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VIOLON
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Quatuor à cordes: 2 violons, alto, violoncelle
26
Violon et Piano
9
Trio à Cordes: violon, alto, violoncelle
3
2 Violons (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon
2
Violon, Violoncelle (duo)
1
Violon, Basson (duo)
1
Harpe, Violon (duo)
1
Quatuor à cordes: 4 violons
1
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Vous avez sélectionné:
Various composers
VIOLON
Partitions à imprimer
48 partitions trouvées
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26
Minuet in G Major - J.S.Bach - 2 Violins and Piano
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Raymond Fenech
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Minuet in G Major - J.S.Bach -
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Raymond Fenech
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.760262 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Festival,Holiday,...
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Violin Duet Violin - Level 3 - SKU: A0.760262 Composed by Johann Sebastian Bach. Arranged by Raymond Fenech. Baroque,Christmas,Contest,Festival,Holiday,Instructional. 7 pages. Raymond Fenech #3545513. Published by Raymond Fenech (A0.760262). The Minuet in G major is found in the 1725 Notebook for Anna Magdalena Bach, where it appears with its companion piece, Minuet in G minor, as a pair to be performed da capo. The notebook in question, which belonged to Johann Sebastian Bach's second wife Anna Magdalena, is a compilation of music by various composers of the late 17th and early 18th century. The Level is Intermediate and the duration is approximately 1.40 minutes. It could be played in any type of recital/concert.
$4.99
We Three Kings of Orient Are ( Christmas medley ) trio for violin, cello and piano
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Noël
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by various composers
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Phoebe Chen
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We Three Kings of Orient Are
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Phoebe Chen
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SheetMusicPlus
Piano Trio,String Ensemble - Level 3 - SKU: A0.868108 Composed by by various composers. Arranged by Phoebe Chen. Christian,Christmas,World. Score and pa...
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Piano Trio,String Ensemble - Level 3 - SKU: A0.868108 Composed by by various composers. Arranged by Phoebe Chen. Christian,Christmas,World. Score and parts. 18 pages. Phoebe Chen #3680857. Published by Phoebe Chen (A0.868108). It's a medley which combined We three kings silent night and what child is thissongs sang by people around the world during Christmas season.
$11.99
12 Sacred Trios (or Duets) for Strings
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Musique Sacrée
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Various composers and traditio
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Denny Glasscock
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12 Sacred Trios
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Denny Glasscock
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.922034 Composed by Various composers and traditional melodies. Arranged by Denny Glas...
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - SKU: A0.922034 Composed by Various composers and traditional melodies. Arranged by Denny Glasscock. Christian,Instructional,Sacred,Wedding. Score and parts. 93 pages. Denny Glasscock #5996969. Published by Denny Glasscock (A0.922034). This is a collection of 12 Trios (or Duets) arranged for Violin, Viola and Cello, based on melodies of beloved traditional christian hymns. Melodies are harmonized mostly by interweaving counter melodies. The Violin and Viola (or Violin II) are, at times, alternating melody and counter melodies, rather than the traditional vocal parts found in church hymnals. The result is a more interweaving flow of melody and counter melody. The Cello provides the bass, as it also contributes to the counter melodious sound. A Violin II part has been added to duplicate the Viola, in case a Viola is not available. These pieces also work very nicely as duets without the Cello; or duets with the Violin and Cello. Designed for early intermediate musicians, the collection is ideal for prelude or postlude music and especially offertories in worship services, funerals, weddings, etc . Length of the pieces can be altered by using more or less of the repeats included. The last two pieces are based on melodies from Christmas hymns. In addition, these pieces have a technical training value, as would etudes and exercises, due to the moving counter melodies that may challenge students at the early intermediate level. Though written to challenge students at the early intermediate level, more advanced musicians and audiences will find this music quite satisfying to play and enjoy, respectively. String class teachers may consider using this collection in class, as the entire Violin, Viola or Cello sections will be in unison, as a section, which provides support to players within their section. At same time, the other sections would be playing other parts, also in unison as a section - a good ensemble practice tool. The class might perform pieces from this collection in concert. Titles: Count Your Blessings, I Must Tell Jesus, In the Garden, Jesus Loves Even Me, Let All Things Now Living, O How I Love Jesus, O the Deep, Deep Love of Jesus, Take Time to be Holy, The Old Rugged Cross, This is My Father's World; and two Christmas pieces: It Came Upon a Midnight Clear and Silent Night! Holy Night!
$12.99
Lo, How a Rose E'er Blooming for String Trio
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Trio à Cordes: violon, alto, violoncelle
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FACILE
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Traditional German
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James M
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Lo, How a Rose E'er Blooming f
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jmsgu3
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1325092 Composed by Traditional German. Arranged by James M. Guthrie. Chamber,Christian,Christmas,His...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.1325092 Composed by Traditional German. Arranged by James M. Guthrie. Chamber,Christian,Christmas,Historic,Traditional. 6 pages. Jmsgu3 #913314. Published by jmsgu3 (A0.1325092). Lo, How a Rose E'er Blooming is a Christmas carol with a rich history and deep theological significance. It is most commonly translated from the original German hymn Es ist ein Ros entsprungen. The hymn emphasizes the royal genealogy of Jesus and Christian messianic prophecies, describing a rose sprouting from the stem of the Tree of Jesse, symbolizing the descent of Jesus from Jesse of Bethlehem, the father of King David. The hymn has been set to music by various composers, with the familiar harmonization by Michael Praetorius dating back to the early 17th century. The English translation by Theodore Baker, Lo, How a Rose E'er Blooming, was written in 1894 and has been widely used in English-language hymnals. The hymn's enduring appeal lies in its theological depth, musical beauty, and historical significance, making it a cherished part of the Christmas tradition for many.
$24.95
Ave Verum Corpus - Violin and Piano - Intermediate level
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Ave Verum Corpus - Violin and
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Raymond Fenech
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.760713 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Contemporary,Easter,Sacred....
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Piano,Violin - Level 3 - SKU: A0.760713 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Contemporary,Easter,Sacred. 10 pages. Raymond Fenech #5852371. Published by Raymond Fenech (A0.760713). Ave verum corpus is a short Eucharistic hymn that has been set to music by various composers. It dates from the 14th century and has been attributed to Pope Innocent VI. This composition is by Wolfgang Amadeus Mozart (1756 – 1791). The duration is 2.43 minutes and it is an Intermediate level piece.
$3.99
Ave Verum Corpus
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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William Byrd
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Max Stannard
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Ave Verum Corpus
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Max Stannard Music
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.773407 Composed by William Byrd. Arranged by Max Stannard. Christian,Concert,Renaissance,Sacred. Score...
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String Quartet String Quartet - Level 2 - SKU: A0.773407 Composed by William Byrd. Arranged by Max Stannard. Christian,Concert,Renaissance,Sacred. Score and parts. 8 pages. Max Stannard Music #2884613. Published by Max Stannard Music (A0.773407). This is an arragement of William Byrds setting of the short Eucharistic hymn that has been set to music by various composers. The hymn dates from the 14th century, with this setting completed in 1605. The arrangement for string quartet, with the polyphonic texture synonymous with madrigals, would be perfect to perform in a generous acoustic or would be well suited as easy listening background music. Duration: 3.10www.maxstannardmusic.com @MStannardMusic.
$2.99
Ave Verum Corpus - Mozart - String Quartet - (2 Violins; Viola and Cello) - Intermediate
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Raymond Fenech
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Ave Verum Corpus - Mozart - St
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Raymond Fenech
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.760702 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Contempora...
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String Quartet String Quartet - Level 3 - SKU: A0.760702 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Christmas,Classical,Contemporary,Easter,Sacred. Score and parts. 12 pages. Raymond Fenech #5798479. Published by Raymond Fenech (A0.760702). Ave verum corpus is a short Eucharistic hymn that has been set to music by various composers. It dates from the 14th century and has been attributed to Pope Innocent VI. This composition is by Wolfgang Amadeus Mozart (1756 – 1791). The duration is 2.43 minutes and it is an Intermediate level piece.
$4.50
Variations on O Come all ye faithful (Adeste fideles) for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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John Francis Wade
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David Warin Solomons
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Variations on O Come all ye fa
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David Warin Solomons
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.580758 Composed by John Francis Wade. Arranged by David Warin Solomons. 20th Century,Christian,Christm...
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String Quartet String Quartet - Level 3 - SKU: A0.580758 Composed by John Francis Wade. Arranged by David Warin Solomons. 20th Century,Christian,Christmas,Contemporary. Score and parts. 13 pages. David Warin Solomons #6072709. Published by David Warin Solomons (A0.580758). Based on a Christmas carol composed/arranged by various composers including King John IV of Portugal (1604–1656) and John Francis Wade (1711–1786) but probably going back to much earlier times. My variations are as follows:
$11.00
Twinkle Pluto planet no more for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Anonymous
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David Warin Solomons
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Twinkle Pluto planet no more f
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David Warin Solomons
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.575837 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary. Score and parts. 9 pages...
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String Quartet String Quartet - Level 4 - SKU: A0.575837 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary. Score and parts. 9 pages. David Warin Solomons #2028709. Published by David Warin Solomons (A0.575837). Originally written for a Delian suite for various composers remembering Schoenberg back in 2006, I have now revised it and provided separate parts. The piece is atonal and satirically based on Twinkle twinkle little star by way of a supposed reaction from Pluto after it was relegated from planet to dwarf planet by astronomers here on earth. I wrote the following introduction for the Delian suite version: 'Twinkle, Twinkle Little Star' (Jane Taylor's poem used for the tune to the French song Ah, vous dirai-je maman) is given an atonal treatment, for string quartet, in memory of the 'lost' planet of Pluto. Of course Pluto is still there, merely changed in the human taxonomy, which deems it to be no longer a planet. Similarly Twinkle, Twinkle is no longer a nursery rhyme but a strange atonal piece with memories of its past self moving towards an unknown space. It will be curious to know at which age a child recognises the twinkle-twinkle motif in this new, totally untraditional version. However, atonal though it is, it still appears to have some kind of 'home.' 'Ah, vous dirai-je maman, ce qui cause mon tourment,' ce n'est plus la petite chanson d'enfants, elle s'en va vers les étoiles dans un astronef de quatuor à cordes atonal. Son tourment?: Sa lamentation ne vise que la taxonomie humaine des planètes-Pluton, tu n'est plus planète? Maman! où se trouve la réalité, où se trouve notre domicile? Nous avons tous nos taxonomies, mais la réalité est en dehors... Le sens de tonalité est en dehors... Mais malgré tout, on reconnaît la mélodie... N'est-ce pas?.
$10.00
The Snowdrift Galop (or is it Jingle Bells?) - String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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Hugh Levey
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Hugh Levey
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The Snowdrift Galop
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woodwindly.com
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1329365 By Hugh Levey. By Charles Coote Jnr. Arranged by Hugh Levey. 19th Century,Chamber,Children,Chr...
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String Quartet String Quartet - Level 3 - SKU: A0.1329365 By Hugh Levey. By Charles Coote Jnr. Arranged by Hugh Levey. 19th Century,Chamber,Children,Christmas,Holiday. 21 pages. Woodwindly.com #917346. Published by woodwindly.com (A0.1329365). Looking for some familiar, yet very different Christmas Music? Look no further than the Snowdrift Galop written by British composer, Charles Coote Jnr. It starts off just like Jingle Bells - and the Jingle Bells theme keeps coming back, but is it actually Jingle Bells? It also has a march-like theme and a lovely Trio section. All players get to play important melodic material in this arrangement.Snowdrift Galop was published in London in 1868 in a small collection of works by various composers. The opening theme is immediately recognisable as the popular holiday favourite, Jingle Bells, which was published 11 years earlier, yet the composer gives no reference or credit to the earlier work. Although the opening theme is the same as Jingle Bells, we get a stately march instead of the familiar Jingle Bells chorus. A lovely Trio introduces another new tune which is played by clarinet 3, then bass clarinet before returning to the opening section.Charles Coote Jnr (1831-1916) was a prolific English composer of popular music, including quadrilles, waltzes and galops. His music was written for society balls and subsequently published for piano, so that others could play them at local dances or in their ownhomes. He was the son of composer and bandmaster, Charles Coote (1809-1880). Coote Snr worked for the 6th Duke of Devonshire for 30 years, conducted his private orchestra, and was referred to by the Duke as his personal pianist. Growing up in this environment would have ensured that Coote Jnr was well connected with British society.Duration - 4 minutes.
$12.75
Star Cluster (for String Quintet)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE/AVANCÉ
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Adam Lenhart
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Star Cluster
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Adam Lenhart
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1157413 Composed by Adam Lenhart. 20th Century,Contemporary,Instructional. 19 pages. A...
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String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1157413 Composed by Adam Lenhart. 20th Century,Contemporary,Instructional. 19 pages. Adam Lenhart #757744. Published by Adam Lenhart (A0.1157413). Star Cluster is a contemporary piece written for string quintet and utilizes the different strings of the various instruments to create a large variety of colors. This work utilizes various bow colors as well to truly create the atmosphere of various stars shimmering together, each one catching the eye for only a fraction of a second. A short but charming piece that allows players to explore extended technique and the variety of string color combinations possible.---------------------------Adam Lenhart is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$4.99
Enxergando cores
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Violon
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Sergio Roberto de Oliveira
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Enxergando cores
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Sergio Roberto de Oliveira
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SheetMusicPlus
Violin Solo - SKU: A0.962344 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. 10 pages. Sergio Roberto de Oliveira #4757411. Pub...
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Violin Solo - SKU: A0.962344 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. 10 pages. Sergio Roberto de Oliveira #4757411. Published by Sergio Roberto de Oliveira (A0.962344). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$5.79
Eucalyptus
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Violon et Piano
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Contemporain
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Sergio Roberto de Oliveira
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Eucalyptus
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Sergio Roberto de Oliveira
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SheetMusicPlus
Piano,Violin - SKU: A0.962295 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. 28 pages. Sergio Roberto de Oliveira #261...
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Piano,Violin - SKU: A0.962295 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. 28 pages. Sergio Roberto de Oliveira #2613333. Published by Sergio Roberto de Oliveira (A0.962295). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$5.96
Quarteto Brasileiro Nº 1
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Sergio Roberto de Oliveira
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Quarteto Brasileiro Nº 1
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Sergio Roberto de Oliveira
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.962313 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 77 page...
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String Quartet String Quartet - SKU: A0.962313 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 77 pages. Sergio Roberto de Oliveira #3066311. Published by Sergio Roberto de Oliveira (A0.962313). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$20.19
Sacrum Creaturae
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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William Grosvenor Neil
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Sacrum Creaturae
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TheComposerStudio.Com, LLC
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.980596 Composed by William Grosvenor Neil. Contemporary. Score and parts. 81 pages. TheComposerStudio.Com, LLC #...
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String Quartet String Quartet - SKU: A0.980596 Composed by William Grosvenor Neil. Contemporary. Score and parts. 81 pages. TheComposerStudio.Com, LLC #6565287. Published by TheComposerStudio.Com, LLC (A0.980596). Sacrum Creaturae (2019) (score and parts) for string quartet and digital acoustic commissioned and premiered August 18th, 2021 at the Stringwood Chamber Music Festival by the Artaria String Quartet, profiles three endangered creatures: wolves, dolphins, and birds in the three movements of this string quartet. Each of the digital acoustics, the recorded and processed sounds of wolves, dolphins, and birds, explore the sounds of these creatures from three perspectives. Canis Lupus-Nocturne developed through the exploration of wolf howls, growls, snarls, barks, and choruses. My goal in integrating the sounds of wolves with the string quartet was to make them equally passionate and expressive driving the dynamic and emotional climaxes of the music with equal intensity. Programatically, I have placed the wolves deep in the forest, in an environment that allows the string quartet to evoke the mystery and primal energy associated with these animals. I make musical references to the controversy of re-introducing these animals in the wild and the history of violent annihilation by hunters. Delphinus-Cradlesong comprises the slow, middle movement of this piece. The cradlesong is literal and is inspired by the recent discovery by marine scientists that a mother dolphin will sing to its unborn calf so that it bonds with the mother and is familiar with her voice after birth. I have essentially orchestrated my Cradlesong for solo piano for string quartet and the whistling sounds of a mother dolphin singing to its calf. The final movement, 21 Birds, incorporates the bird calls of 21 birds in the Driftless region of the upper Mississippi, integrated with the thematic music of the string quartet. I treat the birds as 21 soloists and as an orchestra of birds accompanying the quartet. In the performance with the quartet, I have employed various special effects, such as reverberation, echo, and delay to blend the two acoustics. Parts rental for performance including the digital acoustic files and support http://www.thecomposerstudio.com/chamber-music/#tab-13006 Inquires at: thecomposerstudio@gmail.com.
$30.00
Josquin: 22 Duets for Violin & Cello
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Violon, Violoncelle (duo)
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FACILE
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Josquin des Prez
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James M
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Josquin: 22 Duets for Violin &
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jmsgu3
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.1073996 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Re...
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Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.1073996 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678264. Published by jmsgu3 (A0.1073996). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
[Flaherty] Christmas Quodlibet (String Quartet)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Noël
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Tom Flaherty
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[Flaherty] Christmas Quodlibet
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American Composers Alliance Inc.
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.856128 Composed by Tom Flaherty. Arranged by American Composers Alliance Inc. 20th Century,Christmas. Score and ...
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String Quartet String Quartet - SKU: A0.856128 Composed by Tom Flaherty. Arranged by American Composers Alliance Inc. 20th Century,Christmas. Score and parts. 16 pages. American Composers Alliance Inc. #4836617. Published by American Composers Alliance Inc. (A0.856128). Arrangement of various Christmas tunes for string quartet, including Silent Night, The First Noel, We Three Kings, and many more in less than 4 minutes - PDF download includes score and parts.
$14.95
Jingle all the way for 4 violins
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Quatuor à cordes: 4 violons
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FACILE
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Noël
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James Pierpont
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Olivia Sparkhall
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Jingle all the way for 4 violi
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Olivia Sparkhall
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SheetMusicPlus
Small Ensemble,Strings Piano Accompaniment,Sleigh Bells,Violin - Level 2 - SKU: A0.988132 Composed by James Pierpont (1822-93). Arranged by Olivia Spark...
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Small Ensemble,Strings Piano Accompaniment,Sleigh Bells,Violin - Level 2 - SKU: A0.988132 Composed by James Pierpont (1822-93). Arranged by Olivia Sparkhall. Christmas,Contemporary. Score and parts. 11 pages. Olivia Sparkhall #6593375. Published by Olivia Sparkhall (A0.988132). About the piece‘Jingle all the way’ for violin ensemble, piano, and sleigh bells, is a light-hearted arrangement of Jingle Bells. A popular choice for school concerts, violins 2 and 3 are the most straight-forward, with violin 1 written for a more able player, and violin 4 containing some chromaticism which needs more awareness of semi-tone tuning. The recording is of a violin group of secondary school children (age 13-16) who are ABRSM Grade 3+. What do you get?Download includes full score and parts. About the arrangerOlivia Sparkhall studied composition at school with Derek Bourgeois and at Durham University with Paul Archbold, and has since received critical acclaim for her vocal music. She was short-listed in the Cappella Nova competition in 2018 for Dona Nobis Pacem and has received several commissions including for International Women’s Day services in 2018 (Lux Aeterna) and 2019 (Faith and Hope).Although primarily a composer of choral music, Olivia has written various pieces for cello and chamber ensemble, both for professionals and for children. These range from pieces for solo cello, cello duet, wind quintets and string ensembles, to a percussion piece for marimba and piano. Olivia is published by Encore Publications, Chichester Music Press, and within the Kassian Choral Series of Banks Music Publications both as composer, and as arranger and editor of choral music by women composers from the past. She is part of the series research and editorial team for the Multitude of Voyces CIC Sacred Music by Women Composers set of anthologies, as well as contributing original compositions and arrangements to each of the three volumes.
$4.99
[Blank] Interval Studies for Solo Violin
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Violon
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Allan Blank
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[Blank] Interval Studies for S
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American Composers Alliance Inc.
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SheetMusicPlus
Violin Solo - SKU: A0.952162 Composed by Allan Blank. Contemporary,Instructional. 15 pages. American Composers Alliance Inc. #4413903. Published by Amer...
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Violin Solo - SKU: A0.952162 Composed by Allan Blank. Contemporary,Instructional. 15 pages. American Composers Alliance Inc. #4413903. Published by American Composers Alliance Inc. (A0.952162). Seven études on various intervals for solo violin - PDF download includes score.
$8.95
Patapan for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Traditional French
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James M
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Patapan for String Quartet
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1503264 Composed by Traditional French. Arranged by James M. Guthrie. Chamber,Chris...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1503264 Composed by Traditional French. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 18 pages. Jmsgu3 #1078752. Published by jmsgu3 (A0.1503264). Patapan is a significant French Christmas carol with a rich history and cultural importance. Here are some critical aspects of its significance:Historical ImportancePatapan is an old French carol that dates back to at least 1701. Its longevity demonstrates its enduring appeal and cultural relevance over the centuries.Musical CharacteristicsThe carol is known for its lively and rhythmic nature, which sets it apart from many other Christmas songs. Its distinctive pat-a-pan rhythm, which imitates the sound of a drum, has made it memorable and popular.Cultural InfluencePatapan has had a significant influence on other Christmas music:It may have inspired the more famous carol The Little Drummer Boy. While this connection is debated, the similarities in theme and rhythm are notable.Various artists and composers have adapted and reinterpreted the carol's rhythm, demonstrating its versatility and lasting appeal.Lyrical SignificanceThe lyrics of Patapan are noteworthy for several reasons: They feature characters Guillô and Robin, which are common in old French carols.The carol celebrates the act of caroling itself, making it a meta-commentary on the Christmas music tradition. It incorporates themes of reconciliation between God and humanity, reflecting important Christian theological concepts.Musical EducationPatapan is often used in music education and performances: Its simple rhythm makes it accessible for children to learn and perform.The carol is frequently arranged for various vocal and instrumental ensembles, as evidenced by its availability through multiple music publishers.In conclusion, Patapan is important not only as a beloved Christmas carol but also as a piece of cultural heritage that has influenced other music, reflected theological ideas, and continued to be performed and adapted for over three centuries.
$34.95
Quelle Est Cette Odeur Agréable for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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French Traditional
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James M
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Quelle Est Cette Odeur Agr&eac
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1503690 Composed by French Traditional. Arranged by James M. Guthrie. Chamber,Chris...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1503690 Composed by French Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 22 pages. Jmsgu3 #1079195. Published by jmsgu3 (A0.1503690). Quelle Est Cette Odeur Agréable is a significant traditional French Christmas carol with several notable aspects:Origin and HistoryThis carol originated in 17th-century France. In English, its title translates to What is this lovely fragrance? or Whence is that goodly fragrance flowing? The song describes the wonder of Christ's coming to Earth, using the metaphor of a pleasant fragrance.Musical SignificanceThe carol has gained recognition in the classical and choral music world:Renowned composers, including Sir David Willcocks, have arranged it. Acclaimed vocal ensembles like VOCES8 have performed and recorded this piece.The carol has been adapted for various instruments and arrangements, including guitar performances by artists like Craig Ogden.Versatility and AdaptationsQuelle Est Cette Odeur Agreable has shown remarkable versatility:It has been translated into English, often called Whence Is That Goodly Fragrance Flowing? The piece has been arranged for different vocal configurations, including SATB (Soprano, Alto, Tenor, Bass) with organ accompaniment. It has been adapted for instrumental performances, showcasing its melodic appeal beyond vocal arrangements.Cultural ImpactThe carol continues to be an important part of the Christmas music repertoire: It is featured in contemporary Christmas albums and performances.The piece is often included in choral concerts and recordings, especially during Advent. Its enduring popularity is evidenced by its inclusion in various music publications and available arrangements.
$34.95
Classics for String Quartet: Violin 1 Part
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Various
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Yelena Savranskaya
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Classics for String Quartet: V
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Songburd Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1473886 By Various. By Various. Arranged by Yelena Savranskaya. Baroque,Classical,T...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1473886 By Various. By Various. Arranged by Yelena Savranskaya. Baroque,Classical,Traditional. 27 pages. Songburd Music #1051606. Published by Songburd Music (A0.1473886). Classics for String Quartet is a collection of arrangements from some of the most well known tunes and composers in the classical music repertoire. This collection is perfect for weddings and special events!Each part is sold individually: Violin 1, Violin 2, Viola, CelloAuld Lang Syne: Scottish Folk SongTango in D: AlbénizAve Maria: Gounod, BachHighlights from “Carmen”: BizetSlavonic Fantasy: Feldman, David, Sheremetyev, HermannLittle Vienna March: KreislerClassical Medley: Mozart, Rossini, Hayden, Sousa, StraussSong of the Indian Guest: Rimsky-KorsakovThe Swan: Saint-SaënsAve Maria: SchubertWaltz: SchubertRussian Dance: Tchaikovsky.
$24.99
Stamitz: Duetto Op. 27 No. 3 for Violin Duo
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2 Violons (duo)
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INTERMÉDIAIRE
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Stamitz
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James M
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Stamitz: Duetto Op. 27 No. 3 f
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jmsgu3
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1354186 Composed by Stamitz. Arranged by James M. Guthrie. Chamber,Classical,Contest,Festival,Traditional,Wedding...
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Violin Duet Violin - Level 3 - SKU: A0.1354186 Composed by Stamitz. Arranged by James M. Guthrie. Chamber,Classical,Contest,Festival,Traditional,Wedding. 19 pages. Jmsgu3 #938888. Published by jmsgu3 (A0.1354186). The significance of Stamitz Duets Op. 27 lies in their contribution to the duet repertoire for two violins (or two flutes). Composed by Carl Stamitz, a prominent figure of this era, the duets were published in 1780. These duets are well-regarded for their musicality and are popular choices for duet performances and educational purposes. They are available in sheet music and have been performed in concerts and recordings, reflecting their enduring appeal and importance in the classical music domain. The duets are known for their melodic and expressive qualities, making them valuable for developing ensemble playing and musical interpretation skills. They are also appreciated for their historical significance in the context of classical music composition and the repertoire for violin or flute duets. Carl Stamitz, born in 1745 and passing away in 1801, was a significant figure in music history, particularly in the classical period. He was one of the most prolific Mannheim orchestral composers, known for writing numerous symphonies, concertos for various instruments, and other instrumental works. Stamitz's influence on the evolution of the Classical sonata form by introducing contrasting themes within a single movement is also noteworthy. He was a prominent representative of the second generation of the Mannheim School, and his contributions to the duet repertoire for two violins or two flutes are highly regarded for their musicality and historical significance. Despite not being as widely recognized as some of his contemporaries, his work has left a lasting impact on the classical music domain.Carl Stamitz significantly contributed to the Mannheim School of Music as the most prominent representative of its second generation. He was the eldest son of Johann Stamitz, a violinist and composer considered the Mannheim School's founder. Carl Stamitz's contribution to the school included his role as a prolific orchestral composer, writing numerous symphonies, concertos for various instruments, and other instrumental works. His work, along with that of other members of the Mannheim School, helped solidify the Classical symphony and its dynamic contrasts, impacting the evolution of the classical music period. Additionally, Carl Stamitz's choice of the viola as his favorite instrument and his compositions for the viola also contributed to the school's legacy.
$24.95
Bach: Wachet auf for String Trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for String Tr
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jmsgu3
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...
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String Ensemble,String Trio - Level 3 - SKU: A0.549856 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3555135. Published by jmsgu3 (A0.549856). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Voyager
$27.95
Bach: Wachet auf for Violin & Piano
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Violon et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Violin &a
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards....
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Piano,Violin - Level 2 - SKU: A0.549836 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. 12 pages. Jmsgu3 #3554469. Published by jmsgu3 (A0.549836). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
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