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VIOLON
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Rita Ora
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Piano Trio: piano, violon, violoncelle
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Quatuor à cordes: 2 violons, alto, violoncelle
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Vous avez sélectionné:
Rita Ora
VIOLON
Partitions à imprimer
39 partitions trouvées
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1
26
Adoration
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Florence Beatrice Price
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Felix Linsmeier
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Adoration
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Felix Linsmeier
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1463489 Composed by Florence Beatrice Price. Arranged by Felix Linsmeier. Chamber,C...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1463489 Composed by Florence Beatrice Price. Arranged by Felix Linsmeier. Chamber,Classical,Religious,Romantic Period,Wedding. 6 pages. Felix Linsmeier #1042213. Published by Felix Linsmeier (A0.1463489). 'Adoration', originally composed for organ is truly one of the most beautiful slow pieces. Florence B. Price (1887-1953) was the first major black female composer in music history. Her first symphony was premiered by the chicago symphony orchestra in 1933. 'Adoration' fits perfectly in church settings, it's sentimental melodies work for funerals as well as for weddings. It also gets performed in concert setting regularily. Felix Linsmeier arranged this piece for several different ensembles, some of the arrangements were performed by major orchestras like National Youth Orchestra of Great Britain, Charlotte Symphony, Richmond Symphony or the Grand Rapids Symphony.
$19.99
Aurora dos Sentimentos, Opus 47
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Janilson fialho
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Janilson fialho
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Aurora dos Sentimentos, Opus 4
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Janilson Fialho
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1258058 By Janilson fialho. By Janilson fialho. Arranged by Janilson fialho. 21st Century,Chamber,Cont...
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String Quartet String Quartet - Level 5 - SKU: A0.1258058 By Janilson fialho. By Janilson fialho. Arranged by Janilson fialho. 21st Century,Chamber,Contemporary. 3 pages. Janilson Fialho #851297. Published by Janilson Fialho (A0.1258058). Música escrita no dia 29/01/23.
$12.99
Girls (feat Cardi B, Bebe Rexha & Charli Xcx)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Rita Ora Featuring Cardi B/B
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Monica Re Martin
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Girls
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Monica Re Martin
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SheetMusicPlus
By Rita Ora Featuring Cardi B/Bebe Rexha/Charli Xcx. Arranged by Monica Re Martin. Set of Parts. 19 pages. Published by Monica Re Martin...
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By Rita Ora Featuring Cardi B/Bebe Rexha/Charli Xcx. Arranged by Monica Re Martin. Set of Parts. 19 pages. Published by Monica Re Martin
$14.99
25 Arranjos para Quarteto de Cordas - Livro 1
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Diversos
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Israel Pessoa
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25 Arranjos para Quarteto de C
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Israel Pessoa
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1353302 By Diversos. By Diversos. Arranged by Israel Pessoa. 19th Century,20th Cent...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1353302 By Diversos. By Diversos. Arranged by Israel Pessoa. 19th Century,20th Century,21st Century,Classical,Wedding. 133 pages. Israel Pessoa #938073. Published by Israel Pessoa (A0.1353302). 25 Arranjos para quarteto de cordas das principais músicas paraeventos. Escritas e revisadas comextremo cuidado para você baixar etocar.1. Thousand Years - Christina Perri2. Amigos Para Sempre Jayne3. Aquarela - Toquinho4. Beauty And The Beast - Disney5. Carinhoso - Pixinguinha6. Con te partiro - Andrea Bocelli7. Dia Branco- Geraldo Azevedo8. Eu sei que vou te amar - Tom Jobim9. Hallelujah - Leonard Cohen10. Happy - Pharrell Williams11. I Gott Feeling - Black Eyed Peas12. Jesus Alegria Dos Homens - J. S. Bach13. Marcha Nupcial - Mendelssohn14. Monte Castelo - Legião Urbana15. Nessun Dorma - Puccini16. Nossa Senhora - Roberto Carlos17. O Leãozinho - Caetano Veloso18. Oração - A Banda mais bonita19. Over the Rainbow - Judy Carland20. Perfect Symphony - Ed. Sheeran21. Photograph - Ed Sheeran22. Se essa rua fosse minha23. Se todos fossem iguais a você – Tom Jobim24. Stand By Me - Ben E. King25. Your Song - Elton John.
$15.00
Dearly Beloved
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Aa
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AndrewR
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Dearly Beloved
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GuarrineMusic
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1136335 By Aa. By Jerome Kern and Johnny Mercer. Arranged by AndrewR. Guarrine. 20th ...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - SKU: A0.1136335 By Aa. By Jerome Kern and Johnny Mercer. Arranged by AndrewR. Guarrine. 20th Century,Broadway,Film/TV,Musical/Show,Standards,Wedding. Score and parts. 6 pages. GuarrineMusic #736339. Published by GuarrineMusic (A0.1136335). You Were Never Lovelier is a 1942 remake of the 1941 Argentine romantic comedy Los martes, orquÃdeas (On Tuesdays,Orchids) and is set in Buenos Aires. This American musical romantic comedy film starring Fred Astaire and Rita Hayworth and directed by William A. Seiter also features Adolphe Menjou, Xavier Cugat and.Adele Mara. The music was composed by Jerome Kern and the lyrics by Johnny Mercer. The picture was released by Columbia Pictures and includes the elaborate the elaborate Shorty George song and dance sequence.
$12.99
Against All Odds (take A Look At Me Now)
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Violon
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FACILE
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Phil Collins
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Leo Silva
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Against All Odds
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MP Sheet Music
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SheetMusicPlus
Violin Solo - Level 2 - SKU: A0.1309092 By Phil Collins. By Phil Collins. Arranged by Leo Silva. 20th Century,Pop. 2 pages. MP Sheet Music #898289. Publ...
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Violin Solo - Level 2 - SKU: A0.1309092 By Phil Collins. By Phil Collins. Arranged by Leo Silva. 20th Century,Pop. 2 pages. MP Sheet Music #898289. Published by MP Sheet Music (A0.1309092). Against All Odds (Take a Look at Me Now) (ou apenas Against All Odds) é uma música do baterista, cantor e compositor britânico Phil Collins. Foi gravado para a trilha sonora do filme de 1984 com o mesmo nome. É uma poderosa balada em que seu protagonista implora a uma ex-namorada que olhe para mim agora, sabendo que a reconciliação é contra todas as probabilidades, considerando que vale a pena tentar. O single alcançou o 2º lugar no Reino Unido, enquanto alcançou o 1º lugar na Billboard Hot 100 nos Estados UnidosAgainst All Odds também liderou as paradas no Canadá, Irlanda e Noruega.No episódio 339 de This American Life, Break Up, Collins retransmite que a música foi inspirada e escrita logo após o rompimento entre ele e sua primeira esposa. Na entrevista, ele diz que o divórcio o transformou de músico em também letrista.Against All Odds ganhou o Grammy Awards de Melhor Performance Masculina Pop em 1985, foi nomeado para Canção do Ano e para um Oscar e também para um Globo de Ouro na categoria de Melhor Canção Original.
$4.99
Mendelssohn: Wedding March for Piano Trio
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. J...
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Piano Trio - Level 3 - SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
$36.95
Mendelssohn: Song Without Words Op. 109 for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic P...
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Piano,Violin - Level 3 - SKU: A0.549485 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 20 pages. Jmsgu3 #3500555. Published by jmsgu3 (A0.549485). VIOLIN & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Sang Yeo (A Hearse)
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Violon et Piano
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AVANCÉ
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Yoonjee Kim
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Sang Yeo
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Yoonjee Kim
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SheetMusicPlus
Small Ensemble Piano Accompaniment,Violin - Level 5 - SKU: A0.1022806 Composed by Yoonjee Kim. Contemporary,Standards,World. Score and parts. 16 pages. ...
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Small Ensemble Piano Accompaniment,Violin - Level 5 - SKU: A0.1022806 Composed by Yoonjee Kim. Contemporary,Standards,World. Score and parts. 16 pages. Yoonjee Kim #3417615. Published by Yoonjee Kim (A0.1022806). Sang Yeo (A Hearse) is a programmatic work based on a Korean traditional funeral. The Korean funeral is rather a ceremony with a brilliantly decorated coffin and a group of choruses singing a traditional funeral tune throughout the entire process. The piece consists of three sections: The first section represents the scene where the coffin is brought to the burial site. The opening chord in the piano symbolizes the head of the mourning parade who rings a small bell while the casket is carried to its final resting place. The mood of the first section is heaving sounding by employing the lowest register of the piano and using triple stops in the violin while maintaining a slow tempo. The second section characterizes the process of burying the coffin. It implies an irritating, aggressive and desperate atmosphere of the people who cannot face the death and the separation of the recently deceased. The minor second interval, staccatos on the fast passage scales and the constant banging rhythm support the ambiance of this section. The last section corresponds to the return of the parade. It resembles the first section mostly with the grief, regrets and sighs. The high pitch glissando in the violin and the figure in the piano’s low register express the distance between the soul and the human.
$10.00
Brahms: Fugue, WoO 8, for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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James M
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Brahms: Fugue, WoO 8, for Stri
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1416898 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Cha...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1416898 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 17 pages. Jmsgu3 #998489. Published by jmsgu3 (A0.1416898). The Fugue in A-flat minor, WoO 8, is one of the early organ works by Brahms, composed around 1856-57. It is an intense, brooding fugue published without an opus number. The fugue is part of a small set of four early organ pieces by Brahms, including the chorale prelude and fugue O Traurigkeit, o Herzeleid (WoO 7). These early organ works demonstrate Brahms' mastery of counterpoint at a young age. While Brahms did not have a close personal relationship with the organ, the genre of the chorale prelude allowed him to pay homage to his musical heritage, following the conventions of the form by paraphrasing and elaborating on pre-existing Lutheran chorale melodies. The Fugue in A-flat minor is considered one of the most significant and high-quality of Brahms' early organ works. It was eventually assigned the posthumous opus number 122, which is still known today. So, in summary, the Fugue in A-flat minor is an essential early organ work by Brahms that demonstrates his mastery of counterpoint, even though the organ was not his primary instrument. It is considered a significant and high-quality piece within Brahms' overall organ output.
$32.95
Arco (Partes)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Azul Blatter
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Arco
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Editorial Copistas Acuario
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1514903 Composed by Azul Blatter. 21st Century,Chamber,Classical,Contemporary. 36 p...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1514903 Composed by Azul Blatter. 21st Century,Chamber,Classical,Contemporary. 36 pages. Editorial Copistas Acuario #1089397. Published by Editorial Copistas Acuario (A0.1514903). El proyecto editorial «Escordaturas: Nueva música latinoamericana para cuerdas» nace con la inquietud de la Editorial Copistas Acuario, por ampliar su rango de acción luego de la publicación exitosa de diversos volúmenes de música dominicana tanto histórica como actual.Siempre apegados a una identidad primero dominicana y luego latinoamericana, y siguiendo nuestro objetivo institucional de «fomentar el desarrollo sostenible de la industria creativa de la producción, edición, publicación y distribución del patrimonio musical nacional y regional...» nos propusimos desarrollar esta nueva serie abriendo una convocatoria general a todos los compositores jóvenes de la región que desearan publicar y difundir a través de esta Editorial obras de su autoría para ensambles e instrumentos de cuerda. Se ha preparado esta compilación numerada de 10 obras que busca representar la diversidad y el alto nivel propositivo de la nueva creación sonora en América Latina. De aquí, precisamente, el símbolo de la «escordatura» para visualizar esta riqueza de un continente que a pesar de las diferencias idiomáticas de cada país, logra conformar una entidad cultural identificable, valiosa y llamativa.Con inmenso entusiasmo presentamos esta primera entrega que incluye música de Argentina, Chile, Colombia, Costa Rica, República Dominicana, Nicaragua, México, Ecuador y Venezuela; donde confluye la variedad estilística de cada compositor con lenguajes que rondan desde la música tonal e impresionista hasta propuestas experimentales y posmodernas.Con la apertura de esta nueva serie, la Editorial Copistas Acuario profundiza su posición en América Latina y expande su catálogo, esperando lograr a futuro su consolidación como casa editorial de la música latinoamericana ante el mundo.-------------------------------------------------The editorial project “Escordaturas: New Latin American music for strings” was born from the concern of the Editorial Copistas Acuario, to expand its range of action after the successful publication of several volumes of Dominican historical and contemporary music.Always attached to a first Dominican and then Latin American identity and following our institutional objective of “promoting the sustainable development of the creative industry of the production, edition, publication and distribution of the national and regional musical heritage...” we proposed to develop this new series by opening a general call to all young composers of the region who wish to publish and promote through this Editorial works of their authorship for string instruments and ensambles. This numbered compilation of 10 works has been prepared to represent the diversity and high level of the new sound creation in Latin America. Hence, precisely, the symbol of the “escordatura” to visualize this richness of a continent that despite the idiomatic differences of each country, manages to form an identifiable, valuable and striking cultural entity.It is with immense enthusiasm that we present this first installment, which includes music from Argentina, Chile, Colombia, Costa Rica, Dominican Republic, Nicaragua, Mexico, Ecuador and Venezuela; where the stylistic variety of each composer converges with languages that range from tonal and impressionist music to experimental and postmodern proposals.With the opening of this new series, the Editorial Copistas Acuario deepens its position in Latin America and expands its catalog, hoping to achieve in the future its consolidation as the publishing house of Latin American music to the world.
$9.99
Arco (Score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Azul Blatter
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Arco
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Editorial Copistas Acuario
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1514943 Composed by Azul Blatter. 21st Century,Chamber,Classical,Contemporary. 26 p...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1514943 Composed by Azul Blatter. 21st Century,Chamber,Classical,Contemporary. 26 pages. Editorial Copistas Acuario #1089438. Published by Editorial Copistas Acuario (A0.1514943). El proyecto editorial «Escordaturas: Nueva música latinoamericana para cuerdas» nace con la inquietud de la Editorial Copistas Acuario, por ampliar su rango de acción luego de la publicación exitosa de diversos volúmenes de música dominicana tanto histórica como actual.Siempre apegados a una identidad primero dominicana y luego latinoamericana, y siguiendo nuestro objetivo institucional de «fomentar el desarrollo sostenible de la industria creativa de la producción, edición, publicación y distribución del patrimonio musical nacional y regional...» nos propusimos desarrollar esta nueva serie abriendo una convocatoria general a todos los compositores jóvenes de la región que desearan publicar y difundir a través de esta Editorial obras de su autoría para ensambles e instrumentos de cuerda. Se ha preparado esta compilación numerada de 10 obras que busca representar la diversidad y el alto nivel propositivo de la nueva creación sonora en América Latina. De aquí, precisamente, el símbolo de la «escordatura» para visualizar esta riqueza de un continente que a pesar de las diferencias idiomáticas de cada país, logra conformar una entidad cultural identificable, valiosa y llamativa.Con inmenso entusiasmo presentamos esta primera entrega que incluye música de Argentina, Chile, Colombia, Costa Rica, República Dominicana, Nicaragua, México, Ecuador y Venezuela; donde confluye la variedad estilística de cada compositor con lenguajes que rondan desde la música tonal e impresionista hasta propuestas experimentales y posmodernas.Con la apertura de esta nueva serie, la Editorial Copistas Acuario profundiza su posición en América Latina y expande su catálogo, esperando lograr a futuro su consolidación como casa editorial de la música latinoamericana ante el mundo.-------------------------------------------------The editorial project Escordaturas: New Latin American music for strings was born from the concern of the Editorial Copistas Acuario, to expand its range of action after the successful publication of several volumes of Dominican historical and contemporary music.Always attached to a first Dominican and then Latin American identity and following our institutional objective of promoting the sustainable development of the creative industry of the production, edition, publication and distribution of the national and regional musical heritage... we proposed to develop this new series by opening a general call to all young composers of the region who wish to publish and promote through this Editorial works of their authorship for string instruments and ensambles. This numbered compilation of 10 works has been prepared to represent the diversity and high level of the new sound creation in Latin America. Hence, precisely, the symbol of the escordatura to visualize this richness of a continent that despite the idiomatic differences of each country, manages to form an identifiable, valuable and striking cultural entity.It is with immense enthusiasm that we present this first installment, which includes music from Argentina, Chile, Colombia, Costa Rica, Dominican Republic, Nicaragua, Mexico, Ecuador and Venezuela; where the stylistic variety of each composer converges with languages that range from tonal and impressionist music to experimental and postmodern proposals.With the opening of this new series, the Editorial Copistas Acuario deepens its position in Latin America and expands its catalog, hoping to achieve in the future its consolidation as the publishing house of Latin American music to the world.
$9.99
Amazing Grace
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2 Violons (duo)
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DÉBUTANT
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Musique Sacrée
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Christopher Smith, John Newton
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Josiel Oliveira
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Amazing Grace
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M das Melodias
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SheetMusicPlus
Violin Duet Violin - Level 1 - SKU: A0.1186173 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Josiel Oliveira. Christian,Prais...
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Violin Duet Violin - Level 1 - SKU: A0.1186173 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Josiel Oliveira. Christian,Praise & Worship,Religious,Spiritual. 3 pages. M das Melodias #785828. Published by M das Melodias (A0.1186173). Sheet Music for Violin Duet.Amazing Grace é uma música cristã que se tornou um hino popular em todo o mundo, e é frequentemente tocada em funerais, serviços religiosos e eventos solenes. A música foi escrita pelo poeta e clérigo anglicano John Newton no século XVIII, originalmente como um hino para o serviço dominical da Igreja da Inglaterra.A letra da música fala sobre a graça redentora de Deus e a salvação que Ele oferece a todos, independentemente de suas falhas e pecados. A letra também reflete a própria história de vida de Newton, que anteriormente era um comerciante de escravos, mas depois se converteu ao cristianismo e se tornou um defensor da abolição da escravidão.A melodia da música é baseada em uma antiga melodia escocesa, e é simples e comovente, permitindo que as letras se destaquem. A música é geralmente cantada em um ritmo lento e emocional, com arranjos instrumentais minimalistas que destacam ainda mais a beleza das letras.Amazing Grace é considerada uma das músicas mais conhecidas e amadas da tradição cristã, e já foi gravada por inúmeros artistas em todo o mundo, em uma variedade de estilos musicais diferentes. A música também é um exemplo do poder da música em conectar as pessoas, independentemente de sua fé ou crenças, e em oferecer conforto e esperança em tempos difÃceis.
$4.99
Amazing Grace
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Violon, Violoncelle (duo)
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DÉBUTANT
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Musique Sacrée
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Christopher Smith, John Newton
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Josiel Oliveira
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Amazing Grace
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M das Melodias
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 1 - SKU: A0.1186181 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Josiel Oliveira. Chr...
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Cello,Instrumental Duet,Violin - Level 1 - SKU: A0.1186181 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Josiel Oliveira. Christian,Praise & Worship,Religious,Spiritual. 3 pages. M das Melodias #785836. Published by M das Melodias (A0.1186181). Amazing Grace é uma música cristã que se tornou um hino popular em todo o mundo, e é frequentemente tocada em funerais, serviços religiosos e eventos solenes. A música foi escrita pelo poeta e clérigo anglicano John Newton no século XVIII, originalmente como um hino para o serviço dominical da Igreja da Inglaterra.Sheet Music for Violin and Cello Duet.A letra da música fala sobre a graça redentora de Deus e a salvação que Ele oferece a todos, independentemente de suas falhas e pecados. A letra também reflete a própria história de vida de Newton, que anteriormente era um comerciante de escravos, mas depois se converteu ao cristianismo e se tornou um defensor da abolição da escravidão.A melodia da música é baseada em uma antiga melodia escocesa, e é simples e comovente, permitindo que as letras se destaquem. A música é geralmente cantada em um ritmo lento e emocional, com arranjos instrumentais minimalistas que destacam ainda mais a beleza das letras.Amazing Grace é considerada uma das músicas mais conhecidas e amadas da tradição cristã, e já foi gravada por inúmeros artistas em todo o mundo, em uma variedade de estilos musicais diferentes. A música também é um exemplo do poder da música em conectar as pessoas, independentemente de sua fé ou crenças, e em oferecer conforto e esperança em tempos difÃceis.
$4.99
Amazing Grace
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Violon
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DÉBUTANT
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Musique Sacrée
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Christopher Smith, John Newton
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Josiel Oliveira
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Amazing Grace
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M das Melodias
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.1186177 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Josiel Oliveira. Christian,Praise & Wor...
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Violin Solo - Level 1 - SKU: A0.1186177 Composed by Christopher Smith, John Newton, and Traditional. Arranged by Josiel Oliveira. Christian,Praise & Worship,Religious,Spiritual. 1 pages. M das Melodias #785832. Published by M das Melodias (A0.1186177). Amazing Grace é uma música cristã que se tornou um hino popular em todo o mundo, e é frequentemente tocada em funerais, serviços religiosos e eventos solenes. A música foi escrita pelo poeta e clérigo anglicano John Newton no século XVIII, originalmente como um hino para o serviço dominical da Igreja da Inglaterra.Sheet Music for Violin.A letra da música fala sobre a graça redentora de Deus e a salvação que Ele oferece a todos, independentemente de suas falhas e pecados. A letra também reflete a própria história de vida de Newton, que anteriormente era um comerciante de escravos, mas depois se converteu ao cristianismo e se tornou um defensor da abolição da escravidão.A melodia da música é baseada em uma antiga melodia escocesa, e é simples e comovente, permitindo que as letras se destaquem. A música é geralmente cantada em um ritmo lento e emocional, com arranjos instrumentais minimalistas que destacam ainda mais a beleza das letras.Amazing Grace é considerada uma das músicas mais conhecidas e amadas da tradição cristã, e já foi gravada por inúmeros artistas em todo o mundo, em uma variedade de estilos musicais diferentes. A música também é um exemplo do poder da música em conectar as pessoas, independentemente de sua fé ou crenças, e em oferecer conforto e esperança em tempos difÃceis.
$4.99
El Triste
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Roberto Cantoral
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Hugo Andrés Cuartas Henao
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El Triste
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Andrew Music
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1097718 Composed by Roberto Cantoral. Arranged by Hugo Andrés Cuartas Henao. Early Music. 5 pages. Andrew Music #701...
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Piano,Violin - Level 4 - SKU: A0.1097718 Composed by Roberto Cantoral. Arranged by Hugo Andrés Cuartas Henao. Early Music. 5 pages. Andrew Music #701649. Published by Andrew Music (A0.1097718). El Triste en Eb. Una Canción Que Es De Gusto De Muchos, Y En Lo Personal Mi Favorita. Incluà Flauta Dulce Violines Y Piano Definitivamente Se Las Recomiendo Será De Todo Su Agrado. Roberto Cantoral Un Gran Compositor Y José José Un Gran Cantante.
$14.99
25 Arranjos para Quarteto de Cordas - Livro 2
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Diversos
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Israel Pessoa
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25 Arranjos para Quarteto de C
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Israel Pessoa
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1353303 By Diversos. By Diversos. Arranged by Israel Pessoa. 19th Century,20th Cent...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1353303 By Diversos. By Diversos. Arranged by Israel Pessoa. 19th Century,20th Century,21st Century,Classical,Wedding. 141 pages. Israel Pessoa #938075. Published by Israel Pessoa (A0.1353303). 25 Arranjos para quarteto de cordas das principais músicas paraeventos. Escritas e revisadas comextremo cuidado para você baixar etocar.1.   A Whole New World (Aladin) – Disney2.   All Of Me – John Legend3.   Arabesque – Debussy4.   Bella Notte (A DAMA E O Vagabundo) – Disney5.   Can You Feel The Love Tonight (O Rei Leão) – Disney6.   Can’t Take My Eyes Off You – Frankie Valli7.   Claire De Lune – Debussy8.   Close To You – Carpenters9.   Escolhi Te Esperar – Marcela TaÃs10.   Herdeiros Do Futuro – Toquinho11.   Humoresque Nº 7 – Dvorak12.   I Don’t Want To Miss a Thing – Aerosmith13.   I See The Light (Enrolados) – Disney14.   In My Life – The Beatles15.   Marcha Nupcial + If I Ain’t Got You – Mendelsson + AlÃcia Keys16.   Marcha Nupcial + I’ts Been A Long, Long Time – Mendelssohn + Kitty Kallen17.   Marcha Nupcial + Beauty And The Beast – Mendelssohn + Disney18.   Married Life – M. Giacchino19.   Noturno – Chopin20.   Pra Você Guardei O Amor – Nando Reis21.   Salut d’Amour – Elgar22.   Somewere Over The Rainbow – Israel Kamakawiwole23.   Sorriso Resplandescente (Dragon Ball GT) – Tetsurô Oda24.   Waltzing Matilda – Anon25.   You’ve Got a Friend In Me – Toy Story – Disney/Pixar.
$15.00
Two Norwegian Dances
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Stephen Levintow
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Two Norwegian Dances
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Cypress Publishing
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1335748 Composed by Edvard Grieg (1843-1907). Arranged by Stephen Levintow. 19th Century,Romantic Per...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1335748 Composed by Edvard Grieg (1843-1907). Arranged by Stephen Levintow. 19th Century,Romantic Period. 14 pages. Cypress Publishing #921573. Published by Cypress Publishing (A0.1335748). Norway's most beloved composer celebrated his country's musical heritage in a lifetime of works. He wrote these dances both for solo piano and for orchestra, but they are just as delightful for string trio (violin, viola, cello). Also available arranged for string quartet.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$4.00
Two Norwegian Dances
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Stephen Levintow
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Two Norwegian Dances
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Cypress Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1333681 Composed by Edvard Grieg (1843-1907). Arranged by Stephen Levintow. 19th Century,Chamber,Roman...
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String Quartet String Quartet - Level 4 - SKU: A0.1333681 Composed by Edvard Grieg (1843-1907). Arranged by Stephen Levintow. 19th Century,Chamber,Romantic Period. 17 pages. Cypress Publishing #919977. Published by Cypress Publishing (A0.1333681). Norway's most beloved composer celebrated his nation's musical heritage in a lifetime of works. He published these two dances both for solo piano and for orchestra, but they are just as delightful arranged for string quartet.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$5.00
Kiss the Maid Behind the Bier
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Violon et Piano
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DÉBUTANT
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Traditional Fiddle Tunes
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Heather M Music
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Kiss the Maid Behind the Bier
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Heather Mueller Music
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1397602 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This e...
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Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1397602 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 36. Heather Mueller Music #41RzLw3VKIND9ejnyEuK9m. Published by Heather Mueller Music (A0.1397602). Key: G major.Title: Kiss the Maid Behind the Bier Type/Genre: Traditional Fiddle Tune - Jig (Irish, Scottish) Availability: Sheet Music for Sale Immerse yourself in the lively rhythms of Celtic tradition with Kiss the Maid Behind the Bier, a spirited jig that transcends the boundaries of Irish and Scottish musical heritage. Key Features: Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, allowing for personalized renditions of Kiss the Maid Behind the Bier. Tailor the tune to suit your playing style, facilitating enjoyable practice sessions and confident performances. Versatile Addition: Kiss the Maid Behind the Bier is a versatile addition to any fiddler's repertoire, seamlessly fitting into collections and anthologies of traditional tunes from both Irish and Scottish traditions. Whether you're expanding your musical library or preparing resources for teaching and performance, this jig promises to captivate audiences with its cross-cultural appeal. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by Kiss the Maid Behind the Bier. Explore scales, bowing techniques, and rhythmic patterns derived from this spirited melody, enhancing your mastery of Celtic fiddling techniques. Creative Playground: Embrace the rich tapestry of Celtic music as you explore Kiss the Maid Behind the Bier. Add your unique embellishments and variations to infuse the tune with your individual style, drawing inspiration from both Irish and Scottish musical traditions. Let your creativity flow freely, celebrating the shared heritage and cultural exchange reflected in this vibrant jig. Whether you're a seasoned performer or a newcomer to Celtic music, Kiss the Maid Behind the Bier offers an invigorating musical experience that transcends borders and invites you to join in the celebration of cross-cultural connections. Dive into the lively rhythms of this jig and let the music carry you across the landscapes of Irish and Scottish tradition.
$2.99
Preludio de la Suche Malinche
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Violon
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INTERMÉDIAIRE/AVANCÉ
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Ave Asán
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Preludio de la Suche Malinche
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Editorial Copistas Acuario
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SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.1514913 Composed by Ave Asán. 21st Century,Chamber,Classical,Contemporary,Multicultural,World. 30 pages. Editorial Copi...
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Violin Solo - Level 4 - SKU: A0.1514913 Composed by Ave Asán. 21st Century,Chamber,Classical,Contemporary,Multicultural,World. 30 pages. Editorial Copistas Acuario #1089409. Published by Editorial Copistas Acuario (A0.1514913). Esta pieza está inspirada en la Suche Malinche, uno de los personajes de “El Güegüense o Macho Ratón”, obra de teatro nicaragüense y además Patrimonio Oral e Inmaterial de la Humanidad. En dicha obra, el Güegüense convence al Gobernador Tastuanes (padre de la Suche Malinche) para que case a la muchacha con uno de sus hijos (Don Forcico). El Preludio de la Suche Malinche surge de la necesidad de empoderar a esta mujer, cuya función en El Güegüense es la de ser un instrumento para acceder al poder. Ni su voz ni su voluntad existen. Es por eso que en la pieza, La Suche (representada por la violinista) empieza a cuestionarse por su silencio, y le reza a Guachán (San Sebastián, santo patrono de Carazo); pero en vez del santo, se le aparece Quetzalcóatl, quien le da valor y fuerza. Poco a poco ella siente cómo surge su voz, alternada con vocales y sonidos reiterados, que se mezclan con un violín impetuoso, hasta que en ella se construye el habla y termina diciendo : “Ya neme nequi nitipampa” (Yo estoy aquí, defendiendo mi causa). ----------------------------------------------This piece is inspired by Suche Malinche, one of the characters of “El Güegüense o Macho Ratón”, a Nicaraguan play and also Oral and Intangible Heritage of Humanity. In this play, the Güegüense convinces Governor Tastuanes (Suche Malinche’s father) to marry the girl to one of his sons (Don Forcico). The Suche Malinche Prelude arises from the need to empower this woman, whose function in El Güegüense is to be an instrument to gain access to power. Neither her voice nor her will exist. That is why in the piece, La Suche (represented by the violinist) begins to question her silence, and prays to Guachán (San Sebastián, patron saint of Carazo); but instead of the saint, Quetzalcóatl appears to her, giving her courage and strength. Little by little she feels how her voice emerges, alternating with vowels and reiterated sounds, which are mixed with an impetuous violin, until she builds her speech and ends up saying: “Ya neme nequi nitipampa” (I am here, defending my cause.).
$9.99
Guthrie: Good King Wenceslas for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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James M
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Guthrie: Good King Wenceslas f
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1491194 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Hi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1491194 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 20 pages. Jmsgu3 #1067931. Published by jmsgu3 (A0.1491194). Good King Wenceslas is a well-known Christmas carol that narrates the story of a kind-hearted ruler who braves winter weather to help a poor peasant. The carol is inspired by the historical figure of Saint Wenceslas I, Duke of Bohemia, who lived from approximately 907 to 935 AD. Although he is referred to as a king in the carol, he was a duke during his lifetime; the title of king was conferred upon him posthumously by Holy Roman Emperor Otto I.Historical ContextWenceslas was born into a Christian family and raised primarily by his grandmother, Ludmila, who significantly influenced his faith. His mother, Drahomíra, was aligned with paganism and ultimately had Ludmila murdered to gain power. Upon becoming Duke at 18, Wenceslas sought to promote Christianity and was known for his charitable acts, especially towards the poor and marginalized. His reign was marked by efforts to end religious conflicts and to build churches, including part of what is now St. Vitus Cathedral in Prague. However, his commitment to Christianity and his benevolent nature made him a target for his jealous younger brother, Boleslav, who ultimately conspired to murder him in 929 or 935 AD.The CarolThe carol Good King Wenceslas was written in 1853 by English hymn-writer John Mason Neale, set to a melody from a 13th-century spring carol. It was designed to encourage Christian charity, particularly during Christmas, and is traditionally sung on the Feast of Stephen, December 26. The lyrics depict Wenceslas and his page witnessing a poor man gathering firewood and deciding to help him by bringing food and supplies. This story reflects the historical Wenceslas's reputation for generosity and compassion, which has led to his veneration as a saint and the patron saint of the Czech Republic. His legacy is celebrated in the Czech Republic, where he is known as Václav, and he is commemorated on September 28, known as St. Wenceslas Day.Cultural SignificanceThe carol has become a staple of Christmas music in the English-speaking world, performed by various artists and choirs. It serves not only as a festive song but also as a reminder of the values of charity and kindness, echoing the life and virtues of the historical Wenceslas.
$34.95
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
Patapan for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Traditional French
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James M
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Patapan for String Quartet
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1503264 Composed by Traditional French. Arranged by James M. Guthrie. Chamber,Chris...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1503264 Composed by Traditional French. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 18 pages. Jmsgu3 #1078752. Published by jmsgu3 (A0.1503264). Patapan is a significant French Christmas carol with a rich history and cultural importance. Here are some critical aspects of its significance:Historical ImportancePatapan is an old French carol that dates back to at least 1701. Its longevity demonstrates its enduring appeal and cultural relevance over the centuries.Musical CharacteristicsThe carol is known for its lively and rhythmic nature, which sets it apart from many other Christmas songs. Its distinctive pat-a-pan rhythm, which imitates the sound of a drum, has made it memorable and popular.Cultural InfluencePatapan has had a significant influence on other Christmas music:It may have inspired the more famous carol The Little Drummer Boy. While this connection is debated, the similarities in theme and rhythm are notable.Various artists and composers have adapted and reinterpreted the carol's rhythm, demonstrating its versatility and lasting appeal.Lyrical SignificanceThe lyrics of Patapan are noteworthy for several reasons: They feature characters Guillô and Robin, which are common in old French carols.The carol celebrates the act of caroling itself, making it a meta-commentary on the Christmas music tradition. It incorporates themes of reconciliation between God and humanity, reflecting important Christian theological concepts.Musical EducationPatapan is often used in music education and performances: Its simple rhythm makes it accessible for children to learn and perform.The carol is frequently arranged for various vocal and instrumental ensembles, as evidenced by its availability through multiple music publishers.In conclusion, Patapan is important not only as a beloved Christmas carol but also as a piece of cultural heritage that has influenced other music, reflected theological ideas, and continued to be performed and adapted for over three centuries.
$34.95
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