpsichord,Oboe,Organ,Piano,Violin - Level 4 - SKU: A0.990433 Composed by Mitch Boucher. Baroque,Instructional. Score and parts. 2 pages. Mitch Boucher #5751251. Published by Mitch Boucher (A0.990433).
$6.00
Counterpoint Exercise
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Quatuor à cordes: 2 violons, alto, violoncelle
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Jordan Grigg
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Counterpoint Exercise
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Jordan Grigg
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SheetMusicPlus
Cello,Viola,Violin - SKU: A0.1057075 Composed by Jordan Grigg. 20th Century,Baroque,Instructional,Standards. Full Performance. Duration 86. Jordan Grigg...
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Cello,Viola,Violin - SKU: A0.1057075 Composed by Jordan Grigg. 20th Century,Baroque,Instructional,Standards. Full Performance. Duration 86. Jordan Grigg #3461675. Published by Jordan Grigg (A0.1057075).
$1.99
Contrabando Y Traicion
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Violon
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INTERMÉDIAIRE
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Contemporain
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Angel Gonzalez
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Jorge Juárez
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Contrabando Y Traicion
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Georgie Guitar
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.766156 Composed by Angel Gonzalez. Arranged by Jorge Juárez. Contemporary. 2 pages. Georgie Guitar #5372675. Publishe...
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Violin Solo - Level 3 - SKU: A0.766156 Composed by Angel Gonzalez. Arranged by Jorge Juárez. Contemporary. 2 pages. Georgie Guitar #5372675. Published by Georgie Guitar (A0.766156). An accurate note for note transcription of the vocals to be played Instrumental on Violin.
$4.99
Josquin: 22 Duets for Violin & Cello
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Violon, Violoncelle (duo)
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FACILE
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Josquin des Prez
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James M
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Josquin: 22 Duets for Violin &
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jmsgu3
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.1073996 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Re...
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Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.1073996 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678264. Published by jmsgu3 (A0.1073996). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
Brahms: Prelude & Fugue, WoO 10, for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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James M
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Brahms: Prelude & Fugue, W
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1419788 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1419788 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 30 pages. Jmsgu3 #1001211. Published by jmsgu3 (A0.1419788). Brahms's Prelude and Fugue in G minor, WoO 10, is an essential early organ work demonstrating his mastery of counterpoint and the organ as a medium. The Prelude and Fugue were composed in the mid-1850s when Brahms was intensively studying counterpoint and turning to the organ for his contrapuntal skills. The Prelude begins quietly but builds in power and tension. At the same time, the fugue transforms the central theme into a lean, darkly probing juggernaut that accrues tension as it develops. These early organ works frame Brahms's entire oeuvre, as they were composed at the start of his career, while the Eleven Chorale Preludes, Op. 122 was his final work, composed just before and after the death of Clara Schumann. Brahms's organ compositions thus bookend his prolific output, spanned symphonies, concertos, chamber music, choral works, and more. Overall, Brahms's Prelude and Fugue in G minor, WoO 10, is an important early work that showcases his mastery of counterpoint and the organ and is a significant marker in developing his compositional style.
$42.95
Bach: Four Duets for Violin & Cello
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Four Duets for Violin &a
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jmsgu3
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.551042 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,East...
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Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.551042 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Wedding. 36 pages. Jmsgu3 #4979267. Published by jmsgu3 (A0.551042). Bach's Duets BWV 802-805 are significant works written for two equal parts, similar to his earlier two-part inventions. These charming short pieces showcase Bach's mastery of counterpoint and are musically more complex than the Two-Part Inventions. They are also known for their clear imitation between the hands, and their purpose was most likely to take two-part counterpoint to the max. Bach included these four pieces in Part III of the Clavierübung (1739), which chiefly contained works for the organ, highlighting their importance in his repertoire. The duets are revered for their musical complexity and precise imitation between the parts, making them significant contributions to the genre of two-part counterpoint.
$38.95
Duets For Violin & Violoncello 226-241 (volume 15)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Classique
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Socrates Arvanitakis
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Duets For Violin & Violonc
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Socrates Arvanitakis
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1447144 Composed by Socrates Arvanitakis. Classical,Contemporary. 74 pages. Socrates Arvanitakis #102...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1447144 Composed by Socrates Arvanitakis. Classical,Contemporary. 74 pages. Socrates Arvanitakis #1026923. Published by Socrates Arvanitakis (A0.1447144). This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS226 ΣΙ(Γ)ΑΝΟΣ (Πάτμου) (Soft Dance from Patmos)227 ΣΙΓΑ ΑΜΑΞΑ ΤΗΝ ΑΜΑΞΑ (Coachman, drive slowly the coach)228 ΣΟΥ ΕΙΠΑ ΜΑΝΑ (I Told You, Mother)229 ΣΟΥΛΤΑΝΑ (Σουφλιώτικος) (Soultana - Dance from Soufli)230 ΣΟΥΣΤΑ ΚΡΗΤΗΣ (Sousta Dance from Crete)231 ΣΠΕΙΡΙ ΠΙΠΕΡΙ (Seed of Paper)232 ΣΤΑ ΓΙΑΝΝΕΝΑ (In Ioannina)233 ΣΤΑ ΤΡΙΚΟΡΦΑ (In the Three Mountain Tops)234 ΣΤΗΝ ΑΠΑΝΩ ΓΕΙΤΟΝΙΤΣΑ (In Up-Town Neighborhood)235 ΣΤΗΝ ΚΕΝΤΗΜΕΝΗ ΣΟΥ ΠΟΔΙΑ (In Your Embroidered Apron)236 ΣΤΟ 'ΠΑ ΜΠΙΡΜΠΟ (I told you, Birbo)237 ΣΤΟΝ ΑΔΗ ΘΑ ΚΑΤΕΒΩ (I will Descent to Hades)238 ΣΤΟΥ ΒΑΛΤΕΤΣΙΟΥ ΤΟΥΣ ΜΥΛΟΥΣ (In The Mills Of Valtetsi)239 ΣΥΝΝΕΦΙΑΣΕ ΣΤΟΝ ΠΑΡΝΑΣΣΟ (It went cloudy on Mount Parnassus)240 ΣΥΡΤΟΣ ΡΟΔΙΤΙΚΟΣ (Syrtos Dance from Rhodes)241 Τ' ΑΝΤΡΟΥΤΣΟΥ Η ΜΑΝΑ (Androutsos' Mother).
$20.00
Brahms: Fugue, WoO 8, for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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James M
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Brahms: Fugue, WoO 8, for Stri
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1416898 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1416898 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 17 pages. Jmsgu3 #998489. Published by jmsgu3 (A0.1416898). The Fugue in A-flat minor, WoO 8, is one of the early organ works by Brahms, composed around 1856-57. It is an intense, brooding fugue published without an opus number. The fugue is part of a small set of four early organ pieces by Brahms, including the chorale prelude and fugue O Traurigkeit, o Herzeleid (WoO 7). These early organ works demonstrate Brahms' mastery of counterpoint at a young age. While Brahms did not have a close personal relationship with the organ, the genre of the chorale prelude allowed him to pay homage to his musical heritage, following the conventions of the form by paraphrasing and elaborating on pre-existing Lutheran chorale melodies. The Fugue in A-flat minor is considered one of the most significant and high-quality of Brahms' early organ works. It was eventually assigned the posthumous opus number 122, which is still known today. So, in summary, the Fugue in A-flat minor is an essential early organ work by Brahms that demonstrates his mastery of counterpoint, even though the organ was not his primary instrument. It is considered a significant and high-quality piece within Brahms' overall organ output.
$32.95
Brahms: Prelude & Fugue, WoO 9, for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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James M
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Brahms: Prelude & Fugue, W
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1417405 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1417405 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 19 pages. Jmsgu3 #998943. Published by jmsgu3 (A0.1417405). Brahms's Prelude and Fugue in A Minor was composed in 1856 when Brahms was intensively studying counterpoint and the organ. The work consists of a prelude and a fugue, a common form for organ compositions at the time. This structure allowed Brahms to showcase his mastery of free-flowing, improvisatory writing and strict contrapuntal techniques. The fugue subject features a distinctive head motive of two punctuating chords, a unifying device throughout the movement. Brahms incorporates fugal procedures not just in the fugue section but also in the transitional and developmental sections of the work, blending fugal and sonata-form elements. This foreshadows his later compositions' sophisticated integration of counterpoint and large-scale form. The Prelude and Fugue WoO 9 is an important early example of Brahms's organ works, which frame his entire compositional output. It demonstrates his mastery of the organ medium and his development as a composer during this formative period.
$32.95
Duets For Violin & Violoncello 194-209 (volume 13)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Socrates Arvanitakis
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Duets For Violin & Violonc
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Socrates Arvanitakis
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1409341 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 80 pages. Socrates Arva...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1409341 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 80 pages. Socrates Arvanitakis #991966. Published by Socrates Arvanitakis (A0.1409341). GENERAL PREFACE – ΓΕÎΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS194 ΠΕΤΑ ΤΗ ΡΟΚΑ (Throw Away The Spindle)195 ΠΗΔΗΧΤΟΣ ΚΡΗΤΗΣ (Jumping Dance from Crete)196 ΠΗΛΙΟΡΕΙΤΙΚΟΣ  (Mount Pilion Dance)197 ΠΛΑΤΑÎΟΣ Ο (The Plane Tree)198 ΠΟΘΟΣ (Σαν Πας Πουλί Μου) (Craving)199 ΠΟΛΕΜΟΣ ΘΡΗÎΟΣ ΓΙÎΕΤΑΙ (War And Lament Is Happening)200 ΠΟΤΑΜΟΣ Ο 1 (The River 1) in D201 ΠΟΤΑΜΟΣ Ο 2 (The River 2) in G202 ΠΟΤΕΣ ΘΑ ΚΑΜΕΙ ΞΑΣΤΕΡΙΑ (when will the sky clear)203 ΠΟΥ ÎΑ ΒΡΩ ΓΩ ΒΑΣΙΛΙΚΟ (Where Should I Find A Basil)204 ΠΟΥΛΑΚΙ ΞΕÎΟ (Foreign Bird)205 ΠΩΣ ΤΟ ΤΡΙΒΟΥΠΤΟ ΠΙΠΕΡΙ (How They Grate The Pepper)206 ΡΗÎΑΚΙ ΤΟ 1 (Rinaki)207 ΡΙÎΑΚΙ ΤΟ 2 (Little Catherine-Rinaki 2)208 ΡΟΒΑΣ Ο (Rovas)209 ΡΟΔΙΤΙΚΟΣ (Dance from Rhodes Island).
$20.00
Duets For Violin & Violoncello 210-225 (volume 14)
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Socrates Arvanitakis
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Duets For Violin & Violonc
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Socrates Arvanitakis
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1409344 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 68 pages. Socrates Arva...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1409344 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 68 pages. Socrates Arvanitakis #991969. Published by Socrates Arvanitakis (A0.1409344). GENERAL PREFACE – ΓΕÎΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS210 ΡΟΪΔΩ Η (Rhoedo)211 ΡΟΥΣΑ Η (The Red Haired One)212 ΣΑΪÎΤΑΓΑΣ Ο (Saidaghas)213 ΣΑΜΑΡΙÎΑ (Samarina)214 ΣΑΜΙΩΤΙΣΣΑ - The Lass from Samos215 ΣΑΠΤΙ ΤΟ ΘΕΛ' Η ΜΑÎΑ ΣΟΥ (What Does Your Mother Want That for)216 ΣΑΡΑÎΤΑ ΠΑΛΛΗΚΑΡΙΑ 1 (Forty Brave Lads 1)217 ΣΑΡΑÎΤΑ ΠΑΛΛΗΚΑΡΙΑ 2 (Forty Brave Lads 2)218 ΣΑΡΑÎΤΑΠΕÎΤΕ ΛΕΜΟÎΙΕΣ (Forty Five Lemon Trees)219 ΣΓΟΥΡΟΣ ΒΑΣΙΛΙΚΟΣ (Frizzy Basil)220 ΣΕ ΠΕΡΙΒΟΛΙ ΘΕ ÎΑ ΜΠΩ (I Will Enter An Orchard)221 ΣΕ ΠΕΡΙΒΟΛΙ ΜΠΑΙÎΩ 1 (I Go Into The Orchard 1)222 ΣΕ ΠΕΡΙΒΟΛΙ ΜΠΑΙÎΩ 2 in A (I Enter the Orchard 2)223 ΣΕ ΠΕΡΙΒΟΛΙ ΜΠΑΙÎΩ 3 in E (I Enter the Orchard 3)224 ΣΕ ΩΡΑΙΟ ΠΕΡΙΒΟΛΙ (In A Beautiful Orchard)225 ΣΗΜΩ ΛΥΓΕΡΗ (Simo The Graceful).
$20.00
Duets For Violin & Violoncello 162-177 (volume 11)
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Socrates Arvanitakis
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Duets For Violin & Violonc
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Socrates Arvanitakis
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1409334 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 72 pages. Socrates Arva...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1409334 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 72 pages. Socrates Arvanitakis #991958. Published by Socrates Arvanitakis (A0.1409334). GENERAL PREFACE – ΓΕÎΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS162 ÎΕΙΑΤΑ ΤΑ (Youth)163 ÎΕΡΑΤΖΟΥΛΑ (Little Bigarade Tree)164 ÎΕΡΟ ΚΑΙ ΚΡΥΑ ΒΡΥΣΗ (Water and Cold Fountain)165 ÎΕΤΑ Η (Neta)166 ÎΙΚΟΤΣΑΡΑΣ Ο (Nikotsaras)167 ÎΟΣΟΚΟΜΑ Η(The Nurse)168 ÎΟΣΤΑΛΓΙΑ (Nostalgia)169 ÎΥΦ' ΑΠΟ ΔΕÎΤΡΙ ΔΙΑΜΑÎΤΙ (Bride from a Diamond Tree)170 ΞΑÎΘΗ Η (The Blonde One)171 ΞΕÎΕ ΣΑ ΘΕΣ ÎΑ ΠΑÎΤΡΕΥΤΕΙΣ (Stranger, If You Want To Get Married)172 Ο ΓΙΑÎΟΣ ΚΙ' Η ΠΑΓΩÎΑ  (Johnny and Pagona)173 Ο ΚΟΣΜΟΣ ΜΕ ΤΑ ΒΑΣΑÎΑ (The World With Its Hardships)174 ΟΙ ΚΛΕΦΤΕΣ ΤΟΥ ΒΑΛΤΟΥ (The Klefts Of The Swamp)175 ΟΛΑ ΤΑ ΠΟΥΛΑΚΙΑ (All The Little Birds)176 ΟΤΑΠΠΕΡÎΑΣ ΓΙΑΤΙ... (When You Pass by, Why...)177 ΠΑΓΩÎΙΣΙΟΣ (Βασιλικος θα Γίνω) (Pagonisios Dance-Epirus).
$20.00
Duets For Violin & Violoncello 178-193 (volume 12)
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INTERMÉDIAIRE/AVANCÉ
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Socrates Arvanitakis
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1409338 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 75 pages. Socrates Arva...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1409338 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 75 pages. Socrates Arvanitakis #991962. Published by Socrates Arvanitakis (A0.1409338). GENERAL PREFACE – ΓΕÎΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS178 ΠΑΙΔΙΑ ΣΑΠΘΕΛΤΕ ΛΕΒΕÎΤΙΑ (Lads, Since You Want Some Valour)179 ΠΑΛΙ ΜΕΘΥΣΜΕÎΟΣ ΕΙΣΑΙ (Again You're Drunk)180 ΠΑÎΑΓΙΩΤΙΣΣΑ (The Girl From Panaghia)181 ΠΑÎΤΡΕΥΟΥΠΤΗΠΑΓΑΠΗ ΜΟΥ (They Wed My Love to Someone Else)182 ΠΑÎΩ ΣΕ ΨΙΛΗ ΡΑΧΟΥΛΑ (On Top Of A High Mountain Ridge)183 ΠΑΠΑΔΙΕΣ ΟΙ (The Priests' Wives)184 ΠΑΠΑΚΙ (Little Duckling)185 ΠΑΠΑΛΑΜΠΡΑΙÎΑ (Priest Lambro's Wife)186 ΠΑΡΑΠΟÎΙΑΡΙΚΟ (The Little complainer)187 ΠΑΡΑΣΚΕΥΟΥΛΑ (Paraskevoula)188 ΠΑΡΕ ΜΑΡΙΩ ΤΗ ΡΟΚΑ ΣΟΥ (Mary, Take Your Distaff)189 ΠΑΤΡΙÎΙΑ (The Lass from Patras)190 ΠΕÎΤΟΖΑΛΗΣ (Five Steps Dance - Pentozalis-Crete)191 ΠΕΡΔΙΚΟΥΛΑ Η (The Little Partridge)192 ΠΕΡΙΒΟΛΙ ΤΟ (The Orchard )193 ΠΕΡΙΒΟΛΙΠΕΙΧΑ (I Had An Orchard).
$20.00
Duets For Violin & Violoncello 81-96 (vol. 6)
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INTERMÉDIAIRE/AVANCÉ
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Socrates Arvanitakis
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1364556 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1364556 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #948849. Published by Socrates Arvanitakis (A0.1364556). GENERAL PREFACE – ΓΕÎΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS81  ΚΑΛΑΜΑΤΙΑÎΗ Η (The Lass From Kalamata)82  ΚΑÎΑΡΙΑ ΤΑ (The Canaries)83  ΚΑÎΕΛΑ Η (Canella)84  ΚΑΠΕΤΑΠΛΟΥΚΑΣ Ο (Captain Lukas)85  ΚΑΠΟΥΤΖΗΔΩΠ(The Guards of The Seven Towers of Salonica)86  ΚΑΡΑΓΚΟΥÎΑ (Karagouna-Thessalian Lady)87  ΚΑΡΠΑΘΙΩΤΙΚΟΣ (Dance from Karpathos)88  ΚΙÎΗΣΕ Ο ΡΟΒΑΣ (Rovas Moved)89  ΚΑΣΤΟΡΙΑÎΟΣ (ΡΟΥΣΟΥΛΕÎΑ)-(Dance from Kastoria)90  ΚΑΤΣΑÎΤΩÎΗΣ Ο (Katsantonis)91  ΚΑΤΩ ΑΠ' ΤΟ ΓΕΡΟ ΠΛΑΤΑÎΟ (Under The Old Plane Tree)92  ΚΑΤΩ ΣΤΑ ΤΣΑΚΩÎΙΚΑ (Down In The Tsakonian Places)93  ΚΕΡΚΥΡΑ ΚΑΙ ΚΕΦΑΛΩÎΙΑ (Corfu and Cephalonia)94  ΚΕΡΚΥΡΑΪΚΟΣ (Dance from Corfu)95  ΚΕΧΑΓΙΑΔΙΚΟΣ (Kehaghiadikos Dance-Island of Lemnos)96  ΚΛΕΦΤΙΚΗ ΖΩΗ Η (The Life of the Klefts).
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Duets For Violin & Violoncello 130-145 (volume 9)
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1371762 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 75 pages. Socrates Arvanitakis #...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1371762 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 75 pages. Socrates Arvanitakis #955993. Published by Socrates Arvanitakis (A0.1371762). GENERAL PREFACEThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS130 ΜΑΛΑΜΩ (MALAMO-The Golden)131 ΜΑÎΙΑΤΙΚΟΣ (Dance from Mani)132 ΜΑÎΤΗΛΙ ΚΑΛΑΜΑΤΙΑÎΟ(Neckerchief from Kalamata)133 ΜΑΡΑΘΗΚΕ ΚΙΤΡΟΛΕΪΜΟÎΙΑ (It withered, Citro-Lemon Tree)134 ΜΑΡΙΑ ΠΕÎΤΑΓΙΩΤΙΣΣΑ  (Maria from Five-Saints Village)135 ΜΑΡΤΥΡΙΑ Η (The Testimony)136 ΜΑΤΙΑ ΣΑΠΚΑΙ ΤΑ ΔΙΚΑ ΣΟΥ 1 (Eyes Like Yours 1)137 ΜΑΥΡΙΔΕΡΗ Η (The Blackish One)138 ΜΑΥΡΟ ΓΕΜΕÎΙ (Black Kerchief)139 ΜΕ ΓΕΛΑΣΕ Î' Η ΧΑΡΑΥΓΗ (The Dawn Fooled Me)140 ΜΕΛΑΧΡΟΙÎΟ 1 (Dark Lass 1)141 ΜΕΛΑΧΡΟΙÎΟ 2 ΤΟ (The Dark One 2)142 ΜΕÎΟΥΣΗΣ Ο (Menoussis)143 ΜΕΡΜΥΓΚΑΣ (The Master Ant)144 ΜΙΑ ΒΛΑΧΑ (A Wallachian Woman)145 ΜΙΑ ΚΟΡΗ ΑΠΟΦΑΣΙΣΕ (A Maiden Decided).
$20.00
Duets For Violin & Violoncello 97-113 (vol. 7)
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1365116 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1365116 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #949422. Published by Socrates Arvanitakis (A0.1365116). GENERAL PREFACE – ΓΕÎΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS97  ΚΛΕΦΤΟΠΟΥΛΑ ΤΑ 1 (The Kleftic Lads 1)98  ΚΛΕΦΤΟΠΟΥΛΑ ΤΑ 2 (The Klephtic Lads 2)99  ΚΟΒΩ ΜΙΑ ΚΛΑΡΑ (I Cut One Branch)100 ΚΟΛΟΚΟΤΡΩÎΑΙΟΙ ΟΙ 1(The Kolokotronis Clan 1)101 ΚΟΛΟΚΟΤΡΩÎΑΙΟΙ ΟΙ 2 (The Kolokotronis Clan 2)102 ΚΟΛΟΚΟΤΡΩÎΑΙΟΙ ΟΙ 3  (The Kolokotronis Clan 3)103 ΚΟÎΤΟΥΛΑ ΛΕΜΟÎΙΑ (Short Lemon Tree)104 ΚΟΡΗ ΑÎΤΡΕΙΩΜΕÎΗ (Brave Maiden)105 ΚΟΡΗ ΚΑΙ ΒΑΣΙΛΙΑΣ (Maiden and The King)106 ΚΟΡΗ ΜΑΛΑΜΑΤΕÎΙΑ 1 in A (Golden Maiden 1)107 ΚΟΡΗ ΜΑΛΑΜΑΤΕÎΙΑ 2 in E (Golden Maiden 2)108 ΚΟΣΤΙΛΑΤΑ (Kostilata Water Springs)109 ΚΟΥΚΟΣ Ο (The Cuckoo)110 ΚΟΦΤΗΠΕΛΕÎΗ ΤΗΠΕΛΗΑ (Helen, Cut Your Beauty Spot)111 ΚΡΗΤΗ Η (Crete)112 ΚΥΡΑ ΔΑΣΚΑΛΑ (Η)  (Mrs Teacher)113 ΚΥΡ-ΑÎΑΓÎΩΣΤΑΙÎΑ Η (Mrs Anagnostena).
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Duets For Violin & Violoncello 114-129 (volume 8)
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1369621 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 72 pages. Socrates Arvanitakis #...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1369621 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 72 pages. Socrates Arvanitakis #953986. Published by Socrates Arvanitakis (A0.1369621). GENERAL PREFACE – ΓΕÎΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS114 ΛΑΖΑΡΟΥ ΤΟΥ (Lazarus' Song)115 ΛΑΛΑ Τ' ΑΗΔΟÎΙ (The Nightingale Sings)116 ΛΑΛΗΣΕ ΚΟΥΚΕ (Sing Cuckoo Bird)117 ΛΑΦΙÎΑ Η 1 (The Doe 1)118 ΛΑΦΙÎΑ Η 2 (The Doe 2)119 ΛΕΒΕÎΤΙΑ 1 (Valour 1)120 ΛΕΒΕÎΤΙΑ 2 (Valour 2)121 ΛΕΪΜΟÎΙΑ Η (The Lemon Tree)122 ΛΕΜΟÎΑΚΙ (Little Lemon)123 ΛΕÎΚΩ Η (Lenko)124 ΛΟΥΛΟΥΔΙ ΤΗΣ ΜΟÎΕΜΒΑΣΙΑΣ (Flower of Monemvasia)125 ΛΥΓΕΡΗ Η 1 (The Graceful Lass 1)126 ΛΥΓΕΡΗ Η 2 (The Graceful Lass 2)127 Îœ' ΕΚΑΨΕΣ ΓΕΙΤΟÎΙΣΣΑ (Neighbor, You've Burned Me)128 ΜΑΚΕΔΟÎΙΚΟΣ (Dance from Macedonia)129 ΜΑΚΕΔΟÎΙΚΟΣ ΚΛΕΦΤΙΚΟΣ (Macedonian Kleftik Dance).
$20.00
Duets For Violin & Violoncello 146-161 (volume 10)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Socrates Arvanitakis
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Duets For Violin & Violonc
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Socrates Arvanitakis
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1371768 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 75 pages. Socrates Arvanitakis #...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1371768 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 75 pages. Socrates Arvanitakis #955999. Published by Socrates Arvanitakis (A0.1371768). GENERAL PREFACE – ΓΕÎΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS146 ΜΙΑ ΠΑΠΑΔΙΑ (A Certain Priest's Wife)147 ΜΙΑ ΠΕΡΔΙΚΟΥΛΑ ΞΕΒΓΑΙÎΕ (A Little Partridge Was Coming Out)148 ΜΙΑ ΣΜΥΡÎΙΑ ΣΤΟ ΠΑΡΑΘΥΡΙ (A Lass From Smyrna In The Window)149 ΜΙΑ ΦΟΡΑ 'ΜΟΥÎΑ ΠΟΥΛΙ (Once I  Was A Bird)150 ΜΟΙΑΖΕΙΣ (You Are Like...)151 ΜΟΙΡΟΛΟΓΙ (Dirge)152 ΜΟΥ ΠΑΡΗΓΓΕΙΛΕ Τ' ΑΗΔΟÎΙ (The Nightingale Messaged Me)153 ΜΠΑΙÎΩ ΜΕΣ' Τ' ΑΜΠΕΛΙ (I enter the Vine Yard)154 ΜΠΑΛΟΣ Ο (Balos Dance)155 ΜΠΑΤΕ ΚΟΡΙΤΣΙΑ ΣΤΟ ΧΟΡΟ 1 (Girls, Joint The Dance 1)156 ΜΠΑΤΕ ΚΟΡΙΤΣΙΑ ΣΤΟ ΧΟΡΟ 2 (Girls Joint The Dance 2)157 ΜΠΕΡΔΕΥΤΗΚΕ ΜΙΑ ΛΕΪΜΟÎΙΑ (A Lemon Tree Was Entangled)158 ÎΑ ΧΑΜΗΛΩÎΑΠΤΑ ΒΟΥÎΑ (Let The Mountains Come Low)159 ÎΑÎΟΥΡΙΣΜΑ (Lullaby)160 ÎΑΣΑΠΤΑ ÎΕΙΑΤΑ ΔΥΟ ΦΟΡΕΣ (I Wish Youth Was Twice)161 ÎΑΧΑ ÎΕΡΟ 'ΠΤΟΠΠΛΑΤΑÎΟ  (I Wish I Had Water From The Plane Tree).
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The First Noel
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2 Violons (duo)
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FACILE
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Noël
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Traditional English Carol
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Gary D
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The First Noel
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DR GARY D BELSHAW
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SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.796733 Composed by Traditional English Carol. Arranged by Gary D. Belshaw (ASCAP). Baroque,Christmas,Concert,Cont...
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Violin Duet Violin - Level 2 - SKU: A0.796733 Composed by Traditional English Carol. Arranged by Gary D. Belshaw (ASCAP). Baroque,Christmas,Concert,Contemporary. 6 pages. DR GARY D BELSHAW #3675769. Published by DR GARY D BELSHAW (A0.796733). 2018 Holiday Contest EntryThe famous Traditional English Carol is here arranged for two Early Intermediate level Violins. At a little over a minute in duration, this carol will make an impressive contribution to a holiday recital or social event. Naturally, it's ideal for any and all church functions during which younger or less-experienced players may participate. Fashioned after the early intermediate level character pieces found the famous Anna Magdalena Bach books, the melody is accompanied by an original counterpoint. The repetition (second verse) of the carol allows each instrument to play the counterpoint.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us. We are also ready at any time to create something just for you.
$3.99
Duets For Violin & Violoncello 1-16 (vol.1)
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Violon, Violoncelle (duo)
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AVANCÉ
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Contemporain
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Socrates Arvanitakis
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Duets For Violin & Violonc
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Socrates Arvanitakis
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 5 - SKU: A0.1345242 Composed by Socrates Arvanitakis. 21st Century. 71 pages. Socrates Arvanitakis #930181. Publi...
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Cello,Instrumental Duet,Violin - Level 5 - SKU: A0.1345242 Composed by Socrates Arvanitakis. 21st Century. 71 pages. Socrates Arvanitakis #930181. Published by Socrates Arvanitakis (A0.1345242). This edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.Separate parts have been included.Thematic Index and internal links for ease of navigation have been added.Youtube link has been added. CONTENTS1   ΑΓΑΠΗΤΙΚΟΣ Ο 1 (The Lover 1)2   ΑΓΑΠΗΤΙΚΟΣ Ο 2 (The Lover 2)3   ΑΓΓΕΛΩ (Angelo)4   ΑΓΓΙÎΑΡΑ ΜΕ Τ' ΑΓΚΑΘΙΑ (Artichoke with Thorns)5   ΑΓΙΕ ΜΟΥ ΓΙΩΡΓΗ ΣΚΥΡΙΑÎΕ (My Saint George, Skyrian)6   ΑΗ ΓΙΩΡΓΗΣ (St. George)7   ΑΗΤΟΣ Ο (The Eagle)8   ΑΘΑÎΑΣΙΟΥ ΔΙΑΚΟΥ ΤΟΥ (Of Athanasius Diakos)9   ΑΘΗÎΑ ΜΩΡ' ΑΘΗÎΑ (Athina, Hey You Athina)10  ΑΙΓΙΩΤΙΣΣΑ (The Lass From Aeghion)11  ΑΜΑΡΑÎΤΟΣ Ο (Amaranth)12  ΑΜΠΕΛΙ ΜΟΥ ΠΛΑΤΥΦΥΛΛΟ (My Wideleafed Vineyard)13  ΑÎΑΣΤΑΣΙΑ Η (Anastasia)14  ΑÎΔΡΟΥΤΣΑΙΟΙ ΟΙ (The Androutsos Clan)15  ΑÎΔΡΟΥΤΣΟΣ Ο (Androutsos)16  ΑÎΕΒΗΚΑ ΣΤΑ ΑΓΡΑΦΑ (I Climbed The Mountain Agrafa.
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