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VIOLON
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137
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53
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50
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20
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6
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53
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28
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11
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822
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349
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260
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149
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127
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122
Violon, Guitare (duo)
86
Trio à Cordes: 2 violons, violoncelle
83
Trio à cordes: 3 violins
65
Quintette à cordes: 2 violons, alto, violoncelle, basse
60
Contrebasse, Piano (duo)
52
Trio à cordes
47
Quatuor à cordes: 4 violons
41
2 Violons et Basse continue
35
2 Violons, Piano
34
Piano Trio: Violon, Alto, Piano
26
Quintette à cordes: 2 violons, 2 altos, violoncelle
25
Violon, Basse continue
21
Violoncelle, Contrebasse (duo)
19
Trio à Cordes: 2 violons, alto
14
Harpe, Violon (duo)
12
Violon, Orgue
7
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7
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3
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3
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Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Prelude & Fug
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #938223. Published by jmsgu3 (A0.1353485). The Significance of Mendelssohn's Preludes and Fugues, Op. 37, lies in its role in developing the organ repertoire and reflecting Mendelssohn's compositional style. The work, written in 1837, consists of three preludes and fugues for organ. Here are some critical aspects of its significance: Mendelssohn's compositional style: The Preludes and Fugues, Op. 37, showcase Mendelssohn's unique style, characterized by a combination of Romantic expressiveness and Classical form. This style is evident in the structure, harmony, and melodic content.  Influence of J.S. Bach: Mendelssohn's Preludes and Fugues, Op. 37, are heavily influenced by the style of J.S. Bach, a composer Mendelssohn greatly admired. This influence can be seen in the pieces' counterpoint, harmonic language, and formal structure. Pedal technique: In Op. 37, Mendelssohn composed independent pedal parts that reveal a thorough understanding of the role of the pedals in organ music. For the first time, he composed pedal passages that required more than minimal competency, demonstrating his skill in writing for the organ. Expansion of the organ repertoire: Mendelssohn was an accomplished organist and wrote dozens of works for the instrument. The Preludes and Fugues, Op. 37, contribute to expanding the organ repertoire and demonstrate Mendelssohn's mastery of the medium. Historical context: The Preludes and Fugues, Op. 37, were written when Mendelssohn was also working on his Six Sonatas, Op. 65. This period of productivity and exploration of the organ medium further highlights the significance of Op. 37 in Mendelssohn's compositional output. In summary, Mendelssohn's Preludes and Fugues, Op. 37, are significant to music history due to their reflection of Mendelssohn's compositional style, influence by J.S. Bach, innovative pedal technique, contribution to the organ repertoire, and historical context within Mendelssohn's compositional output.
$32.95
Telemann: Six Sonatas Op. 2 Complete for Violin Duo
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2 Violons (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann 1681-17
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James M
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Telemann: Six Sonatas Op. 2 Co
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jmsgu3
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.552400 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional,Sta...
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String Ensemble - Level 3 - SKU: A0.552400 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 163 pages. Jmsgu3 #6341759. Published by jmsgu3 (A0.552400). Telemann: Sonata Op. 2 No. 1I. SoaveII. AllegroIII. AndanteIV. AllegroDuration: 9:00 Score: 14 pages Telemann: Sonata Op. 2 No. 2I. LargoII. AllegroIII. AffettuosoIV. Vivace Telemann: Sonata Op. 2 No. 3I. DolceII. AllegroIII. LargoIV. VivaceDuration: 7:45 Score: 11 pages Telemann: Sonata Op. 2 No. 4I. LargoII. VivaceIII. GratiosoIV. AllegroDuration: 11:15 Score: 15 pages Telemann: Sonata Op. 2 No. 5I. SicilianoII. VivaceIII. AndanteIV. AllegroDuration: 9:45 Score: 16 pages Telemann: Sonata Op. 2 No. 6I. AffetuosoII. PrestoIII. SoaveIV. SpirituosoDuration: 9:15 Score: 18 pages
$49.95
Six Violin Duets, Op. 1
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 1
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Artaria Editions
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. P...
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Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Six Violin Duets, Op. 2
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 2
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Artaria Editions
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. P...
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Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Sonata X, Op.5-10 for Violin & Viola
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Violon, Alto (duo)
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INTERMÉDIAIRE
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Classique
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Arcangelo Corelli
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Kamada, Mikio
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Sonata X, Op.5-10 for Violin &
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet - Level 3 - SKU: A0.1285513 Composed by Arcangelo Corelli. Arranged by Kamada, Mikio. Baroque. 6 pages. ACORDO Sheet Music #876618. Pu...
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Instrumental Duet - Level 3 - SKU: A0.1285513 Composed by Arcangelo Corelli. Arranged by Kamada, Mikio. Baroque. 6 pages. ACORDO Sheet Music #876618. Published by ACORDO Sheet Music (A0.1285513). Corelli's Op. 5 consists of 12 sonatas for violin and basso continuo. Sonata, Op.5, No.10 has five movements: I. Preludio, II. Allemanda, III. Sarabanda, IV. Gavotta, V. Giga. The fourth movement (IV) is especially well-known.Basso continuo is usually played by harpsichord and cello. However, Lumiere Duo has released a beautiful CD recording of Op. 5, No. 7, performed as a duet for violin and cello. The sheet music we're sharing here is arranged for duets of Op. 5, No. 10, for violin and viola.Viola is tuned one octave above the cello. As a result, the viola can't faithfully replicate the cello part from the original. There are notes that are too low for the viola's range. In the arrangement for violin and viola, we strive to stay true to the original notes. If the notes aren't in the viola's range, we raise them by one octave. However, following this rule too strictly can lead to unnatural sequences. In such cases, even when the note is within the viola's range, we use a note one octave higher to maintain naturalness. While there's no rigid rule for this treatment, we're trying to imagine what Corelli might do if he were arranging for violin and viola. Additionally, in the third and fourth movements, we've swapped the solo part and basso continuo part in the repeating sections. Shifting the melody to the viola brings a fresh sound. In the audio samples below, we've used a flute sound for the violin part and a clarinet sound for the viola part. This should help you better understand how the swapping works.
$4.80
Grande Sonate pathétique – Adagio, Op. 13 - Set of Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Ludwig van Beethoven
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Yoon Jae Lee
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Grande Sonate pathétiqu
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Ondine Press
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1489200 Composed by Ludwig van Beethoven. Arranged by Yoon Jae Lee. 19th Century,Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1489200 Composed by Ludwig van Beethoven. Arranged by Yoon Jae Lee. 19th Century,Chamber,Classical,Instructional,Romantic Period. 9 pages. Ondine Press #1066051. Published by Ondine Press (A0.1489200). This is a set of parts to Yoon Jae Lee's arrangement of the Adagio from Beethoven’s Pathétique sonata for string quartet. The full score is available separately.The 2nd movement of Beethoven’s Pathétique sonata is very popular with many pianists and this new arrangement makes it accessible for string quartet. Suitable for players of all levels from intermediate to advanced, it is perfect for use in weddings, parties or even as an encore to a concert program. Beethoven made his own string quartet arrangement of the next sonata No. 9 in E Major (Op. 14, No. 1) and in doing so, transposed the work up a half step to F Major. This arrangement follows suit by also transposing the movement up to the more string friendly key of A Major. Unlike many other arrangements already in existence, this arrangement emulates his early string quartet writing style seen in his own Op. 14, No. 1 arrangement as well as the Op. 18 string quartets.Click here to view perusal score.Click here to purchase full score.
$10.00
Grande Sonate pathétique – Adagio for String Quartet, Op. 13 - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Ludwig van Beethoven
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Yoon Jae Lee
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Grande Sonate pathétiqu
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Ondine Press
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1489194 Composed by Ludwig van Beethoven. Arranged by Yoon Jae Lee. 19th Century,Chamber,Classical,Ins...
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String Quartet String Quartet - Level 4 - SKU: A0.1489194 Composed by Ludwig van Beethoven. Arranged by Yoon Jae Lee. 19th Century,Chamber,Classical,Instructional,Romantic Period. 8 pages. Ondine Press #1066045. Published by Ondine Press (A0.1489194). This is a full score to Yoon Jae Lee's arrangement of the Adagio from Beethoven’s Pathétique sonata for string quartet. The set of parts is available separately.The 2nd movement of Beethoven’s Pathétique sonata is very popular with many pianists and this new arrangement makes it accessible for string quartet. Suitable for players of all levels from intermediate to advanced, it is perfect for use in weddings, parties or even as an encore to a concert program. Beethoven made his own string quartet arrangement of the next sonata No. 9 in E Major (Op. 14, No. 1) and in doing so, transposed the work up a half step to F Major. This arrangement follows suit by also transposing the movement up to the more string friendly key of A Major. Unlike many other arrangements already in existence, this arrangement emulates his early string quartet writing style seen in his own Op. 14, No. 1 arrangement as well as the Op. 18 string quartets.Click here to view perusal score.Click here to purchase set of parts.
$8.00
Scriabin: Prelude, Op. 51, No. 2, for Violin & Harp
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Violon et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1401520 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festiva...
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Piano,Violin - Level 3 - SKU: A0.1401520 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. 7 pages. Jmsgu3 #984703. Published by jmsgu3 (A0.1401520). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Scriabin: Prelude, Op. 51, No. 2 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude, Op. 51, No.
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1401470 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festiva...
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Piano,Violin - Level 3 - SKU: A0.1401470 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Historic. 7 pages. Jmsgu3 #984666. Published by jmsgu3 (A0.1401470). The historical context of Scriabin's Prelude, Op. 51 No. 2 is rooted in the broader tradition of preludes as improvisatory pieces that precede performances on keyboard instruments. Scriabin's composition, part of his Quatre Morceaux (Four Pieces) Op. 51, published in 1906, reflects his innovative approach to piano music within the musical landscape of the early 20th century. This piece, along with others by Scriabin, demonstrates a blend of traditional influences and his quest to develop a distinctive and original style in his compositions. The meaning behind Scriabin's Prelude, Op. 51 No. 2 is characterized by its emotional depth and expressive qualities, reflecting the composer's unique musical language and style. This piece, along with others by Scriabin, delves into themes of fatigue, exhaustion, eternity, and millions of years, as described by the composer. In this prelude, Scriabin's use of dissonance, tonal centers, and harmonic language conveys a sense of obsessively seeking out pain or grief. The composition captures a range of emotions, from fatigue to a cry in the night, showcasing Scriabin's ability to evoke intense feelings through his music.
$32.95
Telemann: Sonata Op. 2 No. 2 for Violin Duo
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2 Violons (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann 1681-17
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James M
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Telemann: Sonata Op. 2 No. 2 f
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jmsgu3
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.552333 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Instructional,Standards,W...
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String Ensemble - Level 3 - SKU: A0.552333 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 31 pages. Jmsgu3 #6327363. Published by jmsgu3 (A0.552333). I. Largo II. Allegro III. Affettuoso IV. VivaceGeorg Philipp Telemann's Sonatas Op. 2, also known as the Six Sonatas for two flutes (or violins), are significant for several reasons. First, they are dedicated to two young music lovers, explicitly appealing to a circle of pupils and music enthusiasts. The pieces foster the ability of musical expression and are characterized by a combination of expansive baroque thematic material and charming galant features in the slow and fast movements, respectively. Telemann was considered one of the leading German composers of his time, and his works, including the Sonatas Op. 2, reflect his significant contribution to the Baroque music era. The Methodical nature of these sonatas, as described when they were published in 1732, is also noteworthy, as they included a second, ornamented version of the simple melodies, showcasing Telemann's innovative approach to composition.Furthermore, Telemann's music, which incorporates French, Italian, and German national styles, remained highly regarded by colleagues and critics alike during his lifetime and the latter half of the 18th century. Numerous theorists and prominent composers cited his works as models, and he influenced pupils of J.S. Bach in Leipzig, such as Wilhelm Friedemann Bach. Therefore, Telemann's Sonatas Op. 2 contributed to the expansion of domestic music-making and influenced other composers and musicians of his time and beyond.
$24.95
beethoven op.80 choral fantasy theme violin and Bassoon for beginners
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Violon, Basson (duo)
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Classique
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L
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Arezzo Music
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beethoven op.80 choral fantasy
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Arezzo Music
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SheetMusicPlus
Bassoon,Instrumental Duet,Violin - Level 1 - SKU: A0.1359316 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Cla...
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Bassoon,Instrumental Duet,Violin - Level 1 - SKU: A0.1359316 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Classical,Romantic Period,Traditional. 3 pages. Arezzo Music #943775. Published by Arezzo Music (A0.1359316). Beethoven op.80 choral fantasy theme violin and Bassoon for beginnersThe sheet music for Beethoven's Op. 80 Choral Fantasy Theme adapted for violin and Bassoon is a fantastic choice for beginners looking to delve into the works of this iconic composer. The Choral Fantasy is known for its grand and majestic themes, and this arrangement maintains the essence of Beethoven's composition while catering to the capabilities of violin and Bassoon players at the beginner level. The violin carries the soaring melodies with clarity, while the Bassoon provides a supportive foundation, creating a harmonious blend between the two instruments. This sheet music offers a gateway for beginners to explore the genius of Beethoven in a format that is approachable and enjoyable. It's an exciting introduction to one of Beethoven's compelling works, making classical music accessible to violin and Bassoon players at the early stages of their musical journey.  beethoven op.80 choral fantasy theme violin and Bassoon for beginnersÂ
$3.99
beethoven op.80 choral fantasy theme violin and cello for beginners
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Violon, Violoncelle (duo)
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Classique
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L
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Arezzo Music
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beethoven op.80 choral fantasy
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Arezzo Music
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 1 - SKU: A0.1359309 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Class...
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Cello,Instrumental Duet,Violin - Level 1 - SKU: A0.1359309 By L. v. Beethoven. By Ludwig van Beethoven. Arranged by Arezzo Music. Chamber,Children,Classical,Romantic Period,Traditional. 3 pages. Arezzo Music #943768. Published by Arezzo Music (A0.1359309). Beethoven op.80 choral fantasy theme violin and cello for beginnersThe sheet music for Beethoven's Op. 80 Choral Fantasy Theme adapted for violin and cello is a fantastic choice for beginners looking to delve into the works of this iconic composer. The Choral Fantasy is known for its grand and majestic themes, and this arrangement maintains the essence of Beethoven's composition while catering to the capabilities of violin and cello players at the beginner level. The violin carries the soaring melodies with clarity, while the cello provides a supportive foundation, creating a harmonious blend between the two instruments. This sheet music offers a gateway for beginners to explore the genius of Beethoven in a format that is approachable and enjoyable. It's an exciting introduction to one of Beethoven's compelling works, making classical music accessible to violin and cello players at the early stages of their musical journey.  beethoven op.80 choral fantasy theme violin and cello for beginnersÂ
$3.99
Haydn - String Quartet in B flat major, Hob.III:78 ; Op.76 No.4 "Erdödy Quartet No.4 - Sunrise"
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Franz Joseph Haydn
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J
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Haydn - String Quartet in B fl
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J.G. Cuco Barber
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1098346 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 48 pages. J...
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String Quartet String Quartet - SKU: A0.1098346 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 48 pages. J.G. Cuco Barber #702215. Published by J.G. Cuco Barber (A0.1098346). Work Title String Quartet in B-flat major Alternative Title String Quartets, Op.76 ; “Erdody, Sunrise†Composer Haydn, Joseph Opus/Catalogue Number Hob.III:78 ; Op.76 No.4 Key B-flat major Movements/Sections 4 movements 1. Allegro con spirito (B♠major) 2. Adagio (E♠major) 3. Minuet. Allegro - Trio (B♠major) 4. Finale. Allegro ma non troppo (B♠major) Year/Date of Composition 1796-97 First Publication 1800 in String Quartets, Op.76 (No.4) Dedication Prince Erdody Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Haydn - String Quartet in D major, Hob.III:79 ; Op.76 No.5 "Erdödy Quartet No.5"
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Franz Joseph Haydn
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J
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Haydn - String Quartet in D ma
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J.G. Cuco Barber
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1098624 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 44 pages. J...
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String Quartet String Quartet - SKU: A0.1098624 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 44 pages. J.G. Cuco Barber #702488. Published by J.G. Cuco Barber (A0.1098624). Work Title String Quartet in D major Alternative Title String Quartets, Op.76 ; “Erdody†Composer Haydn, Joseph Opus/Catalogue Number Hob.III:79 ; Op.76 No.5 Key D major Movements/Sections 4 movements: 1. Allegretto (D major) 2. Largo cantabile e mesto (F♯ major) 3. Minuet (D major) - Trio (D minor) 4. Finale. Presto (D major) Year/Date of Composition 1796-97 First Publication 1800 in String Quartets, Op.76 (No.5) Dedication Prince Erdody Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Haydn - String Quartet in E flat major, Hob.III:80 ; Op.76 No.6 "Erdödy Quartet No.6"
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Quatuor à cordes: 2 violons, alto, violoncelle
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Noël
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Franz Joseph Haydn
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J
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Haydn - String Quartet in E fl
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J.G. Cuco Barber
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1098762 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Christmas. Score and parts. 44 pages. J...
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String Quartet String Quartet - SKU: A0.1098762 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Christmas. Score and parts. 44 pages. J.G. Cuco Barber #702616. Published by J.G. Cuco Barber (A0.1098762). Work Title String Quartet in E-flat major Alternative Title String Quartets, Op.76 ; “Erdody†Composer Haydn, Joseph Opus/Catalogue Number Hob.III:80 ; Op.76 No.6 Key E-flat major Movements/Sections 4 movements 1. Allegretto (E♠major) 2. Fantasia. Adagio (B minor) 3. Minuet - Alternativo (E♠major) 4. Finale. Allegro spirituoso (E♠major) Year/Date of Composition 1796-97 First Publication 1800 in String Quartets, Op.76 (No.6) Dedication Prince Erdody Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello
$23.00
Haydn - String Quartet in C major, Hob.III:77 ; Op.76 No.3 "Erdödy Quartet No.3 - Emperor"
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Franz Joseph Haydn
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J
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Haydn - String Quartet in C ma
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J.G. Cuco Barber
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1098235 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 50 pages. J...
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String Quartet String Quartet - SKU: A0.1098235 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 50 pages. J.G. Cuco Barber #702111. Published by J.G. Cuco Barber (A0.1098235). Work Title String Quartet in C major Alternative Title String Quartets, Op.76 ; “Erdody, Emperor†Composer Haydn, Joseph Opus/Catalogue Number Hob.III:77 ; Op.76 No.3 Key C major Movements/Sections 4 movements: 1. Allegro (C major) 2. Poco adagio cantabile (G major) 3. Minuet (C major) - Trio (A minor) 4. Finale. Presto (C minor) Year/Date of Composition 1796-97 First Publication 1799 in String Quartets, Op.76 (No.3) Dedication Prince Erdody Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello
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Haydn - String Quartet in G major, Hob.III:75 ; Op.76 No.1 "Erdödy Quartet No.1"
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Quatuor à cordes: 2 violons, alto, violoncelle
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Franz Joseph Haydn
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J
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Haydn - String Quartet in G ma
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J.G. Cuco Barber
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1097302 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 49 pages. J...
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String Quartet String Quartet - SKU: A0.1097302 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 49 pages. J.G. Cuco Barber #701251. Published by J.G. Cuco Barber (A0.1097302). Work Title String Quartet in G major Alternative Title String Quartets, Op.76 ; “Erdody†Composer Haydn, Joseph Opus/Catalogue Number Hob.III:75 ; Op.76 No.1 Key G major Movements/Sections 4 movements 1. Allegro con spirito (G major) 2. Adagio sostenuto (C major) 3. Minuet. Presto - Trio (G major) 4. Finale. Allegro ma non troppo (G minor) Year/Date of Composition 1796-97 First Publication 1799 in String Quartets, Op.76 (No.1) Dedication Prince Erdody Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Haydn - String Quartet in G major, Hob.III:81 ; Op.77 No.1 "Lobkowitz Quartet No.1"
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Quatuor à cordes: 2 violons, alto, violoncelle
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Franz Joseph Haydn
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Haydn - String Quartet in G ma
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J.G. Cuco Barber
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1099031 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 60 pages. J...
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String Quartet String Quartet - SKU: A0.1099031 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 60 pages. J.G. Cuco Barber #702896. Published by J.G. Cuco Barber (A0.1099031). Work Title String Quartet in G major Alternative Title String Quartets, Op.77 ; “Lobkowitz†Composer Haydn, Joseph Opus/Catalogue Number Hob.III:81 ; Op.77 No.1 Key G major Movements/Sections 4 movements: 1. Allegro moderato (G major) 2. Adagio (E♠major) 3. Minuet. Presto (G major) - Trio (E♠major) 4. Finale. Presto (G major) Year/Date of Composition 1799 First Publication 1802 in String Quartets, Op.77 (No.1) Dedication Prince von Lobkowitz Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Haydn - String Quartet in F major, Hob.III:82 ; Op.77 No.2 "Lobkowitz Quartet No.2"
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Franz Joseph Haydn
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J
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Haydn - String Quartet in F ma
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J.G. Cuco Barber
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1099283 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 53 pages. J...
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String Quartet String Quartet - SKU: A0.1099283 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 53 pages. J.G. Cuco Barber #703164. Published by J.G. Cuco Barber (A0.1099283). Work Title String Quartet in F major Alternative Title String Quartets, Op.77 ; “Lobkowitz†Composer Haydn, Joseph Opus/Catalogue Number Hob.III:82 ; Op.77 No.2 Key F major Movements/Sections 4 movements 1. Allegro moderato (F major) 2. Minuet. Presto (F major) - Trio (D♠major) 3. Andante (D major) 4. Finale. Vivace assai (F major) Year/Date of Composition 1799 First Publication 1802 in String Quartets, Op.77 (No.2) Dedication Prince von Lobkowitz Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Beethoven: Bagatelle Op. 33 No. 3 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1208277 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M....
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1208277 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 10 pages. Jmsgu3 #805530. Published by jmsgu3 (A0.1208277). 3. Allegretto. Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Beethoven's Bagatelle No. 3 of Op. 33 showcases the composer's evolving style. Bagatelle No. 3 is in ternary form, with a lively and playful A section in F major that features a chromatic mediant relation. The A section is characterized by a rhythmic motif that is repeated throughout the piece, while the B section develops a lyrical melody that modulates briefly to the dominant: C major. The piece ends with a return to the A section, which is played with slight variations. Overall, the Bagatelle No. 3 is a charming and delightful piece that showcases Beethoven's mastery of form and his ability to create memorable melodies.
$24.95
Beethoven: Bagatelle Op. 33 No. 6 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1208541 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M....
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1208541 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 12 pages. Jmsgu3 #806654. Published by jmsgu3 (A0.1208541). 6. Allegretto quasi andante.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 6 of Beethoven's Op. 33 is a short Allegretto that is characterized by its playful and light-hearted nature. The piece is in the key of D major and is written in a binary form, consisting of two sections that are repeated. The first section is in a brisk andante tempo and features a playful melody that is accompanied by a simple, yet effective, harmonic progression. The second section is more subdued and features a more lyrical melody that is accompanied by a more complex harmonic progression. The piece is notable for its use of syncopation, which adds to its playful character. Overall, Bagatelle No. 6 is a charming and delightful piece that showcases Beethoven's skill as a composer of small-scale works.
$24.95
Beethoven: Bagatelle Op. 33 No. 7 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1208553 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M....
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1208553 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 17 pages. Jmsgu3 #806663. Published by jmsgu3 (A0.1208553). 7. Presto.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 7 of Beethoven's Op. 33 is a charming and playful piece, typical of Beethoven's early style. The piece is in A-flat major and marked Presto, which means fast. The main theme is catchy, fragmentary, and light, with a playful character that is maintained throughout the piece. The middle section is more lyrical and expressive, providing a sostenuto contrast to the playful character of the main theme. The piece is well-crafted and attractive. Overall, Bagatelle No. 7 is a delightful example of Beethoven's early style and a testament to his skill as a composer.
$24.95
Beethoven: Bagatelle Op. 33 No. 4 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1208462 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M....
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1208462 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 10 pages. Jmsgu3 #806573. Published by jmsgu3 (A0.1208462). 4. Andante.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.The Bagatelle No. 4 of Op. 33 by Beethoven is a sentimental Andante set in ternary form. The piece is cast in the key of A major. The first section of the piece is characterized by a simple tuneful melody that is repeated throughout the section. The second section is in the parallel homotonic minor key of A minor and features a more dramatic and intensely brooding harmonic sequence with no actual melody. It’s like a thunderstorm threatening to upset a picnic, but no real damage was done. The third section brings us back to our optimistic A major environment and develops the melody through artful variation. The piece ends with a brief codetta featuring octave displacement. Overall, the piece is an excellent example of Beethoven's ability to create a memorable melody, and a contrasting harmonic sequence, and develop these in a short amount of time.
$24.95
Beethoven: Bagatelle Op. 33 No. 2 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1206223 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M....
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1206223 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 14 pages. Jmsgu3 #804421. Published by jmsgu3 (A0.1206223). No. 2. Scherzo: Allegro.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.The Bagatelle No. 2 of Op. 33 follows a simple ternary form, with a lively and playful Scherzo character. The piece is in the key of C major and is written in 2/4 time signature. The A section is characterized by a catchy and rhythmic melody that is repeated twice, with slight variations in the second repetition. The B section, in the relative key of A minor, provides a contrast to the A section with a more lyrical and expressive melody. The B section is also repeated twice, with slight variations in the second repetition. The A section returns in its original form to close the piece. The piece is relatively simple in terms of harmony and texture, with a clear melody and accompaniment. However, Beethoven's use of repetition, variation, and elaboration creates a sense of unity and coherence throughout the piece.
$24.95
Beethoven: Bagatelle Op. 33 No. 5 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1208520 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M....
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1208520 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 15 pages. Jmsgu3 #806617. Published by jmsgu3 (A0.1208520). 5. Allegro ma non troppo.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 5 of Beethoven's Op. 33 is a short piece that showcases the composer's mastery of melody and harmony. The piece is in the key of C major and is written in a simple ternary form, with a lively and playful opening theme that is followed by a contrasting middle section in the homotonic key of C minor. The opening theme is characterized by its use of syncopation, which give it a lively and energetic feel. The middle section, on the other hand, is more introspective and lyrical, with a more subdued and melancholic mood. The piece ends with a return to the opening theme, which is now played in a surprising and forceful manner. Overall, Bagatelle No. 5 is a charming and delightful piece that showcases Beethoven's skill in creating memorable melodies and harmonies within a concise and compact form.
$24.95
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